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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FFEA60 it is the complementary color #00159F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FFEA60. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FFEA60 shade: #FFEA5B, #FFFC6E, #FFFF81, #FFFF94 and #FFFFA7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FFEA60. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FFEA60 shade: #FFEA60, #EED84D, #DDC63A, #CCB427 and #BBA214

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FFEA60 shade: #FFEA60, #FFBF60, #FF9460, #FF6A60 and #FF6060

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FFEA60 shade: #FFEA60, #E9FF60, #BEFF60, #93FF60 and #69FF60

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FFEA60 shade matches the following richer shades: #FFEA60

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FFEA60 shade: #FFEA60, #F2E06D, #E5D77A, #D8CD87 and #CBC494

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FFEA60 shade: #FF9560, #FFBF60, #FFE960, #E9FF60 and #BFFF60

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FFEA60 shade: #FFDF0E, #FFE437, #FFEA60, #FFEF8A and #FFF5B3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FFEA60 shade: #FFEA60, #60FF6B and #AA60FF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FFEA60 shade: #FFEA60, #60FFE9 and #E960FF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FFEA60 shade: #FFEA60, #60FF6B, #6075FF and #FF60F4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FFEA60 shade: #FFEA60, #60FF9A, #6075FF and #FF60C5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 62 / 0

HEX #FFEA60

RGB 255 234 96

HSL 52.08, 1%, 0.69%

LAB 92.11, -8.57, 67.53

 

Complementary color

CMYK 100 / 87 / 0 / 38

HEX #00159F

RGB 0 21 159

HSL 232.08, 1%, 0.31%

LAB 20.2, 48.7, -71.99

 

CMYK 0 / 8 / 64 / 0

HEX #FFEA5B

RGB 255 234 91

HSL 52.32, 1%, 0.68%

LAB 92.07, -8.86, 69.54

 

CMYK 0 / 1 / 57 / 0

HEX #FFFC6E

RGB 255 252 110

HSL 58.76, 1%, 0.72%

LAB 96.82, -16.46, 66.81

 

CMYK 0 / 0 / 49 / 0

HEX #FFFF81

RGB 255 255 129

HSL 60, 1%, 0.75%

LAB 97.78, -16.46, 59.54

 

CMYK 0 / 0 / 42 / 0

HEX #FFFF94

RGB 255 255 148

HSL 60, 1%, 0.79%

LAB 98, -14.73, 50.97

 

CMYK 0 / 0 / 35 / 0

HEX #FFFFA7

RGB 255 255 167

HSL 60, 1%, 0.83%

LAB 98.26, -12.73, 42.11

 

CMYK 0 / 8 / 62 / 0

HEX #FFEA60

RGB 255 234 96

HSL 52.08, 1%, 0.69%

LAB 92.11, -8.57, 67.53

 

CMYK 0 / 9 / 68 / 7

HEX #EED84D

RGB 238 216 77

HSL 51.8, 0.83%, 0.62%

LAB 85.92, -7.65, 68.26

 

CMYK 0 / 10 / 74 / 13

HEX #DDC63A

RGB 221 198 58

HSL 51.53, 0.71%, 0.55%

LAB 79.65, -6.58, 68.63

 

CMYK 0 / 12 / 81 / 20

HEX #CCB427

RGB 204 180 39

HSL 51.27, 0.68%, 0.48%

LAB 73.3, -5.33, 68.38

 

CMYK 0 / 13 / 89 / 27

HEX #BBA214

RGB 187 162 20

HSL 51.02, 0.81%, 0.41%

LAB 66.87, -3.86, 67.06

 

CMYK 0 / 8 / 62 / 0

HEX #FFEA60

RGB 255 234 96

HSL 52.08, 1%, 0.69%

LAB 92.11, -8.57, 67.53

 

CMYK 0 / 25 / 62 / 0

HEX #FFBF60

RGB 255 191 96

HSL 35.85, 1%, 0.69%

LAB 81.49, 13.36, 55.82

 

CMYK 0 / 42 / 62 / 0

HEX #FF9460

RGB 255 148 96

HSL 19.62, 1%, 0.69%

LAB 71.75, 35.74, 44.49

 

CMYK 0 / 58 / 62 / 0

HEX #FF6A60

RGB 255 106 96

HSL 3.77, 1%, 0.69%

LAB 63.68, 56.11, 34.63

 

CMYK 0 / 62 / 62 / 0

HEX #FF6060

RGB 255 96 96

HSL 0, 1%, 0.69%

LAB 62.06, 60.42, 32.59

 

CMYK 0 / 8 / 62 / 0

HEX #FFEA60

RGB 255 234 96

HSL 52.08, 1%, 0.69%

LAB 92.11, -8.57, 67.53

 

CMYK 9 / 0 / 62 / 0

HEX #E9FF60

RGB 233 255 96

HSL 68.3, 1%, 0.69%

LAB 95.87, -27.5, 71.05

 

CMYK 25 / 0 / 62 / 0

HEX #BEFF60

RGB 190 255 96

HSL 84.53, 1%, 0.69%

LAB 93.15, -43.7, 67.32

 

CMYK 42 / 0 / 62 / 0

HEX #93FF60

RGB 147 255 96

HSL 100.75, 1%, 0.69%

LAB 91.04, -58, 64.41

 

CMYK 59 / 0 / 62 / 0

HEX #69FF60

RGB 105 255 96

HSL 116.6, 1%, 0.69%

LAB 89.56, -69.12, 62.36

 

CMYK 0 / 8 / 62 / 0

HEX #FFEA60

RGB 255 234 96

HSL 52.08, 1%, 0.69%

LAB 92.11, -8.57, 67.53

 

CMYK 0 / 8 / 62 / 0

HEX #FFEA60

RGB 255 234 96

HSL 52.08, 1%, 0.69%

LAB 92.11, -8.57, 67.53

 

CMYK 0 / 7 / 55 / 5

HEX #F2E06D

RGB 242 224 109

HSL 51.88, 0.84%, 0.69%

LAB 88.59, -7.97, 57.64

 

CMYK 0 / 6 / 47 / 10

HEX #E5D77A

RGB 229 215 122

HSL 52.15, 0.67%, 0.69%

LAB 85.33, -7.57, 47.36

 

CMYK 0 / 5 / 38 / 15

HEX #D8CD87

RGB 216 205 135

HSL 51.85, 0.51%, 0.69%

LAB 81.84, -6.29, 36.24

 

CMYK 0 / 3 / 27 / 20

HEX #CBC494

RGB 203 196 148

HSL 52.36, 0.35%, 0.69%

LAB 78.64, -5.1, 25.04

 

CMYK 0 / 42 / 62 / 0

HEX #FF9560

RGB 255 149 96

HSL 20, 1%, 0.69%

LAB 71.96, 35.23, 44.75

 

CMYK 0 / 25 / 62 / 0

HEX #FFBF60

RGB 255 191 96

HSL 35.85, 1%, 0.69%

LAB 81.49, 13.36, 55.82

 

CMYK 0 / 9 / 62 / 0

HEX #FFE960

RGB 255 233 96

HSL 51.7, 1%, 0.69%

LAB 91.86, -8.07, 67.26

 

CMYK 9 / 0 / 62 / 0

HEX #E9FF60

RGB 233 255 96

HSL 68.3, 1%, 0.69%

LAB 95.87, -27.5, 71.05

 

CMYK 25 / 0 / 62 / 0

HEX #BFFF60

RGB 191 255 96

HSL 84.15, 1%, 0.69%

LAB 93.21, -43.34, 67.4

 

CMYK 0 / 13 / 95 / 0

HEX #FFDF0E

RGB 255 223 14

HSL 52.03, 1%, 0.53%

LAB 88.95, -5.84, 87.4

 

CMYK 0 / 11 / 78 / 0

HEX #FFE437

RGB 255 228 55

HSL 51.9, 1%, 0.61%

LAB 90.33, -7.5, 80.48

 

CMYK 0 / 8 / 62 / 0

HEX #FFEA60

RGB 255 234 96

HSL 52.08, 1%, 0.69%

LAB 92.11, -8.57, 67.53

 

CMYK 0 / 6 / 46 / 0

HEX #FFEF8A

RGB 255 239 138

HSL 51.79, 1%, 0.77%

LAB 93.81, -7.82, 50.55

 

CMYK 0 / 4 / 30 / 0

HEX #FFF5B3

RGB 255 245 179

HSL 52.11, 1%, 0.85%

LAB 95.92, -6.38, 33.05

 

CMYK 0 / 8 / 62 / 0

HEX #FFEA60

RGB 255 234 96

HSL 52.08, 1%, 0.69%

LAB 92.11, -8.57, 67.53

 

CMYK 62 / 0 / 58 / 0

HEX #60FF6B

RGB 96 255 107

HSL 124.15, 1%, 0.69%

LAB 89.42, -69.88, 57.5

 

CMYK 33 / 62 / 0 / 0

HEX #AA60FF

RGB 170 96 255

HSL 267.92, 1%, 0.69%

LAB 56.22, 59.65, -68.07

 

CMYK 0 / 8 / 62 / 0

HEX #FFEA60

RGB 255 234 96

HSL 52.08, 1%, 0.69%

LAB 92.11, -8.57, 67.53

 

CMYK 62 / 0 / 9 / 0

HEX #60FFE9

RGB 96 255 233

HSL 171.7, 1%, 0.69%

LAB 91.64, -46.55, -1.84

 

CMYK 9 / 62 / 0 / 0

HEX #E960FF

RGB 233 96 255

HSL 291.7, 1%, 0.69%

LAB 64.09, 73.56, -55.03

 

CMYK 0 / 8 / 62 / 0

HEX #FFEA60

RGB 255 234 96

HSL 52.08, 1%, 0.69%

LAB 92.11, -8.57, 67.53

 

CMYK 62 / 0 / 58 / 0

HEX #60FF6B

RGB 96 255 107

HSL 124.15, 1%, 0.69%

LAB 89.42, -69.88, 57.5

 

CMYK 62 / 54 / 0 / 0

HEX #6075FF

RGB 96 117 255

HSL 232.08, 1%, 0.69%

LAB 54.48, 33.72, -71.19

 

CMYK 0 / 62 / 4 / 0

HEX #FF60F4

RGB 255 96 244

HSL 304.15, 1%, 0.69%

LAB 66.64, 76.85, -44.74

 

CMYK 0 / 8 / 62 / 0

HEX #FFEA60

RGB 255 234 96

HSL 52.08, 1%, 0.69%

LAB 92.11, -8.57, 67.53

 

CMYK 62 / 0 / 40 / 0

HEX #60FF9A

RGB 96 255 154

HSL 141.89, 1%, 0.69%

LAB 90.02, -63.22, 36.21

 

CMYK 62 / 54 / 0 / 0

HEX #6075FF

RGB 96 117 255

HSL 232.08, 1%, 0.69%

LAB 54.48, 33.72, -71.19

 

CMYK 0 / 62 / 23 / 0

HEX #FF60C5

RGB 255 96 197

HSL 321.89, 1%, 0.69%

LAB 64.69, 70.12, -21.5

 

Description

Color code: HEX #FFEA60 | qconv.com Color code: HEX #FFEA60 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 255 red, 234 green and 96 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
255 234 96 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 62 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 62% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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