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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 41 232 27 it is the complementary color RGB 214 23 228. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 41 232 27. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 41 232 27 shade: RGB 46 232 22, RGB 63 250 41, RGB 80 255 60, RGB 97 255 79 and RGB 114 255 98

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 41 232 27. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 41 232 27 shade: RGB 41 232 27, RGB 24 214 8, RGB 7 196 0, RGB 0 178 0 and RGB 0 160 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 41 232 27 shade: RGB 41 232 27, RGB 96 232 27, RGB 152 232 27, RGB 207 232 27 and RGB 232 202 27

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 41 232 27 shade: RGB 41 232 27, RGB 27 232 68, RGB 27 232 124, RGB 27 232 179 and RGB 27 230 232

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 41 232 27 shade matches the following richer shades: RGB 41 232 27 and RGB 24 252 7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 41 232 27 shade: RGB 41 232 27, RGB 59 212 47, RGB 76 192 68, RGB 93 171 88 and RGB 111 151 108

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 41 232 27 shade: RGB 153 232 27, RGB 99 232 27, RGB 44 232 27, RGB 27 232 65 and RGB 27 232 119

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 41 232 27 shade: RGB 25 161 15, RGB 31 199 19, RGB 41 232 27, RGB 76 236 65 and RGB 112 239 102

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 41 232 27 shade: RGB 41 232 27, RGB 27 208 232 and RGB 232 27 126

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 41 232 27 shade: RGB 41 232 27, RGB 27 44 232 and RGB 232 27 44

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 41 232 27 shade: RGB 41 232 27, RGB 27 208 232, RGB 215 27 232 and RGB 232 51 27

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 41 232 27 shade: RGB 41 232 27, RGB 27 147 232, RGB 215 27 232 and RGB 232 112 27

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 0 / 88 / 9

HEX #29E81B

RGB 41 232 27

HSL 115.9, 0.82%, 0.51%

LAB 80.89, -77.29, 74.74

 

Complementary color

CMYK 6 / 90 / 0 / 11

HEX #D617E4

RGB 214 23 228

HSL 295.9, 0.82%, 0.49%

LAB 52.41, 86.1, -58.79

 

CMYK 80 / 0 / 91 / 9

HEX #2EE816

RGB 46 232 22

HSL 113.14, 0.83%, 0.5%

LAB 80.93, -76.9, 75.6

 

CMYK 75 / 0 / 84 / 2

HEX #3FFA29

RGB 63 250 41

HSL 113.68, 0.95%, 0.57%

LAB 86.79, -79.2, 77.26

 

CMYK 69 / 0 / 76 / 0

HEX #50FF3C

RGB 80 255 60

HSL 113.85, 1%, 0.62%

LAB 88.71, -77.01, 74.19

 

CMYK 62 / 0 / 69 / 0

HEX #61FF4F

RGB 97 255 79

HSL 113.86, 1%, 0.65%

LAB 89.22, -72.38, 68.52

 

CMYK 55 / 0 / 62 / 0

HEX #72FF62

RGB 114 255 98

HSL 113.89, 1%, 0.69%

LAB 89.85, -66.83, 61.93

 

CMYK 82 / 0 / 88 / 9

HEX #29E81B

RGB 41 232 27

HSL 115.9, 0.82%, 0.51%

LAB 80.89, -77.29, 74.74

 

CMYK 89 / 0 / 96 / 16

HEX #18D608

RGB 24 214 8

HSL 115.34, 0.93%, 0.44%

LAB 75.02, -74.25, 72.25

 

CMYK 96 / 0 / 100 / 23

HEX #07C400

RGB 7 196 0

HSL 117.86, 1%, 0.38%

LAB 69.13, -70.4, 68.27

 

CMYK 100 / 0 / 100 / 30

HEX #00B200

RGB 0 178 0

HSL 120, 1%, 0.35%

LAB 63.21, -65.81, 63.52

 

CMYK 100 / 0 / 100 / 37

HEX #00A000

RGB 0 160 0

HSL 120, 1%, 0.31%

LAB 57.21, -60.83, 58.71

 

CMYK 82 / 0 / 88 / 9

HEX #29E81B

RGB 41 232 27

HSL 115.9, 0.82%, 0.51%

LAB 80.89, -77.29, 74.74

 

CMYK 59 / 0 / 88 / 9

HEX #60E81B

RGB 96 232 27

HSL 99.8, 0.82%, 0.51%

LAB 81.99, -67.86, 76.12

 

CMYK 34 / 0 / 88 / 9

HEX #98E81B

RGB 152 232 27

HSL 83.41, 0.82%, 0.51%

LAB 84.21, -51.09, 78.88

 

CMYK 11 / 0 / 88 / 9

HEX #CFE81B

RGB 207 232 27

HSL 67.32, 0.82%, 0.51%

LAB 87.51, -30.06, 82.94

 

CMYK 0 / 13 / 88 / 9

HEX #E8CA1B

RGB 232 202 27

HSL 51.22, 0.82%, 0.51%

LAB 81.55, -4.85, 79.06

 

CMYK 82 / 0 / 88 / 9

HEX #29E81B

RGB 41 232 27

HSL 115.9, 0.82%, 0.51%

LAB 80.89, -77.29, 74.74

 

CMYK 88 / 0 / 71 / 9

HEX #1BE844

RGB 27 232 68

HSL 132, 0.82%, 0.51%

LAB 80.94, -76.09, 63.54

 

CMYK 88 / 0 / 47 / 9

HEX #1BE87C

RGB 27 232 124

HSL 148.39, 0.82%, 0.51%

LAB 81.51, -69.08, 39.74

 

CMYK 88 / 0 / 23 / 9

HEX #1BE8B3

RGB 27 232 179

HSL 164.49, 0.82%, 0.51%

LAB 82.49, -57.97, 12.99

 

CMYK 88 / 1 / 0 / 9

HEX #1BE6E8

RGB 27 230 232

HSL 180.59, 0.82%, 0.51%

LAB 83.26, -43.07, -13.85

 

CMYK 82 / 0 / 88 / 9

HEX #29E81B

RGB 41 232 27

HSL 115.9, 0.82%, 0.51%

LAB 80.89, -77.29, 74.74

 

CMYK 90 / 0 / 97 / 1

HEX #18FC07

RGB 24 252 7

HSL 115.84, 0.98%, 0.51%

LAB 86.91, -84.44, 82.02

 

CMYK 82 / 0 / 88 / 9

HEX #29E81B

RGB 41 232 27

HSL 115.9, 0.82%, 0.51%

LAB 80.89, -77.29, 74.74

 

CMYK 72 / 0 / 78 / 17

HEX #3BD42F

RGB 59 212 47

HSL 115.64, 0.66%, 0.51%

LAB 74.96, -68.1, 64.73

 

CMYK 60 / 0 / 65 / 25

HEX #4CC044

RGB 76 192 68

HSL 116.13, 0.5%, 0.51%

LAB 69.22, -56.33, 51.27

 

CMYK 46 / 0 / 49 / 33

HEX #5DAB58

RGB 93 171 88

HSL 116.39, 0.33%, 0.51%

LAB 63.47, -41.06, 35.26

 

CMYK 26 / 0 / 28 / 41

HEX #6F976C

RGB 111 151 108

HSL 115.81, 0.17%, 0.51%

LAB 58.6, -22.53, 18.35

 

CMYK 34 / 0 / 88 / 9

HEX #99E81B

RGB 153 232 27

HSL 83.12, 0.82%, 0.51%

LAB 84.26, -50.74, 78.94

 

CMYK 57 / 0 / 88 / 9

HEX #63E81B

RGB 99 232 27

HSL 98.93, 0.82%, 0.51%

LAB 82.08, -67.13, 76.23

 

CMYK 81 / 0 / 88 / 9

HEX #2CE81B

RGB 44 232 27

HSL 115.02, 0.82%, 0.51%

LAB 80.92, -76.98, 74.78

 

CMYK 88 / 0 / 72 / 9

HEX #1BE841

RGB 27 232 65

HSL 131.12, 0.82%, 0.51%

LAB 80.92, -76.34, 64.59

 

CMYK 88 / 0 / 49 / 9

HEX #1BE877

RGB 27 232 119

HSL 146.93, 0.82%, 0.51%

LAB 81.44, -69.89, 42.09

 

CMYK 84 / 0 / 91 / 37

HEX #19A10F

RGB 25 161 15

HSL 115.89, 0.83%, 0.35%

LAB 57.78, -58.88, 56.95

 

CMYK 84 / 0 / 90 / 22

HEX #1FC713

RGB 31 199 19

HSL 116, 0.83%, 0.43%

LAB 70.31, -69.23, 66.99

 

CMYK 82 / 0 / 88 / 9

HEX #29E81B

RGB 41 232 27

HSL 115.9, 0.82%, 0.51%

LAB 80.89, -77.29, 74.74

 

CMYK 68 / 0 / 72 / 7

HEX #4CEC41

RGB 76 236 65

HSL 116.14, 0.82%, 0.59%

LAB 82.87, -71.45, 66.79

 

CMYK 53 / 0 / 57 / 6

HEX #70EF66

RGB 112 239 102

HSL 115.62, 0.81%, 0.67%

LAB 85.07, -61.1, 54.74

 

CMYK 82 / 0 / 88 / 9

HEX #29E81B

RGB 41 232 27

HSL 115.9, 0.82%, 0.51%

LAB 80.89, -77.29, 74.74

 

CMYK 88 / 10 / 0 / 9

HEX #1BD0E8

RGB 27 208 232

HSL 187.02, 0.82%, 0.51%

LAB 76.78, -32.97, -23.63

 

CMYK 0 / 88 / 46 / 9

HEX #E81B7E

RGB 232 27 126

HSL 331.02, 0.82%, 0.51%

LAB 51.21, 76.84, -0.63

 

CMYK 82 / 0 / 88 / 9

HEX #29E81B

RGB 41 232 27

HSL 115.9, 0.82%, 0.51%

LAB 80.89, -77.29, 74.74

 

CMYK 88 / 81 / 0 / 9

HEX #1B2CE8

RGB 27 44 232

HSL 235.02, 0.82%, 0.51%

LAB 33.69, 61.42, -92.53

 

CMYK 0 / 88 / 81 / 9

HEX #E81B2C

RGB 232 27 44

HSL 355.02, 0.82%, 0.51%

LAB 49.64, 72.43, 46.24

 

CMYK 82 / 0 / 88 / 9

HEX #29E81B

RGB 41 232 27

HSL 115.9, 0.82%, 0.51%

LAB 80.89, -77.29, 74.74

 

CMYK 88 / 10 / 0 / 9

HEX #1BD0E8

RGB 27 208 232

HSL 187.02, 0.82%, 0.51%

LAB 76.78, -32.97, -23.63

 

CMYK 7 / 88 / 0 / 9

HEX #D71BE8

RGB 215 27 232

HSL 295.02, 0.82%, 0.51%

LAB 53.01, 86.32, -60.08

 

CMYK 0 / 78 / 88 / 9

HEX #E8331B

RGB 232 51 27

HSL 7.02, 0.82%, 0.51%

LAB 51.38, 66.77, 55.82

 

CMYK 82 / 0 / 88 / 9

HEX #29E81B

RGB 41 232 27

HSL 115.9, 0.82%, 0.51%

LAB 80.89, -77.29, 74.74

 

CMYK 88 / 37 / 0 / 9

HEX #1B93E8

RGB 27 147 232

HSL 204.88, 0.82%, 0.51%

LAB 58.91, -0.6, -51.47

 

CMYK 7 / 88 / 0 / 9

HEX #D71BE8

RGB 215 27 232

HSL 295.02, 0.82%, 0.51%

LAB 53.01, 86.32, -60.08

 

CMYK 0 / 52 / 88 / 9

HEX #E8701B

RGB 232 112 27

HSL 24.88, 0.82%, 0.51%

LAB 60.63, 42.12, 62.81

 

Description

Color code: RGB 41 232 27 | qconv.com Color code: RGB 41 232 27 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 41 red, 232 green and 27 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
41 232 27 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, none magenta, 88 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 0% 88% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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