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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 43 157 123 it is the complementary color RGB 212 98 132. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 43 157 123. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 43 157 123 shade: RGB 48 157 118, RGB 65 175 137, RGB 82 193 156, RGB 99 211 175 and RGB 116 229 194

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 43 157 123. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 43 157 123 shade: RGB 43 157 123, RGB 26 139 104, RGB 9 121 85, RGB 0 103 66 and RGB 0 85 47

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 43 157 123 shade: RGB 42 156 122, RGB 42 156 91, RGB 42 156 61, RGB 54 156 42 and RGB 85 156 42

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 43 157 123 shade: RGB 42 156 122, RGB 42 156 152, RGB 42 128 156, RGB 42 98 156 and RGB 42 67 156

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 43 157 123 shade matches the following richer shades: RGB 42 156 122, RGB 26 172 128 and RGB 10 188 135

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 43 157 123 shade: RGB 42 156 122, RGB 58 140 115, RGB 74 123 109, RGB 91 107 102 and RGB 107 91 96

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 43 157 123 shade: RGB 42 156 61, RGB 42 156 91, RGB 42 156 122, RGB 42 156 152 and RGB 42 129 156

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 43 157 123 shade: RGB 25 91 71, RGB 33 123 96, RGB 42 156 122, RGB 51 188 147 and RGB 75 205 167

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 43 157 123 shade: RGB 43 157 123, RGB 42 54 156 and RGB 156 76 42

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 43 157 123 shade: RGB 43 157 123, RGB 122 42 156 and RGB 156 122 42

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 43 157 123 shade: RGB 43 157 123, RGB 42 54 156, RGB 156 42 76 and RGB 156 144 42

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 43 157 123 shade: RGB 43 157 123, RGB 65 42 156, RGB 156 42 76 and RGB 133 156 42

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 0 / 22 / 38

HEX #2B9D7B

RGB 43 157 123

HSL 162.11, 0.57%, 0.39%

LAB 58.09, -39.72, 8.82

 

Complementary color

CMYK 0 / 54 / 38 / 17

HEX #D46284

RGB 212 98 132

HSL 342.11, 0.57%, 0.61%

LAB 56.48, 48.27, 3.07

 

CMYK 69 / 0 / 25 / 38

HEX #309D76

RGB 48 157 118

HSL 158.53, 0.53%, 0.4%

LAB 58.08, -40.15, 11.64

 

CMYK 63 / 0 / 22 / 31

HEX #41AF89

RGB 65 175 137

HSL 159.27, 0.46%, 0.47%

LAB 64.64, -40.46, 10.36

 

CMYK 58 / 0 / 19 / 24

HEX #52C19C

RGB 82 193 156

HSL 160, 0.47%, 0.54%

LAB 71.1, -40.58, 9.22

 

CMYK 53 / 0 / 17 / 17

HEX #63D3AF

RGB 99 211 175

HSL 160.71, 0.56%, 0.61%

LAB 77.48, -40.58, 8.17

 

CMYK 49 / 0 / 15 / 10

HEX #74E5C2

RGB 116 229 194

HSL 161.42, 0.68%, 0.68%

LAB 83.78, -40.51, 7.2

 

CMYK 73 / 0 / 22 / 38

HEX #2B9D7B

RGB 43 157 123

HSL 162.11, 0.57%, 0.39%

LAB 58.09, -39.72, 8.82

 

CMYK 81 / 0 / 25 / 45

HEX #1A8B68

RGB 26 139 104

HSL 161.42, 0.68%, 0.32%

LAB 51.48, -38.93, 10.24

 

CMYK 93 / 0 / 30 / 53

HEX #097955

RGB 9 121 85

HSL 160.71, 0.86%, 0.25%

LAB 44.79, -37.63, 11.88

 

CMYK 100 / 0 / 36 / 60

HEX #006742

RGB 0 103 66

HSL 158.45, 1%, 0.2%

LAB 38.01, -35.57, 13.79

 

CMYK 100 / 0 / 45 / 67

HEX #00552F

RGB 0 85 47

HSL 153.18, 1%, 0.17%

LAB 31.12, -32.71, 15.97

 

CMYK 73 / 0 / 22 / 39

HEX #2A9C7A

RGB 42 156 122

HSL 162.11, 0.58%, 0.39%

LAB 57.73, -39.68, 8.86

 

CMYK 73 / 0 / 42 / 39

HEX #2A9C5B

RGB 42 156 91

HSL 145.79, 0.58%, 0.39%

LAB 57.1, -46.5, 25.21

 

CMYK 73 / 0 / 61 / 39

HEX #2A9C3D

RGB 42 156 61

HSL 130, 0.58%, 0.39%

LAB 56.69, -51.25, 40.04

 

CMYK 65 / 0 / 73 / 39

HEX #369C2A

RGB 54 156 42

HSL 113.68, 0.58%, 0.39%

LAB 56.81, -50.86, 48.45

 

CMYK 46 / 0 / 73 / 39

HEX #559C2A

RGB 85 156 42

HSL 97.37, 0.58%, 0.39%

LAB 57.92, -42.23, 49.93

 

CMYK 73 / 0 / 22 / 39

HEX #2A9C7A

RGB 42 156 122

HSL 162.11, 0.58%, 0.39%

LAB 57.73, -39.68, 8.86

 

CMYK 73 / 0 / 3 / 39

HEX #2A9C98

RGB 42 156 152

HSL 177.89, 0.58%, 0.39%

LAB 58.54, -31.48, -6.97

 

CMYK 73 / 18 / 0 / 39

HEX #2A809C

RGB 42 128 156

HSL 194.74, 0.58%, 0.39%

LAB 49.89, -15.8, -22.36

 

CMYK 73 / 37 / 0 / 39

HEX #2A629C

RGB 42 98 156

HSL 210.53, 0.58%, 0.39%

LAB 40.62, 1.98, -36.86

 

CMYK 73 / 57 / 0 / 39

HEX #2A439C

RGB 42 67 156

HSL 226.84, 0.58%, 0.39%

LAB 31.59, 22.44, -51.35

 

CMYK 73 / 0 / 22 / 39

HEX #2A9C7A

RGB 42 156 122

HSL 162.11, 0.58%, 0.39%

LAB 57.73, -39.68, 8.86

 

CMYK 85 / 0 / 26 / 33

HEX #1AAC80

RGB 26 172 128

HSL 161.92, 0.74%, 0.39%

LAB 62.75, -46.69, 12.56

 

CMYK 95 / 0 / 28 / 26

HEX #0ABC87

RGB 10 188 135

HSL 162.13, 0.9%, 0.39%

LAB 67.86, -52.24, 15.86

 

CMYK 73 / 0 / 22 / 39

HEX #2A9C7A

RGB 42 156 122

HSL 162.11, 0.58%, 0.39%

LAB 57.73, -39.68, 8.86

 

CMYK 59 / 0 / 18 / 45

HEX #3A8C73

RGB 58 140 115

HSL 161.71, 0.41%, 0.39%

LAB 52.83, -31.27, 5.94

 

CMYK 40 / 0 / 11 / 52

HEX #4A7B6D

RGB 74 123 109

HSL 162.86, 0.25%, 0.39%

LAB 47.91, -20.09, 2.44

 

CMYK 15 / 0 / 5 / 58

HEX #5B6B66

RGB 91 107 102

HSL 161.25, 0.08%, 0.39%

LAB 43.8, -7.12, 0.77

 

CMYK 0 / 15 / 10 / 58

HEX #6B5B60

RGB 107 91 96

HSL 341.25, 0.08%, 0.39%

LAB 40.33, 7.43, -0.46

 

CMYK 73 / 0 / 61 / 39

HEX #2A9C3D

RGB 42 156 61

HSL 130, 0.58%, 0.39%

LAB 56.69, -51.25, 40.04

 

CMYK 73 / 0 / 42 / 39

HEX #2A9C5B

RGB 42 156 91

HSL 145.79, 0.58%, 0.39%

LAB 57.1, -46.5, 25.21

 

CMYK 73 / 0 / 22 / 39

HEX #2A9C7A

RGB 42 156 122

HSL 162.11, 0.58%, 0.39%

LAB 57.73, -39.68, 8.86

 

CMYK 73 / 0 / 3 / 39

HEX #2A9C98

RGB 42 156 152

HSL 177.89, 0.58%, 0.39%

LAB 58.54, -31.48, -6.97

 

CMYK 73 / 17 / 0 / 39

HEX #2A819C

RGB 42 129 156

HSL 194.21, 0.58%, 0.39%

LAB 50.21, -16.35, -21.88

 

CMYK 73 / 0 / 22 / 64

HEX #195B47

RGB 25 91 71

HSL 161.82, 0.57%, 0.23%

LAB 34.28, -25.95, 5.61

 

CMYK 73 / 0 / 22 / 52

HEX #217B60

RGB 33 123 96

HSL 162, 0.58%, 0.31%

LAB 46.09, -32.99, 7.3

 

CMYK 73 / 0 / 22 / 39

HEX #2A9C7A

RGB 42 156 122

HSL 162.11, 0.58%, 0.39%

LAB 57.73, -39.68, 8.86

 

CMYK 73 / 0 / 22 / 26

HEX #33BC93

RGB 51 188 147

HSL 162.04, 0.57%, 0.47%

LAB 68.59, -45.9, 10.44

 

CMYK 63 / 0 / 19 / 20

HEX #4BCDA7

RGB 75 205 167

HSL 162.46, 0.57%, 0.55%

LAB 74.79, -44.57, 8.52

 

CMYK 73 / 0 / 22 / 38

HEX #2B9D7B

RGB 43 157 123

HSL 162.11, 0.57%, 0.39%

LAB 58.09, -39.72, 8.82

 

CMYK 73 / 65 / 0 / 39

HEX #2A369C

RGB 42 54 156

HSL 233.68, 0.58%, 0.39%

LAB 28.2, 31.1, -56.89

 

CMYK 0 / 51 / 73 / 39

HEX #9C4C2A

RGB 156 76 42

HSL 17.89, 0.58%, 0.39%

LAB 41.85, 30.76, 34.94

 

CMYK 73 / 0 / 22 / 38

HEX #2B9D7B

RGB 43 157 123

HSL 162.11, 0.57%, 0.39%

LAB 58.09, -39.72, 8.82

 

CMYK 22 / 73 / 0 / 39

HEX #7A2A9C

RGB 122 42 156

HSL 282.11, 0.58%, 0.39%

LAB 34.38, 52.16, -46.45

 

CMYK 0 / 22 / 73 / 39

HEX #9C7A2A

RGB 156 122 42

HSL 42.11, 0.58%, 0.39%

LAB 53.12, 4.77, 46.78

 

CMYK 73 / 0 / 22 / 38

HEX #2B9D7B

RGB 43 157 123

HSL 162.11, 0.57%, 0.39%

LAB 58.09, -39.72, 8.82

 

CMYK 73 / 65 / 0 / 39

HEX #2A369C

RGB 42 54 156

HSL 233.68, 0.58%, 0.39%

LAB 28.2, 31.1, -56.89

 

CMYK 0 / 73 / 51 / 39

HEX #9C2A4C

RGB 156 42 76

HSL 342.11, 0.58%, 0.39%

LAB 36.45, 49.08, 7.42

 

CMYK 0 / 8 / 73 / 39

HEX #9C902A

RGB 156 144 42

HSL 53.68, 0.58%, 0.39%

LAB 59.14, -7.41, 52.75

 

CMYK 73 / 0 / 22 / 38

HEX #2B9D7B

RGB 43 157 123

HSL 162.11, 0.57%, 0.39%

LAB 58.09, -39.72, 8.82

 

CMYK 58 / 73 / 0 / 39

HEX #412A9C

RGB 65 42 156

HSL 252.11, 0.58%, 0.39%

LAB 27.24, 41.58, -58.39

 

CMYK 0 / 73 / 51 / 39

HEX #9C2A4C

RGB 156 42 76

HSL 342.11, 0.58%, 0.39%

LAB 36.45, 49.08, 7.42

 

CMYK 15 / 0 / 73 / 39

HEX #859C2A

RGB 133 156 42

HSL 72.11, 0.58%, 0.39%

LAB 60.72, -23.79, 53.65

 

Description

Color code: RGB 43 157 123 | qconv.com Color code: RGB 43 157 123 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 43 red, 157 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
43 157 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, none magenta, 22 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 0% 22% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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