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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 40 134 100 it is the complementary color RGB 215 121 155. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 40 134 100. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 40 134 100 shade: RGB 45 134 95, RGB 62 152 114, RGB 79 170 133, RGB 96 188 152 and RGB 113 206 171

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 40 134 100. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 40 134 100 shade: RGB 40 134 100, RGB 23 116 81, RGB 6 98 62, RGB 0 80 43 and RGB 0 62 24

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 40 134 100 shade: RGB 39 133 99, RGB 39 133 74, RGB 39 133 49, RGB 55 133 39 and RGB 81 133 39

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 40 134 100 shade: RGB 39 133 99, RGB 39 133 124, RGB 39 116 133, RGB 39 91 133 and RGB 39 66 133

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 40 134 100 shade matches the following richer shades: RGB 39 133 99, RGB 25 147 103 and RGB 11 161 107

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 40 134 100 shade: RGB 39 133 99, RGB 53 119 95, RGB 67 105 91, RGB 81 91 88 and RGB 95 77 84

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 40 134 100 shade: RGB 39 133 49, RGB 39 133 74, RGB 39 133 99, RGB 39 133 124 and RGB 39 117 133

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 40 134 100 shade: RGB 20 69 52, RGB 30 101 75, RGB 39 133 99, RGB 49 165 123 and RGB 59 196 146

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 40 134 100 shade: RGB 40 134 100, RGB 39 55 133 and RGB 133 61 39

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 40 134 100 shade: RGB 40 134 100, RGB 99 39 133 and RGB 133 99 39

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 40 134 100 shade: RGB 40 134 100, RGB 39 55 133, RGB 133 39 74 and RGB 133 117 39

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 40 134 100 shade: RGB 40 134 100, RGB 52 39 133, RGB 133 39 74 and RGB 121 133 39

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 0 / 25 / 47

HEX #288664

RGB 40 134 100

HSL 158.3, 0.54%, 0.34%

LAB 50, -35.77, 10.52

 

Complementary color

CMYK 0 / 44 / 28 / 16

HEX #D7799B

RGB 215 121 155

HSL 338.3, 0.54%, 0.66%

LAB 62.07, 40.59, -2.06

 

CMYK 66 / 0 / 29 / 47

HEX #2D865F

RGB 45 134 95

HSL 153.71, 0.5%, 0.35%

LAB 50.02, -36.03, 13.44

 

CMYK 59 / 0 / 25 / 40

HEX #3E9872

RGB 62 152 114

HSL 154.67, 0.42%, 0.42%

LAB 56.78, -36.18, 12.11

 

CMYK 54 / 0 / 22 / 33

HEX #4FAA85

RGB 79 170 133

HSL 155.6, 0.37%, 0.49%

LAB 63.43, -36.15, 10.93

 

CMYK 49 / 0 / 19 / 26

HEX #60BC98

RGB 96 188 152

HSL 156.52, 0.41%, 0.56%

LAB 69.98, -36.04, 9.86

 

CMYK 45 / 0 / 17 / 19

HEX #71CEAB

RGB 113 206 171

HSL 157.42, 0.49%, 0.63%

LAB 76.43, -35.88, 8.88

 

CMYK 70 / 0 / 25 / 47

HEX #288664

RGB 40 134 100

HSL 158.3, 0.54%, 0.34%

LAB 50, -35.77, 10.52

 

CMYK 80 / 0 / 30 / 55

HEX #177451

RGB 23 116 81

HSL 157.42, 0.67%, 0.27%

LAB 43.16, -35.13, 12.01

 

CMYK 94 / 0 / 37 / 62

HEX #06623E

RGB 6 98 62

HSL 156.52, 0.88%, 0.2%

LAB 36.22, -33.91, 13.76

 

CMYK 100 / 0 / 46 / 69

HEX #00502B

RGB 0 80 43

HSL 152.25, 1%, 0.16%

LAB 29.19, -31.59, 15.86

 

CMYK 100 / 0 / 61 / 76

HEX #003E18

RGB 0 62 24

HSL 143.23, 1%, 0.12%

LAB 21.98, -28.33, 18.17

 

CMYK 71 / 0 / 26 / 48

HEX #278563

RGB 39 133 99

HSL 158.3, 0.55%, 0.34%

LAB 49.63, -35.74, 10.56

 

CMYK 71 / 0 / 44 / 48

HEX #27854A

RGB 39 133 74

HSL 142.34, 0.55%, 0.34%

LAB 49.13, -41.13, 24.08

 

CMYK 71 / 0 / 63 / 48

HEX #278531

RGB 39 133 49

HSL 126.38, 0.55%, 0.34%

LAB 48.8, -45, 36.66

 

CMYK 59 / 0 / 71 / 48

HEX #378527

RGB 55 133 39

HSL 109.79, 0.55%, 0.34%

LAB 49.17, -42.31, 41.72

 

CMYK 39 / 0 / 71 / 48

HEX #518527

RGB 81 133 39

HSL 93.19, 0.55%, 0.34%

LAB 50.3, -33.92, 43.25

 

CMYK 71 / 0 / 26 / 48

HEX #278563

RGB 39 133 99

HSL 158.3, 0.55%, 0.34%

LAB 49.63, -35.74, 10.56

 

CMYK 71 / 0 / 7 / 48

HEX #27857C

RGB 39 133 124

HSL 174.26, 0.55%, 0.34%

LAB 50.29, -29.03, -3.06

 

CMYK 71 / 13 / 0 / 48

HEX #277485

RGB 39 116 133

HSL 190.85, 0.55%, 0.34%

LAB 45.1, -17.4, -16.16

 

CMYK 71 / 32 / 0 / 48

HEX #275B85

RGB 39 91 133

HSL 206.81, 0.55%, 0.34%

LAB 37.13, -2.7, -28.51

 

CMYK 71 / 50 / 0 / 48

HEX #274285

RGB 39 66 133

HSL 222.77, 0.55%, 0.34%

LAB 29.47, 13.79, -40.69

 

CMYK 71 / 0 / 26 / 48

HEX #278563

RGB 39 133 99

HSL 158.3, 0.55%, 0.34%

LAB 49.63, -35.74, 10.56

 

CMYK 83 / 0 / 30 / 42

HEX #199367

RGB 25 147 103

HSL 158.36, 0.71%, 0.34%

LAB 54.08, -42.61, 14.45

 

CMYK 93 / 0 / 34 / 37

HEX #0BA16B

RGB 11 161 107

HSL 158.4, 0.87%, 0.34%

LAB 58.62, -48.27, 18.43

 

CMYK 71 / 0 / 26 / 48

HEX #278563

RGB 39 133 99

HSL 158.3, 0.55%, 0.34%

LAB 49.63, -35.74, 10.56

 

CMYK 55 / 0 / 20 / 53

HEX #35775F

RGB 53 119 95

HSL 158.18, 0.38%, 0.34%

LAB 45.33, -27.27, 6.89

 

CMYK 36 / 0 / 13 / 59

HEX #43695B

RGB 67 105 91

HSL 157.89, 0.22%, 0.34%

LAB 41.3, -16.95, 3.61

RGB 67 105 91

CMYK 11 / 0 / 3 / 64

HEX #515B58

RGB 81 91 88

HSL 162, 0.06%, 0.34%

LAB 37.73, -4.57, 0.39

RGB 81 91 88

CMYK 0 / 19 / 12 / 63

HEX #5F4D54

RGB 95 77 84

HSL 336.67, 0.1%, 0.34%

LAB 34.76, 8.86, -1.28

RGB 95 77 84

CMYK 71 / 0 / 63 / 48

HEX #278531

RGB 39 133 49

HSL 126.38, 0.55%, 0.34%

LAB 48.8, -45, 36.66

 

CMYK 71 / 0 / 44 / 48

HEX #27854A

RGB 39 133 74

HSL 142.34, 0.55%, 0.34%

LAB 49.13, -41.13, 24.08

 

CMYK 71 / 0 / 26 / 48

HEX #278563

RGB 39 133 99

HSL 158.3, 0.55%, 0.34%

LAB 49.63, -35.74, 10.56

 

CMYK 71 / 0 / 7 / 48

HEX #27857C

RGB 39 133 124

HSL 174.26, 0.55%, 0.34%

LAB 50.29, -29.03, -3.06

 

CMYK 71 / 12 / 0 / 48

HEX #277585

RGB 39 117 133

HSL 190.21, 0.55%, 0.34%

LAB 45.42, -17.95, -15.67

 

CMYK 71 / 0 / 25 / 73

HEX #144534

RGB 20 69 52

HSL 159.18, 0.55%, 0.17%

LAB 25.72, -21.18, 5.52

 

CMYK 70 / 0 / 26 / 60

HEX #1E654B

RGB 30 101 75

HSL 158.03, 0.54%, 0.26%

LAB 38.01, -28.74, 8.44

 

CMYK 71 / 0 / 26 / 48

HEX #278563

RGB 39 133 99

HSL 158.3, 0.55%, 0.34%

LAB 49.63, -35.74, 10.56

 

CMYK 70 / 0 / 25 / 35

HEX #31A57B

RGB 49 165 123

HSL 158.28, 0.54%, 0.42%

LAB 60.78, -42.23, 12.62

 

CMYK 70 / 0 / 26 / 23

HEX #3BC492

RGB 59 196 146

HSL 158.1, 0.54%, 0.5%

LAB 71.2, -48.29, 14.68

 

CMYK 70 / 0 / 25 / 47

HEX #288664

RGB 40 134 100

HSL 158.3, 0.54%, 0.34%

LAB 50, -35.77, 10.52

 

CMYK 71 / 59 / 0 / 48

HEX #273785

RGB 39 55 133

HSL 229.79, 0.55%, 0.34%

LAB 26.32, 21.37, -45.77

 

CMYK 0 / 54 / 71 / 48

HEX #853D27

RGB 133 61 39

HSL 14.04, 0.55%, 0.34%

LAB 34.94, 29.19, 27.85

 

CMYK 70 / 0 / 25 / 47

HEX #288664

RGB 40 134 100

HSL 158.3, 0.54%, 0.34%

LAB 50, -35.77, 10.52

 

CMYK 26 / 71 / 0 / 48

HEX #632785

RGB 99 39 133

HSL 278.3, 0.55%, 0.34%

LAB 28.89, 43.35, -41.32

 

CMYK 0 / 26 / 71 / 48

HEX #856327

RGB 133 99 39

HSL 38.3, 0.55%, 0.34%

LAB 44.31, 7.2, 38.24

 

CMYK 70 / 0 / 25 / 47

HEX #288664

RGB 40 134 100

HSL 158.3, 0.54%, 0.34%

LAB 50, -35.77, 10.52

 

CMYK 71 / 59 / 0 / 48

HEX #273785

RGB 39 55 133

HSL 229.79, 0.55%, 0.34%

LAB 26.32, 21.37, -45.77

 

CMYK 0 / 71 / 44 / 48

HEX #85274A

RGB 133 39 74

HSL 337.66, 0.55%, 0.34%

LAB 31.65, 42.86, 1.27

 

CMYK 0 / 12 / 71 / 48

HEX #857527

RGB 133 117 39

HSL 49.79, 0.55%, 0.34%

LAB 49.32, -3.19, 43.47

 

CMYK 70 / 0 / 25 / 47

HEX #288664

RGB 40 134 100

HSL 158.3, 0.54%, 0.34%

LAB 50, -35.77, 10.52

 

CMYK 61 / 71 / 0 / 48

HEX #342785

RGB 52 39 133

HSL 248.3, 0.55%, 0.34%

LAB 23.25, 33.96, -50.74

 

CMYK 0 / 71 / 44 / 48

HEX #85274A

RGB 133 39 74

HSL 337.66, 0.55%, 0.34%

LAB 31.65, 42.86, 1.27

 

CMYK 9 / 0 / 71 / 48

HEX #798527

RGB 121 133 39

HSL 67.66, 0.55%, 0.34%

LAB 52.93, -17.43, 46.79

 

Description

Color code: RGB 40 134 100 | qconv.com Color code: RGB 40 134 100 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 40 red, 134 green and 100 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
40 134 100 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, none magenta, 25 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 0% 25% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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