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Color name
RGB 40 31 54

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 40 31 54 it is the complementary color RGB 215 224 201. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 40 31 54. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 40 31 54 shade: RGB 45 31 49, RGB 62 49 68, RGB 79 67 87, RGB 96 85 106 and RGB 113 103 125

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 40 31 54. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 40 31 54 shade: RGB 40 31 54, RGB 23 13 35 and RGB 6 0 16

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 40 31 54 shade: RGB 40 31 55, RGB 47 31 55, RGB 53 31 55, RGB 55 31 50 and RGB 55 31 44

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 40 31 54 shade: RGB 40 31 55, RGB 34 31 55 and RGB 31 31 55

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 40 31 54 shade matches the following richer shades: RGB 40 31 55, RGB 39 24 62, RGB 37 17 69, RGB 36 10 76 and RGB 34 3 83

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 40 31 54 shade: RGB 40 31 55, RGB 42 38 48, RGB 43 45 41, RGB 45 52 34 and RGB 46 59 26

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 40 31 54 shade: RGB 31 35 55, RGB 34 31 55, RGB 40 31 55, RGB 46 31 55 and RGB 53 31 55

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 40 31 54 shade: RGB 1 1 2, RGB 21 16 28, RGB 40 31 55, RGB 60 46 81 and RGB 79 61 107

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 40 31 54 shade: RGB 40 31 54, RGB 55 31 41 and RGB 32 55 31

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 40 31 54 shade: RGB 40 31 54, RGB 55 40 31 and RGB 31 55 40

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 40 31 54 shade: RGB 40 31 54, RGB 55 31 41, RGB 46 55 31 and RGB 31 55 45

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 40 31 54 shade: RGB 40 31 54, RGB 55 31 34, RGB 46 55 31 and RGB 31 55 52

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 43 / 0 / 79

HEX #281F36

RGB 40 31 54

HSL 263.48, 0.27%, 0.17%

LAB 13.81, 10.25, -13.44

 

Complementary color

CMYK 4 / 0 / 10 / 12

HEX #D7E0C9

RGB 215 224 201

HSL 83.48, 0.27%, 0.83%

LAB 87.96, -7.07, 10.22

 

CMYK 8 / 37 / 0 / 81

HEX #2D1F31

RGB 45 31 49

HSL 286.67, 0.23%, 0.16%

LAB 14.17, 10.84, -9.27

 

CMYK 9 / 28 / 0 / 73

HEX #3E3144

RGB 62 49 68

HSL 281.05, 0.16%, 0.23%

LAB 22.44, 10.08, -9.64

 

CMYK 9 / 23 / 0 / 66

HEX #4F4357

RGB 79 67 87

HSL 276, 0.13%, 0.3%

LAB 30.31, 9.47, -10.02

 

CMYK 9 / 20 / 0 / 58

HEX #60556A

RGB 96 85 106

HSL 271.43, 0.11%, 0.37%

LAB 37.89, 8.96, -10.4

 

CMYK 10 / 18 / 0 / 51

HEX #71677D

RGB 113 103 125

HSL 267.27, 0.1%, 0.45%

LAB 45.21, 8.52, -10.8

 

CMYK 26 / 43 / 0 / 79

HEX #281F36

RGB 40 31 54

HSL 263.48, 0.27%, 0.17%

LAB 13.81, 10.25, -13.44

 

CMYK 34 / 63 / 0 / 86

HEX #170D23

RGB 23 13 35

HSL 267.27, 0.46%, 0.09%

LAB 5.34, 9.77, -12.82

 

CMYK 63 / 100 / 0 / 94

HEX #060010

RGB 6 0 16

HSL 262.5, 1%, 0.03%

LAB 0.69, 3.94, -5.91

 

CMYK 27 / 44 / 0 / 78

HEX #281F37

RGB 40 31 55

HSL 262.5, 0.28%, 0.17%

LAB 13.87, 10.55, -14.07

 

CMYK 15 / 44 / 0 / 78

HEX #2F1F37

RGB 47 31 55

HSL 280, 0.28%, 0.17%

LAB 14.74, 13.22, -12.65

 

CMYK 4 / 44 / 0 / 78

HEX #351F37

RGB 53 31 55

HSL 295, 0.28%, 0.17%

LAB 15.55, 15.56, -11.32

 

CMYK 0 / 44 / 9 / 78

HEX #371F32

RGB 55 31 50

HSL 312.5, 0.28%, 0.17%

LAB 15.6, 15.22, -7.67

 

CMYK 0 / 44 / 20 / 78

HEX #371F2C

RGB 55 31 44

HSL 327.5, 0.28%, 0.17%

LAB 15.35, 13.96, -3.77

 

CMYK 27 / 44 / 0 / 78

HEX #281F37

RGB 40 31 55

HSL 262.5, 0.28%, 0.17%

LAB 13.87, 10.55, -14.07

 

CMYK 38 / 44 / 0 / 78

HEX #221F37

RGB 34 31 55

HSL 247.5, 0.28%, 0.17%

LAB 13.21, 8.35, -15.15

 

CMYK 44 / 44 / 0 / 78

HEX #1F1F37

RGB 31 31 55

HSL 240, 0.28%, 0.17%

LAB 12.9, 7.31, -15.64

 

CMYK 27 / 44 / 0 / 78

HEX #281F37

RGB 40 31 55

HSL 262.5, 0.28%, 0.17%

LAB 13.87, 10.55, -14.07

 

CMYK 37 / 61 / 0 / 76

HEX #27183E

RGB 39 24 62

HSL 263.68, 0.44%, 0.17%

LAB 12.17, 17.36, -21.72

 

CMYK 46 / 75 / 0 / 73

HEX #251145

RGB 37 17 69

HSL 263.08, 0.6%, 0.17%

LAB 10.73, 23.67, -28.98

 

CMYK 53 / 87 / 0 / 70

HEX #240A4C

RGB 36 10 76

HSL 263.64, 0.77%, 0.17%

LAB 9.91, 29.53, -35.22

 

CMYK 59 / 96 / 0 / 67

HEX #220353

RGB 34 3 83

HSL 263.25, 0.93%, 0.17%

LAB 9.24, 34.86, -41.17

 

CMYK 27 / 44 / 0 / 78

HEX #281F37

RGB 40 31 55

HSL 262.5, 0.28%, 0.17%

LAB 13.87, 10.55, -14.07

 

CMYK 13 / 21 / 0 / 81

HEX #2A2630

RGB 42 38 48

HSL 264, 0.12%, 0.17%

LAB 15.96, 4.33, -5.87

 

CMYK 4 / 0 / 9 / 82

HEX #2B2D29

RGB 43 45 41

HSL 90, 0.05%, 0.17%

LAB 18.15, -1.83, 2.28

 

CMYK 13 / 0 / 35 / 80

HEX #2D3422

RGB 45 52 34

HSL 83.33, 0.21%, 0.17%

LAB 20.55, -6.93, 10.43

 

CMYK 22 / 0 / 56 / 77

HEX #2E3B1A

RGB 46 59 26

HSL 83.64, 0.39%, 0.17%

LAB 22.94, -12.03, 18.61

 

CMYK 44 / 36 / 0 / 78

HEX #1F2337

RGB 31 35 55

HSL 230, 0.28%, 0.17%

LAB 14.23, 4.35, -13.58

 

CMYK 38 / 44 / 0 / 78

HEX #221F37

RGB 34 31 55

HSL 247.5, 0.28%, 0.17%

LAB 13.21, 8.35, -15.15

 

CMYK 27 / 44 / 0 / 78

HEX #281F37

RGB 40 31 55

HSL 262.5, 0.28%, 0.17%

LAB 13.87, 10.55, -14.07

 

CMYK 16 / 44 / 0 / 78

HEX #2E1F37

RGB 46 31 55

HSL 277.5, 0.28%, 0.17%

LAB 14.61, 12.83, -12.86

 

CMYK 4 / 44 / 0 / 78

HEX #351F37

RGB 53 31 55

HSL 295, 0.28%, 0.17%

LAB 15.55, 15.56, -11.32

 

CMYK 50 / 50 / 0 / 99

HEX #010102

RGB 1 1 2

HSL 240, 0.33%, 0.01%

LAB 0.29, 0.14, -0.38

 

CMYK 25 / 43 / 0 / 89

HEX #15101C

RGB 21 16 28

HSL 265, 0.27%, 0.09%

LAB 5.54, 4.94, -7.11

 

CMYK 27 / 44 / 0 / 78

HEX #281F37

RGB 40 31 55

HSL 262.5, 0.28%, 0.17%

LAB 13.87, 10.55, -14.07

 

CMYK 26 / 43 / 0 / 68

HEX #3C2E51

RGB 60 46 81

HSL 264, 0.28%, 0.25%

LAB 21.98, 14.83, -19.1

 

CMYK 26 / 43 / 0 / 58

HEX #4F3D6B

RGB 79 61 107

HSL 263.48, 0.27%, 0.33%

LAB 29.57, 18.5, -24

 

CMYK 26 / 43 / 0 / 79

HEX #281F36

RGB 40 31 54

HSL 263.48, 0.27%, 0.17%

LAB 13.81, 10.25, -13.44

 

CMYK 0 / 44 / 25 / 78

HEX #371F29

RGB 55 31 41

HSL 335, 0.28%, 0.17%

LAB 15.23, 13.38, -1.79

 

CMYK 42 / 0 / 44 / 78

HEX #20371F

RGB 32 55 31

HSL 117.5, 0.28%, 0.17%

LAB 20.59, -15.02, 12.27

 

CMYK 26 / 43 / 0 / 79

HEX #281F36

RGB 40 31 54

HSL 263.48, 0.27%, 0.17%

LAB 13.81, 10.25, -13.44

 

CMYK 0 / 27 / 44 / 78

HEX #37281F

RGB 55 40 31

HSL 22.5, 0.28%, 0.17%

LAB 17.59, 5.5, 8.64

 

CMYK 44 / 0 / 27 / 78

HEX #1F3728

RGB 31 55 40

HSL 142.5, 0.28%, 0.17%

LAB 20.74, -13.44, 6.51

 

CMYK 26 / 43 / 0 / 79

HEX #281F36

RGB 40 31 54

HSL 263.48, 0.27%, 0.17%

LAB 13.81, 10.25, -13.44

 

CMYK 0 / 44 / 25 / 78

HEX #371F29

RGB 55 31 41

HSL 335, 0.28%, 0.17%

LAB 15.23, 13.38, -1.79

 

CMYK 16 / 0 / 44 / 78

HEX #2E371F

RGB 46 55 31

HSL 82.5, 0.28%, 0.17%

LAB 21.62, -8.86, 13.82

 

CMYK 44 / 0 / 18 / 78

HEX #1F372D

RGB 31 55 45

HSL 155, 0.28%, 0.17%

LAB 20.88, -12.17, 3.34

 

CMYK 26 / 43 / 0 / 79

HEX #281F36

RGB 40 31 54

HSL 263.48, 0.27%, 0.17%

LAB 13.81, 10.25, -13.44

 

CMYK 0 / 44 / 38 / 78

HEX #371F22

RGB 55 31 34

HSL 352.5, 0.28%, 0.17%

LAB 15, 12.15, 2.9

 

CMYK 16 / 0 / 44 / 78

HEX #2E371F

RGB 46 55 31

HSL 82.5, 0.28%, 0.17%

LAB 21.62, -8.86, 13.82

 

CMYK 44 / 0 / 5 / 78

HEX #1F3734

RGB 31 55 52

HSL 172.5, 0.28%, 0.17%

LAB 21.1, -10.21, -1.08

 

Description

Color code: RGB 40 31 54 | qconv.com Color code: RGB 40 31 54 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 40 red, 31 green and 54 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
40 31 54 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, 43 magenta, none yellow and 79 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 43% 0% 79% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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