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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 42 77 33 it is the complementary color RGB 213 178 222. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 42 77 33. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 42 77 33 shade: RGB 47 77 28, RGB 64 95 47, RGB 81 113 66, RGB 98 131 85 and RGB 115 149 104

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 42 77 33. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 42 77 33 shade: RGB 42 77 33, RGB 25 59 14, RGB 8 41 0, RGB 0 23 0 and RGB 0 5 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 42 77 33 shade: RGB 42 78 33, RGB 54 78 33, RGB 67 78 33, RGB 78 77 33 and RGB 78 65 33

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 42 77 33 shade: RGB 42 78 33, RGB 33 78 36, RGB 33 78 48, RGB 33 78 60 and RGB 33 78 72

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 42 77 33 shade matches the following richer shades: RGB 42 78 33, RGB 37 87 24, RGB 32 96 15 and RGB 26 105 6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 42 77 33 shade: RGB 42 78 33, RGB 48 69 42, RGB 53 60 51, RGB 58 51 60 and RGB 64 42 69

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 42 77 33 shade: RGB 67 78 33, RGB 55 78 33, RGB 43 78 33, RGB 33 78 35 and RGB 33 78 47

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 42 77 33 shade: RGB 11 20 8, RGB 27 49 21, RGB 42 78 33, RGB 58 107 46 and RGB 74 136 58

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 42 77 33 shade: RGB 42 77 33, RGB 33 78 77 and RGB 78 33 61

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 42 77 33 shade: RGB 42 77 33, RGB 33 43 78 and RGB 78 33 43

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 42 77 33 shade: RGB 42 77 33, RGB 33 78 77, RGB 68 33 78 and RGB 78 33 34

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 42 77 33 shade: RGB 42 77 33, RGB 33 65 78, RGB 68 33 78 and RGB 78 46 33

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 0 / 57 / 70

HEX #2A4D21

RGB 42 77 33

HSL 107.73, 0.4%, 0.22%

LAB 29.18, -22.55, 22.02

 

Complementary color

CMYK 4 / 20 / 0 / 13

HEX #D5B2DE

RGB 213 178 222

HSL 287.73, 0.4%, 0.78%

LAB 76.84, 20.37, -17.36

 

CMYK 39 / 0 / 64 / 70

HEX #2F4D1C

RGB 47 77 28

HSL 96.73, 0.47%, 0.21%

LAB 29.4, -21.26, 25.13

 

CMYK 33 / 0 / 51 / 63

HEX #405F2F

RGB 64 95 47

HSL 98.75, 0.34%, 0.28%

LAB 36.89, -21.23, 23.81

 

CMYK 28 / 0 / 42 / 56

HEX #517142

RGB 81 113 66

HSL 100.85, 0.26%, 0.35%

LAB 44.17, -21.09, 22.46

 

CMYK 25 / 0 / 35 / 49

HEX #628355

RGB 98 131 85

HSL 103.04, 0.21%, 0.42%

LAB 51.25, -20.92, 21.2

 

CMYK 23 / 0 / 30 / 42

HEX #739568

RGB 115 149 104

HSL 105.33, 0.18%, 0.5%

LAB 58.17, -20.74, 20.03

 

CMYK 45 / 0 / 57 / 70

HEX #2A4D21

RGB 42 77 33

HSL 107.73, 0.4%, 0.22%

LAB 29.18, -22.55, 22.02

 

CMYK 58 / 0 / 76 / 77

HEX #193B0E

RGB 25 59 14

HSL 105.33, 0.62%, 0.14%

LAB 21.45, -22.4, 23.3

 

CMYK 80 / 0 / 100 / 84

HEX #082900

RGB 8 41 0

HSL 108.29, 1%, 0.08%

LAB 13.46, -21.46, 19.35

 

CMYK 100 / 0 / 100 / 91

HEX #001700

RGB 0 23 0

HSL 120, 1%, 0.05%

LAB 5.54, -11.31, 8.08

 

CMYK 100 / 0 / 100 / 98

HEX #000500

RGB 0 5 0

HSL 120, 1%, 0.01%

LAB 0.98, -2, 1.43

 

CMYK 46 / 0 / 58 / 69

HEX #2A4E21

RGB 42 78 33

HSL 108, 0.41%, 0.22%

LAB 29.54, -23.05, 22.45

 

CMYK 31 / 0 / 58 / 69

HEX #364E21

RGB 54 78 33

HSL 92, 0.41%, 0.22%

LAB 30.26, -18.25, 23.49

 

CMYK 14 / 0 / 58 / 69

HEX #434E21

RGB 67 78 33

HSL 74.67, 0.41%, 0.22%

LAB 31.24, -12.41, 24.88

 

CMYK 0 / 1 / 58 / 69

HEX #4E4D21

RGB 78 77 33

HSL 58.67, 0.41%, 0.22%

LAB 31.89, -6.57, 25.9

 

CMYK 0 / 17 / 58 / 69

HEX #4E4121

RGB 78 65 33

HSL 42.67, 0.41%, 0.22%

LAB 28.14, 0.84, 21.45

 

CMYK 46 / 0 / 58 / 69

HEX #2A4E21

RGB 42 78 33

HSL 108, 0.41%, 0.22%

LAB 29.54, -23.05, 22.45

 

CMYK 58 / 0 / 54 / 69

HEX #214E24

RGB 33 78 36

HSL 124, 0.41%, 0.22%

LAB 29.16, -25.65, 20.16

 

CMYK 58 / 0 / 38 / 69

HEX #214E30

RGB 33 78 48

HSL 140, 0.41%, 0.22%

LAB 29.38, -23.35, 13.18

 

CMYK 58 / 0 / 23 / 69

HEX #214E3C

RGB 33 78 60

HSL 156, 0.41%, 0.22%

LAB 29.66, -20.5, 6.01

 

CMYK 58 / 0 / 8 / 69

HEX #214E48

RGB 33 78 72

HSL 172, 0.41%, 0.22%

LAB 30.01, -17.15, -1.16

 

CMYK 46 / 0 / 58 / 69

HEX #2A4E21

RGB 42 78 33

HSL 108, 0.41%, 0.22%

LAB 29.54, -23.05, 22.45

 

CMYK 57 / 0 / 72 / 66

HEX #255718

RGB 37 87 24

HSL 107.62, 0.57%, 0.22%

LAB 32.43, -30.08, 30.37

 

CMYK 67 / 0 / 84 / 62

HEX #20600F

RGB 32 96 15

HSL 107.41, 0.73%, 0.22%

LAB 35.41, -35.97, 36.99

 

CMYK 75 / 0 / 94 / 59

HEX #1A6906

RGB 26 105 6

HSL 107.88, 0.89%, 0.22%

LAB 38.44, -41.13, 42.2

 

CMYK 46 / 0 / 58 / 69

HEX #2A4E21

RGB 42 78 33

HSL 108, 0.41%, 0.22%

LAB 29.54, -23.05, 22.45

 

CMYK 30 / 0 / 39 / 73

HEX #30452A

RGB 48 69 42

HSL 106.67, 0.24%, 0.22%

LAB 26.88, -14.39, 13.75

 

CMYK 12 / 0 / 15 / 76

HEX #353C33

RGB 53 60 51

HSL 106.67, 0.08%, 0.22%

LAB 24.41, -5.01, 4.58

 

CMYK 3 / 15 / 0 / 76

HEX #3A333C

RGB 58 51 60

HSL 286.67, 0.08%, 0.22%

LAB 22.28, 5.13, -4.51

 

CMYK 7 / 39 / 0 / 73

HEX #402A45

RGB 64 42 69

HSL 288.89, 0.24%, 0.22%

LAB 20.73, 15.82, -12.91

 

CMYK 14 / 0 / 58 / 69

HEX #434E21

RGB 67 78 33

HSL 74.67, 0.41%, 0.22%

LAB 31.24, -12.41, 24.88

 

CMYK 29 / 0 / 58 / 69

HEX #374E21

RGB 55 78 33

HSL 90.67, 0.41%, 0.22%

LAB 30.33, -17.82, 23.59

 

CMYK 45 / 0 / 58 / 69

HEX #2B4E21

RGB 43 78 33

HSL 106.67, 0.41%, 0.22%

LAB 29.59, -22.68, 22.53

 

CMYK 58 / 0 / 55 / 69

HEX #214E23

RGB 33 78 35

HSL 122.67, 0.41%, 0.22%

LAB 29.14, -25.81, 20.72

 

CMYK 58 / 0 / 40 / 69

HEX #214E2F

RGB 33 78 47

HSL 138.67, 0.41%, 0.22%

LAB 29.36, -23.56, 13.77

 

CMYK 45 / 0 / 60 / 92

HEX #0B1408

RGB 11 20 8

HSL 105, 0.43%, 0.05%

LAB 5.32, -5.24, 4.59

 

CMYK 45 / 0 / 57 / 81

HEX #1B3115

RGB 27 49 21

HSL 107.14, 0.4%, 0.14%

LAB 17.85, -15.49, 15.12

 

CMYK 46 / 0 / 58 / 69

HEX #2A4E21

RGB 42 78 33

HSL 108, 0.41%, 0.22%

LAB 29.54, -23.05, 22.45

 

CMYK 46 / 0 / 57 / 58

HEX #3A6B2E

RGB 58 107 46

HSL 108.2, 0.4%, 0.3%

LAB 40.59, -29.52, 28.78

 

CMYK 46 / 0 / 57 / 47

HEX #4A883A

RGB 74 136 58

HSL 107.69, 0.4%, 0.38%

LAB 51.12, -35.76, 35.26

 

CMYK 45 / 0 / 57 / 70

HEX #2A4D21

RGB 42 77 33

HSL 107.73, 0.4%, 0.22%

LAB 29.18, -22.55, 22.02

 

CMYK 58 / 0 / 1 / 69

HEX #214E4D

RGB 33 78 77

HSL 178.67, 0.41%, 0.22%

LAB 30.18, -15.63, -4.12

 

CMYK 0 / 58 / 22 / 69

HEX #4E213D

RGB 78 33 61

HSL 322.67, 0.41%, 0.22%

LAB 20.22, 25.13, -8.02

 

CMYK 45 / 0 / 57 / 70

HEX #2A4D21

RGB 42 77 33

HSL 107.73, 0.4%, 0.22%

LAB 29.18, -22.55, 22.02

 

CMYK 58 / 45 / 0 / 69

HEX #212B4E

RGB 33 43 78

HSL 226.67, 0.41%, 0.22%

LAB 18.37, 7.48, -22.94

 

CMYK 0 / 58 / 45 / 69

HEX #4E212B

RGB 78 33 43

HSL 346.67, 0.41%, 0.22%

LAB 19.56, 22.37, 3.54

 

CMYK 45 / 0 / 57 / 70

HEX #2A4D21

RGB 42 77 33

HSL 107.73, 0.4%, 0.22%

LAB 29.18, -22.55, 22.02

 

CMYK 58 / 0 / 1 / 69

HEX #214E4D

RGB 33 78 77

HSL 178.67, 0.41%, 0.22%

LAB 30.18, -15.63, -4.12

 

CMYK 13 / 58 / 0 / 69

HEX #44214E

RGB 68 33 78

HSL 286.67, 0.41%, 0.22%

LAB 19.5, 25.18, -20.9

 

CMYK 0 / 58 / 56 / 69

HEX #4E2122

RGB 78 33 34

HSL 358.67, 0.41%, 0.22%

LAB 19.32, 21.3, 9.49

 

CMYK 45 / 0 / 57 / 70

HEX #2A4D21

RGB 42 77 33

HSL 107.73, 0.4%, 0.22%

LAB 29.18, -22.55, 22.02

 

CMYK 58 / 17 / 0 / 69

HEX #21414E

RGB 33 65 78

HSL 197.33, 0.41%, 0.22%

LAB 25.73, -7.5, -11.48

 

CMYK 13 / 58 / 0 / 69

HEX #44214E

RGB 68 33 78

HSL 286.67, 0.41%, 0.22%

LAB 19.5, 25.18, -20.9

 

CMYK 0 / 41 / 58 / 69

HEX #4E2E21

RGB 78 46 33

HSL 17.33, 0.41%, 0.22%

LAB 22.6, 13.08, 14.5

 

Description

Color code: RGB 42 77 33 | qconv.com Color code: RGB 42 77 33 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 42 red, 77 green and 33 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
42 77 33 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, none magenta, 57 yellow and 70 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 0% 57% 70% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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