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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 40 193 177 it is the complementary color RGB 215 62 78. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 40 193 177. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 40 193 177 shade: RGB 45 193 172, RGB 62 211 191, RGB 79 229 210, RGB 96 247 229 and RGB 113 255 248

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 40 193 177. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 40 193 177 shade: RGB 40 193 177, RGB 23 175 158, RGB 6 157 139, RGB 0 139 120 and RGB 0 121 101

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 40 193 177 shade: RGB 39 194 178, RGB 39 194 136, RGB 39 194 95, RGB 39 194 53 and RGB 68 194 39

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 40 193 177 shade: RGB 39 194 178, RGB 39 169 194, RGB 39 127 194, RGB 39 85 194 and RGB 39 43 194

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 40 193 177 shade matches the following richer shades: RGB 39 194 178, RGB 20 213 193 and RGB 1 232 208

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 40 193 177 shade: RGB 39 194 178, RGB 58 175 163, RGB 77 156 148, RGB 96 137 133 and RGB 115 118 118

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 40 193 177 shade: RGB 39 194 94, RGB 39 194 135, RGB 39 194 176, RGB 39 171 194 and RGB 39 130 194

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 40 193 177 shade: RGB 25 126 115, RGB 32 160 147, RGB 39 194 178, RGB 60 215 199 and RGB 94 222 208

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 40 193 177 shade: RGB 40 193 177, RGB 52 39 194 and RGB 194 114 39

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 40 193 177 shade: RGB 40 193 177, RGB 176 39 194 and RGB 194 176 39

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 40 193 177 shade: RGB 40 193 177, RGB 52 39 194, RGB 194 39 57 and RGB 181 194 39

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 40 193 177 shade: RGB 40 193 177, RGB 99 39 194, RGB 194 39 57 and RGB 135 194 39

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 0 / 8 / 24

HEX #28C1B1

RGB 40 193 177

HSL 173.73, 0.66%, 0.46%

LAB 70.71, -41.52, -2.91

 

Complementary color

CMYK 0 / 71 / 64 / 16

HEX #D73E4E

RGB 215 62 78

HSL 353.73, 0.66%, 0.54%

LAB 50.03, 60.02, 26.31

 

CMYK 77 / 0 / 11 / 24

HEX #2DC1AC

RGB 45 193 172

HSL 171.49, 0.62%, 0.47%

LAB 70.65, -42.38, -0.26

 

CMYK 71 / 0 / 9 / 17

HEX #3ED3BF

RGB 62 211 191

HSL 171.95, 0.63%, 0.54%

LAB 76.91, -43.15, -1.36

 

CMYK 66 / 0 / 8 / 10

HEX #4FE5D2

RGB 79 229 210

HSL 172.4, 0.74%, 0.6%

LAB 83.1, -43.69, -2.36

 

CMYK 61 / 0 / 7 / 3

HEX #60F7E5

RGB 96 247 229

HSL 172.85, 0.9%, 0.67%

LAB 89.24, -44.07, -3.28

 

CMYK 56 / 0 / 3 / 0

HEX #71FFF8

RGB 113 255 248

HSL 177.04, 1%, 0.72%

LAB 92.49, -39.87, -8.3

 

CMYK 79 / 0 / 8 / 24

HEX #28C1B1

RGB 40 193 177

HSL 173.73, 0.66%, 0.46%

LAB 70.71, -41.52, -2.91

 

CMYK 87 / 0 / 10 / 31

HEX #17AF9E

RGB 23 175 158

HSL 173.29, 0.77%, 0.39%

LAB 64.41, -40.28, -1.71

 

CMYK 96 / 0 / 11 / 38

HEX #069D8B

RGB 6 157 139

HSL 172.85, 0.93%, 0.32%

LAB 58.05, -38.63, -0.35

 

CMYK 100 / 0 / 14 / 45

HEX #008B78

RGB 0 139 120

HSL 171.8, 1%, 0.27%

LAB 51.63, -36.43, 1.19

 

CMYK 100 / 0 / 17 / 53

HEX #007965

RGB 0 121 101

HSL 170.08, 1%, 0.24%

LAB 45.1, -33.91, 2.87

 

CMYK 80 / 0 / 8 / 24

HEX #27C2B2

RGB 39 194 178

HSL 173.81, 0.67%, 0.46%

LAB 71.03, -41.78, -2.99

 

CMYK 80 / 0 / 30 / 24

HEX #27C288

RGB 39 194 136

HSL 157.55, 0.67%, 0.46%

LAB 70.03, -52.3, 18.37

 

CMYK 80 / 0 / 51 / 24

HEX #27C25F

RGB 39 194 95

HSL 141.68, 0.67%, 0.46%

LAB 69.36, -60.02, 38.74

 

CMYK 80 / 0 / 73 / 24

HEX #27C235

RGB 39 194 53

HSL 125.42, 0.67%, 0.46%

LAB 68.95, -64.99, 56.67

 

CMYK 65 / 0 / 80 / 24

HEX #44C227

RGB 68 194 39

HSL 108.77, 0.67%, 0.46%

LAB 69.44, -61.09, 61.93

 

CMYK 80 / 0 / 8 / 24

HEX #27C2B2

RGB 39 194 178

HSL 173.81, 0.67%, 0.46%

LAB 71.03, -41.78, -2.99

 

CMYK 80 / 13 / 0 / 24

HEX #27A9C2

RGB 39 169 194

HSL 189.68, 0.67%, 0.46%

LAB 63.92, -25.14, -22.49

 

CMYK 80 / 35 / 0 / 24

HEX #277FC2

RGB 39 127 194

HSL 205.94, 0.67%, 0.46%

LAB 51.27, -1.97, -42.17

 

CMYK 80 / 56 / 0 / 24

HEX #2755C2

RGB 39 85 194

HSL 222.19, 0.67%, 0.46%

LAB 39.28, 24.66, -61.42

 

CMYK 80 / 78 / 0 / 24

HEX #272BC2

RGB 39 43 194

HSL 238.45, 0.67%, 0.46%

LAB 29.55, 50.53, -77.4

 

CMYK 80 / 0 / 8 / 24

HEX #27C2B2

RGB 39 194 178

HSL 173.81, 0.67%, 0.46%

LAB 71.03, -41.78, -2.99

 

CMYK 91 / 0 / 9 / 16

HEX #14D5C1

RGB 20 213 193

HSL 173.78, 0.83%, 0.46%

LAB 77.03, -47.09, -2.31

 

CMYK 100 / 0 / 10 / 9

HEX #01E8D0

RGB 1 232 208

HSL 173.77, 0.99%, 0.46%

LAB 83.06, -51.49, -1.47

 

CMYK 80 / 0 / 8 / 24

HEX #27C2B2

RGB 39 194 178

HSL 173.81, 0.67%, 0.46%

LAB 71.03, -41.78, -2.99

 

CMYK 67 / 0 / 7 / 31

HEX #3AAFA3

RGB 58 175 163

HSL 173.85, 0.5%, 0.46%

LAB 65.12, -35.03, -3.38

 

CMYK 51 / 0 / 5 / 39

HEX #4D9C94

RGB 77 156 148

HSL 173.92, 0.34%, 0.46%

LAB 59.43, -26.27, -3.27

 

CMYK 30 / 0 / 3 / 46

HEX #608985

RGB 96 137 133

HSL 174.15, 0.18%, 0.46%

LAB 54.1, -15.02, -2.41

 

CMYK 3 / 0 / 0 / 54

HEX #737676

RGB 115 118 118

HSL 180, 0.01%, 0.46%

LAB 49.39, -1.13, -0.4

 

CMYK 80 / 0 / 52 / 24

HEX #27C25E

RGB 39 194 94

HSL 141.29, 0.67%, 0.46%

LAB 69.34, -60.17, 39.22

 

CMYK 80 / 0 / 30 / 24

HEX #27C287

RGB 39 194 135

HSL 157.16, 0.67%, 0.46%

LAB 70.01, -52.52, 18.88

 

CMYK 80 / 0 / 9 / 24

HEX #27C2B0

RGB 39 194 176

HSL 173.03, 0.67%, 0.46%

LAB 70.97, -42.33, -1.98

 

CMYK 80 / 12 / 0 / 24

HEX #27ABC2

RGB 39 171 194

HSL 188.9, 0.67%, 0.46%

LAB 64.53, -26.15, -21.57

 

CMYK 80 / 33 / 0 / 24

HEX #2782C2

RGB 39 130 194

HSL 204.77, 0.67%, 0.46%

LAB 52.17, -3.75, -40.76

 

CMYK 80 / 0 / 9 / 51

HEX #197E73

RGB 25 126 115

HSL 173.47, 0.67%, 0.3%

LAB 47.45, -30.16, -1.97

 

CMYK 80 / 0 / 8 / 37

HEX #20A093

RGB 32 160 147

HSL 173.91, 0.67%, 0.38%

LAB 59.48, -35.95, -2.76

 

CMYK 80 / 0 / 8 / 24

HEX #27C2B2

RGB 39 194 178

HSL 173.81, 0.67%, 0.46%

LAB 71.03, -41.78, -2.99

 

CMYK 72 / 0 / 7 / 16

HEX #3CD7C7

RGB 60 215 199

HSL 173.81, 0.66%, 0.54%

LAB 78.28, -43.03, -3.64

 

CMYK 58 / 0 / 6 / 13

HEX #5EDED0

RGB 94 222 208

HSL 173.44, 0.66%, 0.62%

LAB 81.39, -38.57, -3.77

 

CMYK 79 / 0 / 8 / 24

HEX #28C1B1

RGB 40 193 177

HSL 173.73, 0.66%, 0.46%

LAB 70.71, -41.52, -2.91

 

CMYK 73 / 80 / 0 / 24

HEX #3427C2

RGB 52 39 194

HSL 245.03, 0.67%, 0.46%

LAB 29.6, 53.42, -77.29

 

CMYK 0 / 41 / 80 / 24

HEX #C27227

RGB 194 114 39

HSL 29.03, 0.67%, 0.46%

LAB 55.74, 25.97, 52.18

 

CMYK 79 / 0 / 8 / 24

HEX #28C1B1

RGB 40 193 177

HSL 173.73, 0.66%, 0.46%

LAB 70.71, -41.52, -2.91

 

CMYK 9 / 80 / 0 / 24

HEX #B027C2

RGB 176 39 194

HSL 293.03, 0.67%, 0.46%

LAB 45.05, 71, -51.43

 

CMYK 0 / 9 / 80 / 24

HEX #C2B027

RGB 194 176 39

HSL 53.03, 0.67%, 0.46%

LAB 71.33, -7.62, 66.3

 

CMYK 79 / 0 / 8 / 24

HEX #28C1B1

RGB 40 193 177

HSL 173.73, 0.66%, 0.46%

LAB 70.71, -41.52, -2.91

 

CMYK 73 / 80 / 0 / 24

HEX #3427C2

RGB 52 39 194

HSL 245.03, 0.67%, 0.46%

LAB 29.6, 53.42, -77.29

 

CMYK 0 / 80 / 71 / 24

HEX #C22739

RGB 194 39 57

HSL 353.03, 0.67%, 0.46%

LAB 43.09, 60.08, 29.44

 

CMYK 7 / 0 / 80 / 24

HEX #B5C227

RGB 181 194 39

HSL 65.03, 0.67%, 0.46%

LAB 75.17, -22.35, 69.27

 

CMYK 79 / 0 / 8 / 24

HEX #28C1B1

RGB 40 193 177

HSL 173.73, 0.66%, 0.46%

LAB 70.71, -41.52, -2.91

 

CMYK 49 / 80 / 0 / 24

HEX #6327C2

RGB 99 39 194

HSL 263.23, 0.67%, 0.46%

LAB 33.98, 58.38, -69.92

 

CMYK 0 / 80 / 71 / 24

HEX #C22739

RGB 194 39 57

HSL 353.03, 0.67%, 0.46%

LAB 43.09, 60.08, 29.44

 

CMYK 30 / 0 / 80 / 24

HEX #87C227

RGB 135 194 39

HSL 82.84, 0.67%, 0.46%

LAB 72.15, -40.85, 65.42

 

Description

Color code: RGB 40 193 177 | qconv.com Color code: RGB 40 193 177 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 40 red, 193 green and 177 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
40 193 177 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, none magenta, 8 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 0% 8% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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