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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 41 218 100 it is the complementary color RGB 214 37 155. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 41 218 100. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 41 218 100 shade: RGB 46 218 95, RGB 63 236 114, RGB 80 254 133, RGB 97 255 152 and RGB 114 255 171

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 41 218 100. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 41 218 100 shade: RGB 41 218 100, RGB 24 200 81, RGB 7 182 62, RGB 0 164 43 and RGB 0 146 24

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 41 218 100 shade: RGB 41 218 100, RGB 41 218 52, RGB 77 218 41, RGB 125 218 41 and RGB 173 218 41

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 41 218 100 shade: RGB 41 218 100, RGB 41 218 148, RGB 41 218 196, RGB 41 193 218 and RGB 41 145 218

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 41 218 100 shade matches the following richer shades: RGB 41 218 100 and RGB 21 238 93

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 41 218 100 shade: RGB 41 218 100, RGB 61 198 107, RGB 81 178 113, RGB 101 158 120 and RGB 122 137 127

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 41 218 100 shade: RGB 76 218 41, RGB 41 218 53, RGB 41 218 100, RGB 41 218 147 and RGB 41 218 195

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 41 218 100 shade: RGB 25 151 67, RGB 31 187 83, RGB 41 218 100, RGB 76 224 125 and RGB 111 230 151

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 41 218 100 shade: RGB 41 218 100, RGB 41 124 218 and RGB 218 41 53

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 41 218 100 shade: RGB 41 218 100, RGB 100 41 218 and RGB 218 100 41

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 41 218 100 shade: RGB 41 218 100, RGB 41 124 218, RGB 218 41 159 and RGB 218 135 41

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 41 218 100 shade: RGB 41 218 100, RGB 41 70 218, RGB 218 41 159 and RGB 218 189 41

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 0 / 54 / 15

HEX #29DA64

RGB 41 218 100

HSL 140, 0.71%, 0.51%

LAB 77, -67.05, 45.69

 

Complementary color

CMYK 0 / 83 / 28 / 16

HEX #D6259B

RGB 214 37 155

HSL 320, 0.71%, 0.49%

LAB 49.48, 73.77, -21

 

CMYK 79 / 0 / 56 / 15

HEX #2EDA5F

RGB 46 218 95

HSL 137.09, 0.7%, 0.52%

LAB 77.01, -67.18, 48.04

 

CMYK 73 / 0 / 52 / 7

HEX #3FEC72

RGB 63 236 114

HSL 137.69, 0.82%, 0.59%

LAB 83.05, -68.29, 46.56

 

CMYK 69 / 0 / 48 / 0

HEX #50FE85

RGB 80 254 133

HSL 138.28, 0.99%, 0.65%

LAB 89.06, -69.04, 45.1

 

CMYK 62 / 0 / 40 / 0

HEX #61FF98

RGB 97 255 152

HSL 140.89, 1%, 0.69%

LAB 90.01, -63.37, 37.2

 

CMYK 55 / 0 / 33 / 0

HEX #72FFAB

RGB 114 255 171

HSL 144.26, 1%, 0.72%

LAB 90.8, -56.57, 28.86

 

CMYK 81 / 0 / 54 / 15

HEX #29DA64

RGB 41 218 100

HSL 140, 0.71%, 0.51%

LAB 77, -67.05, 45.69

 

CMYK 88 / 0 / 60 / 22

HEX #18C851

RGB 24 200 81

HSL 139.43, 0.79%, 0.44%

LAB 70.94, -65.35, 47.24

 

CMYK 96 / 0 / 66 / 29

HEX #07B63E

RGB 7 182 62

HSL 138.86, 0.93%, 0.37%

LAB 64.84, -63.01, 48.67

 

CMYK 100 / 0 / 74 / 36

HEX #00A42B

RGB 0 164 43

HSL 135.73, 1%, 0.32%

LAB 58.72, -59.83, 49.78

 

CMYK 100 / 0 / 84 / 43

HEX #009218

RGB 0 146 24

HSL 129.86, 1%, 0.29%

LAB 52.54, -55.93, 50.09

 

CMYK 81 / 0 / 54 / 15

HEX #29DA64

RGB 41 218 100

HSL 140, 0.71%, 0.51%

LAB 77, -67.05, 45.69

 

CMYK 81 / 0 / 76 / 15

HEX #29DA34

RGB 41 218 52

HSL 123.73, 0.71%, 0.51%

LAB 76.6, -72.04, 64.66

 

CMYK 65 / 0 / 81 / 15

HEX #4DDA29

RGB 77 218 41

HSL 107.8, 0.71%, 0.51%

LAB 77.21, -66.98, 68.68

 

CMYK 43 / 0 / 81 / 15

HEX #7DDA29

RGB 125 218 41

HSL 91.53, 0.71%, 0.51%

LAB 78.85, -54.13, 70.78

 

CMYK 21 / 0 / 81 / 15

HEX #ADDA29

RGB 173 218 41

HSL 75.25, 0.71%, 0.51%

LAB 81.39, -36.85, 74.01

 

CMYK 81 / 0 / 54 / 15

HEX #29DA64

RGB 41 218 100

HSL 140, 0.71%, 0.51%

LAB 77, -67.05, 45.69

 

CMYK 81 / 0 / 32 / 15

HEX #29DA94

RGB 41 218 148

HSL 156.27, 0.71%, 0.51%

LAB 77.73, -58.61, 22.61

 

CMYK 81 / 0 / 10 / 15

HEX #29DAC4

RGB 41 218 196

HSL 172.54, 0.71%, 0.51%

LAB 78.81, -47.07, -1.29

 

CMYK 81 / 11 / 0 / 15

HEX #29C1DA

RGB 41 193 218

HSL 188.47, 0.71%, 0.51%

LAB 72.01, -29.22, -23.34

 

CMYK 81 / 33 / 0 / 15

HEX #2991DA

RGB 41 145 218

HSL 204.75, 0.71%, 0.51%

LAB 57.83, -3.56, -45.37

 

CMYK 81 / 0 / 54 / 15

HEX #29DA64

RGB 41 218 100

HSL 140, 0.71%, 0.51%

LAB 77, -67.05, 45.69

 

CMYK 91 / 0 / 61 / 7

HEX #15EE5D

RGB 21 238 93

HSL 139.91, 0.86%, 0.51%

LAB 82.97, -75.65, 55.8

 

CMYK 81 / 0 / 54 / 15

HEX #29DA64

RGB 41 218 100

HSL 140, 0.71%, 0.51%

LAB 77, -67.05, 45.69

 

CMYK 69 / 0 / 46 / 22

HEX #3DC66B

RGB 61 198 107

HSL 140.15, 0.55%, 0.51%

LAB 71.17, -56.37, 35.12

 

CMYK 54 / 0 / 37 / 30

HEX #51B271

RGB 81 178 113

HSL 139.79, 0.39%, 0.51%

LAB 65.58, -43.27, 24.8

 

CMYK 36 / 0 / 24 / 38

HEX #659E78

RGB 101 158 120

HSL 140, 0.23%, 0.51%

LAB 60.41, -27.14, 14.06

 

CMYK 11 / 0 / 7 / 46

HEX #7A897F

RGB 122 137 127

HSL 140, 0.06%, 0.51%

LAB 55.65, -7.5, 3.51

 

CMYK 65 / 0 / 81 / 15

HEX #4CDA29

RGB 76 218 41

HSL 108.14, 0.71%, 0.51%

LAB 77.18, -67.18, 68.65

 

CMYK 81 / 0 / 76 / 15

HEX #29DA35

RGB 41 218 53

HSL 124.07, 0.71%, 0.51%

LAB 76.6, -71.97, 64.35

 

CMYK 81 / 0 / 54 / 15

HEX #29DA64

RGB 41 218 100

HSL 140, 0.71%, 0.51%

LAB 77, -67.05, 45.69

 

CMYK 81 / 0 / 33 / 15

HEX #29DA93

RGB 41 218 147

HSL 155.93, 0.71%, 0.51%

LAB 77.71, -58.82, 23.1

 

CMYK 81 / 0 / 11 / 15

HEX #29DAC3

RGB 41 218 195

HSL 172.2, 0.71%, 0.51%

LAB 78.78, -47.34, -0.79

 

CMYK 83 / 0 / 56 / 41

HEX #199743

RGB 25 151 67

HSL 140, 0.72%, 0.35%

LAB 54.81, -51.07, 34.83

 

CMYK 83 / 0 / 56 / 27

HEX #1FBB53

RGB 31 187 83

HSL 140, 0.72%, 0.43%

LAB 66.87, -60.3, 41.52

 

CMYK 81 / 0 / 54 / 15

HEX #29DA64

RGB 41 218 100

HSL 140, 0.71%, 0.51%

LAB 77, -67.05, 45.69

 

CMYK 66 / 0 / 44 / 12

HEX #4CE07D

RGB 76 224 125

HSL 139.86, 0.7%, 0.59%

LAB 79.8, -60.32, 37.21

 

CMYK 52 / 0 / 34 / 10

HEX #6FE697

RGB 111 230 151

HSL 140.17, 0.7%, 0.67%

LAB 83.02, -50.77, 28.51

 

CMYK 81 / 0 / 54 / 15

HEX #29DA64

RGB 41 218 100

HSL 140, 0.71%, 0.51%

LAB 77, -67.05, 45.69

 

CMYK 81 / 43 / 0 / 15

HEX #297CDA

RGB 41 124 218

HSL 211.86, 0.71%, 0.51%

LAB 51.78, 9.05, -55

 

CMYK 0 / 81 / 76 / 15

HEX #DA2935

RGB 218 41 53

HSL 355.93, 0.71%, 0.51%

LAB 47.94, 66.14, 38.62

 

CMYK 81 / 0 / 54 / 15

HEX #29DA64

RGB 41 218 100

HSL 140, 0.71%, 0.51%

LAB 77, -67.05, 45.69

 

CMYK 54 / 81 / 0 / 15

HEX #6429DA

RGB 100 41 218

HSL 260, 0.71%, 0.51%

LAB 36.66, 63.83, -79.44

 

CMYK 0 / 54 / 81 / 15

HEX #DA6429

RGB 218 100 41

HSL 20, 0.71%, 0.51%

LAB 56.27, 42.99, 53.08

 

CMYK 81 / 0 / 54 / 15

HEX #29DA64

RGB 41 218 100

HSL 140, 0.71%, 0.51%

LAB 77, -67.05, 45.69

 

CMYK 81 / 43 / 0 / 15

HEX #297CDA

RGB 41 124 218

HSL 211.86, 0.71%, 0.51%

LAB 51.78, 9.05, -55

 

CMYK 0 / 81 / 27 / 15

HEX #DA299F

RGB 218 41 159

HSL 320, 0.71%, 0.51%

LAB 50.68, 74.23, -21.48

 

CMYK 0 / 38 / 81 / 15

HEX #DA8729

RGB 218 135 41

HSL 31.86, 0.71%, 0.51%

LAB 63.67, 24.88, 59.8

 

CMYK 81 / 0 / 54 / 15

HEX #29DA64

RGB 41 218 100

HSL 140, 0.71%, 0.51%

LAB 77, -67.05, 45.69

 

CMYK 81 / 68 / 0 / 15

HEX #2946DA

RGB 41 70 218

HSL 230.17, 0.71%, 0.51%

LAB 37.69, 43.28, -77.9

 

CMYK 0 / 81 / 27 / 15

HEX #DA299F

RGB 218 41 159

HSL 320, 0.71%, 0.51%

LAB 50.68, 74.23, -21.48

 

CMYK 0 / 13 / 81 / 15

HEX #DABD29

RGB 218 189 41

HSL 50.17, 0.71%, 0.51%

LAB 76.96, -3.86, 71.48

 

Description

Color code: RGB 41 218 100 | qconv.com Color code: RGB 41 218 100 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 41 red, 218 green and 100 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
41 218 100 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, none magenta, 54 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 0% 54% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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