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Color name
RGB 42 61 146

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 42 61 146 it is the complementary color RGB 213 194 109. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 42 61 146. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 42 61 146 shade: RGB 47 61 141, RGB 64 79 160, RGB 81 97 179, RGB 98 115 198 and RGB 115 133 217

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 42 61 146. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 42 61 146 shade: RGB 42 61 146, RGB 25 43 127, RGB 8 25 108, RGB 0 7 89 and RGB 0 0 70

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 42 61 146 shade: RGB 42 61 146, RGB 51 42 146, RGB 79 42 146, RGB 107 42 146 and RGB 135 42 146

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 42 61 146 shade: RGB 42 61 146 and RGB 42 42 146

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 42 61 146 shade matches the following richer shades: RGB 42 61 146, RGB 27 51 161 and RGB 11 42 176

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 42 61 146 shade: RGB 42 61 146, RGB 57 71 130, RGB 72 80 115, RGB 88 90 100 and RGB 103 100 85

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 42 61 146 shade: RGB 42 116 146, RGB 42 89 146, RGB 42 61 146, RGB 51 42 146 and RGB 78 42 146

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 42 61 146 shade: RGB 23 34 82, RGB 33 47 114, RGB 42 61 146, RGB 51 74 178 and RGB 69 93 201

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 42 61 146 shade: RGB 42 61 146, RGB 146 42 144 and RGB 102 146 42

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 42 61 146 shade: RGB 42 61 146, RGB 146 42 61 and RGB 61 146 42

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 42 61 146 shade: RGB 42 61 146, RGB 146 42 144, RGB 146 127 42 and RGB 42 146 44

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 42 61 146 shade: RGB 42 61 146, RGB 146 42 113, RGB 146 127 42 and RGB 42 146 75

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 58 / 0 / 43

HEX #2A3D92

RGB 42 61 146

HSL 229.04, 0.55%, 0.37%

LAB 29.17, 22.69, -49.18

 

Complementary color

CMYK 0 / 9 / 49 / 16

HEX #D5C26D

RGB 213 194 109

HSL 49.04, 0.55%, 0.63%

LAB 78.36, -4.49, 44.89

 

CMYK 67 / 57 / 0 / 45

HEX #2F3D8D

RGB 47 61 141

HSL 231.06, 0.5%, 0.37%

LAB 29.07, 21.6, -46.26

 

CMYK 60 / 51 / 0 / 37

HEX #404FA0

RGB 64 79 160

HSL 230.63, 0.43%, 0.44%

LAB 36.4, 19.65, -45.92

 

CMYK 55 / 46 / 0 / 30

HEX #5161B3

RGB 81 97 179

HSL 230.2, 0.39%, 0.51%

LAB 43.59, 18.12, -45.61

 

CMYK 51 / 42 / 0 / 22

HEX #6273C6

RGB 98 115 198

HSL 229.8, 0.47%, 0.58%

LAB 50.61, 16.87, -45.35

 

CMYK 47 / 39 / 0 / 15

HEX #7385D9

RGB 115 133 217

HSL 229.41, 0.57%, 0.65%

LAB 57.49, 15.85, -45.14

 

CMYK 71 / 58 / 0 / 43

HEX #2A3D92

RGB 42 61 146

HSL 229.04, 0.55%, 0.37%

LAB 29.17, 22.69, -49.18

 

CMYK 80 / 66 / 0 / 50

HEX #192B7F

RGB 25 43 127

HSL 229.41, 0.67%, 0.3%

LAB 21.82, 25.5, -49.38

 

CMYK 93 / 77 / 0 / 58

HEX #08196C

RGB 8 25 108

HSL 229.8, 0.86%, 0.23%

LAB 14.57, 28.93, -49.14

 

CMYK 100 / 92 / 0 / 65

HEX #000759

RGB 0 7 89

HSL 235.28, 1%, 0.17%

LAB 7.89, 32.24, -47.58

 

CMYK 100 / 100 / 0 / 73

HEX #000046

RGB 0 0 70

HSL 240, 1%, 0.14%

LAB 3.99, 27.1, -40.87

 

CMYK 71 / 58 / 0 / 43

HEX #2A3D92

RGB 42 61 146

HSL 229.04, 0.55%, 0.37%

LAB 29.17, 22.69, -49.18

 

CMYK 65 / 71 / 0 / 43

HEX #332A92

RGB 51 42 146

HSL 245.19, 0.55%, 0.37%

LAB 25.06, 36.34, -55.87

 

CMYK 46 / 71 / 0 / 43

HEX #4F2A92

RGB 79 42 146

HSL 261.35, 0.55%, 0.37%

LAB 27.83, 41, -51.24

 

CMYK 27 / 71 / 0 / 43

HEX #6B2A92

RGB 107 42 146

HSL 277.5, 0.55%, 0.37%

LAB 31.48, 46.73, -45.14

 

CMYK 8 / 71 / 0 / 43

HEX #872A92

RGB 135 42 146

HSL 293.65, 0.55%, 0.37%

LAB 35.76, 53.03, -38.05

 

CMYK 71 / 58 / 0 / 43

HEX #2A3D92

RGB 42 61 146

HSL 229.04, 0.55%, 0.37%

LAB 29.17, 22.69, -49.18

 

CMYK 71 / 71 / 0 / 43

HEX #2A2A92

RGB 42 42 146

HSL 240, 0.55%, 0.37%

LAB 24.4, 35.17, -56.99

 

CMYK 71 / 58 / 0 / 43

HEX #2A3D92

RGB 42 61 146

HSL 229.04, 0.55%, 0.37%

LAB 29.17, 22.69, -49.18

 

CMYK 83 / 68 / 0 / 37

HEX #1B33A1

RGB 27 51 161

HSL 229.25, 0.71%, 0.37%

LAB 27.22, 33.44, -61.55

 

CMYK 94 / 76 / 0 / 31

HEX #0B2AB0

RGB 11 42 176

HSL 228.73, 0.88%, 0.37%

LAB 26.34, 43.73, -72.07

 

CMYK 71 / 58 / 0 / 43

HEX #2A3D92

RGB 42 61 146

HSL 229.04, 0.55%, 0.37%

LAB 29.17, 22.69, -49.18

 

CMYK 56 / 45 / 0 / 49

HEX #394782

RGB 57 71 130

HSL 228.49, 0.39%, 0.37%

LAB 31.78, 12.9, -35.07

 

CMYK 37 / 30 / 0 / 55

HEX #485073

RGB 72 80 115

HSL 228.84, 0.23%, 0.37%

LAB 34.71, 6.21, -21.06

 

CMYK 12 / 10 / 0 / 61

HEX #585A64

RGB 88 90 100

HSL 230, 0.06%, 0.37%

LAB 38.39, 1.46, -6.01

 

CMYK 0 / 3 / 17 / 60

HEX #676455

RGB 103 100 85

HSL 50, 0.1%, 0.37%

LAB 42.24, -1.66, 8.94

 

CMYK 71 / 21 / 0 / 43

HEX #2A7492

RGB 42 116 146

HSL 197.31, 0.55%, 0.37%

LAB 45.71, -12.5, -22.93

 

CMYK 71 / 39 / 0 / 43

HEX #2A5992

RGB 42 89 146

HSL 212.88, 0.55%, 0.37%

LAB 37.32, 3.95, -36.09

 

CMYK 71 / 58 / 0 / 43

HEX #2A3D92

RGB 42 61 146

HSL 229.04, 0.55%, 0.37%

LAB 29.17, 22.69, -49.18

 

CMYK 65 / 71 / 0 / 43

HEX #332A92

RGB 51 42 146

HSL 245.19, 0.55%, 0.37%

LAB 25.06, 36.34, -55.87

 

CMYK 47 / 71 / 0 / 43

HEX #4E2A92

RGB 78 42 146

HSL 260.77, 0.55%, 0.37%

LAB 27.71, 40.81, -51.43

 

CMYK 72 / 59 / 0 / 68

HEX #172252

RGB 23 34 82

HSL 228.81, 0.56%, 0.21%

LAB 15.14, 13.42, -30.86

 

CMYK 71 / 59 / 0 / 55

HEX #212F72

RGB 33 47 114

HSL 229.63, 0.55%, 0.29%

LAB 22.2, 18.62, -40.47

 

CMYK 71 / 58 / 0 / 43

HEX #2A3D92

RGB 42 61 146

HSL 229.04, 0.55%, 0.37%

LAB 29.17, 22.69, -49.18

 

CMYK 71 / 58 / 0 / 30

HEX #334AB2

RGB 51 74 178

HSL 229.13, 0.55%, 0.45%

LAB 35.63, 27.25, -57.95

 

CMYK 66 / 54 / 0 / 21

HEX #455DC9

RGB 69 93 201

HSL 229.09, 0.55%, 0.53%

LAB 43.23, 25.93, -59.01

 

CMYK 71 / 58 / 0 / 43

HEX #2A3D92

RGB 42 61 146

HSL 229.04, 0.55%, 0.37%

LAB 29.17, 22.69, -49.18

 

CMYK 0 / 71 / 1 / 43

HEX #922A90

RGB 146 42 144

HSL 301.15, 0.55%, 0.37%

LAB 37.45, 55.24, -34.03

 

CMYK 30 / 0 / 71 / 43

HEX #66922A

RGB 102 146 42

HSL 85.38, 0.55%, 0.37%

LAB 55.63, -31.68, 47.9

 

CMYK 71 / 58 / 0 / 43

HEX #2A3D92

RGB 42 61 146

HSL 229.04, 0.55%, 0.37%

LAB 29.17, 22.69, -49.18

 

CMYK 0 / 71 / 58 / 43

HEX #922A3D

RGB 146 42 61

HSL 349.04, 0.55%, 0.37%

LAB 34.2, 44.66, 13.68

 

CMYK 58 / 0 / 71 / 43

HEX #3D922A

RGB 61 146 42

HSL 109.04, 0.55%, 0.37%

LAB 53.73, -45.45, 45.32

 

CMYK 71 / 58 / 0 / 43

HEX #2A3D92

RGB 42 61 146

HSL 229.04, 0.55%, 0.37%

LAB 29.17, 22.69, -49.18

 

CMYK 0 / 71 / 1 / 43

HEX #922A90

RGB 146 42 144

HSL 301.15, 0.55%, 0.37%

LAB 37.45, 55.24, -34.03

 

CMYK 0 / 13 / 71 / 43

HEX #927F2A

RGB 146 127 42

HSL 49.04, 0.55%, 0.37%

LAB 53.45, -2.63, 46.78

 

CMYK 71 / 0 / 70 / 43

HEX #2A922C

RGB 42 146 44

HSL 121.15, 0.55%, 0.37%

LAB 53.2, -49.64, 43.78

 

CMYK 71 / 58 / 0 / 43

HEX #2A3D92

RGB 42 61 146

HSL 229.04, 0.55%, 0.37%

LAB 29.17, 22.69, -49.18

 

CMYK 0 / 71 / 23 / 43

HEX #922A71

RGB 146 42 113

HSL 319.04, 0.55%, 0.37%

LAB 35.91, 50.39, -17.19

 

CMYK 0 / 13 / 71 / 43

HEX #927F2A

RGB 146 127 42

HSL 49.04, 0.55%, 0.37%

LAB 53.45, -2.63, 46.78

 

CMYK 71 / 0 / 49 / 43

HEX #2A924B

RGB 42 146 75

HSL 139.04, 0.55%, 0.37%

LAB 53.55, -45.51, 29.21

 

Description

Color code: RGB 42 61 146 | qconv.com Color code: RGB 42 61 146 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 42 red, 61 green and 146 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
42 61 146 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, 58 magenta, none yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 58% 0% 43% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

20% - Home | WBEZ 91.5 Chi...
Link: http://wbez.org

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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