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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 41 47 81 it is the complementary color RGB 214 208 174. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 41 47 81. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 41 47 81 shade: RGB 46 47 76, RGB 63 65 95, RGB 80 83 114, RGB 97 101 133 and RGB 114 119 152

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 41 47 81. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 41 47 81 shade: RGB 41 47 81, RGB 24 29 62, RGB 7 11 43, RGB 0 0 24 and RGB 0 0 5

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 41 47 81 shade: RGB 41 47 81, RGB 45 41 81, RGB 56 41 81, RGB 67 41 81 and RGB 78 41 81

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 41 47 81 shade: RGB 41 47 81 and RGB 41 41 81

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 41 47 81 shade matches the following richer shades: RGB 41 47 81, RGB 31 40 91, RGB 21 33 101, RGB 11 26 111 and RGB 1 19 121

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 41 47 81 shade: RGB 41 47 81, RGB 50 53 71, RGB 60 60 61, RGB 70 67 51 and RGB 80 74 41

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 41 47 81 shade: RGB 41 68 81, RGB 41 57 81, RGB 41 47 81, RGB 45 41 81 and RGB 56 41 81

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 41 47 81 shade: RGB 13 15 26, RGB 27 31 53, RGB 41 47 81, RGB 54 62 108 and RGB 68 78 136

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 41 47 81 shade: RGB 41 47 81, RGB 81 41 79 and RGB 63 81 41

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 41 47 81 shade: RGB 41 47 81, RGB 81 41 47 and RGB 47 81 41

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 41 47 81 shade: RGB 41 47 81, RGB 81 41 79, RGB 81 75 41 and RGB 41 81 43

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 41 47 81 shade: RGB 41 47 81, RGB 81 41 67, RGB 81 75 41 and RGB 41 81 55

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 42 / 0 / 68

HEX #292F51

RGB 41 47 81

HSL 231, 0.33%, 0.24%

LAB 20.43, 7.96, -21.65

 

Complementary color

CMYK 0 / 3 / 19 / 16

HEX #D6D0AE

RGB 214 208 174

HSL 51, 0.33%, 0.76%

LAB 83.16, -3.49, 17.65

 

CMYK 39 / 38 / 0 / 70

HEX #2E2F4C

RGB 46 47 76

HSL 238, 0.25%, 0.24%

LAB 20.58, 7.84, -18.04

 

CMYK 34 / 32 / 0 / 63

HEX #3F415F

RGB 63 65 95

HSL 236.25, 0.2%, 0.31%

LAB 28.55, 7.14, -18.01

 

CMYK 30 / 27 / 0 / 55

HEX #505372

RGB 80 83 114

HSL 234.71, 0.18%, 0.38%

LAB 36.19, 6.59, -18.09

 

CMYK 27 / 24 / 0 / 48

HEX #616585

RGB 97 101 133

HSL 233.33, 0.16%, 0.45%

LAB 43.57, 6.14, -18.23

 

CMYK 25 / 22 / 0 / 40

HEX #727798

RGB 114 119 152

HSL 232.11, 0.16%, 0.52%

LAB 50.73, 5.76, -18.43

 

CMYK 49 / 42 / 0 / 68

HEX #292F51

RGB 41 47 81

HSL 231, 0.33%, 0.24%

LAB 20.43, 7.96, -21.65

 

CMYK 61 / 53 / 0 / 76

HEX #181D3E

RGB 24 29 62

HSL 232.11, 0.44%, 0.17%

LAB 12.09, 9.29, -21.93

 

CMYK 84 / 74 / 0 / 83

HEX #070B2B

RGB 7 11 43

HSL 233.33, 0.72%, 0.1%

LAB 4.15, 8.49, -20.87

 

CMYK 100 / 100 / 0 / 91

HEX #000018

RGB 0 0 24

HSL 240, 1%, 0.05%

LAB 0.6, 4.19, -11.39

 

CMYK 100 / 100 / 0 / 98

HEX #000005

RGB 0 0 5

HSL 240, 1%, 0.01%

LAB 0.1, 0.7, -1.89

 

CMYK 49 / 42 / 0 / 68

HEX #292F51

RGB 41 47 81

HSL 231, 0.33%, 0.24%

LAB 20.43, 7.96, -21.65

 

CMYK 44 / 49 / 0 / 68

HEX #2D2951

RGB 45 41 81

HSL 246, 0.33%, 0.24%

LAB 18.96, 13.41, -23.96

 

CMYK 31 / 49 / 0 / 68

HEX #382951

RGB 56 41 81

HSL 262.5, 0.33%, 0.24%

LAB 20.13, 16.87, -22.04

 

CMYK 17 / 49 / 0 / 68

HEX #432951

RGB 67 41 81

HSL 279, 0.33%, 0.24%

LAB 21.48, 20.56, -19.82

 

CMYK 4 / 49 / 0 / 68

HEX #4E2951

RGB 78 41 81

HSL 295.5, 0.33%, 0.24%

LAB 23, 24.36, -17.33

 

CMYK 49 / 42 / 0 / 68

HEX #292F51

RGB 41 47 81

HSL 231, 0.33%, 0.24%

LAB 20.43, 7.96, -21.65

 

CMYK 49 / 49 / 0 / 68

HEX #292951

RGB 41 41 81

HSL 240, 0.33%, 0.24%

LAB 18.59, 12.23, -24.57

 

CMYK 49 / 42 / 0 / 68

HEX #292F51

RGB 41 47 81

HSL 231, 0.33%, 0.24%

LAB 20.43, 7.96, -21.65

 

CMYK 66 / 56 / 0 / 64

HEX #1F285B

RGB 31 40 91

HSL 231, 0.49%, 0.24%

LAB 18.21, 14.21, -31.92

 

CMYK 79 / 67 / 0 / 60

HEX #152165

RGB 21 33 101

HSL 231, 0.66%, 0.24%

LAB 16.44, 21.67, -41.44

 

CMYK 90 / 77 / 0 / 56

HEX #0B1A6F

RGB 11 26 111

HSL 231, 0.82%, 0.24%

LAB 15.26, 29.61, -49.94

 

CMYK 99 / 84 / 0 / 53

HEX #011379

RGB 1 19 121

HSL 231, 0.98%, 0.24%

LAB 14.69, 37.1, -57.35

 

CMYK 49 / 42 / 0 / 68

HEX #292F51

RGB 41 47 81

HSL 231, 0.33%, 0.24%

LAB 20.43, 7.96, -21.65

 

CMYK 30 / 25 / 0 / 72

HEX #323547

RGB 50 53 71

HSL 231.43, 0.17%, 0.24%

LAB 22.58, 3.55, -11.55

 

CMYK 2 / 2 / 0 / 76

HEX #3C3C3D

RGB 60 60 61

HSL 240, 0.01%, 0.24%

LAB 25.35, 0.23, -0.62

 

CMYK 0 / 4 / 27 / 73

HEX #464333

RGB 70 67 51

HSL 50.53, 0.16%, 0.24%

LAB 28.26, -1.82, 10.2

 

CMYK 0 / 7 / 49 / 69

HEX #504A29

RGB 80 74 41

HSL 50.77, 0.32%, 0.24%

LAB 31.26, -2.9, 20.56

 

CMYK 49 / 16 / 0 / 68

HEX #294451

RGB 41 68 81

HSL 199.5, 0.33%, 0.24%

LAB 27.3, -6.19, -11

 

CMYK 49 / 30 / 0 / 68

HEX #293951

RGB 41 57 81

HSL 216, 0.33%, 0.24%

LAB 23.64, 1.03, -16.62

 

CMYK 49 / 42 / 0 / 68

HEX #292F51

RGB 41 47 81

HSL 231, 0.33%, 0.24%

LAB 20.43, 7.96, -21.65

 

CMYK 44 / 49 / 0 / 68

HEX #2D2951

RGB 45 41 81

HSL 246, 0.33%, 0.24%

LAB 18.96, 13.41, -23.96

 

CMYK 31 / 49 / 0 / 68

HEX #382951

RGB 56 41 81

HSL 262.5, 0.33%, 0.24%

LAB 20.13, 16.87, -22.04

 

CMYK 50 / 42 / 0 / 90

HEX #0D0F1A

RGB 13 15 26

HSL 230.77, 0.33%, 0.08%

LAB 4.53, 1.9, -7.12

 

CMYK 49 / 42 / 0 / 79

HEX #1B1F35

RGB 27 31 53

HSL 230.77, 0.33%, 0.16%

LAB 12.42, 5.25, -15.01

 

CMYK 49 / 42 / 0 / 68

HEX #292F51

RGB 41 47 81

HSL 231, 0.33%, 0.24%

LAB 20.43, 7.96, -21.65

 

CMYK 50 / 43 / 0 / 58

HEX #363E6C

RGB 54 62 108

HSL 231.11, 0.33%, 0.32%

LAB 27.61, 10.58, -27.88

 

CMYK 50 / 43 / 0 / 47

HEX #444E88

RGB 68 78 136

HSL 231.18, 0.33%, 0.4%

LAB 34.91, 13.01, -33.73

 

CMYK 49 / 42 / 0 / 68

HEX #292F51

RGB 41 47 81

HSL 231, 0.33%, 0.24%

LAB 20.43, 7.96, -21.65

 

CMYK 0 / 49 / 2 / 68

HEX #51294F

RGB 81 41 79

HSL 303, 0.33%, 0.24%

LAB 23.34, 24.98, -15.43

 

CMYK 22 / 0 / 49 / 68

HEX #3F5129

RGB 63 81 41

HSL 87, 0.33%, 0.24%

LAB 32.04, -14.93, 21.2

 

CMYK 49 / 42 / 0 / 68

HEX #292F51

RGB 41 47 81

HSL 231, 0.33%, 0.24%

LAB 20.43, 7.96, -21.65

 

CMYK 0 / 49 / 42 / 68

HEX #51292F

RGB 81 41 47

HSL 351, 0.33%, 0.24%

LAB 22.09, 19.33, 4.44

 

CMYK 42 / 0 / 49 / 68

HEX #2F5129

RGB 47 81 41

HSL 111, 0.33%, 0.24%

LAB 30.99, -21.48, 19.67

 

CMYK 49 / 42 / 0 / 68

HEX #292F51

RGB 41 47 81

HSL 231, 0.33%, 0.24%

LAB 20.43, 7.96, -21.65

 

CMYK 0 / 49 / 2 / 68

HEX #51294F

RGB 81 41 79

HSL 303, 0.33%, 0.24%

LAB 23.34, 24.98, -15.43

 

CMYK 0 / 7 / 49 / 68

HEX #514B29

RGB 81 75 41

HSL 51, 0.33%, 0.24%

LAB 31.67, -3.04, 21.09

 

CMYK 49 / 0 / 47 / 68

HEX #29512B

RGB 41 81 43

HSL 123, 0.33%, 0.24%

LAB 30.71, -23.29, 18.06

 

CMYK 49 / 42 / 0 / 68

HEX #292F51

RGB 41 47 81

HSL 231, 0.33%, 0.24%

LAB 20.43, 7.96, -21.65

 

CMYK 0 / 49 / 17 / 68

HEX #512943

RGB 81 41 67

HSL 321, 0.33%, 0.24%

LAB 22.79, 22.59, -8.18

 

CMYK 0 / 7 / 49 / 68

HEX #514B29

RGB 81 75 41

HSL 51, 0.33%, 0.24%

LAB 31.67, -3.04, 21.09

 

CMYK 49 / 0 / 32 / 68

HEX #295137

RGB 41 81 55

HSL 141, 0.33%, 0.24%

LAB 30.95, -20.89, 11.02

 

Description

Color code: RGB 41 47 81 | qconv.com Color code: RGB 41 47 81 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 41 red, 47 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
41 47 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, 42 magenta, none yellow and 68 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 42% 0% 68% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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