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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 40 176 22 it is the complementary color RGB 215 79 233. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 40 176 22. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 40 176 22 shade: RGB 45 176 17, RGB 62 194 36, RGB 79 212 55, RGB 96 230 74 and RGB 113 248 93

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 40 176 22. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 40 176 22 shade: RGB 40 176 22, RGB 23 158 3, RGB 6 140 0, RGB 0 122 0 and RGB 0 104 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 40 176 22 shade: RGB 40 177 21, RGB 81 177 21, RGB 123 177 21, RGB 165 177 21 and RGB 177 146 21

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 40 176 22 shade: RGB 40 177 21, RGB 21 177 45, RGB 21 177 87, RGB 21 177 129 and RGB 21 177 171

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 40 176 22 shade matches the following richer shades: RGB 40 177 21 and RGB 27 193 5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 40 176 22 shade: RGB 40 177 21, RGB 52 160 37, RGB 64 144 54, RGB 76 128 70 and RGB 89 112 86

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 40 176 22 shade: RGB 125 177 21, RGB 83 177 21, RGB 42 177 21, RGB 21 177 42 and RGB 21 177 83

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 40 176 22 shade: RGB 23 103 12, RGB 31 140 17, RGB 40 177 21, RGB 48 213 26 and RGB 72 229 51

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 40 176 22 shade: RGB 40 176 22, RGB 21 166 177 and RGB 177 21 104

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 40 176 22 shade: RGB 40 176 22, RGB 21 42 177 and RGB 177 21 42

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 40 176 22 shade: RGB 40 176 22, RGB 21 166 177, RGB 156 21 177 and RGB 177 32 21

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 40 176 22 shade: RGB 40 176 22, RGB 21 120 177, RGB 156 21 177 and RGB 177 78 21

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 0 / 88 / 31

HEX #28B016

RGB 40 176 22

HSL 112.99, 0.78%, 0.39%

LAB 62.98, -61.24, 60.15

 

Complementary color

CMYK 8 / 66 / 0 / 9

HEX #D74FE9

RGB 215 79 233

HSL 292.99, 0.78%, 0.61%

LAB 57.96, 72.41, -52.72

 

CMYK 74 / 0 / 90 / 31

HEX #2DB011

RGB 45 176 17

HSL 109.43, 0.82%, 0.38%

LAB 63.05, -60.65, 61.22

 

CMYK 68 / 0 / 81 / 24

HEX #3EC224

RGB 62 194 36

HSL 110.13, 0.69%, 0.45%

LAB 69.28, -62.48, 62.57

 

CMYK 63 / 0 / 74 / 17

HEX #4FD437

RGB 79 212 55

HSL 110.83, 0.65%, 0.52%

LAB 75.47, -63.72, 62.81

 

CMYK 58 / 0 / 68 / 10

HEX #60E64A

RGB 96 230 74

HSL 111.54, 0.76%, 0.6%

LAB 81.61, -64.54, 62.38

 

CMYK 54 / 0 / 63 / 3

HEX #71F85D

RGB 113 248 93

HSL 112.26, 0.92%, 0.67%

LAB 87.7, -65.06, 61.58

 

CMYK 77 / 0 / 88 / 31

HEX #28B016

RGB 40 176 22

HSL 112.99, 0.78%, 0.39%

LAB 62.98, -61.24, 60.15

 

CMYK 85 / 0 / 98 / 38

HEX #179E03

RGB 23 158 3

HSL 112.26, 0.96%, 0.32%

LAB 56.73, -58.55, 57.93

 

CMYK 96 / 0 / 100 / 45

HEX #068C00

RGB 6 140 0

HSL 117.43, 1%, 0.27%

LAB 50.45, -54.75, 53.3

 

CMYK 100 / 0 / 100 / 52

HEX #007A00

RGB 0 122 0

HSL 120, 1%, 0.24%

LAB 44.12, -49.94, 48.2

 

CMYK 100 / 0 / 100 / 59

HEX #006800

RGB 0 104 0

HSL 120, 1%, 0.2%

LAB 37.66, -44.58, 43.03

 

CMYK 77 / 0 / 88 / 31

HEX #28B115

RGB 40 177 21

HSL 112.69, 0.79%, 0.39%

LAB 63.3, -61.59, 60.64

 

CMYK 54 / 0 / 88 / 31

HEX #51B115

RGB 81 177 21

HSL 96.92, 0.79%, 0.39%

LAB 64.36, -52.75, 61.97

 

CMYK 31 / 0 / 88 / 31

HEX #7BB115

RGB 123 177 21

HSL 80.77, 0.79%, 0.39%

LAB 66.3, -38.59, 64.39

 

CMYK 7 / 0 / 88 / 31

HEX #A5B115

RGB 165 177 21

HSL 64.62, 0.79%, 0.39%

LAB 69.11, -21.3, 67.86

 

CMYK 0 / 18 / 88 / 31

HEX #B19215

RGB 177 146 21

HSL 48.08, 0.79%, 0.39%

LAB 61.62, 0.28, 62.26

 

CMYK 77 / 0 / 88 / 31

HEX #28B115

RGB 40 177 21

HSL 112.69, 0.79%, 0.39%

LAB 63.3, -61.59, 60.64

 

CMYK 88 / 0 / 75 / 31

HEX #15B12D

RGB 21 177 45

HSL 129.23, 0.79%, 0.39%

LAB 63.17, -62.3, 53.62

 

CMYK 88 / 0 / 51 / 31

HEX #15B157

RGB 21 177 87

HSL 145.38, 0.79%, 0.39%

LAB 63.58, -57.23, 35.52

 

CMYK 88 / 0 / 27 / 31

HEX #15B181

RGB 21 177 129

HSL 161.54, 0.79%, 0.39%

LAB 64.31, -48.81, 14.2

 

CMYK 88 / 0 / 3 / 31

HEX #15B1AB

RGB 21 177 171

HSL 177.69, 0.79%, 0.39%

LAB 65.39, -37.53, -7.49

 

CMYK 77 / 0 / 88 / 31

HEX #28B115

RGB 40 177 21

HSL 112.69, 0.79%, 0.39%

LAB 63.3, -61.59, 60.64

 

CMYK 86 / 0 / 97 / 24

HEX #1BC105

RGB 27 193 5

HSL 112.98, 0.95%, 0.39%

LAB 68.3, -68.23, 67.1

 

CMYK 77 / 0 / 88 / 31

HEX #28B115

RGB 40 177 21

HSL 112.69, 0.79%, 0.39%

LAB 63.3, -61.59, 60.64

 

CMYK 68 / 0 / 77 / 37

HEX #34A025

RGB 52 160 37

HSL 112.68, 0.62%, 0.39%

LAB 58.04, -53.09, 51.49

 

CMYK 56 / 0 / 63 / 44

HEX #409036

RGB 64 144 54

HSL 113.33, 0.45%, 0.39%

LAB 53.28, -42.64, 39.6

 

CMYK 41 / 0 / 45 / 50

HEX #4C8046

RGB 76 128 70

HSL 113.79, 0.29%, 0.39%

LAB 48.78, -29.76, 26.1

 

CMYK 21 / 0 / 23 / 56

HEX #597056

RGB 89 112 86

HSL 113.08, 0.13%, 0.39%

LAB 44.78, -14.01, 11.73

 

CMYK 29 / 0 / 88 / 31

HEX #7DB115

RGB 125 177 21

HSL 80, 0.79%, 0.39%

LAB 66.41, -37.82, 64.53

 

CMYK 53 / 0 / 88 / 31

HEX #53B115

RGB 83 177 21

HSL 96.15, 0.79%, 0.39%

LAB 64.43, -52.18, 62.06

 

CMYK 76 / 0 / 88 / 31

HEX #2AB115

RGB 42 177 21

HSL 111.92, 0.79%, 0.39%

LAB 63.34, -61.29, 60.69

 

CMYK 88 / 0 / 76 / 31

HEX #15B12A

RGB 21 177 42

HSL 128.08, 0.79%, 0.39%

LAB 63.15, -62.54, 54.65

 

CMYK 88 / 0 / 53 / 31

HEX #15B153

RGB 21 177 83

HSL 143.85, 0.79%, 0.39%

LAB 63.53, -57.86, 37.45

 

CMYK 78 / 0 / 88 / 60

HEX #17670C

RGB 23 103 12

HSL 112.75, 0.79%, 0.23%

LAB 37.68, -40.71, 39.93

 

CMYK 78 / 0 / 88 / 45

HEX #1F8C11

RGB 31 140 17

HSL 113.17, 0.78%, 0.31%

LAB 50.79, -51.5, 50.46

 

CMYK 77 / 0 / 88 / 31

HEX #28B115

RGB 40 177 21

HSL 112.69, 0.79%, 0.39%

LAB 63.3, -61.59, 60.64

 

CMYK 77 / 0 / 88 / 16

HEX #30D51A

RGB 48 213 26

HSL 112.94, 0.78%, 0.47%

LAB 75.01, -71.07, 69.89

 

CMYK 69 / 0 / 78 / 10

HEX #48E533

RGB 72 229 51

HSL 112.92, 0.77%, 0.55%

LAB 80.55, -70.91, 68.97

 

CMYK 77 / 0 / 88 / 31

HEX #28B016

RGB 40 176 22

HSL 112.99, 0.78%, 0.39%

LAB 62.98, -61.24, 60.15

 

CMYK 88 / 6 / 0 / 31

HEX #15A6B1

RGB 21 166 177

HSL 184.23, 0.79%, 0.39%

LAB 62.17, -30.51, -15.67

 

CMYK 0 / 88 / 41 / 31

HEX #B11568

RGB 177 21 104

HSL 328.08, 0.79%, 0.39%

LAB 39.38, 63.06, -5.69

 

CMYK 77 / 0 / 88 / 31

HEX #28B016

RGB 40 176 22

HSL 112.99, 0.78%, 0.39%

LAB 62.98, -61.24, 60.15

 

CMYK 88 / 76 / 0 / 31

HEX #152AB1

RGB 21 42 177

HSL 231.92, 0.79%, 0.39%

LAB 26.71, 44.44, -72.05

 

CMYK 0 / 88 / 76 / 31

HEX #B1152A

RGB 177 21 42

HSL 351.92, 0.79%, 0.39%

LAB 37.93, 58.94, 31.66

 

CMYK 77 / 0 / 88 / 31

HEX #28B016

RGB 40 176 22

HSL 112.99, 0.78%, 0.39%

LAB 62.98, -61.24, 60.15

 

CMYK 88 / 6 / 0 / 31

HEX #15A6B1

RGB 21 166 177

HSL 184.23, 0.79%, 0.39%

LAB 62.17, -30.51, -15.67

 

CMYK 12 / 88 / 0 / 31

HEX #9C15B1

RGB 156 21 177

HSL 291.92, 0.79%, 0.39%

LAB 39.21, 68.64, -51.01

 

CMYK 0 / 82 / 88 / 31

HEX #B12015

RGB 177 32 21

HSL 4.23, 0.79%, 0.39%

LAB 38.61, 55.85, 43.84

 

CMYK 77 / 0 / 88 / 31

HEX #28B016

RGB 40 176 22

HSL 112.99, 0.78%, 0.39%

LAB 62.98, -61.24, 60.15

 

CMYK 88 / 32 / 0 / 31

HEX #1578B1

RGB 21 120 177

HSL 201.92, 0.79%, 0.39%

LAB 47.96, -5.74, -37.63

 

CMYK 12 / 88 / 0 / 31

HEX #9C15B1

RGB 156 21 177

HSL 291.92, 0.79%, 0.39%

LAB 39.21, 68.64, -51.01

 

CMYK 0 / 56 / 88 / 31

HEX #B14E15

RGB 177 78 21

HSL 21.92, 0.79%, 0.39%

LAB 45.43, 37.45, 49.3

 

Description

Color code: RGB 40 176 22 | qconv.com Color code: RGB 40 176 22 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 40 red, 176 green and 22 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
40 176 22 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, none magenta, 88 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 0% 88% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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