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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 41 161 238 it is the complementary color RGB 214 94 17. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 41 161 238. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 41 161 238 shade: RGB 46 161 233, RGB 63 179 252, RGB 80 197 255, RGB 97 215 255 and RGB 114 233 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 41 161 238. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 41 161 238 shade: RGB 41 161 238, RGB 24 143 219, RGB 7 125 200, RGB 0 107 181 and RGB 0 89 162

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 41 161 238 shade: RGB 42 161 237, RGB 42 108 237, RGB 42 56 237, RGB 81 42 237 and RGB 134 42 237

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 41 161 238 shade: RGB 42 161 237, RGB 42 108 237, RGB 42 56 237 and RGB 42 42 237

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 41 161 238 shade matches the following richer shades: RGB 42 161 237

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 41 161 238 shade: RGB 42 161 237, RGB 61 157 219, RGB 79 153 200, RGB 98 149 182 and RGB 116 145 163

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 41 161 238 shade: RGB 42 237 208, RGB 42 215 237, RGB 42 163 237, RGB 42 110 237 and RGB 42 58 237

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 41 161 238 shade: RGB 14 117 183, RGB 17 141 221, RGB 42 161 237, RGB 80 178 240 and RGB 119 195 243

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 41 161 238 shade: RGB 41 161 238, RGB 156 42 237 and RGB 237 234 42

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 41 161 238 shade: RGB 41 161 238, RGB 237 42 163 and RGB 163 237 42

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 41 161 238 shade: RGB 41 161 238, RGB 156 42 237, RGB 237 117 42 and RGB 123 237 42

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 41 161 238 shade: RGB 41 161 238, RGB 215 42 237, RGB 237 117 42 and RGB 65 237 42

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 83 / 32 / 0 / 7

HEX #29A1EE

RGB 41 161 238

HSL 203.45, 0.85%, 0.55%

LAB 63.45, -5.51, -47.57

 

Complementary color

CMYK 0 / 56 / 92 / 16

HEX #D65E11

RGB 214 94 17

HSL 23.45, 0.85%, 0.45%

LAB 54.39, 43.84, 59.87

 

CMYK 80 / 31 / 0 / 9

HEX #2EA1E9

RGB 46 161 233

HSL 203.1, 0.81%, 0.55%

LAB 63.3, -6.86, -45.05

 

CMYK 75 / 29 / 0 / 1

HEX #3FB3FC

RGB 63 179 252

HSL 203.17, 0.97%, 0.62%

LAB 69.7, -8.51, -45.34

 

CMYK 69 / 23 / 0 / 0

HEX #50C5FF

RGB 80 197 255

HSL 199.89, 1%, 0.66%

LAB 75.36, -15.02, -38.08

 

CMYK 62 / 16 / 0 / 0

HEX #61D7FF

RGB 97 215 255

HSL 195.19, 1%, 0.69%

LAB 80.94, -21.67, -29.44

 

CMYK 55 / 9 / 0 / 0

HEX #72E9FF

RGB 114 233 255

HSL 189.36, 1%, 0.72%

LAB 86.54, -27.54, -20.85

 

CMYK 83 / 32 / 0 / 7

HEX #29A1EE

RGB 41 161 238

HSL 203.45, 0.85%, 0.55%

LAB 63.45, -5.51, -47.57

 

CMYK 89 / 35 / 0 / 14

HEX #188FDB

RGB 24 143 219

HSL 203.38, 0.8%, 0.48%

LAB 57.03, -3.27, -47.21

 

CMYK 97 / 38 / 0 / 22

HEX #077DC8

RGB 7 125 200

HSL 203.32, 0.93%, 0.41%

LAB 50.55, -0.54, -46.78

 

CMYK 100 / 41 / 0 / 29

HEX #006BB5

RGB 0 107 181

HSL 204.53, 1%, 0.35%

LAB 44.02, 2.8, -46.23

 

CMYK 100 / 45 / 0 / 36

HEX #0059A2

RGB 0 89 162

HSL 207.04, 1%, 0.32%

LAB 37.4, 6.62, -45.63

 

CMYK 82 / 32 / 0 / 7

HEX #2AA1ED

RGB 42 161 237

HSL 203.38, 0.84%, 0.55%

LAB 63.42, -5.79, -47.07

 

CMYK 82 / 54 / 0 / 7

HEX #2A6CED

RGB 42 108 237

HSL 219.69, 0.84%, 0.55%

LAB 48.68, 26.37, -70.69

 

CMYK 82 / 76 / 0 / 7

HEX #2A38ED

RGB 42 56 237

HSL 235.69, 0.84%, 0.55%

LAB 36.81, 57.66, -90.18

 

CMYK 66 / 82 / 0 / 7

HEX #512AED

RGB 81 42 237

HSL 252, 0.84%, 0.55%

LAB 36.97, 66.63, -89.85

 

CMYK 43 / 82 / 0 / 7

HEX #862AED

RGB 134 42 237

HSL 268.31, 0.84%, 0.55%

LAB 42.52, 72.11, -80.5

 

CMYK 82 / 32 / 0 / 7

HEX #2AA1ED

RGB 42 161 237

HSL 203.38, 0.84%, 0.55%

LAB 63.42, -5.79, -47.07

 

CMYK 82 / 54 / 0 / 7

HEX #2A6CED

RGB 42 108 237

HSL 219.69, 0.84%, 0.55%

LAB 48.68, 26.37, -70.69

 

CMYK 82 / 76 / 0 / 7

HEX #2A38ED

RGB 42 56 237

HSL 235.69, 0.84%, 0.55%

LAB 36.81, 57.66, -90.18

 

CMYK 82 / 82 / 0 / 7

HEX #2A2AED

RGB 42 42 237

HSL 240, 0.84%, 0.55%

LAB 34.52, 64.32, -93.97

 

CMYK 82 / 32 / 0 / 7

HEX #2AA1ED

RGB 42 161 237

HSL 203.38, 0.84%, 0.55%

LAB 63.42, -5.79, -47.07

 

CMYK 82 / 32 / 0 / 7

HEX #2AA1ED

RGB 42 161 237

HSL 203.38, 0.84%, 0.55%

LAB 63.42, -5.79, -47.07

 

CMYK 72 / 28 / 0 / 14

HEX #3D9DDB

RGB 61 157 219

HSL 203.54, 0.69%, 0.55%

LAB 61.84, -7.8, -39.58

 

CMYK 61 / 24 / 0 / 22

HEX #4F99C8

RGB 79 153 200

HSL 203.31, 0.52%, 0.55%

LAB 60.44, -8.95, -31.12

 

CMYK 46 / 18 / 0 / 29

HEX #6295B6

RGB 98 149 182

HSL 203.57, 0.37%, 0.55%

LAB 59.41, -8, -22.5

 

CMYK 29 / 11 / 0 / 36

HEX #7491A3

RGB 116 145 163

HSL 202.98, 0.2%, 0.55%

LAB 58.61, -5.83, -12.82

 

CMYK 82 / 0 / 12 / 7

HEX #2AEDD0

RGB 42 237 208

HSL 171.08, 0.84%, 0.55%

LAB 84.8, -51.77, 1.1

 

CMYK 82 / 9 / 0 / 7

HEX #2AD7ED

RGB 42 215 237

HSL 186.77, 0.84%, 0.55%

LAB 79.16, -33.8, -22.68

 

CMYK 82 / 31 / 0 / 7

HEX #2AA3ED

RGB 42 163 237

HSL 202.77, 0.84%, 0.55%

LAB 64, -6.92, -46.16

 

CMYK 82 / 54 / 0 / 7

HEX #2A6EED

RGB 42 110 237

HSL 219.08, 0.84%, 0.55%

LAB 49.2, 25.1, -69.84

 

CMYK 82 / 76 / 0 / 7

HEX #2A3AED

RGB 42 58 237

HSL 235.08, 0.84%, 0.55%

LAB 37.18, 56.61, -89.57

 

CMYK 92 / 36 / 0 / 28

HEX #0E75B7

RGB 14 117 183

HSL 203.43, 0.86%, 0.39%

LAB 47.28, -2.02, -42.19

 

CMYK 92 / 36 / 0 / 13

HEX #118DDD

RGB 17 141 221

HSL 203.53, 0.86%, 0.47%

LAB 56.48, -1.69, -49.21

 

CMYK 82 / 32 / 0 / 7

HEX #2AA1ED

RGB 42 161 237

HSL 203.38, 0.84%, 0.55%

LAB 63.42, -5.79, -47.07

 

CMYK 67 / 26 / 0 / 6

HEX #50B2F0

RGB 80 178 240

HSL 203.25, 0.84%, 0.63%

LAB 69.35, -9.67, -39.34

 

CMYK 51 / 20 / 0 / 5

HEX #77C3F3

RGB 119 195 243

HSL 203.23, 0.84%, 0.71%

LAB 75.71, -10.59, -30.99

 

CMYK 83 / 32 / 0 / 7

HEX #29A1EE

RGB 41 161 238

HSL 203.45, 0.85%, 0.55%

LAB 63.45, -5.51, -47.57

 

CMYK 34 / 82 / 0 / 7

HEX #9C2AED

RGB 156 42 237

HSL 275.08, 0.84%, 0.55%

LAB 45.41, 75.06, -75.64

 

CMYK 0 / 1 / 82 / 7

HEX #EDEA2A

RGB 237 234 42

HSL 59.08, 0.84%, 0.55%

LAB 90.33, -18.33, 83.25

 

CMYK 83 / 32 / 0 / 7

HEX #29A1EE

RGB 41 161 238

HSL 203.45, 0.85%, 0.55%

LAB 63.45, -5.51, -47.57

 

CMYK 0 / 82 / 31 / 7

HEX #ED2AA3

RGB 237 42 163

HSL 322.77, 0.84%, 0.55%

LAB 54.35, 78.71, -17.92

 

CMYK 31 / 0 / 82 / 7

HEX #A3ED2A

RGB 163 237 42

HSL 82.77, 0.84%, 0.55%

LAB 86.27, -48.79, 77.83

 

CMYK 83 / 32 / 0 / 7

HEX #29A1EE

RGB 41 161 238

HSL 203.45, 0.85%, 0.55%

LAB 63.45, -5.51, -47.57

 

CMYK 34 / 82 / 0 / 7

HEX #9C2AED

RGB 156 42 237

HSL 275.08, 0.84%, 0.55%

LAB 45.41, 75.06, -75.64

 

CMYK 0 / 51 / 82 / 7

HEX #ED752A

RGB 237 117 42

HSL 23.08, 0.84%, 0.55%

LAB 62.42, 41.93, 59.28

 

CMYK 48 / 0 / 82 / 7

HEX #7BED2A

RGB 123 237 42

HSL 95.08, 0.84%, 0.55%

LAB 84.46, -61.87, 75.54

 

CMYK 83 / 32 / 0 / 7

HEX #29A1EE

RGB 41 161 238

HSL 203.45, 0.85%, 0.55%

LAB 63.45, -5.51, -47.57

 

CMYK 9 / 82 / 0 / 7

HEX #D72AED

RGB 215 42 237

HSL 293.23, 0.84%, 0.55%

LAB 54.26, 84.36, -60.89

 

CMYK 0 / 51 / 82 / 7

HEX #ED752A

RGB 237 117 42

HSL 23.08, 0.84%, 0.55%

LAB 62.42, 41.93, 59.28

 

CMYK 73 / 0 / 82 / 7

HEX #41ED2A

RGB 65 237 42

HSL 112.92, 0.84%, 0.55%

LAB 82.84, -75.03, 73.47

 

Description

Color code: RGB 41 161 238 | qconv.com Color code: RGB 41 161 238 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 41 red, 161 green and 238 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
41 161 238 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 83 cyan, 32 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
83% 32% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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