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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 43 191 100 it is the complementary color RGB 212 64 155. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 43 191 100. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 43 191 100 shade: RGB 48 191 95, RGB 65 209 114, RGB 82 227 133, RGB 99 245 152 and RGB 116 255 171

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 43 191 100. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 43 191 100 shade: RGB 43 191 100, RGB 26 173 81, RGB 9 155 62, RGB 0 137 43 and RGB 0 119 24

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 43 191 100 shade: RGB 43 191 100, RGB 43 191 60, RGB 66 191 43, RGB 106 191 43 and RGB 145 191 43

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 43 191 100 shade: RGB 43 191 100, RGB 43 191 140, RGB 43 191 180, RGB 43 162 191 and RGB 43 122 191

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 43 191 100 shade matches the following richer shades: RGB 43 191 100, RGB 24 210 95 and RGB 5 229 91

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 43 191 100 shade: RGB 43 191 100, RGB 62 172 104, RGB 81 153 109, RGB 100 134 113 and RGB 119 115 117

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 43 191 100 shade: RGB 65 191 43, RGB 43 191 60, RGB 43 191 100, RGB 43 191 139 and RGB 43 191 178

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 43 191 100 shade: RGB 28 123 65, RGB 35 157 82, RGB 43 191 100, RGB 64 211 120 and RGB 97 219 144

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 43 191 100 shade: RGB 43 191 100, RGB 43 104 191 and RGB 191 43 45

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 43 191 100 shade: RGB 43 191 100, RGB 100 43 191 and RGB 191 100 43

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 43 191 100 shade: RGB 43 191 100, RGB 43 104 191, RGB 191 43 134 and RGB 191 129 43

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 43 191 100 shade: RGB 43 191 100, RGB 43 60 191, RGB 191 43 134 and RGB 191 173 43

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 0 / 48 / 25

HEX #2BBF64

RGB 43 191 100

HSL 143.11, 0.63%, 0.46%

LAB 68.53, -57.7, 35.23

 

Complementary color

CMYK 0 / 70 / 27 / 17

HEX #D4409B

RGB 212 64 155

HSL 323.11, 0.63%, 0.54%

LAB 51.87, 65.49, -17.37

 

CMYK 75 / 0 / 50 / 25

HEX #30BF5F

RGB 48 191 95

HSL 139.72, 0.6%, 0.47%

LAB 68.55, -57.82, 37.77

 

CMYK 69 / 0 / 45 / 18

HEX #41D172

RGB 65 209 114

HSL 140.42, 0.61%, 0.54%

LAB 74.79, -58.56, 36.23

 

CMYK 64 / 0 / 41 / 11

HEX #52E385

RGB 82 227 133

HSL 141.1, 0.72%, 0.61%

LAB 80.97, -58.99, 34.76

 

CMYK 60 / 0 / 38 / 4

HEX #63F598

RGB 99 245 152

HSL 141.78, 0.88%, 0.67%

LAB 87.11, -59.21, 33.38

 

CMYK 55 / 0 / 33 / 0

HEX #74FFAB

RGB 116 255 171

HSL 143.74, 1%, 0.73%

LAB 90.86, -56.13, 28.95

 

CMYK 77 / 0 / 48 / 25

HEX #2BBF64

RGB 43 191 100

HSL 143.11, 0.63%, 0.46%

LAB 68.53, -57.7, 35.23

 

CMYK 85 / 0 / 53 / 32

HEX #1AAD51

RGB 26 173 81

HSL 142.45, 0.74%, 0.39%

LAB 62.25, -56.39, 36.89

 

CMYK 94 / 0 / 60 / 39

HEX #099B3E

RGB 9 155 62

HSL 141.78, 0.89%, 0.32%

LAB 55.94, -54.43, 38.58

 

CMYK 100 / 0 / 69 / 46

HEX #00892B

RGB 0 137 43

HSL 138.83, 1%, 0.27%

LAB 49.58, -51.58, 40.14

 

CMYK 100 / 0 / 80 / 53

HEX #007718

RGB 0 119 24

HSL 132.1, 1%, 0.23%

LAB 43.15, -47.79, 41.13

 

CMYK 77 / 0 / 48 / 25

HEX #2BBF64

RGB 43 191 100

HSL 143.11, 0.63%, 0.46%

LAB 68.53, -57.7, 35.23

 

CMYK 77 / 0 / 69 / 25

HEX #2BBF3C

RGB 43 191 60

HSL 126.89, 0.63%, 0.46%

LAB 68.1, -62.91, 53.13

 

CMYK 65 / 0 / 77 / 25

HEX #42BF2B

RGB 66 191 43

HSL 110.68, 0.63%, 0.46%

LAB 68.46, -60.27, 59.76

 

CMYK 45 / 0 / 77 / 25

HEX #6ABF2B

RGB 106 191 43

HSL 94.46, 0.63%, 0.46%

LAB 69.82, -49.53, 61.55

 

CMYK 24 / 0 / 77 / 25

HEX #91BF2B

RGB 145 191 43

HSL 78.65, 0.63%, 0.46%

LAB 71.86, -35.5, 64.2

 

CMYK 77 / 0 / 48 / 25

HEX #2BBF64

RGB 43 191 100

HSL 143.11, 0.63%, 0.46%

LAB 68.53, -57.7, 35.23

 

CMYK 77 / 0 / 27 / 25

HEX #2BBF8C

RGB 43 191 140

HSL 159.32, 0.63%, 0.46%

LAB 69.23, -49.78, 15.12

 

CMYK 77 / 0 / 6 / 25

HEX #2BBFB4

RGB 43 191 180

HSL 175.54, 0.63%, 0.46%

LAB 70.23, -39.5, -5.26

 

CMYK 77 / 15 / 0 / 25

HEX #2BA2BF

RGB 43 162 191

HSL 191.76, 0.63%, 0.46%

LAB 61.75, -22.13, -24.13

 

CMYK 77 / 36 / 0 / 25

HEX #2B7ABF

RGB 43 122 191

HSL 207.97, 0.63%, 0.46%

LAB 49.73, 0.36, -42.89

 

CMYK 77 / 0 / 48 / 25

HEX #2BBF64

RGB 43 191 100

HSL 143.11, 0.63%, 0.46%

LAB 68.53, -57.7, 35.23

 

CMYK 89 / 0 / 55 / 18

HEX #18D25F

RGB 24 210 95

HSL 142.9, 0.79%, 0.46%

LAB 74.26, -66.63, 44.7

 

CMYK 98 / 0 / 60 / 10

HEX #05E55B

RGB 5 229 91

HSL 143.04, 0.96%, 0.46%

LAB 80.08, -73.83, 53.34

 

CMYK 77 / 0 / 48 / 25

HEX #2BBF64

RGB 43 191 100

HSL 143.11, 0.63%, 0.46%

LAB 68.53, -57.7, 35.23

 

CMYK 64 / 0 / 40 / 33

HEX #3EAC68

RGB 62 172 104

HSL 142.91, 0.47%, 0.46%

LAB 62.95, -46.74, 26.02

 

CMYK 47 / 0 / 29 / 40

HEX #51996D

RGB 81 153 109

HSL 143.33, 0.31%, 0.46%

LAB 57.69, -32.94, 16.3

 

CMYK 25 / 0 / 16 / 47

HEX #648671

RGB 100 134 113

HSL 142.94, 0.15%, 0.46%

LAB 52.9, -16.58, 7.45

 

CMYK 0 / 3 / 2 / 53

HEX #777375

RGB 119 115 117

HSL 330, 0.02%, 0.46%

LAB 48.84, 1.93, -0.56

 

CMYK 66 / 0 / 77 / 25

HEX #41BF2B

RGB 65 191 43

HSL 111.08, 0.63%, 0.46%

LAB 68.43, -60.48, 59.73

 

CMYK 77 / 0 / 69 / 25

HEX #2BBF3C

RGB 43 191 60

HSL 126.89, 0.63%, 0.46%

LAB 68.1, -62.91, 53.13

 

CMYK 77 / 0 / 48 / 25

HEX #2BBF64

RGB 43 191 100

HSL 143.11, 0.63%, 0.46%

LAB 68.53, -57.7, 35.23

 

CMYK 77 / 0 / 27 / 25

HEX #2BBF8B

RGB 43 191 139

HSL 158.92, 0.63%, 0.46%

LAB 69.21, -50.01, 15.63

 

CMYK 77 / 0 / 7 / 25

HEX #2BBFB2

RGB 43 191 178

HSL 174.73, 0.63%, 0.46%

LAB 70.17, -40.06, -4.25

 

CMYK 77 / 0 / 47 / 52

HEX #1C7B41

RGB 28 123 65

HSL 143.37, 0.63%, 0.3%

LAB 45.35, -40.71, 24.13

 

CMYK 78 / 0 / 48 / 38

HEX #239D52

RGB 35 157 82

HSL 143.11, 0.64%, 0.38%

LAB 57.15, -49.55, 30.05

 

CMYK 77 / 0 / 48 / 25

HEX #2BBF64

RGB 43 191 100

HSL 143.11, 0.63%, 0.46%

LAB 68.53, -57.7, 35.23

 

CMYK 70 / 0 / 43 / 17

HEX #40D378

RGB 64 211 120

HSL 142.86, 0.63%, 0.54%

LAB 75.47, -58.45, 34.09

 

CMYK 56 / 0 / 34 / 14

HEX #61DB90

RGB 97 219 144

HSL 143.11, 0.63%, 0.62%

LAB 79.17, -50.81, 26.84

 

CMYK 77 / 0 / 48 / 25

HEX #2BBF64

RGB 43 191 100

HSL 143.11, 0.63%, 0.46%

LAB 68.53, -57.7, 35.23

 

CMYK 77 / 46 / 0 / 25

HEX #2B68BF

RGB 43 104 191

HSL 215.27, 0.63%, 0.46%

LAB 44.48, 11.58, -51.26

 

CMYK 0 / 77 / 76 / 25

HEX #BF2B2D

RGB 191 43 45

HSL 359.19, 0.63%, 0.46%

LAB 42.75, 57.53, 36.01

 

CMYK 77 / 0 / 48 / 25

HEX #2BBF64

RGB 43 191 100

HSL 143.11, 0.63%, 0.46%

LAB 68.53, -57.7, 35.23

 

CMYK 48 / 77 / 0 / 25

HEX #642BBF

RGB 100 43 191

HSL 263.11, 0.63%, 0.46%

LAB 34.39, 56.1, -67.47

 

CMYK 0 / 48 / 77 / 25

HEX #BF642B

RGB 191 100 43

HSL 23.11, 0.63%, 0.46%

LAB 52.25, 32.39, 46.91

 

CMYK 77 / 0 / 48 / 25

HEX #2BBF64

RGB 43 191 100

HSL 143.11, 0.63%, 0.46%

LAB 68.53, -57.7, 35.23

 

CMYK 77 / 46 / 0 / 25

HEX #2B68BF

RGB 43 104 191

HSL 215.27, 0.63%, 0.46%

LAB 44.48, 11.58, -51.26

 

CMYK 0 / 77 / 30 / 25

HEX #BF2B86

RGB 191 43 134

HSL 323.11, 0.63%, 0.46%

LAB 44.98, 64.44, -15.6

 

CMYK 0 / 32 / 77 / 25

HEX #BF812B

RGB 191 129 43

HSL 34.86, 0.63%, 0.46%

LAB 58.93, 16.6, 53.43

 

CMYK 77 / 0 / 48 / 25

HEX #2BBF64

RGB 43 191 100

HSL 143.11, 0.63%, 0.46%

LAB 68.53, -57.7, 35.23

 

CMYK 77 / 69 / 0 / 25

HEX #2B3CBF

RGB 43 60 191

HSL 233.11, 0.63%, 0.46%

LAB 32.93, 40.02, -70.04

 

CMYK 0 / 77 / 30 / 25

HEX #BF2B86

RGB 191 43 134

HSL 323.11, 0.63%, 0.46%

LAB 44.98, 64.44, -15.6

 

CMYK 0 / 9 / 77 / 25

HEX #BFAD2B

RGB 191 173 43

HSL 52.7, 0.63%, 0.46%

LAB 70.27, -7.22, 64

 

Description

Color code: RGB 43 191 100 | qconv.com Color code: RGB 43 191 100 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 43 red, 191 green and 100 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
43 191 100 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, none magenta, 48 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 0% 48% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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