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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 43 205 142 it is the complementary color RGB 212 50 113. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 43 205 142. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 43 205 142 shade: RGB 48 205 137, RGB 65 223 156, RGB 82 241 175, RGB 99 255 194 and RGB 116 255 213

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 43 205 142. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 43 205 142 shade: RGB 43 205 142, RGB 26 187 123, RGB 9 169 104, RGB 0 151 85 and RGB 0 133 66

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 43 205 142 shade: RGB 43 206 143, RGB 43 206 99, RGB 43 206 55, RGB 75 206 43 and RGB 119 206 43

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 43 205 142 shade: RGB 43 206 143, RGB 43 206 186, RGB 43 181 206, RGB 43 137 206 and RGB 43 94 206

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 43 205 142 shade matches the following richer shades: RGB 43 206 143, RGB 23 226 147 and RGB 3 246 151

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 43 205 142 shade: RGB 43 206 143, RGB 63 185 138, RGB 84 165 134, RGB 104 145 129 and RGB 124 125 125

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 43 205 142 shade: RGB 43 206 54, RGB 43 206 97, RGB 43 206 141, RGB 43 206 184 and RGB 43 184 206

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 43 205 142 shade: RGB 29 138 95, RGB 36 172 119, RGB 43 206 143, RGB 74 216 161 and RGB 108 223 179

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 43 205 142 shade: RGB 43 205 142, RGB 43 76 206 and RGB 206 76 43

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 43 205 142 shade: RGB 43 205 142, RGB 141 43 206 and RGB 206 141 43

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 43 205 142 shade: RGB 43 205 142, RGB 43 76 206, RGB 206 43 108 and RGB 206 173 43

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 43 205 142 shade: RGB 43 205 142, RGB 59 43 206, RGB 206 43 108 and RGB 189 206 43

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 0 / 31 / 20

HEX #2BCD8E

RGB 43 205 142

HSL 156.67, 0.65%, 0.49%

LAB 73.63, -54.79, 20.14

 

Complementary color

CMYK 0 / 76 / 47 / 17

HEX #D43271

RGB 212 50 113

HSL 336.67, 0.65%, 0.51%

LAB 48.85, 65.66, 3.38

 

CMYK 77 / 0 / 33 / 20

HEX #30CD89

RGB 48 205 137

HSL 154.01, 0.62%, 0.5%

LAB 73.61, -55.28, 22.77

 

CMYK 71 / 0 / 30 / 13

HEX #41DF9C

RGB 65 223 156

HSL 154.56, 0.71%, 0.56%

LAB 79.78, -55.96, 21.31

 

CMYK 66 / 0 / 27 / 5

HEX #52F1AF

RGB 82 241 175

HSL 155.09, 0.85%, 0.63%

LAB 85.91, -56.39, 19.98

 

CMYK 61 / 0 / 24 / 0

HEX #63FFC2

RGB 99 255 194

HSL 156.54, 1%, 0.69%

LAB 90.81, -55.04, 17.11

 

CMYK 55 / 0 / 16 / 0

HEX #74FFD5

RGB 116 255 213

HSL 161.87, 1%, 0.73%

LAB 91.7, -47.64, 8.67

 

CMYK 79 / 0 / 31 / 20

HEX #2BCD8E

RGB 43 205 142

HSL 156.67, 0.65%, 0.49%

LAB 73.63, -54.79, 20.14

 

CMYK 86 / 0 / 34 / 27

HEX #1ABB7B

RGB 26 187 123

HSL 156.15, 0.76%, 0.42%

LAB 67.42, -53.64, 21.74

 

CMYK 95 / 0 / 38 / 34

HEX #09A968

RGB 9 169 104

HSL 155.63, 0.9%, 0.35%

LAB 61.16, -52, 23.49

 

CMYK 100 / 0 / 44 / 41

HEX #009755

RGB 0 151 85

HSL 153.77, 1%, 0.3%

LAB 54.85, -49.75, 25.42

 

CMYK 100 / 0 / 50 / 48

HEX #008542

RGB 0 133 66

HSL 149.77, 1%, 0.26%

LAB 48.47, -46.91, 27.48

 

CMYK 79 / 0 / 31 / 19

HEX #2BCE8F

RGB 43 206 143

HSL 156.81, 0.65%, 0.49%

LAB 73.96, -54.96, 20.07

 

CMYK 79 / 0 / 52 / 19

HEX #2BCE63

RGB 43 206 99

HSL 140.61, 0.65%, 0.49%

LAB 73.26, -63.01, 41.62

 

CMYK 79 / 0 / 73 / 19

HEX #2BCE37

RGB 43 206 55

HSL 124.42, 0.65%, 0.49%

LAB 72.85, -68, 59.94

 

CMYK 64 / 0 / 79 / 19

HEX #4BCE2B

RGB 75 206 43

HSL 108.22, 0.65%, 0.49%

LAB 73.42, -63.35, 64.58

 

CMYK 42 / 0 / 79 / 19

HEX #77CE2B

RGB 119 206 43

HSL 92.02, 0.65%, 0.49%

LAB 74.98, -51.27, 66.59

 

CMYK 79 / 0 / 31 / 19

HEX #2BCE8F

RGB 43 206 143

HSL 156.81, 0.65%, 0.49%

LAB 73.96, -54.96, 20.07

 

CMYK 79 / 0 / 10 / 19

HEX #2BCEBA

RGB 43 206 186

HSL 172.64, 0.65%, 0.49%

LAB 74.95, -44.45, -1.57

 

CMYK 79 / 12 / 0 / 19

HEX #2BB5CE

RGB 43 181 206

HSL 189.2, 0.65%, 0.49%

LAB 68.03, -26.92, -22.84

 

CMYK 79 / 33 / 0 / 19

HEX #2B89CE

RGB 43 137 206

HSL 205.4, 0.65%, 0.49%

LAB 54.93, -3.06, -43.21

 

CMYK 79 / 54 / 0 / 19

HEX #2B5ECE

RGB 43 94 206

HSL 221.23, 0.65%, 0.49%

LAB 42.73, 23.75, -62.76

 

CMYK 79 / 0 / 31 / 19

HEX #2BCE8F

RGB 43 206 143

HSL 156.81, 0.65%, 0.49%

LAB 73.96, -54.96, 20.07

 

CMYK 90 / 0 / 35 / 11

HEX #17E293

RGB 23 226 147

HSL 156.65, 0.82%, 0.49%

LAB 80, -63.03, 26.19

 

CMYK 99 / 0 / 39 / 4

HEX #03F697

RGB 3 246 151

HSL 156.54, 0.98%, 0.49%

LAB 86.09, -69.83, 32.3

 

CMYK 79 / 0 / 31 / 19

HEX #2BCE8F

RGB 43 206 143

HSL 156.81, 0.65%, 0.49%

LAB 73.96, -54.96, 20.07

 

CMYK 66 / 0 / 25 / 27

HEX #3FB98A

RGB 63 185 138

HSL 156.89, 0.49%, 0.49%

LAB 67.72, -44.88, 14.15

 

CMYK 49 / 0 / 19 / 35

HEX #54A586

RGB 84 165 134

HSL 157.04, 0.33%, 0.49%

LAB 62.1, -32.38, 8.51

 

CMYK 28 / 0 / 11 / 43

HEX #689181

RGB 104 145 129

HSL 156.59, 0.16%, 0.49%

LAB 56.86, -17.66, 3.96

 

CMYK 1 / 0 / 0 / 51

HEX #7C7D7D

RGB 124 125 125

HSL 180, 0%, 0.49%

LAB 52.32, -0.37, -0.14

 

CMYK 79 / 0 / 74 / 19

HEX #2BCE36

RGB 43 206 54

HSL 124.05, 0.65%, 0.49%

LAB 72.84, -68.08, 60.28

 

CMYK 79 / 0 / 53 / 19

HEX #2BCE61

RGB 43 206 97

HSL 139.88, 0.65%, 0.49%

LAB 73.23, -63.3, 42.55

 

CMYK 79 / 0 / 32 / 19

HEX #2BCE8D

RGB 43 206 141

HSL 156.07, 0.65%, 0.49%

LAB 73.92, -55.39, 21.07

 

CMYK 79 / 0 / 11 / 19

HEX #2BCEB8

RGB 43 206 184

HSL 171.9, 0.65%, 0.49%

LAB 74.9, -44.99, -0.57

 

CMYK 79 / 11 / 0 / 19

HEX #2BB8CE

RGB 43 184 206

HSL 188.1, 0.65%, 0.49%

LAB 68.93, -28.41, -21.47

 

CMYK 79 / 0 / 31 / 46

HEX #1D8A5F

RGB 29 138 95

HSL 156.33, 0.65%, 0.33%

LAB 51, -40.33, 14.73

 

CMYK 79 / 0 / 31 / 33

HEX #24AC77

RGB 36 172 119

HSL 156.62, 0.65%, 0.41%

LAB 62.69, -47.79, 17.45

 

CMYK 79 / 0 / 31 / 19

HEX #2BCE8F

RGB 43 206 143

HSL 156.81, 0.65%, 0.49%

LAB 73.96, -54.96, 20.07

 

CMYK 66 / 0 / 25 / 15

HEX #4AD8A1

RGB 74 216 161

HSL 156.76, 0.65%, 0.57%

LAB 77.96, -50.71, 16.19

 

CMYK 52 / 0 / 20 / 13

HEX #6CDFB3

RGB 108 223 179

HSL 157.04, 0.64%, 0.65%

LAB 81.41, -42.98, 11.69

 

CMYK 79 / 0 / 31 / 20

HEX #2BCD8E

RGB 43 205 142

HSL 156.67, 0.65%, 0.49%

LAB 73.63, -54.79, 20.14

 

CMYK 79 / 63 / 0 / 19

HEX #2B4CCE

RGB 43 76 206

HSL 227.85, 0.65%, 0.49%

LAB 38.09, 35.37, -70.32

 

CMYK 0 / 63 / 79 / 19

HEX #CE4C2B

RGB 206 76 43

HSL 12.15, 0.65%, 0.49%

LAB 50.06, 49.84, 45.52

 

CMYK 79 / 0 / 31 / 20

HEX #2BCD8E

RGB 43 205 142

HSL 156.67, 0.65%, 0.49%

LAB 73.63, -54.79, 20.14

 

CMYK 32 / 79 / 0 / 19

HEX #8D2BCE

RGB 141 43 206

HSL 276.07, 0.65%, 0.49%

LAB 40.97, 65.96, -65.26

 

CMYK 0 / 32 / 79 / 19

HEX #CE8D2B

RGB 206 141 43

HSL 36.07, 0.65%, 0.49%

LAB 63.63, 16.57, 58.48

 

CMYK 79 / 0 / 31 / 20

HEX #2BCD8E

RGB 43 205 142

HSL 156.67, 0.65%, 0.49%

LAB 73.63, -54.79, 20.14

 

CMYK 79 / 63 / 0 / 19

HEX #2B4CCE

RGB 43 76 206

HSL 227.85, 0.65%, 0.49%

LAB 38.09, 35.37, -70.32

 

CMYK 0 / 79 / 48 / 19

HEX #CE2B6C

RGB 206 43 108

HSL 336.07, 0.65%, 0.49%

LAB 46.89, 65.64, 3.47

 

CMYK 0 / 16 / 79 / 19

HEX #CEAD2B

RGB 206 173 43

HSL 47.85, 0.65%, 0.49%

LAB 71.68, -0.65, 65.8

 

CMYK 79 / 0 / 31 / 20

HEX #2BCD8E

RGB 43 205 142

HSL 156.67, 0.65%, 0.49%

LAB 73.63, -54.79, 20.14

 

CMYK 71 / 79 / 0 / 19

HEX #3B2BCE

RGB 59 43 206

HSL 245.89, 0.65%, 0.49%

LAB 32.06, 55.67, -80.22

 

CMYK 0 / 79 / 48 / 19

HEX #CE2B6C

RGB 206 43 108

HSL 336.07, 0.65%, 0.49%

LAB 46.89, 65.64, 3.47

 

CMYK 8 / 0 / 79 / 19

HEX #BDCE2B

RGB 189 206 43

HSL 66.26, 0.65%, 0.49%

LAB 79.12, -24.7, 71.89

 

Description

Color code: RGB 43 205 142 | qconv.com Color code: RGB 43 205 142 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 43 red, 205 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
43 205 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, none magenta, 31 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 0% 31% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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