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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 41 157 118 it is the complementary color RGB 214 98 137. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 41 157 118. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 41 157 118 shade: RGB 46 157 113, RGB 63 175 132, RGB 80 193 151, RGB 97 211 170 and RGB 114 229 189

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 41 157 118. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 41 157 118 shade: RGB 41 157 118, RGB 24 139 99, RGB 7 121 80, RGB 0 103 61 and RGB 0 85 42

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 41 157 118 shade: RGB 40 158 118, RGB 40 158 87, RGB 40 158 55, RGB 57 158 40 and RGB 89 158 40

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 41 157 118 shade: RGB 40 158 118, RGB 40 158 150, RGB 40 134 158, RGB 40 102 158 and RGB 40 70 158

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 41 157 118 shade matches the following richer shades: RGB 40 158 118, RGB 24 174 123 and RGB 8 190 129

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 41 157 118 shade: RGB 40 158 118, RGB 56 142 113, RGB 72 125 108, RGB 89 109 102 and RGB 105 93 97

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 41 157 118 shade: RGB 40 158 54, RGB 40 158 85, RGB 40 158 117, RGB 40 158 148 and RGB 40 136 158

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 41 157 118 shade: RGB 23 92 69, RGB 32 125 94, RGB 40 158 118, RGB 49 190 143 and RGB 73 208 162

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 41 157 118 shade: RGB 41 157 118, RGB 40 58 158 and RGB 158 70 40

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 41 157 118 shade: RGB 41 157 118, RGB 117 40 158 and RGB 158 117 40

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 41 157 118 shade: RGB 41 157 118, RGB 40 58 158, RGB 158 40 81 and RGB 158 140 40

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 41 157 118 shade: RGB 41 157 118, RGB 58 40 158, RGB 158 40 81 and RGB 140 158 40

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 0 / 25 / 38

HEX #299D76

RGB 41 157 118

HSL 159.83, 0.59%, 0.39%

LAB 57.94, -41.23, 11.41

 

Complementary color

CMYK 0 / 54 / 36 / 16

HEX #D66289

RGB 214 98 137

HSL 339.83, 0.59%, 0.61%

LAB 56.92, 49.51, 0.8

 

CMYK 71 / 0 / 28 / 38

HEX #2E9D71

RGB 46 157 113

HSL 156.22, 0.55%, 0.4%

LAB 57.93, -41.64, 14.22

 

CMYK 64 / 0 / 25 / 31

HEX #3FAF84

RGB 63 175 132

HSL 156.96, 0.47%, 0.47%

LAB 64.47, -41.99, 12.88

 

CMYK 59 / 0 / 22 / 24

HEX #50C197

RGB 80 193 151

HSL 157.7, 0.48%, 0.54%

LAB 70.93, -42.13, 11.67

 

CMYK 54 / 0 / 19 / 17

HEX #61D3AA

RGB 97 211 170

HSL 158.42, 0.56%, 0.6%

LAB 77.3, -42.14, 10.57

 

CMYK 50 / 0 / 17 / 10

HEX #72E5BD

RGB 114 229 189

HSL 159.13, 0.69%, 0.67%

LAB 83.59, -42.08, 9.56

 

CMYK 74 / 0 / 25 / 38

HEX #299D76

RGB 41 157 118

HSL 159.83, 0.59%, 0.39%

LAB 57.94, -41.23, 11.41

 

CMYK 83 / 0 / 29 / 45

HEX #188B63

RGB 24 139 99

HSL 159.13, 0.71%, 0.32%

LAB 51.34, -40.38, 12.91

 

CMYK 94 / 0 / 34 / 53

HEX #077950

RGB 7 121 80

HSL 158.42, 0.89%, 0.25%

LAB 44.66, -38.98, 14.63

 

CMYK 100 / 0 / 41 / 60

HEX #00673D

RGB 0 103 61

HSL 155.53, 1%, 0.2%

LAB 37.91, -36.74, 16.62

 

CMYK 100 / 0 / 51 / 67

HEX #00552A

RGB 0 85 42

HSL 149.65, 1%, 0.17%

LAB 31.03, -33.77, 18.83

 

CMYK 75 / 0 / 25 / 38

HEX #289E76

RGB 40 158 118

HSL 159.66, 0.6%, 0.39%

LAB 58.24, -41.79, 11.83

 

CMYK 75 / 0 / 45 / 38

HEX #289E57

RGB 40 158 87

HSL 143.9, 0.6%, 0.39%

LAB 57.65, -48.32, 28.06

 

CMYK 75 / 0 / 65 / 38

HEX #289E37

RGB 40 158 55

HSL 127.63, 0.6%, 0.39%

LAB 57.25, -53, 43.42

 

CMYK 64 / 0 / 75 / 38

HEX #399E28

RGB 57 158 40

HSL 111.36, 0.6%, 0.39%

LAB 57.54, -51.06, 49.96

 

CMYK 44 / 0 / 75 / 38

HEX #599E28

RGB 89 158 40

HSL 95.08, 0.6%, 0.39%

LAB 58.72, -41.88, 51.54

 

CMYK 75 / 0 / 25 / 38

HEX #289E76

RGB 40 158 118

HSL 159.66, 0.6%, 0.39%

LAB 58.24, -41.79, 11.83

 

CMYK 75 / 0 / 5 / 38

HEX #289E96

RGB 40 158 150

HSL 175.93, 0.6%, 0.39%

LAB 59.07, -33.27, -5.05

 

CMYK 75 / 15 / 0 / 38

HEX #28869E

RGB 40 134 158

HSL 192.2, 0.6%, 0.39%

LAB 51.8, -18.66, -20.6

 

CMYK 75 / 35 / 0 / 38

HEX #28669E

RGB 40 102 158

HSL 208.47, 0.6%, 0.39%

LAB 41.88, -0.06, -36.06

 

CMYK 75 / 56 / 0 / 38

HEX #28469E

RGB 40 70 158

HSL 224.75, 0.6%, 0.39%

LAB 32.48, 20.91, -51.12

 

CMYK 75 / 0 / 25 / 38

HEX #289E76

RGB 40 158 118

HSL 159.66, 0.6%, 0.39%

LAB 58.24, -41.79, 11.83

 

CMYK 86 / 0 / 29 / 32

HEX #18AE7B

RGB 24 174 123

HSL 159.6, 0.76%, 0.39%

LAB 63.26, -48.82, 16.02

 

CMYK 96 / 0 / 32 / 25

HEX #08BE81

RGB 8 190 129

HSL 159.89, 0.92%, 0.39%

LAB 68.36, -54.43, 19.79

 

CMYK 75 / 0 / 25 / 38

HEX #289E76

RGB 40 158 118

HSL 159.66, 0.6%, 0.39%

LAB 58.24, -41.79, 11.83

 

CMYK 61 / 0 / 20 / 44

HEX #388E71

RGB 56 142 113

HSL 159.77, 0.43%, 0.39%

LAB 53.36, -33.14, 7.83

 

CMYK 42 / 0 / 14 / 51

HEX #487D6C

RGB 72 125 108

HSL 160.75, 0.27%, 0.39%

LAB 48.42, -21.97, 3.75

 

CMYK 18 / 0 / 6 / 57

HEX #596D66

RGB 89 109 102

HSL 159, 0.1%, 0.39%

LAB 44.26, -9.01, 1.43

 

CMYK 0 / 11 / 8 / 59

HEX #695D61

RGB 105 93 97

HSL 340, 0.06%, 0.39%

LAB 40.73, 5.6, -0.52

 

CMYK 75 / 0 / 66 / 38

HEX #289E36

RGB 40 158 54

HSL 127.12, 0.6%, 0.39%

LAB 57.24, -53.11, 43.85

 

CMYK 75 / 0 / 46 / 38

HEX #289E55

RGB 40 158 85

HSL 142.88, 0.6%, 0.39%

LAB 57.62, -48.68, 29.08

 

CMYK 75 / 0 / 26 / 38

HEX #289E75

RGB 40 158 117

HSL 159.15, 0.6%, 0.39%

LAB 58.22, -42.03, 12.36

 

CMYK 75 / 0 / 6 / 38

HEX #289E94

RGB 40 158 148

HSL 174.92, 0.6%, 0.39%

LAB 59.01, -33.85, -4

 

CMYK 75 / 14 / 0 / 38

HEX #28889E

RGB 40 136 158

HSL 191.19, 0.6%, 0.39%

LAB 52.43, -19.74, -19.64

 

CMYK 75 / 0 / 25 / 64

HEX #175C45

RGB 23 92 69

HSL 160, 0.6%, 0.23%

LAB 34.53, -27.33, 7.2

 

CMYK 74 / 0 / 25 / 51

HEX #207D5E

RGB 32 125 94

HSL 160, 0.59%, 0.31%

LAB 46.69, -34.56, 9.32

 

CMYK 75 / 0 / 25 / 38

HEX #289E76

RGB 40 158 118

HSL 159.66, 0.6%, 0.39%

LAB 58.24, -41.79, 11.83

 

CMYK 74 / 0 / 25 / 25

HEX #31BE8F

RGB 49 190 143

HSL 160, 0.59%, 0.47%

LAB 69.09, -47.94, 13.31

 

CMYK 65 / 0 / 22 / 18

HEX #49D0A2

RGB 73 208 162

HSL 159.56, 0.59%, 0.55%

LAB 75.54, -47.35, 12.25

 

CMYK 74 / 0 / 25 / 38

HEX #299D76

RGB 41 157 118

HSL 159.83, 0.59%, 0.39%

LAB 57.94, -41.23, 11.41

 

CMYK 75 / 63 / 0 / 38

HEX #283A9E

RGB 40 58 158

HSL 230.85, 0.6%, 0.39%

LAB 29.28, 28.97, -56.34

 

CMYK 0 / 56 / 75 / 38

HEX #9E4628

RGB 158 70 40

HSL 15.25, 0.6%, 0.39%

LAB 40.9, 34.64, 35.08

 

CMYK 74 / 0 / 25 / 38

HEX #299D76

RGB 41 157 118

HSL 159.83, 0.59%, 0.39%

LAB 57.94, -41.23, 11.41

 

CMYK 26 / 75 / 0 / 38

HEX #75289E

RGB 117 40 158

HSL 279.15, 0.6%, 0.39%

LAB 33.5, 52.38, -49.14

 

CMYK 0 / 26 / 75 / 38

HEX #9E7528

RGB 158 117 40

HSL 39.15, 0.6%, 0.39%

LAB 52, 8.42, 46.6

 

CMYK 74 / 0 / 25 / 38

HEX #299D76

RGB 41 157 118

HSL 159.83, 0.59%, 0.39%

LAB 57.94, -41.23, 11.41

 

CMYK 75 / 63 / 0 / 38

HEX #283A9E

RGB 40 58 158

HSL 230.85, 0.6%, 0.39%

LAB 29.28, 28.97, -56.34

 

CMYK 0 / 75 / 49 / 38

HEX #9E2851

RGB 158 40 81

HSL 339.15, 0.6%, 0.39%

LAB 36.71, 50.86, 4.62

 

CMYK 0 / 11 / 75 / 38

HEX #9E8C28

RGB 158 140 40

HSL 50.85, 0.6%, 0.39%

LAB 58.21, -4.43, 52.68

 

CMYK 74 / 0 / 25 / 38

HEX #299D76

RGB 41 157 118

HSL 159.83, 0.59%, 0.39%

LAB 57.94, -41.23, 11.41

 

CMYK 63 / 75 / 0 / 38

HEX #3A289E

RGB 58 40 158

HSL 249.15, 0.6%, 0.39%

LAB 26.41, 42.33, -61

 

CMYK 0 / 75 / 49 / 38

HEX #9E2851

RGB 158 40 81

HSL 339.15, 0.6%, 0.39%

LAB 36.71, 50.86, 4.62

 

CMYK 11 / 0 / 75 / 38

HEX #8C9E28

RGB 140 158 40

HSL 69.15, 0.6%, 0.39%

LAB 61.81, -21.91, 55.6

 

Description

Color code: RGB 41 157 118 | qconv.com Color code: RGB 41 157 118 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 41 red, 157 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
41 157 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, none magenta, 25 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 0% 25% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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