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Color name
HEX #FFF221

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FFF221 it is the complementary color #000DDE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FFF221. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FFF221 shade: #FFF21C, #FFFF2F, #FFFF42, #FFFF55 and #FFFF68

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FFF221. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FFF221 shade: #FFF221, #EEE00E, #DDCE00, #CCBC00 and #BBAA00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FFF221 shade: #FFF11E, #FFB51E, #FF781E, #FF3C1E and #FF1E1E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FFF221 shade: #FFF11E, #CFFF1E, #93FF1E, #56FF1E and #1EFF23

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FFF221 shade matches the following richer shades: #FFF11E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FFF221 shade: #FFF11E, #ECE130, #DAD142, #C8C155 and #B6B167

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FFF221 shade: #FF781E, #FFB41E, #FFF01E, #D2FF1E and #96FF1E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FFF221 shade: #CBBF00, #F4E600, #FFF11E, #FFF447 and #FFF671

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FFF221 shade: #FFF221, #1EFF3C and #961EFF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FFF221 shade: #FFF221, #1EFFF0 and #F01EFF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FFF221 shade: #FFF221, #1EFF3C, #1E2DFF and #FF1EE1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FFF221 shade: #FFF221, #1EFF7F, #1E2DFF and #FF1E9D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 87 / 0

HEX #FFF221

RGB 255 242 33

HSL 56.49, 1%, 0.56%

LAB 93.83, -14.95, 88.51

 

Complementary color

CMYK 100 / 94 / 0 / 13

HEX #000DDE

RGB 0 13 222

HSL 236.49, 1%, 0.44%

LAB 28.28, 68.91, -95.84

 

CMYK 0 / 5 / 89 / 0

HEX #FFF21C

RGB 255 242 28

HSL 56.56, 1%, 0.55%

LAB 93.82, -15.04, 89.32

 

CMYK 0 / 0 / 82 / 0

HEX #FFFF2F

RGB 255 255 47

HSL 60, 1%, 0.59%

LAB 97.22, -20.88, 88.47

 

CMYK 0 / 0 / 74 / 0

HEX #FFFF42

RGB 255 255 66

HSL 60, 1%, 0.63%

LAB 97.3, -20.27, 83.52

 

CMYK 0 / 0 / 67 / 0

HEX #FFFF55

RGB 255 255 85

HSL 60, 1%, 0.67%

LAB 97.4, -19.42, 77.31

 

CMYK 0 / 0 / 59 / 0

HEX #FFFF68

RGB 255 255 104

HSL 60, 1%, 0.7%

LAB 97.54, -18.31, 70.1

 

CMYK 0 / 5 / 87 / 0

HEX #FFF221

RGB 255 242 33

HSL 56.49, 1%, 0.56%

LAB 93.83, -14.95, 88.51

 

CMYK 0 / 6 / 94 / 7

HEX #EEE00E

RGB 238 224 14

HSL 56.25, 0.89%, 0.49%

LAB 87.74, -13.52, 85.84

 

CMYK 0 / 7 / 100 / 13

HEX #DDCE00

RGB 221 206 0

HSL 55.93, 1%, 0.43%

LAB 81.57, -11.93, 81.92

 

CMYK 0 / 8 / 100 / 20

HEX #CCBC00

RGB 204 188 0

HSL 55.29, 1%, 0.4%

LAB 75.33, -10.17, 76.74

 

CMYK 0 / 9 / 100 / 27

HEX #BBAA00

RGB 187 170 0

HSL 54.55, 1%, 0.37%

LAB 68.98, -8.35, 71.48

 

CMYK 0 / 5 / 88 / 0

HEX #FFF11E

RGB 255 241 30

HSL 56.27, 1%, 0.56%

LAB 93.57, -14.52, 88.81

 

CMYK 0 / 29 / 88 / 0

HEX #FFB51E

RGB 255 181 30

HSL 40.27, 1%, 0.56%

LAB 78.7, 15.92, 77.22

 

CMYK 0 / 53 / 88 / 0

HEX #FF781E

RGB 255 120 30

HSL 24, 1%, 0.56%

LAB 65.58, 47.05, 67.17

 

CMYK 0 / 76 / 88 / 0

HEX #FF3C1E

RGB 255 60 30

HSL 8, 1%, 0.56%

LAB 56.67, 70.88, 60.5

 

CMYK 0 / 88 / 88 / 0

HEX #FF1E1E

RGB 255 30 30

HSL 0, 1%, 0.56%

LAB 54.33, 77.53, 58.78

 

CMYK 0 / 5 / 88 / 0

HEX #FFF11E

RGB 255 241 30

HSL 56.27, 1%, 0.56%

LAB 93.57, -14.52, 88.81

 

CMYK 19 / 0 / 88 / 0

HEX #CFFF1E

RGB 207 255 30

HSL 72.8, 1%, 0.56%

LAB 93.83, -40.42, 87.56

 

CMYK 42 / 0 / 88 / 0

HEX #93FF1E

RGB 147 255 30

HSL 88.8, 1%, 0.56%

LAB 90.7, -61.65, 83.7

 

CMYK 66 / 0 / 88 / 0

HEX #56FF1E

RGB 86 255 30

HSL 105.07, 1%, 0.56%

LAB 88.73, -77.25, 81.25

 

CMYK 88 / 0 / 86 / 0

HEX #1EFF23

RGB 30 255 35

HSL 121.33, 1%, 0.56%

LAB 87.93, -84.21, 79.35

 

CMYK 0 / 5 / 88 / 0

HEX #FFF11E

RGB 255 241 30

HSL 56.27, 1%, 0.56%

LAB 93.57, -14.52, 88.81

 

CMYK 0 / 5 / 88 / 0

HEX #FFF11E

RGB 255 241 30

HSL 56.27, 1%, 0.56%

LAB 93.57, -14.52, 88.81

 

CMYK 0 / 5 / 80 / 7

HEX #ECE130

RGB 236 225 48

HSL 56.49, 0.83%, 0.56%

LAB 87.92, -14.18, 79.68

 

CMYK 0 / 4 / 70 / 15

HEX #DAD142

RGB 218 209 66

HSL 56.45, 0.67%, 0.56%

LAB 82.32, -13.06, 68.26

 

CMYK 0 / 4 / 58 / 22

HEX #C8C155

RGB 200 193 85

HSL 56.35, 0.51%, 0.56%

LAB 76.72, -11.34, 54.1

 

CMYK 0 / 3 / 43 / 29

HEX #B6B167

RGB 182 177 103

HSL 56.2, 0.35%, 0.56%

LAB 71.12, -8.94, 38.38

 

CMYK 0 / 53 / 88 / 0

HEX #FF781E

RGB 255 120 30

HSL 24, 1%, 0.56%

LAB 65.58, 47.05, 67.17

 

CMYK 0 / 29 / 88 / 0

HEX #FFB41E

RGB 255 180 30

HSL 40, 1%, 0.56%

LAB 78.46, 16.45, 77.04

 

CMYK 0 / 6 / 88 / 0

HEX #FFF01E

RGB 255 240 30

HSL 56, 1%, 0.56%

LAB 93.31, -14.03, 88.61

 

CMYK 18 / 0 / 88 / 0

HEX #D2FF1E

RGB 210 255 30

HSL 72, 1%, 0.56%

LAB 94.02, -39.26, 87.8

 

CMYK 41 / 0 / 88 / 0

HEX #96FF1E

RGB 150 255 30

HSL 88, 1%, 0.56%

LAB 90.82, -60.7, 83.86

 

CMYK 0 / 6 / 100 / 20

HEX #CBBF00

RGB 203 191 0

HSL 56.45, 1%, 0.4%

LAB 76.04, -12.13, 77.21

 

CMYK 0 / 6 / 100 / 4

HEX #F4E600

RGB 244 230 0

HSL 56.56, 1%, 0.48%

LAB 89.78, -14.06, 88.73

 

CMYK 0 / 5 / 88 / 0

HEX #FFF11E

RGB 255 241 30

HSL 56.27, 1%, 0.56%

LAB 93.57, -14.52, 88.81

 

CMYK 0 / 4 / 72 / 0

HEX #FFF447

RGB 255 244 71

HSL 56.41, 1%, 0.64%

LAB 94.49, -14.77, 79.32

 

CMYK 0 / 4 / 56 / 0

HEX #FFF671

RGB 255 246 113

HSL 56.2, 1%, 0.72%

LAB 95.31, -13.34, 63.82

 

CMYK 0 / 5 / 87 / 0

HEX #FFF221

RGB 255 242 33

HSL 56.49, 1%, 0.56%

LAB 93.83, -14.95, 88.51

 

CMYK 88 / 0 / 76 / 0

HEX #1EFF3C

RGB 30 255 60

HSL 128, 1%, 0.56%

LAB 88.03, -82.95, 73.29

 

CMYK 41 / 88 / 0 / 0

HEX #961EFF

RGB 150 30 255

HSL 272, 1%, 0.56%

LAB 45.13, 81.04, -86.25

 

CMYK 0 / 5 / 87 / 0

HEX #FFF221

RGB 255 242 33

HSL 56.49, 1%, 0.56%

LAB 93.83, -14.95, 88.51

 

CMYK 88 / 0 / 6 / 0

HEX #1EFFF0

RGB 30 255 240

HSL 176, 1%, 0.56%

LAB 90.82, -51.43, -6.78

 

CMYK 6 / 88 / 0 / 0

HEX #F01EFF

RGB 240 30 255

HSL 296, 1%, 0.56%

LAB 58.67, 93.4, -63.62

 

CMYK 0 / 5 / 87 / 0

HEX #FFF221

RGB 255 242 33

HSL 56.49, 1%, 0.56%

LAB 93.83, -14.95, 88.51

 

CMYK 88 / 0 / 76 / 0

HEX #1EFF3C

RGB 30 255 60

HSL 128, 1%, 0.56%

LAB 88.03, -82.95, 73.29

 

CMYK 88 / 82 / 0 / 0

HEX #1E2DFF

RGB 30 45 255

HSL 236, 1%, 0.56%

LAB 36.69, 67.89, -100.52

 

CMYK 0 / 88 / 12 / 0

HEX #FF1EE1

RGB 255 30 225

HSL 308, 1%, 0.56%

LAB 59.55, 91.76, -45.31

 

CMYK 0 / 5 / 87 / 0

HEX #FFF221

RGB 255 242 33

HSL 56.49, 1%, 0.56%

LAB 93.83, -14.95, 88.51

 

CMYK 88 / 0 / 50 / 0

HEX #1EFF7F

RGB 30 255 127

HSL 145.87, 1%, 0.56%

LAB 88.6, -75.79, 47.22

 

CMYK 88 / 82 / 0 / 0

HEX #1E2DFF

RGB 30 45 255

HSL 236, 1%, 0.56%

LAB 36.69, 67.89, -100.52

 

CMYK 0 / 88 / 38 / 0

HEX #FF1E9D

RGB 255 30 157

HSL 326.13, 1%, 0.56%

LAB 56.71, 84.2, -10.51

 

Description

Color code: HEX #FFF221 | qconv.com Color code: HEX #FFF221 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 255 red, 242 green and 33 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
255 242 33 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 87 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 87% 0% C M Y K

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Provide designers and agencies with accurate color values.

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