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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FFFD23 it is the complementary color #0002DC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FFFD23. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FFFD23 shade: #FFFD1E, #FFFF31, #FFFF44, #FFFF57 and #FFFF6A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FFFD23. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FFFD23 shade: #FFFD23, #EEEB10, #DDD900, #CCC700 and #BBB500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FFFD23 shade: #FFFC23, #FFC123, #FF8623, #FF4B23 and #FF2323

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FFFD23 shade: #FFFC23, #C5FF23, #8AFF23, #4FFF23 and #23FF32

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FFFD23 shade matches the following richer shades: #FFFC23

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FFFD23 shade: #FFFC23, #EDEB35, #DBDA47, #C9C858 and #B8B76A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FFFD23 shade: #FF8623, #FFC023, #FFFB23, #C8FF23 and #8DFF23

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FFFD23 shade: #D0CE00, #F9F700, #FFFC23, #FFFD4C and #FFFD76

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FFFD23 shade: #FFFD23, #23FF4B and #A323FF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FFFD23 shade: #FFFD23, #23FFFB and #FB23FF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FFFD23 shade: #FFFD23, #23FF4B, #2327FF and #FF23D6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FFFD23 shade: #FFFD23, #23FF8D, #2327FF and #FF2395

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 1 / 86 / 0

HEX #FFFD23

RGB 255 253 35

HSL 59.45, 1%, 0.57%

LAB 96.67, -20.21, 90.43

 

Complementary color

CMYK 100 / 99 / 0 / 14

HEX #0002DC

RGB 0 2 220

HSL 239.45, 1%, 0.43%

LAB 27.33, 70.46, -96.28

 

CMYK 0 / 1 / 88 / 0

HEX #FFFD1E

RGB 255 253 30

HSL 59.47, 1%, 0.56%

LAB 96.66, -20.3, 91.24

 

CMYK 0 / 0 / 81 / 0

HEX #FFFF31

RGB 255 255 49

HSL 60, 1%, 0.6%

LAB 97.23, -20.83, 88.02

 

CMYK 0 / 0 / 73 / 0

HEX #FFFF44

RGB 255 255 68

HSL 60, 1%, 0.63%

LAB 97.31, -20.19, 82.92

 

CMYK 0 / 0 / 66 / 0

HEX #FFFF57

RGB 255 255 87

HSL 60, 1%, 0.67%

LAB 97.42, -19.31, 76.59

 

CMYK 0 / 0 / 58 / 0

HEX #FFFF6A

RGB 255 255 106

HSL 60, 1%, 0.71%

LAB 97.56, -18.18, 69.3

 

CMYK 0 / 1 / 86 / 0

HEX #FFFD23

RGB 255 253 35

HSL 59.45, 1%, 0.57%

LAB 96.67, -20.21, 90.43

 

CMYK 0 / 1 / 93 / 7

HEX #EEEB10

RGB 238 235 16

HSL 59.19, 0.87%, 0.5%

LAB 90.61, -18.88, 87.8

 

CMYK 0 / 2 / 100 / 13

HEX #DDD900

RGB 221 217 0

HSL 58.91, 1%, 0.43%

LAB 84.48, -17.39, 84.03

 

CMYK 0 / 2 / 100 / 20

HEX #CCC700

RGB 204 199 0

HSL 58.53, 1%, 0.4%

LAB 78.28, -15.73, 78.87

 

CMYK 0 / 3 / 100 / 27

HEX #BBB500

RGB 187 181 0

HSL 58.07, 1%, 0.37%

LAB 71.97, -14.04, 73.64

 

CMYK 0 / 1 / 86 / 0

HEX #FFFC23

RGB 255 252 35

HSL 59.18, 1%, 0.57%

LAB 96.41, -19.73, 90.22

 

CMYK 0 / 24 / 86 / 0

HEX #FFC123

RGB 255 193 35

HSL 43.09, 1%, 0.57%

LAB 81.58, 9.78, 78.35

 

CMYK 0 / 47 / 86 / 0

HEX #FF8623

RGB 255 134 35

HSL 27, 1%, 0.57%

LAB 68.34, 40.29, 67.77

 

CMYK 0 / 71 / 86 / 0

HEX #FF4B23

RGB 255 75 35

HSL 10.91, 1%, 0.57%

LAB 58.43, 66.16, 59.87

 

CMYK 0 / 86 / 86 / 0

HEX #FF2323

RGB 255 35 35

HSL 0, 1%, 0.57%

LAB 54.64, 76.79, 56.85

 

CMYK 0 / 1 / 86 / 0

HEX #FFFC23

RGB 255 252 35

HSL 59.18, 1%, 0.57%

LAB 96.41, -19.73, 90.22

 

CMYK 23 / 0 / 86 / 0

HEX #C5FF23

RGB 197 255 35

HSL 75.82, 1%, 0.57%

LAB 93.24, -44.12, 85.99

 

CMYK 46 / 0 / 86 / 0

HEX #8AFF23

RGB 138 255 35

HSL 91.91, 1%, 0.57%

LAB 90.34, -64.26, 82.38

 

CMYK 69 / 0 / 86 / 0

HEX #4FFF23

RGB 79 255 35

HSL 108, 1%, 0.57%

LAB 88.59, -78.37, 80.19

 

CMYK 86 / 0 / 80 / 0

HEX #23FF32

RGB 35 255 50

HSL 124.09, 1%, 0.57%

LAB 88.02, -83.19, 76.09

 

CMYK 0 / 1 / 86 / 0

HEX #FFFC23

RGB 255 252 35

HSL 59.18, 1%, 0.57%

LAB 96.41, -19.73, 90.22

 

CMYK 0 / 1 / 86 / 0

HEX #FFFC23

RGB 255 252 35

HSL 59.18, 1%, 0.57%

LAB 96.41, -19.73, 90.22

 

CMYK 0 / 1 / 78 / 7

HEX #EDEB35

RGB 237 235 53

HSL 59.35, 0.84%, 0.57%

LAB 90.63, -18.49, 80.74

 

CMYK 0 / 0 / 68 / 14

HEX #DBDA47

RGB 219 218 71

HSL 59.59, 0.67%, 0.57%

LAB 84.82, -16.86, 68.92

 

CMYK 0 / 0 / 56 / 21

HEX #C9C858

RGB 201 200 88

HSL 59.47, 0.51%, 0.57%

LAB 78.71, -14.25, 55

 

CMYK 0 / 1 / 42 / 28

HEX #B8B76A

RGB 184 183 106

HSL 59.23, 0.35%, 0.57%

LAB 72.96, -10.93, 39.18

 

CMYK 0 / 47 / 86 / 0

HEX #FF8623

RGB 255 134 35

HSL 27, 1%, 0.57%

LAB 68.34, 40.29, 67.77

 

CMYK 0 / 25 / 86 / 0

HEX #FFC023

RGB 255 192 35

HSL 42.82, 1%, 0.57%

LAB 81.34, 10.3, 78.16

 

CMYK 0 / 2 / 86 / 0

HEX #FFFB23

RGB 255 251 35

HSL 58.91, 1%, 0.57%

LAB 96.15, -19.25, 90.01

 

CMYK 22 / 0 / 86 / 0

HEX #C8FF23

RGB 200 255 35

HSL 75, 1%, 0.57%

LAB 93.42, -42.98, 86.21

 

CMYK 45 / 0 / 86 / 0

HEX #8DFF23

RGB 141 255 35

HSL 91.09, 1%, 0.57%

LAB 90.46, -63.36, 82.53

 

CMYK 0 / 1 / 100 / 18

HEX #D0CE00

RGB 208 206 0

HSL 59.42, 1%, 0.41%

LAB 80.49, -17.5, 80.64

 

CMYK 0 / 1 / 100 / 2

HEX #F9F700

RGB 249 247 0

HSL 59.52, 1%, 0.49%

LAB 94.59, -20.22, 92.41

 

CMYK 0 / 1 / 86 / 0

HEX #FFFC23

RGB 255 252 35

HSL 59.18, 1%, 0.57%

LAB 96.41, -19.73, 90.22

 

CMYK 0 / 1 / 70 / 0

HEX #FFFD4C

RGB 255 253 76

HSL 59.33, 1%, 0.65%

LAB 96.83, -18.89, 79.9

 

CMYK 0 / 1 / 54 / 0

HEX #FFFD76

RGB 255 253 118

HSL 59.12, 1%, 0.73%

LAB 97.15, -16.37, 63.72

 

CMYK 0 / 1 / 86 / 0

HEX #FFFD23

RGB 255 253 35

HSL 59.45, 1%, 0.57%

LAB 96.67, -20.21, 90.43

 

CMYK 86 / 0 / 71 / 0

HEX #23FF4B

RGB 35 255 75

HSL 130.91, 1%, 0.57%

LAB 88.15, -81.49, 68.52

 

CMYK 36 / 86 / 0 / 0

HEX #A323FF

RGB 163 35 255

HSL 274.91, 1%, 0.57%

LAB 47.25, 81.47, -82.7

 

CMYK 0 / 1 / 86 / 0

HEX #FFFD23

RGB 255 253 35

HSL 59.45, 1%, 0.57%

LAB 96.67, -20.21, 90.43

 

CMYK 86 / 0 / 2 / 0

HEX #23FFFB

RGB 35 255 251

HSL 178.91, 1%, 0.57%

LAB 91.16, -48.14, -11.98

 

CMYK 2 / 86 / 0 / 0

HEX #FB23FF

RGB 251 35 255

HSL 298.91, 1%, 0.57%

LAB 60.72, 94.46, -60.24

 

CMYK 0 / 1 / 86 / 0

HEX #FFFD23

RGB 255 253 35

HSL 59.45, 1%, 0.57%

LAB 96.67, -20.21, 90.43

 

CMYK 86 / 0 / 71 / 0

HEX #23FF4B

RGB 35 255 75

HSL 130.91, 1%, 0.57%

LAB 88.15, -81.49, 68.52

 

CMYK 86 / 85 / 0 / 0

HEX #2327FF

RGB 35 39 255

HSL 238.91, 1%, 0.57%

LAB 36.04, 70.43, -101.61

 

CMYK 0 / 86 / 16 / 0

HEX #FF23D6

RGB 255 35 214

HSL 311.18, 1%, 0.57%

LAB 59.27, 89.64, -39.53

 

CMYK 0 / 1 / 86 / 0

HEX #FFFD23

RGB 255 253 35

HSL 59.45, 1%, 0.57%

LAB 96.67, -20.21, 90.43

 

CMYK 86 / 0 / 45 / 0

HEX #23FF8D

RGB 35 255 141

HSL 148.91, 1%, 0.57%

LAB 88.83, -73.25, 40.83

 

CMYK 86 / 85 / 0 / 0

HEX #2327FF

RGB 35 39 255

HSL 238.91, 1%, 0.57%

LAB 36.04, 70.43, -101.61

 

CMYK 0 / 86 / 42 / 0

HEX #FF2395

RGB 255 35 149

HSL 328.91, 1%, 0.57%

LAB 56.72, 82.7, -5.77

 

Description

Color code: HEX #FFFD23 | qconv.com Color code: HEX #FFFD23 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 255 red, 253 green and 35 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
255 253 35 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 1 magenta, 86 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 1% 86% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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