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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 41 48 138 it is the complementary color RGB 214 207 117. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 41 48 138. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 41 48 138 shade: RGB 46 48 133, RGB 63 66 152, RGB 80 84 171, RGB 97 102 190 and RGB 114 120 209

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 41 48 138. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 41 48 138 shade: RGB 41 48 138, RGB 24 30 119, RGB 7 12 100, RGB 0 0 81 and RGB 0 0 62

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 41 48 138 shade: RGB 41 48 137, RGB 60 41 137, RGB 86 41 137, RGB 112 41 137 and RGB 137 41 136

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 41 48 138 shade: RGB 41 48 137 and RGB 41 41 137

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 41 48 138 shade matches the following richer shades: RGB 41 48 137, RGB 26 35 151 and RGB 12 23 166

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 41 48 138 shade: RGB 41 48 137, RGB 55 60 123, RGB 69 72 108, RGB 84 85 94 and RGB 98 97 79

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 41 48 138 shade: RGB 41 100 137, RGB 41 74 137, RGB 41 49 137, RGB 58 41 137 and RGB 84 41 137

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 41 48 138 shade: RGB 22 25 73, RGB 31 36 105, RGB 41 48 137, RGB 50 59 169 and RGB 63 72 197

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 41 48 138 shade: RGB 41 48 138, RGB 137 41 126 and RGB 87 137 41

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 41 48 138 shade: RGB 41 48 138, RGB 137 41 49 and RGB 49 137 41

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 41 48 138 shade: RGB 41 48 138, RGB 137 41 126, RGB 137 129 41 and RGB 41 137 52

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 41 48 138 shade: RGB 41 48 138, RGB 137 41 97, RGB 137 129 41 and RGB 41 137 81

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 65 / 0 / 46

HEX #29308A

RGB 41 48 138

HSL 235.67, 0.54%, 0.35%

LAB 25.01, 28.3, -51.02

 

Complementary color

CMYK 0 / 3 / 45 / 16

HEX #D6CF75

RGB 214 207 117

HSL 55.67, 0.54%, 0.65%

LAB 81.95, -10, 45.37

 

CMYK 65 / 64 / 0 / 48

HEX #2E3085

RGB 46 48 133

HSL 238.62, 0.49%, 0.35%

LAB 24.92, 27.24, -48.05

 

CMYK 59 / 57 / 0 / 40

HEX #3F4298

RGB 63 66 152

HSL 237.98, 0.41%, 0.42%

LAB 32.3, 25.18, -47.71

 

CMYK 53 / 51 / 0 / 33

HEX #5054AB

RGB 80 84 171

HSL 237.36, 0.36%, 0.49%

LAB 39.56, 23.51, -47.35

 

CMYK 49 / 46 / 0 / 25

HEX #6166BE

RGB 97 102 190

HSL 236.77, 0.42%, 0.56%

LAB 46.66, 22.14, -47.04

 

CMYK 45 / 43 / 0 / 18

HEX #7278D1

RGB 114 120 209

HSL 236.21, 0.51%, 0.63%

LAB 53.61, 21, -46.78

 

CMYK 70 / 65 / 0 / 46

HEX #29308A

RGB 41 48 138

HSL 235.67, 0.54%, 0.35%

LAB 25.01, 28.3, -51.02

 

CMYK 80 / 75 / 0 / 53

HEX #181E77

RGB 24 30 119

HSL 236.21, 0.66%, 0.28%

LAB 17.71, 31.05, -51.04

 

CMYK 93 / 88 / 0 / 61

HEX #070C64

RGB 7 12 100

HSL 236.77, 0.87%, 0.21%

LAB 10.76, 33.72, -50.17

 

CMYK 100 / 100 / 0 / 68

HEX #000051

RGB 0 0 81

HSL 240, 1%, 0.16%

LAB 5.37, 32.91, -46.3

 

CMYK 100 / 100 / 0 / 76

HEX #00003E

RGB 0 0 62

HSL 240, 1%, 0.12%

LAB 3.14, 22.06, -36.55

 

CMYK 70 / 65 / 0 / 46

HEX #293089

RGB 41 48 137

HSL 235.63, 0.54%, 0.35%

LAB 24.93, 27.93, -50.54

 

CMYK 56 / 70 / 0 / 46

HEX #3C2989

RGB 60 41 137

HSL 251.88, 0.54%, 0.35%

LAB 24.8, 35.4, -50.68

 

CMYK 37 / 70 / 0 / 46

HEX #562989

RGB 86 41 137

HSL 268.13, 0.54%, 0.35%

LAB 27.77, 40.48, -45.73

 

CMYK 18 / 70 / 0 / 46

HEX #702989

RGB 112 41 137

HSL 284.38, 0.54%, 0.35%

LAB 31.43, 46.32, -39.63

 

CMYK 0 / 70 / 1 / 46

HEX #892988

RGB 137 41 136

HSL 300.63, 0.54%, 0.35%

LAB 35.36, 52.09, -32.5

 

CMYK 70 / 65 / 0 / 46

HEX #293089

RGB 41 48 137

HSL 235.63, 0.54%, 0.35%

LAB 24.93, 27.93, -50.54

 

CMYK 70 / 70 / 0 / 46

HEX #292989

RGB 41 41 137

HSL 240, 0.54%, 0.35%

LAB 23.21, 32.49, -53.34

 

CMYK 70 / 65 / 0 / 46

HEX #293089

RGB 41 48 137

HSL 235.63, 0.54%, 0.35%

LAB 24.93, 27.93, -50.54

 

CMYK 83 / 77 / 0 / 41

HEX #1A2397

RGB 26 35 151

HSL 235.68, 0.71%, 0.35%

LAB 22.5, 39.7, -63.23

 

CMYK 93 / 86 / 0 / 35

HEX #0C17A6

RGB 12 23 166

HSL 235.71, 0.87%, 0.35%

LAB 21.74, 50.25, -73.68

 

CMYK 70 / 65 / 0 / 46

HEX #293089

RGB 41 48 137

HSL 235.63, 0.54%, 0.35%

LAB 24.93, 27.93, -50.54

 

CMYK 55 / 51 / 0 / 52

HEX #373C7B

RGB 55 60 123

HSL 235.59, 0.38%, 0.35%

LAB 28.04, 17.38, -36.68

 

CMYK 36 / 33 / 0 / 58

HEX #45486C

RGB 69 72 108

HSL 235.38, 0.22%, 0.35%

LAB 31.77, 8.36, -21.26

 

CMYK 11 / 10 / 0 / 63

HEX #54555E

RGB 84 85 94

HSL 234, 0.06%, 0.35%

LAB 36.35, 1.63, -5.35

 

CMYK 0 / 1 / 19 / 62

HEX #62614F

RGB 98 97 79

HSL 56.84, 0.11%, 0.35%

LAB 40.75, -3.02, 10.43

 

CMYK 70 / 27 / 0 / 46

HEX #296489

RGB 41 100 137

HSL 203.13, 0.54%, 0.35%

LAB 40.23, -6.44, -26.07

 

CMYK 70 / 46 / 0 / 46

HEX #294A89

RGB 41 74 137

HSL 219.38, 0.54%, 0.35%

LAB 32.2, 10.24, -38.76

 

CMYK 70 / 64 / 0 / 46

HEX #293189

RGB 41 49 137

HSL 235, 0.54%, 0.35%

LAB 25.18, 27.26, -50.12

 

CMYK 58 / 70 / 0 / 46

HEX #3A2989

RGB 58 41 137

HSL 250.63, 0.54%, 0.35%

LAB 24.61, 35.06, -51

 

CMYK 39 / 70 / 0 / 46

HEX #542989

RGB 84 41 137

HSL 266.88, 0.54%, 0.35%

LAB 27.51, 40.06, -46.15

 

CMYK 70 / 66 / 0 / 71

HEX #161949

RGB 22 25 73

HSL 236.47, 0.54%, 0.19%

LAB 11.6, 16.28, -30.44

 

CMYK 70 / 66 / 0 / 59

HEX #1F2469

RGB 31 36 105

HSL 235.95, 0.54%, 0.27%

LAB 18.25, 22.54, -41.09

 

CMYK 70 / 65 / 0 / 46

HEX #293089

RGB 41 48 137

HSL 235.63, 0.54%, 0.35%

LAB 24.93, 27.93, -50.54

 

CMYK 70 / 65 / 0 / 34

HEX #323BA9

RGB 50 59 169

HSL 235.46, 0.54%, 0.43%

LAB 31.04, 33.58, -60.06

 

CMYK 68 / 63 / 0 / 23

HEX #3F48C5

RGB 63 72 197

HSL 235.97, 0.54%, 0.51%

LAB 37.34, 36.91, -66.28

 

CMYK 70 / 65 / 0 / 46

HEX #29308A

RGB 41 48 138

HSL 235.67, 0.54%, 0.35%

LAB 25.01, 28.3, -51.02

 

CMYK 0 / 70 / 8 / 46

HEX #89297E

RGB 137 41 126

HSL 306.88, 0.54%, 0.35%

LAB 34.82, 50.38, -27.15

 

CMYK 36 / 0 / 70 / 46

HEX #578929

RGB 87 137 41

HSL 91.25, 0.54%, 0.35%

LAB 51.92, -33.35, 44.21

 

CMYK 70 / 65 / 0 / 46

HEX #29308A

RGB 41 48 138

HSL 235.67, 0.54%, 0.35%

LAB 25.01, 28.3, -51.02

 

CMYK 0 / 70 / 64 / 46

HEX #892931

RGB 137 41 49

HSL 355, 0.54%, 0.35%

LAB 32.09, 41.18, 18.33

 

CMYK 64 / 0 / 70 / 46

HEX #318929

RGB 49 137 41

HSL 115, 0.54%, 0.35%

LAB 50.34, -45.18, 42.06

 

CMYK 70 / 65 / 0 / 46

HEX #29308A

RGB 41 48 138

HSL 235.67, 0.54%, 0.35%

LAB 25.01, 28.3, -51.02

 

CMYK 0 / 70 / 8 / 46

HEX #89297E

RGB 137 41 126

HSL 306.88, 0.54%, 0.35%

LAB 34.82, 50.38, -27.15

 

CMYK 0 / 6 / 70 / 46

HEX #898129

RGB 137 129 41

HSL 55, 0.54%, 0.35%

LAB 53.14, -7.92, 46.62

 

CMYK 70 / 0 / 62 / 46

HEX #298934

RGB 41 137 52

HSL 126.88, 0.54%, 0.35%

LAB 50.23, -45.71, 36.88

 

CMYK 70 / 65 / 0 / 46

HEX #29308A

RGB 41 48 138

HSL 235.67, 0.54%, 0.35%

LAB 25.01, 28.3, -51.02

 

CMYK 0 / 70 / 29 / 46

HEX #892961

RGB 137 41 97

HSL 325, 0.54%, 0.35%

LAB 33.49, 46.03, -10.85

 

CMYK 0 / 6 / 70 / 46

HEX #898129

RGB 137 129 41

HSL 55, 0.54%, 0.35%

LAB 53.14, -7.92, 46.62

 

CMYK 70 / 0 / 41 / 46

HEX #298951

RGB 41 137 81

HSL 145, 0.54%, 0.35%

LAB 50.64, -41.04, 22.18

 

Description

Color code: RGB 41 48 138 | qconv.com Color code: RGB 41 48 138 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 41 red, 48 green and 138 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
41 48 138 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, 65 magenta, none yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 65% 0% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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