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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 43 97 43 it is the complementary color RGB 212 158 212. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 43 97 43. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 43 97 43 shade: RGB 48 97 38, RGB 65 115 57, RGB 82 133 76, RGB 99 151 95 and RGB 116 169 114

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 43 97 43. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 43 97 43 shade: RGB 43 97 43, RGB 26 79 24, RGB 9 61 5, RGB 0 43 0 and RGB 0 25 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 43 97 43 shade: RGB 41 95 41, RGB 56 95 41, RGB 70 95 41, RGB 85 95 41 and RGB 95 91 41

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 43 97 43 shade: RGB 41 95 41, RGB 41 95 56, RGB 41 95 70, RGB 41 95 85 and RGB 41 91 95

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 43 97 43 shade matches the following richer shades: RGB 41 95 41, RGB 30 106 30, RGB 19 117 19 and RGB 8 129 8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 43 97 43 shade: RGB 41 95 41, RGB 53 84 53, RGB 64 73 64, RGB 75 62 75 and RGB 86 51 86

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 43 97 43 shade: RGB 70 95 41, RGB 56 95 41, RGB 41 95 41, RGB 41 95 56 and RGB 41 95 70

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 43 97 43 shade: RGB 16 38 16, RGB 29 67 29, RGB 41 95 41, RGB 54 124 54 and RGB 67 153 67

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 43 97 43 shade: RGB 43 97 43, RGB 41 84 95 and RGB 95 41 63

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 43 97 43 shade: RGB 43 97 43, RGB 41 41 95 and RGB 95 41 41

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 43 97 43 shade: RGB 43 97 43, RGB 41 84 95, RGB 95 41 95 and RGB 95 52 41

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 43 97 43 shade: RGB 43 97 43, RGB 41 68 95, RGB 95 41 95 and RGB 95 68 41

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 0 / 56 / 62

HEX #2B612B

RGB 43 97 43

HSL 120, 0.39%, 0.27%

LAB 36.44, -30.23, 25.24

 

Complementary color

CMYK 0 / 25 / 0 / 17

HEX #D49ED4

RGB 212 158 212

HSL 300, 0.39%, 0.73%

LAB 71.69, 29.01, -19.7

 

CMYK 51 / 0 / 61 / 62

HEX #306126

RGB 48 97 38

HSL 109.83, 0.44%, 0.26%

LAB 36.59, -29.34, 28.16

 

CMYK 43 / 0 / 50 / 55

HEX #417339

RGB 65 115 57

HSL 111.72, 0.34%, 0.34%

LAB 43.77, -29.32, 26.8

 

CMYK 38 / 0 / 43 / 48

HEX #52854C

RGB 82 133 76

HSL 113.68, 0.27%, 0.41%

LAB 50.79, -29.16, 25.45

 

CMYK 34 / 0 / 37 / 41

HEX #63975F

RGB 99 151 95

HSL 115.71, 0.23%, 0.48%

LAB 57.67, -28.93, 24.16

 

CMYK 31 / 0 / 33 / 34

HEX #74A972

RGB 116 169 114

HSL 117.82, 0.24%, 0.55%

LAB 64.41, -28.68, 22.97

 

CMYK 56 / 0 / 56 / 62

HEX #2B612B

RGB 43 97 43

HSL 120, 0.39%, 0.27%

LAB 36.44, -30.23, 25.24

 

CMYK 67 / 0 / 70 / 69

HEX #1A4F18

RGB 26 79 24

HSL 117.82, 0.53%, 0.2%

LAB 29.1, -29.87, 26.62

 

CMYK 85 / 0 / 92 / 76

HEX #093D05

RGB 9 61 5

HSL 115.71, 0.85%, 0.13%

LAB 21.6, -28.59, 27.15

 

CMYK 100 / 0 / 100 / 83

HEX #002B00

RGB 0 43 0

HSL 120, 1%, 0.08%

LAB 13.99, -24.91, 20

 

CMYK 100 / 0 / 100 / 90

HEX #001900

RGB 0 25 0

HSL 120, 1%, 0.05%

LAB 6.28, -12.83, 9.17

 

CMYK 57 / 0 / 57 / 63

HEX #295F29

RGB 41 95 41

HSL 120, 0.4%, 0.27%

LAB 35.63, -30.23, 25.33

 

CMYK 41 / 0 / 57 / 63

HEX #385F29

RGB 56 95 41

HSL 103.33, 0.4%, 0.27%

LAB 36.34, -25.16, 26.36

 

CMYK 26 / 0 / 57 / 63

HEX #465F29

RGB 70 95 41

HSL 87.78, 0.4%, 0.27%

LAB 37.2, -19.55, 27.59

 

CMYK 11 / 0 / 57 / 63

HEX #555F29

RGB 85 95 41

HSL 71.11, 0.4%, 0.27%

LAB 38.33, -12.91, 29.21

 

CMYK 0 / 4 / 57 / 63

HEX #5F5B29

RGB 95 91 41

HSL 55.56, 0.4%, 0.27%

LAB 37.98, -5.95, 29.02

 

CMYK 57 / 0 / 57 / 63

HEX #295F29

RGB 41 95 41

HSL 120, 0.4%, 0.27%

LAB 35.63, -30.23, 25.33

 

CMYK 57 / 0 / 41 / 63

HEX #295F38

RGB 41 95 56

HSL 136.67, 0.4%, 0.27%

LAB 35.87, -27.64, 17.03

 

CMYK 57 / 0 / 26 / 63

HEX #295F46

RGB 41 95 70

HSL 152.22, 0.4%, 0.27%

LAB 36.17, -24.56, 8.97

 

CMYK 57 / 0 / 11 / 63

HEX #295F55

RGB 41 95 85

HSL 168.89, 0.4%, 0.27%

LAB 36.58, -20.64, 0.29

 

CMYK 57 / 4 / 0 / 63

HEX #295B5F

RGB 41 91 95

HSL 184.44, 0.4%, 0.27%

LAB 35.56, -15.47, -7.44

 

CMYK 57 / 0 / 57 / 63

HEX #295F29

RGB 41 95 41

HSL 120, 0.4%, 0.27%

LAB 35.63, -30.23, 25.33

 

CMYK 72 / 0 / 72 / 58

HEX #1E6A1E

RGB 30 106 30

HSL 120, 0.56%, 0.27%

LAB 39.03, -38.97, 34.63

 

CMYK 84 / 0 / 84 / 54

HEX #137513

RGB 19 117 19

HSL 120, 0.72%, 0.27%

LAB 42.62, -45.66, 42.38

 

CMYK 94 / 0 / 94 / 49

HEX #088108

RGB 8 129 8

HSL 120, 0.88%, 0.27%

LAB 46.67, -51.06, 48.66

 

CMYK 57 / 0 / 57 / 63

HEX #295F29

RGB 41 95 41

HSL 120, 0.4%, 0.27%

LAB 35.63, -30.23, 25.33

 

CMYK 37 / 0 / 37 / 67

HEX #355435

RGB 53 84 53

HSL 120, 0.23%, 0.27%

LAB 32.6, -18.69, 14.6

 

CMYK 12 / 0 / 12 / 71

HEX #404940

RGB 64 73 64

HSL 120, 0.07%, 0.27%

LAB 29.97, -5.68, 4.16

 

CMYK 0 / 17 / 0 / 71

HEX #4B3E4B

RGB 75 62 75

HSL 300, 0.09%, 0.27%

LAB 27.98, 8.35, -5.79

 

CMYK 0 / 41 / 0 / 66

HEX #563356

RGB 86 51 86

HSL 300, 0.26%, 0.27%

LAB 26.79, 22.14, -14.69

 

CMYK 26 / 0 / 57 / 63

HEX #465F29

RGB 70 95 41

HSL 87.78, 0.4%, 0.27%

LAB 37.2, -19.55, 27.59

 

CMYK 41 / 0 / 57 / 63

HEX #385F29

RGB 56 95 41

HSL 103.33, 0.4%, 0.27%

LAB 36.34, -25.16, 26.36

 

CMYK 57 / 0 / 57 / 63

HEX #295F29

RGB 41 95 41

HSL 120, 0.4%, 0.27%

LAB 35.63, -30.23, 25.33

 

CMYK 57 / 0 / 41 / 63

HEX #295F38

RGB 41 95 56

HSL 136.67, 0.4%, 0.27%

LAB 35.87, -27.64, 17.03

 

CMYK 57 / 0 / 26 / 63

HEX #295F46

RGB 41 95 70

HSL 152.22, 0.4%, 0.27%

LAB 36.17, -24.56, 8.97

 

CMYK 58 / 0 / 58 / 85

HEX #102610

RGB 16 38 16

HSL 120, 0.41%, 0.11%

LAB 12.82, -14.66, 11.61

 

CMYK 57 / 0 / 57 / 74

HEX #1D431D

RGB 29 67 29

HSL 120, 0.4%, 0.19%

LAB 24.84, -22.81, 18.9

 

CMYK 57 / 0 / 57 / 63

HEX #295F29

RGB 41 95 41

HSL 120, 0.4%, 0.27%

LAB 35.63, -30.23, 25.33

 

CMYK 56 / 0 / 56 / 51

HEX #367C36

RGB 54 124 54

HSL 120, 0.39%, 0.35%

LAB 46.27, -37.21, 31.33

 

CMYK 56 / 0 / 56 / 40

HEX #439943

RGB 67 153 67

HSL 120, 0.39%, 0.43%

LAB 56.47, -43.85, 37.05

 

CMYK 56 / 0 / 56 / 62

HEX #2B612B

RGB 43 97 43

HSL 120, 0.39%, 0.27%

LAB 36.44, -30.23, 25.24

 

CMYK 57 / 12 / 0 / 63

HEX #29545F

RGB 41 84 95

HSL 192.22, 0.4%, 0.27%

LAB 33.22, -11.41, -10.97

 

CMYK 0 / 57 / 34 / 63

HEX #5F293F

RGB 95 41 63

HSL 335.56, 0.4%, 0.27%

LAB 24.88, 27.3, -2.12

 

CMYK 56 / 0 / 56 / 62

HEX #2B612B

RGB 43 97 43

HSL 120, 0.39%, 0.27%

LAB 36.44, -30.23, 25.24

 

CMYK 57 / 57 / 0 / 63

HEX #29295F

RGB 41 41 95

HSL 240, 0.4%, 0.27%

LAB 19.57, 17.24, -32.34

 

CMYK 0 / 57 / 57 / 63

HEX #5F2929

RGB 95 41 41

HSL 0, 0.4%, 0.27%

LAB 24.25, 24.6, 11.86

 

CMYK 56 / 0 / 56 / 62

HEX #2B612B

RGB 43 97 43

HSL 120, 0.39%, 0.27%

LAB 36.44, -30.23, 25.24

 

CMYK 57 / 12 / 0 / 63

HEX #29545F

RGB 41 84 95

HSL 192.22, 0.4%, 0.27%

LAB 33.22, -11.41, -10.97

 

CMYK 0 / 57 / 0 / 63

HEX #5F295F

RGB 95 41 95

HSL 300, 0.4%, 0.27%

LAB 26.29, 32.92, -21.25

 

CMYK 0 / 45 / 57 / 63

HEX #5F3429

RGB 95 52 41

HSL 12.22, 0.4%, 0.27%

LAB 26.87, 18.06, 15.33

 

CMYK 56 / 0 / 56 / 62

HEX #2B612B

RGB 43 97 43

HSL 120, 0.39%, 0.27%

LAB 36.44, -30.23, 25.24

 

CMYK 57 / 28 / 0 / 63

HEX #29445F

RGB 41 68 95

HSL 210, 0.4%, 0.27%

LAB 27.93, -1.43, -19.09

 

CMYK 0 / 57 / 0 / 63

HEX #5F295F

RGB 95 41 95

HSL 300, 0.4%, 0.27%

LAB 26.29, 32.92, -21.25

 

CMYK 0 / 28 / 57 / 63

HEX #5F4429

RGB 95 68 41

HSL 30, 0.4%, 0.27%

LAB 31.18, 8.08, 20.82

 

Description

Color code: RGB 43 97 43 | qconv.com Color code: RGB 43 97 43 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 43 red, 97 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
43 97 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, none magenta, 56 yellow and 62 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 0% 56% 62% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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