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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 42 175 23 it is the complementary color RGB 213 80 232. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 42 175 23. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 42 175 23 shade: RGB 47 175 18, RGB 64 193 37, RGB 81 211 56, RGB 98 229 75 and RGB 115 247 94

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 42 175 23. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 42 175 23 shade: RGB 42 175 23, RGB 25 157 4, RGB 8 139 0, RGB 0 121 0 and RGB 0 103 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 42 175 23 shade: RGB 42 176 22, RGB 83 176 22, RGB 124 176 22, RGB 165 176 22 and RGB 176 144 22

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 42 175 23 shade: RGB 42 176 22, RGB 22 176 45, RGB 22 176 86, RGB 22 176 127 and RGB 22 176 168

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 42 175 23 shade matches the following richer shades: RGB 42 176 22 and RGB 29 192 6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 42 175 23 shade: RGB 42 176 22, RGB 54 159 38, RGB 66 143 55, RGB 78 127 71 and RGB 90 111 87

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 42 175 23 shade: RGB 124 176 22, RGB 84 176 22, RGB 43 176 22, RGB 22 176 43 and RGB 22 176 84

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 42 175 23 shade: RGB 24 102 13, RGB 33 139 18, RGB 42 176 22, RGB 50 212 27 and RGB 74 228 52

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 42 175 23 shade: RGB 42 175 23, RGB 22 165 176 and RGB 176 22 104

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 42 175 23 shade: RGB 42 175 23, RGB 22 43 176 and RGB 176 22 43

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 42 175 23 shade: RGB 42 175 23, RGB 22 165 176, RGB 155 22 176 and RGB 176 33 22

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 42 175 23 shade: RGB 42 175 23, RGB 22 119 176, RGB 155 22 176 and RGB 176 79 22

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 0 / 87 / 31

HEX #2AAF17

RGB 42 175 23

HSL 112.5, 0.77%, 0.39%

LAB 62.69, -60.59, 59.69

 

Complementary color

CMYK 8 / 66 / 0 / 9

HEX #D550E8

RGB 213 80 232

HSL 292.5, 0.77%, 0.61%

LAB 57.76, 71.4, -52.5

 

CMYK 73 / 0 / 90 / 31

HEX #2FAF12

RGB 47 175 18

HSL 108.92, 0.81%, 0.38%

LAB 62.77, -59.96, 60.81

 

CMYK 67 / 0 / 81 / 24

HEX #40C125

RGB 64 193 37

HSL 109.62, 0.68%, 0.45%

LAB 69.01, -61.7, 62.07

 

CMYK 62 / 0 / 73 / 17

HEX #51D338

RGB 81 211 56

HSL 110.32, 0.64%, 0.52%

LAB 75.22, -62.87, 62.23

 

CMYK 57 / 0 / 67 / 10

HEX #62E54B

RGB 98 229 75

HSL 111.04, 0.75%, 0.6%

LAB 81.37, -63.63, 61.76

 

CMYK 53 / 0 / 62 / 3

HEX #73F75E

RGB 115 247 94

HSL 111.76, 0.91%, 0.67%

LAB 87.47, -64.11, 60.94

 

CMYK 76 / 0 / 87 / 31

HEX #2AAF17

RGB 42 175 23

HSL 112.5, 0.77%, 0.39%

LAB 62.69, -60.59, 59.69

 

CMYK 84 / 0 / 97 / 38

HEX #199D04

RGB 25 157 4

HSL 111.76, 0.95%, 0.32%

LAB 56.42, -58.01, 57.53

 

CMYK 94 / 0 / 100 / 45

HEX #088B00

RGB 8 139 0

HSL 116.55, 1%, 0.27%

LAB 50.12, -54.32, 53.04

 

CMYK 100 / 0 / 100 / 53

HEX #007900

RGB 0 121 0

HSL 120, 1%, 0.24%

LAB 43.76, -49.65, 47.92

 

CMYK 100 / 0 / 100 / 60

HEX #006700

RGB 0 103 0

HSL 120, 1%, 0.2%

LAB 37.3, -44.28, 42.74

 

CMYK 76 / 0 / 88 / 31

HEX #2AB016

RGB 42 176 22

HSL 112.21, 0.78%, 0.39%

LAB 63.01, -60.94, 60.19

 

CMYK 53 / 0 / 88 / 31

HEX #53B016

RGB 83 176 22

HSL 96.23, 0.78%, 0.39%

LAB 64.12, -51.77, 61.59

 

CMYK 30 / 0 / 88 / 31

HEX #7CB016

RGB 124 176 22

HSL 80.26, 0.78%, 0.39%

LAB 66.05, -37.73, 64.01

 

CMYK 6 / 0 / 88 / 31

HEX #A5B016

RGB 165 176 22

HSL 64.29, 0.78%, 0.39%

LAB 68.83, -20.78, 67.44

 

CMYK 0 / 18 / 88 / 31

HEX #B09016

RGB 176 144 22

HSL 47.53, 0.78%, 0.39%

LAB 60.99, 0.94, 61.48

 

CMYK 76 / 0 / 88 / 31

HEX #2AB016

RGB 42 176 22

HSL 112.21, 0.78%, 0.39%

LAB 63.01, -60.94, 60.19

 

CMYK 88 / 0 / 74 / 31

HEX #16B02D

RGB 22 176 45

HSL 128.96, 0.78%, 0.39%

LAB 62.85, -61.92, 53.3

 

CMYK 88 / 0 / 51 / 31

HEX #16B056

RGB 22 176 86

HSL 144.94, 0.78%, 0.39%

LAB 63.25, -56.97, 35.61

 

CMYK 88 / 0 / 28 / 31

HEX #16B07F

RGB 22 176 127

HSL 160.91, 0.78%, 0.39%

LAB 63.96, -48.82, 14.81

 

CMYK 88 / 0 / 5 / 31

HEX #16B0A8

RGB 22 176 168

HSL 176.88, 0.78%, 0.39%

LAB 65, -37.91, -6.4

 

CMYK 76 / 0 / 88 / 31

HEX #2AB016

RGB 42 176 22

HSL 112.21, 0.78%, 0.39%

LAB 63.01, -60.94, 60.19

 

CMYK 85 / 0 / 97 / 25

HEX #1DC006

RGB 29 192 6

HSL 112.58, 0.94%, 0.39%

LAB 68, -67.74, 66.74

 

CMYK 76 / 0 / 88 / 31

HEX #2AB016

RGB 42 176 22

HSL 112.21, 0.78%, 0.39%

LAB 63.01, -60.94, 60.19

 

CMYK 66 / 0 / 76 / 38

HEX #369F26

RGB 54 159 38

HSL 112.07, 0.61%, 0.39%

LAB 57.77, -52.24, 50.89

 

CMYK 54 / 0 / 62 / 44

HEX #428F37

RGB 66 143 55

HSL 112.5, 0.44%, 0.39%

LAB 53.04, -41.56, 38.87

 

CMYK 39 / 0 / 44 / 50

HEX #4E7F47

RGB 78 127 71

HSL 112.5, 0.28%, 0.39%

LAB 48.58, -28.44, 25.31

 

CMYK 19 / 0 / 22 / 56

HEX #5A6F57

RGB 90 111 87

HSL 112.5, 0.12%, 0.39%

LAB 44.56, -12.88, 10.84

 

CMYK 30 / 0 / 88 / 31

HEX #7CB016

RGB 124 176 22

HSL 80.26, 0.78%, 0.39%

LAB 66.05, -37.73, 64.01

 

CMYK 52 / 0 / 88 / 31

HEX #54B016

RGB 84 176 22

HSL 95.84, 0.78%, 0.39%

LAB 64.16, -51.48, 61.63

 

CMYK 76 / 0 / 88 / 31

HEX #2BB016

RGB 43 176 22

HSL 111.82, 0.78%, 0.39%

LAB 63.03, -60.79, 60.22

 

CMYK 88 / 0 / 76 / 31

HEX #16B02B

RGB 22 176 43

HSL 128.18, 0.78%, 0.39%

LAB 62.84, -62.08, 54

 

CMYK 88 / 0 / 52 / 31

HEX #16B054

RGB 22 176 84

HSL 144.16, 0.78%, 0.39%

LAB 63.23, -57.29, 36.58

 

CMYK 76 / 0 / 87 / 60

HEX #18660D

RGB 24 102 13

HSL 112.58, 0.77%, 0.23%

LAB 37.35, -40.12, 39.35

 

CMYK 76 / 0 / 87 / 45

HEX #218B12

RGB 33 139 18

HSL 112.56, 0.77%, 0.31%

LAB 50.49, -50.8, 49.96

 

CMYK 76 / 0 / 88 / 31

HEX #2AB016

RGB 42 176 22

HSL 112.21, 0.78%, 0.39%

LAB 63.01, -60.94, 60.19

 

CMYK 76 / 0 / 87 / 17

HEX #32D41B

RGB 50 212 27

HSL 112.54, 0.77%, 0.47%

LAB 74.73, -70.46, 69.46

 

CMYK 68 / 0 / 77 / 11

HEX #4AE434

RGB 74 228 52

HSL 112.5, 0.77%, 0.55%

LAB 80.29, -70.16, 68.44

 

CMYK 76 / 0 / 87 / 31

HEX #2AAF17

RGB 42 175 23

HSL 112.5, 0.77%, 0.39%

LAB 62.69, -60.59, 59.69

 

CMYK 88 / 6 / 0 / 31

HEX #16A5B0

RGB 22 165 176

HSL 184.29, 0.78%, 0.39%

LAB 61.84, -30.29, -15.61

 

CMYK 0 / 88 / 41 / 31

HEX #B01668

RGB 176 22 104

HSL 328.05, 0.78%, 0.39%

LAB 39.25, 62.64, -5.91

 

CMYK 76 / 0 / 87 / 31

HEX #2AAF17

RGB 42 175 23

HSL 112.5, 0.77%, 0.39%

LAB 62.69, -60.59, 59.69

 

CMYK 88 / 76 / 0 / 31

HEX #162BB0

RGB 22 43 176

HSL 231.82, 0.78%, 0.39%

LAB 26.83, 43.56, -71.25

 

CMYK 0 / 88 / 76 / 31

HEX #B0162B

RGB 176 22 43

HSL 351.82, 0.78%, 0.39%

LAB 37.8, 58.52, 30.85

 

CMYK 76 / 0 / 87 / 31

HEX #2AAF17

RGB 42 175 23

HSL 112.5, 0.77%, 0.39%

LAB 62.69, -60.59, 59.69

 

CMYK 88 / 6 / 0 / 31

HEX #16A5B0

RGB 22 165 176

HSL 184.29, 0.78%, 0.39%

LAB 61.84, -30.29, -15.61

 

CMYK 12 / 88 / 0 / 31

HEX #9B16B0

RGB 155 22 176

HSL 291.82, 0.78%, 0.39%

LAB 39.03, 68.11, -50.7

 

CMYK 0 / 81 / 88 / 31

HEX #B02116

RGB 176 33 22

HSL 4.29, 0.78%, 0.39%

LAB 38.51, 55.3, 43.2

 

CMYK 76 / 0 / 87 / 31

HEX #2AAF17

RGB 42 175 23

HSL 112.5, 0.77%, 0.39%

LAB 62.69, -60.59, 59.69

 

CMYK 88 / 32 / 0 / 31

HEX #1677B0

RGB 22 119 176

HSL 202.21, 0.78%, 0.39%

LAB 47.62, -5.46, -37.59

 

CMYK 12 / 88 / 0 / 31

HEX #9B16B0

RGB 155 22 176

HSL 291.82, 0.78%, 0.39%

LAB 39.03, 68.11, -50.7

 

CMYK 0 / 55 / 88 / 31

HEX #B04F16

RGB 176 79 22

HSL 22.21, 0.78%, 0.39%

LAB 45.47, 36.57, 48.89

 

Description

Color code: RGB 42 175 23 | qconv.com Color code: RGB 42 175 23 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 42 red, 175 green and 23 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
42 175 23 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, none magenta, 87 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 0% 87% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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