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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 41 155 114 it is the complementary color RGB 214 100 141. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 41 155 114. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 41 155 114 shade: RGB 46 155 109, RGB 63 173 128, RGB 80 191 147, RGB 97 209 166 and RGB 114 227 185

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 41 155 114. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 41 155 114 shade: RGB 41 155 114, RGB 24 137 95, RGB 7 119 76, RGB 0 101 57 and RGB 0 83 38

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 41 155 114 shade: RGB 40 153 112, RGB 40 153 82, RGB 40 153 52, RGB 59 153 40 and RGB 89 153 40

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 41 155 114 shade: RGB 40 153 112, RGB 40 153 142, RGB 40 132 153, RGB 40 102 153 and RGB 40 72 153

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 41 155 114 shade matches the following richer shades: RGB 40 153 112, RGB 25 168 117 and RGB 9 184 121

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 41 155 114 shade: RGB 40 153 112, RGB 56 137 108, RGB 72 121 103, RGB 87 106 99 and RGB 103 90 95

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 41 155 114 shade: RGB 40 153 51, RGB 40 153 81, RGB 40 153 111, RGB 40 153 141 and RGB 40 134 153

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 41 155 114 shade: RGB 23 87 64, RGB 32 120 88, RGB 40 153 112, RGB 49 185 136 and RGB 70 205 157

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 41 155 114 shade: RGB 41 155 114, RGB 40 59 153 and RGB 153 66 40

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 41 155 114 shade: RGB 41 155 114, RGB 111 40 153 and RGB 153 111 40

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 41 155 114 shade: RGB 41 155 114, RGB 40 59 153, RGB 153 40 81 and RGB 153 134 40

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 41 155 114 shade: RGB 41 155 114, RGB 55 40 153, RGB 153 40 81 and RGB 138 153 40

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 0 / 26 / 39

HEX #299B72

RGB 41 155 114

HSL 158.42, 0.58%, 0.38%

LAB 57.2, -41.34, 12.63

 

Complementary color

CMYK 0 / 53 / 34 / 16

HEX #D6648D

RGB 214 100 141

HSL 338.42, 0.58%, 0.62%

LAB 57.4, 49.02, -0.84

 

CMYK 70 / 0 / 30 / 39

HEX #2E9B6D

RGB 46 155 109

HSL 154.68, 0.54%, 0.39%

LAB 57.2, -41.71, 15.44

 

CMYK 64 / 0 / 26 / 32

HEX #3FAD80

RGB 63 173 128

HSL 155.45, 0.47%, 0.46%

LAB 63.76, -42.03, 14.08

 

CMYK 58 / 0 / 23 / 25

HEX #50BF93

RGB 80 191 147

HSL 156.22, 0.46%, 0.53%

LAB 70.23, -42.15, 12.85

 

CMYK 54 / 0 / 21 / 18

HEX #61D1A6

RGB 97 209 166

HSL 156.96, 0.55%, 0.6%

LAB 76.62, -42.15, 11.73

 

CMYK 50 / 0 / 19 / 11

HEX #72E3B9

RGB 114 227 185

HSL 157.7, 0.67%, 0.67%

LAB 82.92, -42.06, 10.7

 

CMYK 74 / 0 / 26 / 39

HEX #299B72

RGB 41 155 114

HSL 158.42, 0.58%, 0.38%

LAB 57.2, -41.34, 12.63

 

CMYK 82 / 0 / 31 / 46

HEX #18895F

RGB 24 137 95

HSL 157.7, 0.7%, 0.32%

LAB 50.58, -40.51, 14.15

 

CMYK 94 / 0 / 36 / 53

HEX #07774C

RGB 7 119 76

HSL 156.96, 0.89%, 0.25%

LAB 43.89, -39.11, 15.9

 

CMYK 100 / 0 / 44 / 60

HEX #006539

RGB 0 101 57

HSL 153.86, 1%, 0.2%

LAB 37.12, -36.84, 17.92

 

CMYK 100 / 0 / 54 / 67

HEX #005326

RGB 0 83 38

HSL 147.47, 1%, 0.16%

LAB 30.22, -33.79, 20.15

 

CMYK 74 / 0 / 27 / 40

HEX #289970

RGB 40 153 112

HSL 158.23, 0.59%, 0.38%

LAB 56.49, -41.11, 12.75

 

CMYK 74 / 0 / 46 / 40

HEX #289952

RGB 40 153 82

HSL 142.3, 0.59%, 0.38%

LAB 55.93, -47.32, 28.51

 

CMYK 74 / 0 / 66 / 40

HEX #289934

RGB 40 153 52

HSL 126.37, 0.59%, 0.38%

LAB 55.56, -51.61, 42.88

 

CMYK 61 / 0 / 74 / 40

HEX #3B9928

RGB 59 153 40

HSL 109.91, 0.59%, 0.38%

LAB 55.95, -48.76, 48.38

 

CMYK 42 / 0 / 74 / 40

HEX #599928

RGB 89 153 40

HSL 93.98, 0.59%, 0.38%

LAB 57.13, -39.76, 49.96

 

CMYK 74 / 0 / 27 / 40

HEX #289970

RGB 40 153 112

HSL 158.23, 0.59%, 0.38%

LAB 56.49, -41.11, 12.75

 

CMYK 74 / 0 / 7 / 40

HEX #28998E

RGB 40 153 142

HSL 174.16, 0.59%, 0.38%

LAB 57.26, -33.23, -3.18

 

CMYK 74 / 14 / 0 / 40

HEX #288499

RGB 40 132 153

HSL 191.15, 0.59%, 0.38%

LAB 50.98, -19.26, -18.95

 

CMYK 74 / 33 / 0 / 40

HEX #286699

RGB 40 102 153

HSL 207.08, 0.59%, 0.38%

LAB 41.62, -1.94, -33.5

 

CMYK 74 / 53 / 0 / 40

HEX #284899

RGB 40 72 153

HSL 223.01, 0.59%, 0.38%

LAB 32.67, 17.63, -47.79

 

CMYK 74 / 0 / 27 / 40

HEX #289970

RGB 40 153 112

HSL 158.23, 0.59%, 0.38%

LAB 56.49, -41.11, 12.75

 

CMYK 85 / 0 / 30 / 34

HEX #19A875

RGB 25 168 117

HSL 158.6, 0.74%, 0.38%

LAB 61.22, -47.77, 16.5

 

CMYK 95 / 0 / 34 / 28

HEX #09B879

RGB 9 184 121

HSL 158.4, 0.91%, 0.38%

LAB 66.31, -53.92, 21.27

 

CMYK 74 / 0 / 27 / 40

HEX #289970

RGB 40 153 112

HSL 158.23, 0.59%, 0.38%

LAB 56.49, -41.11, 12.75

 

CMYK 59 / 0 / 21 / 46

HEX #38896C

RGB 56 137 108

HSL 158.52, 0.42%, 0.38%

LAB 51.63, -32.02, 8.25

 

CMYK 40 / 0 / 15 / 53

HEX #487967

RGB 72 121 103

HSL 157.96, 0.25%, 0.38%

LAB 47.02, -21.08, 4.68

 

CMYK 18 / 0 / 7 / 58

HEX #576A63

RGB 87 106 99

HSL 157.89, 0.1%, 0.38%

LAB 43.12, -8.69, 1.55

 

CMYK 0 / 13 / 8 / 60

HEX #675A5F

RGB 103 90 95

HSL 336.92, 0.07%, 0.38%

LAB 39.62, 6.24, -0.94

 

CMYK 74 / 0 / 67 / 40

HEX #289933

RGB 40 153 51

HSL 125.84, 0.59%, 0.38%

LAB 55.56, -51.72, 43.31

 

CMYK 74 / 0 / 47 / 40

HEX #289951

RGB 40 153 81

HSL 141.77, 0.59%, 0.38%

LAB 55.91, -47.49, 29.02

 

CMYK 74 / 0 / 27 / 40

HEX #28996F

RGB 40 153 111

HSL 157.7, 0.59%, 0.38%

LAB 56.47, -41.35, 13.29

 

CMYK 74 / 0 / 8 / 40

HEX #28998D

RGB 40 153 141

HSL 173.63, 0.59%, 0.38%

LAB 57.23, -33.52, -2.65

 

CMYK 74 / 12 / 0 / 40

HEX #288699

RGB 40 134 153

HSL 190.09, 0.59%, 0.38%

LAB 51.61, -20.33, -17.99

 

CMYK 74 / 0 / 26 / 66

HEX #175740

RGB 23 87 64

HSL 158.44, 0.58%, 0.22%

LAB 32.63, -26.27, 7.63

 

CMYK 73 / 0 / 27 / 53

HEX #207858

RGB 32 120 88

HSL 158.18, 0.58%, 0.3%

LAB 44.86, -33.83, 10.28

 

CMYK 74 / 0 / 27 / 40

HEX #289970

RGB 40 153 112

HSL 158.23, 0.59%, 0.38%

LAB 56.49, -41.11, 12.75

 

CMYK 74 / 0 / 26 / 27

HEX #31B988

RGB 49 185 136

HSL 158.38, 0.58%, 0.46%

LAB 67.37, -47.52, 14.71

 

CMYK 66 / 0 / 23 / 20

HEX #46CD9D

RGB 70 205 157

HSL 158.67, 0.57%, 0.54%

LAB 74.44, -47.75, 13.37

 

CMYK 74 / 0 / 26 / 39

HEX #299B72

RGB 41 155 114

HSL 158.42, 0.58%, 0.38%

LAB 57.2, -41.34, 12.63

 

CMYK 74 / 61 / 0 / 40

HEX #283B99

RGB 40 59 153

HSL 229.91, 0.59%, 0.38%

LAB 29.1, 26.41, -53.58

 

CMYK 0 / 57 / 74 / 40

HEX #994228

RGB 153 66 40

HSL 13.81, 0.59%, 0.38%

LAB 39.28, 34.71, 33.07

 

CMYK 74 / 0 / 26 / 39

HEX #299B72

RGB 41 155 114

HSL 158.42, 0.58%, 0.38%

LAB 57.2, -41.34, 12.63

 

CMYK 27 / 74 / 0 / 40

HEX #6F2899

RGB 111 40 153

HSL 277.7, 0.59%, 0.38%

LAB 32.25, 50.06, -48.15

 

CMYK 0 / 27 / 74 / 40

HEX #996F28

RGB 153 111 40

HSL 37.7, 0.59%, 0.38%

LAB 49.85, 9.56, 44.25

 

CMYK 74 / 0 / 26 / 39

HEX #299B72

RGB 41 155 114

HSL 158.42, 0.58%, 0.38%

LAB 57.2, -41.34, 12.63

 

CMYK 74 / 61 / 0 / 40

HEX #283B99

RGB 40 59 153

HSL 229.91, 0.59%, 0.38%

LAB 29.1, 26.41, -53.58

 

CMYK 0 / 74 / 47 / 40

HEX #992851

RGB 153 40 81

HSL 338.23, 0.59%, 0.38%

LAB 35.76, 49.37, 3.14

 

CMYK 0 / 12 / 74 / 40

HEX #998628

RGB 153 134 40

HSL 49.91, 0.59%, 0.38%

LAB 56.06, -3.41, 50.44

 

CMYK 74 / 0 / 26 / 39

HEX #299B72

RGB 41 155 114

HSL 158.42, 0.58%, 0.38%

LAB 57.2, -41.34, 12.63

 

CMYK 64 / 74 / 0 / 40

HEX #372899

RGB 55 40 153

HSL 247.96, 0.59%, 0.38%

LAB 25.65, 40.35, -59.2

 

CMYK 0 / 74 / 47 / 40

HEX #992851

RGB 153 40 81

HSL 338.23, 0.59%, 0.38%

LAB 35.76, 49.37, 3.14

 

CMYK 10 / 0 / 74 / 40

HEX #8A9928

RGB 138 153 40

HSL 67.96, 0.59%, 0.38%

LAB 60.19, -20.24, 53.99

 

Description

Color code: RGB 41 155 114 | qconv.com Color code: RGB 41 155 114 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 41 red, 155 green and 114 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
41 155 114 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, none magenta, 26 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 0% 26% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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