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Color name
RGB 40 132 178

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 40 132 178 it is the complementary color RGB 215 123 77. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 40 132 178. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 40 132 178 shade: RGB 45 132 173, RGB 62 150 192, RGB 79 168 211, RGB 96 186 230 and RGB 113 204 249

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 40 132 178. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 40 132 178 shade: RGB 40 132 178, RGB 23 114 159, RGB 6 96 140, RGB 0 78 121 and RGB 0 60 102

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 40 132 178 shade: RGB 40 132 178, RGB 40 95 178, RGB 40 58 178, RGB 60 40 178 and RGB 97 40 178

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 40 132 178 shade: RGB 40 132 178, RGB 40 95 178, RGB 40 58 178 and RGB 40 40 178

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 40 132 178 shade matches the following richer shades: RGB 40 132 178, RGB 22 138 196 and RGB 5 144 214

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 40 132 178 shade: RGB 40 132 178, RGB 58 126 160, RGB 76 120 143, RGB 93 114 125 and RGB 111 109 107

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 40 132 178 shade: RGB 40 178 151, RGB 40 169 178, RGB 40 132 178, RGB 40 95 178 and RGB 40 58 178

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 40 132 178 shade: RGB 25 82 111, RGB 32 107 145, RGB 40 132 178, RGB 51 156 208 and RGB 85 172 216

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 40 132 178 shade: RGB 40 132 178, RGB 114 40 178 and RGB 178 169 40

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 40 132 178 shade: RGB 40 132 178, RGB 178 40 132 and RGB 132 178 40

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 40 132 178 shade: RGB 40 132 178, RGB 114 40 178, RGB 178 86 40 and RGB 105 178 40

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 40 132 178 shade: RGB 40 132 178, RGB 155 40 178, RGB 178 86 40 and RGB 63 178 40

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 26 / 0 / 30

HEX #2884B2

RGB 40 132 178

HSL 200, 0.63%, 0.43%

LAB 52.03, -10.61, -31.81

 

Complementary color

CMYK 0 / 43 / 64 / 16

HEX #D77B4D

RGB 215 123 77

HSL 20, 0.63%, 0.57%

LAB 60.91, 31.73, 40.24

 

CMYK 74 / 24 / 0 / 32

HEX #2D84AD

RGB 45 132 173

HSL 199.22, 0.59%, 0.43%

LAB 51.92, -11.75, -29.08

 

CMYK 68 / 22 / 0 / 25

HEX #3E96C0

RGB 62 150 192

HSL 199.38, 0.51%, 0.5%

LAB 58.64, -12.85, -29.45

 

CMYK 63 / 20 / 0 / 17

HEX #4FA8D3

RGB 79 168 211

HSL 199.55, 0.6%, 0.57%

LAB 65.26, -13.69, -29.79

 

CMYK 58 / 19 / 0 / 10

HEX #60BAE6

RGB 96 186 230

HSL 199.7, 0.73%, 0.64%

LAB 71.77, -14.34, -30.11

 

CMYK 55 / 18 / 0 / 2

HEX #71CCF9

RGB 113 204 249

HSL 199.85, 0.92%, 0.71%

LAB 78.19, -14.85, -30.41

 

CMYK 78 / 26 / 0 / 30

HEX #2884B2

RGB 40 132 178

HSL 200, 0.63%, 0.43%

LAB 52.03, -10.61, -31.81

 

CMYK 86 / 28 / 0 / 38

HEX #17729F

RGB 23 114 159

HSL 199.85, 0.75%, 0.36%

LAB 45.25, -8.86, -31.37

 

CMYK 96 / 31 / 0 / 45

HEX #06608C

RGB 6 96 140

HSL 199.7, 0.92%, 0.29%

LAB 38.37, -6.54, -30.85

 

CMYK 100 / 36 / 0 / 53

HEX #004E79

RGB 0 78 121

HSL 201.32, 1%, 0.24%

LAB 31.42, -3.37, -30.17

 

CMYK 100 / 41 / 0 / 60

HEX #003C66

RGB 0 60 102

HSL 204.71, 1%, 0.2%

LAB 24.29, 0.44, -29.43

 

CMYK 78 / 26 / 0 / 30

HEX #2884B2

RGB 40 132 178

HSL 200, 0.63%, 0.43%

LAB 52.03, -10.61, -31.81

 

CMYK 78 / 47 / 0 / 30

HEX #285FB2

RGB 40 95 178

HSL 216.09, 0.63%, 0.43%

LAB 40.98, 12.05, -49.32

 

CMYK 78 / 67 / 0 / 30

HEX #283AB2

RGB 40 58 178

HSL 232.17, 0.63%, 0.43%

LAB 31.09, 36.34, -65.38

 

CMYK 66 / 78 / 0 / 30

HEX #3C28B2

RGB 60 40 178

HSL 248.7, 0.63%, 0.43%

LAB 28.62, 48.77, -69.41

 

CMYK 46 / 78 / 0 / 30

HEX #6128B2

RGB 97 40 178

HSL 264.78, 0.63%, 0.43%

LAB 32.42, 53.6, -63.02

 

CMYK 78 / 26 / 0 / 30

HEX #2884B2

RGB 40 132 178

HSL 200, 0.63%, 0.43%

LAB 52.03, -10.61, -31.81

 

CMYK 78 / 47 / 0 / 30

HEX #285FB2

RGB 40 95 178

HSL 216.09, 0.63%, 0.43%

LAB 40.98, 12.05, -49.32

 

CMYK 78 / 67 / 0 / 30

HEX #283AB2

RGB 40 58 178

HSL 232.17, 0.63%, 0.43%

LAB 31.09, 36.34, -65.38

 

CMYK 78 / 78 / 0 / 30

HEX #2828B2

RGB 40 40 178

HSL 240, 0.63%, 0.43%

LAB 27.25, 46.99, -71.72

 

CMYK 78 / 26 / 0 / 30

HEX #2884B2

RGB 40 132 178

HSL 200, 0.63%, 0.43%

LAB 52.03, -10.61, -31.81

 

CMYK 89 / 30 / 0 / 23

HEX #168AC4

RGB 22 138 196

HSL 200, 0.8%, 0.43%

LAB 54.38, -9.05, -38.43

 

CMYK 98 / 33 / 0 / 16

HEX #0590D6

RGB 5 144 214

HSL 200.1, 0.95%, 0.43%

LAB 56.91, -6.48, -44.61

 

CMYK 78 / 26 / 0 / 30

HEX #2884B2

RGB 40 132 178

HSL 200, 0.63%, 0.43%

LAB 52.03, -10.61, -31.81

 

CMYK 64 / 21 / 0 / 37

HEX #3A7EA0

RGB 58 126 160

HSL 200, 0.47%, 0.43%

LAB 49.93, -10.71, -24.6

 

CMYK 47 / 16 / 0 / 44

HEX #4C788F

RGB 76 120 143

HSL 200.6, 0.31%, 0.43%

LAB 48.2, -8.61, -17.23

 

CMYK 26 / 9 / 0 / 51

HEX #5D727D

RGB 93 114 125

HSL 200.63, 0.15%, 0.43%

LAB 46.77, -5.03, -8.62

 

CMYK 0 / 2 / 4 / 56

HEX #6F6D6B

RGB 111 109 107

HSL 30, 0.02%, 0.43%

LAB 46.15, 0.37, 1.38

 

CMYK 78 / 0 / 15 / 30

HEX #28B297

RGB 40 178 151

HSL 168.26, 0.63%, 0.43%

LAB 65.38, -42.01, 3.61

 

CMYK 78 / 5 / 0 / 30

HEX #28A9B2

RGB 40 169 178

HSL 183.91, 0.63%, 0.43%

LAB 63.38, -30.12, -14.39

 

CMYK 78 / 26 / 0 / 30

HEX #2884B2

RGB 40 132 178

HSL 200, 0.63%, 0.43%

LAB 52.03, -10.61, -31.81

 

CMYK 78 / 47 / 0 / 30

HEX #285FB2

RGB 40 95 178

HSL 216.09, 0.63%, 0.43%

LAB 40.98, 12.05, -49.32

 

CMYK 78 / 67 / 0 / 30

HEX #283AB2

RGB 40 58 178

HSL 232.17, 0.63%, 0.43%

LAB 31.09, 36.34, -65.38

 

CMYK 77 / 26 / 0 / 56

HEX #19526F

RGB 25 82 111

HSL 200.23, 0.63%, 0.27%

LAB 32.68, -7.6, -21.91

 

CMYK 78 / 26 / 0 / 43

HEX #206B91

RGB 32 107 145

HSL 200.18, 0.64%, 0.35%

LAB 42.56, -9.02, -27.26

 

CMYK 78 / 26 / 0 / 30

HEX #2884B2

RGB 40 132 178

HSL 200, 0.63%, 0.43%

LAB 52.03, -10.61, -31.81

 

CMYK 75 / 25 / 0 / 18

HEX #339CD0

RGB 51 156 208

HSL 199.87, 0.63%, 0.51%

LAB 60.81, -12.28, -35.08

 

CMYK 61 / 20 / 0 / 15

HEX #55ACD8

RGB 85 172 216

HSL 200.15, 0.63%, 0.59%

LAB 66.82, -13.2, -30.12

 

CMYK 78 / 26 / 0 / 30

HEX #2884B2

RGB 40 132 178

HSL 200, 0.63%, 0.43%

LAB 52.03, -10.61, -31.81

 

CMYK 36 / 78 / 0 / 30

HEX #7228B2

RGB 114 40 178

HSL 272.17, 0.63%, 0.43%

LAB 34.62, 56.35, -59.34

 

CMYK 0 / 5 / 78 / 30

HEX #B2A928

RGB 178 169 40

HSL 56.09, 0.63%, 0.43%

LAB 68.02, -10.96, 62.49

 

CMYK 78 / 26 / 0 / 30

HEX #2884B2

RGB 40 132 178

HSL 200, 0.63%, 0.43%

LAB 52.03, -10.61, -31.81

 

CMYK 0 / 78 / 26 / 30

HEX #B22884

RGB 178 40 132

HSL 320, 0.63%, 0.43%

LAB 42.23, 61.87, -18.79

 

CMYK 26 / 0 / 78 / 30

HEX #84B228

RGB 132 178 40

HSL 80, 0.63%, 0.43%

LAB 67.2, -34.81, 60.5

 

CMYK 78 / 26 / 0 / 30

HEX #2884B2

RGB 40 132 178

HSL 200, 0.63%, 0.43%

LAB 52.03, -10.61, -31.81

 

CMYK 36 / 78 / 0 / 30

HEX #7228B2

RGB 114 40 178

HSL 272.17, 0.63%, 0.43%

LAB 34.62, 56.35, -59.34

 

CMYK 0 / 52 / 78 / 30

HEX #B25628

RGB 178 86 40

HSL 20, 0.63%, 0.43%

LAB 47.33, 34.34, 42.79

 

CMYK 41 / 0 / 78 / 30

HEX #69B228

RGB 105 178 40

HSL 91.74, 0.63%, 0.43%

LAB 65.75, -44.76, 58.61

 

CMYK 78 / 26 / 0 / 30

HEX #2884B2

RGB 40 132 178

HSL 200, 0.63%, 0.43%

LAB 52.03, -10.61, -31.81

 

CMYK 13 / 78 / 0 / 30

HEX #9B28B2

RGB 155 40 178

HSL 290, 0.63%, 0.43%

LAB 40.74, 63.89, -49.14

 

CMYK 0 / 52 / 78 / 30

HEX #B25628

RGB 178 86 40

HSL 20, 0.63%, 0.43%

LAB 47.33, 34.34, 42.79

 

CMYK 65 / 0 / 78 / 30

HEX #3FB228

RGB 63 178 40

HSL 110, 0.63%, 0.43%

LAB 64.2, -56.7, 56.59

 

Description

Color code: RGB 40 132 178 | qconv.com Color code: RGB 40 132 178 | qconv.com - big



The breakdown of the color into the RGB color system: of 255 maximum color components, 40 red, 132 green and 178 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
40 132 178 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, 26 magenta, none yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 26% 0% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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