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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 40 157 68 it is the complementary color RGB 215 98 187. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 40 157 68. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 40 157 68 shade: RGB 45 157 63, RGB 62 175 82, RGB 79 193 101, RGB 96 211 120 and RGB 113 229 139

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 40 157 68. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 40 157 68 shade: RGB 40 157 68, RGB 23 139 49, RGB 6 121 30, RGB 0 103 11 and RGB 0 85 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 40 157 68 shade: RGB 40 158 68, RGB 44 158 40, RGB 75 158 40, RGB 107 158 40 and RGB 139 158 40

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 40 157 68 shade: RGB 40 158 68, RGB 40 158 100, RGB 40 158 132, RGB 40 152 158 and RGB 40 120 158

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 40 157 68 shade matches the following richer shades: RGB 40 158 68, RGB 24 174 60 and RGB 8 190 52

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 40 157 68 shade: RGB 40 158 68, RGB 56 142 77, RGB 72 125 85, RGB 89 109 94 and RGB 105 93 102

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 40 157 68 shade: RGB 75 158 40, RGB 44 158 40, RGB 40 158 68, RGB 40 158 99 and RGB 40 158 130

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 40 157 68 shade: RGB 23 92 40, RGB 32 125 54, RGB 40 158 68, RGB 49 190 83 and RGB 73 208 105

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 40 157 68 shade: RGB 40 157 68, RGB 40 107 158 and RGB 158 40 60

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 40 157 68 shade: RGB 40 157 68, RGB 68 40 158 and RGB 158 68 40

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 40 157 68 shade: RGB 40 157 68, RGB 40 107 158, RGB 158 40 130 and RGB 158 91 40

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 40 157 68 shade: RGB 40 157 68, RGB 40 72 158, RGB 158 40 130 and RGB 158 126 40

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 0 / 57 / 38

HEX #289D44

RGB 40 157 68

HSL 134.36, 0.59%, 0.39%

LAB 57.06, -51, 37.09

 

Complementary color

CMYK 0 / 54 / 13 / 16

HEX #D762BB

RGB 215 98 187

HSL 314.36, 0.59%, 0.61%

LAB 58.76, 56.65, -25.4

 

CMYK 71 / 0 / 60 / 38

HEX #2D9D3F

RGB 45 157 63

HSL 129.64, 0.55%, 0.4%

LAB 57.11, -50.82, 39.59

 

CMYK 65 / 0 / 53 / 31

HEX #3EAF52

RGB 62 175 82

HSL 130.62, 0.48%, 0.46%

LAB 63.58, -51.51, 38.17

 

CMYK 59 / 0 / 48 / 24

HEX #4FC165

RGB 79 193 101

HSL 131.58, 0.48%, 0.53%

LAB 69.99, -51.84, 36.75

 

CMYK 55 / 0 / 43 / 17

HEX #60D378

RGB 96 211 120

HSL 132.52, 0.57%, 0.6%

LAB 76.33, -51.94, 35.37

 

CMYK 51 / 0 / 39 / 10

HEX #71E58B

RGB 113 229 139

HSL 133.45, 0.69%, 0.67%

LAB 82.6, -51.91, 34.05

 

CMYK 75 / 0 / 57 / 38

HEX #289D44

RGB 40 157 68

HSL 134.36, 0.59%, 0.39%

LAB 57.06, -51, 37.09

 

CMYK 83 / 0 / 65 / 45

HEX #178B31

RGB 23 139 49

HSL 133.45, 0.72%, 0.32%

LAB 50.53, -49.64, 38.55

 

CMYK 95 / 0 / 75 / 53

HEX #06791E

RGB 6 121 30

HSL 132.52, 0.91%, 0.25%

LAB 43.96, -47.39, 39.68

 

CMYK 100 / 0 / 89 / 60

HEX #00670B

RGB 0 103 11

HSL 126.41, 1%, 0.2%

LAB 37.34, -43.7, 39.78

 

CMYK 100 / 0 / 100 / 67

HEX #005500

RGB 0 85 0

HSL 120, 1%, 0.17%

LAB 30.63, -38.74, 37.39

 

CMYK 75 / 0 / 57 / 38

HEX #289E44

RGB 40 158 68

HSL 134.24, 0.6%, 0.39%

LAB 57.39, -51.36, 37.48

 

CMYK 72 / 0 / 75 / 38

HEX #2C9E28

RGB 44 158 40

HSL 117.97, 0.6%, 0.39%

LAB 57.21, -53.75, 49.53

 

CMYK 53 / 0 / 75 / 38

HEX #4B9E28

RGB 75 158 40

HSL 102.2, 0.6%, 0.39%

LAB 58.13, -46.31, 50.76

 

CMYK 32 / 0 / 75 / 38

HEX #6B9E28

RGB 107 158 40

HSL 85.93, 0.6%, 0.39%

LAB 59.65, -35.39, 52.76

 

CMYK 12 / 0 / 75 / 38

HEX #8B9E28

RGB 139 158 40

HSL 69.66, 0.6%, 0.39%

LAB 61.74, -22.34, 55.5

 

CMYK 75 / 0 / 57 / 38

HEX #289E44

RGB 40 158 68

HSL 134.24, 0.6%, 0.39%

LAB 57.39, -51.36, 37.48

 

CMYK 75 / 0 / 37 / 38

HEX #289E64

RGB 40 158 100

HSL 150.51, 0.6%, 0.39%

LAB 57.87, -45.81, 21.32

 

CMYK 75 / 0 / 16 / 38

HEX #289E84

RGB 40 158 132

HSL 166.78, 0.6%, 0.39%

LAB 58.57, -38.26, 4.42

 

CMYK 75 / 4 / 0 / 38

HEX #28989E

RGB 40 152 158

HSL 183.05, 0.6%, 0.39%

LAB 57.44, -27.97, -12.04

 

CMYK 75 / 24 / 0 / 38

HEX #28789E

RGB 40 120 158

HSL 199.32, 0.6%, 0.39%

LAB 47.43, -10.86, -27.35

 

CMYK 75 / 0 / 57 / 38

HEX #289E44

RGB 40 158 68

HSL 134.24, 0.6%, 0.39%

LAB 57.39, -51.36, 37.48

 

CMYK 86 / 0 / 66 / 32

HEX #18AE3C

RGB 24 174 60

HSL 134.4, 0.76%, 0.39%

LAB 62.33, -59.69, 46.79

 

CMYK 96 / 0 / 73 / 25

HEX #08BE34

RGB 8 190 52

HSL 134.51, 0.92%, 0.39%

LAB 67.37, -66.32, 55.33

 

CMYK 75 / 0 / 57 / 38

HEX #289E44

RGB 40 158 68

HSL 134.24, 0.6%, 0.39%

LAB 57.39, -51.36, 37.48

 

CMYK 61 / 0 / 46 / 44

HEX #388E4D

RGB 56 142 77

HSL 134.65, 0.43%, 0.39%

LAB 52.64, -40.64, 27.06

 

CMYK 42 / 0 / 32 / 51

HEX #487D55

RGB 72 125 85

HSL 134.72, 0.27%, 0.39%

LAB 47.88, -27.01, 16.42

 

CMYK 18 / 0 / 14 / 57

HEX #596D5E

RGB 89 109 94

HSL 135, 0.1%, 0.39%

LAB 44.04, -10.74, 5.92

 

CMYK 0 / 11 / 3 / 59

HEX #695D66

RGB 105 93 102

HSL 315, 0.06%, 0.39%

LAB 40.88, 6.61, -3.37

 

CMYK 53 / 0 / 75 / 38

HEX #4B9E28

RGB 75 158 40

HSL 102.2, 0.6%, 0.39%

LAB 58.13, -46.31, 50.76

 

CMYK 72 / 0 / 75 / 38

HEX #2C9E28

RGB 44 158 40

HSL 117.97, 0.6%, 0.39%

LAB 57.21, -53.75, 49.53

 

CMYK 75 / 0 / 57 / 38

HEX #289E44

RGB 40 158 68

HSL 134.24, 0.6%, 0.39%

LAB 57.39, -51.36, 37.48

 

CMYK 75 / 0 / 37 / 38

HEX #289E63

RGB 40 158 99

HSL 150, 0.6%, 0.39%

LAB 57.85, -46.02, 21.84

 

CMYK 75 / 0 / 18 / 38

HEX #289E82

RGB 40 158 130

HSL 165.76, 0.6%, 0.39%

LAB 58.52, -38.79, 5.48

 

CMYK 75 / 0 / 57 / 64

HEX #175C28

RGB 23 92 40

HSL 134.78, 0.6%, 0.23%

LAB 33.96, -33.62, 23.73

 

CMYK 74 / 0 / 57 / 51

HEX #207D36

RGB 32 125 54

HSL 134.19, 0.59%, 0.31%

LAB 45.96, -42.65, 30.81

 

CMYK 75 / 0 / 57 / 38

HEX #289E44

RGB 40 158 68

HSL 134.24, 0.6%, 0.39%

LAB 57.39, -51.36, 37.48

 

CMYK 74 / 0 / 56 / 25

HEX #31BE53

RGB 49 190 83

HSL 134.47, 0.59%, 0.47%

LAB 68.1, -59.06, 43.05

 

CMYK 65 / 0 / 50 / 18

HEX #49D069

RGB 73 208 105

HSL 134.22, 0.59%, 0.55%

LAB 74.54, -58.14, 40.41

 

CMYK 75 / 0 / 57 / 38

HEX #289D44

RGB 40 157 68

HSL 134.36, 0.59%, 0.39%

LAB 57.06, -51, 37.09

 

CMYK 75 / 32 / 0 / 38

HEX #286B9E

RGB 40 107 158

HSL 205.93, 0.6%, 0.39%

LAB 43.41, -3.15, -33.64

 

CMYK 0 / 75 / 62 / 38

HEX #9E283C

RGB 158 40 60

HSL 349.83, 0.6%, 0.39%

LAB 36.2, 49.19, 17.4

 

CMYK 75 / 0 / 57 / 38

HEX #289D44

RGB 40 157 68

HSL 134.36, 0.59%, 0.39%

LAB 57.06, -51, 37.09

 

CMYK 57 / 75 / 0 / 38

HEX #44289E

RGB 68 40 158

HSL 254.24, 0.6%, 0.39%

LAB 27.34, 43.71, -59.43

 

CMYK 0 / 57 / 75 / 38

HEX #9E4428

RGB 158 68 40

HSL 14.24, 0.6%, 0.39%

LAB 40.5, 35.66, 34.65

 

CMYK 75 / 0 / 57 / 38

HEX #289D44

RGB 40 157 68

HSL 134.36, 0.59%, 0.39%

LAB 57.06, -51, 37.09

 

CMYK 75 / 32 / 0 / 38

HEX #286B9E

RGB 40 107 158

HSL 205.93, 0.6%, 0.39%

LAB 43.41, -3.15, -33.64

 

CMYK 0 / 75 / 18 / 38

HEX #9E2882

RGB 158 40 130

HSL 314.24, 0.6%, 0.39%

LAB 38.55, 56.66, -23.54

 

CMYK 0 / 42 / 75 / 38

HEX #9E5B28

RGB 158 91 40

HSL 25.93, 0.6%, 0.39%

LAB 45.5, 23.22, 39.98

 

CMYK 75 / 0 / 57 / 38

HEX #289D44

RGB 40 157 68

HSL 134.36, 0.59%, 0.39%

LAB 57.06, -51, 37.09

 

CMYK 75 / 54 / 0 / 38

HEX #28489E

RGB 40 72 158

HSL 223.73, 0.6%, 0.39%

LAB 33.04, 19.56, -50.22

 

CMYK 0 / 75 / 18 / 38

HEX #9E2882

RGB 158 40 130

HSL 314.24, 0.6%, 0.39%

LAB 38.55, 56.66, -23.54

 

CMYK 0 / 20 / 75 / 38

HEX #9E7E28

RGB 158 126 40

HSL 43.73, 0.6%, 0.39%

LAB 54.39, 3.33, 48.97

 

Description

Color code: RGB 40 157 68 | qconv.com Color code: RGB 40 157 68 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 40 red, 157 green and 68 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
40 157 68 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, none magenta, 57 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 0% 57% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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