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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 42 201 178 it is the complementary color RGB 213 54 77. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 42 201 178. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 42 201 178 shade: RGB 47 201 173, RGB 64 219 192, RGB 81 237 211, RGB 98 255 230 and RGB 115 255 249

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 42 201 178. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 42 201 178 shade: RGB 42 201 178, RGB 25 183 159, RGB 8 165 140, RGB 0 147 121 and RGB 0 129 102

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 42 201 178 shade: RGB 42 201 178, RGB 42 201 136, RGB 42 201 93, RGB 42 201 50 and RGB 78 201 42

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 42 201 178 shade: RGB 42 201 178, RGB 42 182 201, RGB 42 139 201, RGB 42 96 201 and RGB 42 53 201

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 42 201 178 shade matches the following richer shades: RGB 42 201 178, RGB 23 221 193 and RGB 3 241 207

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 42 201 178 shade: RGB 42 201 178, RGB 62 182 164, RGB 82 162 150, RGB 102 142 136 and RGB 122 122 122

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 42 201 178 shade: RGB 42 201 93, RGB 42 201 135, RGB 42 201 178, RGB 42 183 201 and RGB 42 140 201

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 42 201 178 shade: RGB 28 133 118, RGB 35 167 148, RGB 42 201 178, RGB 70 215 194 and RGB 104 223 205

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 42 201 178 shade: RGB 42 201 178, RGB 50 42 201 and RGB 201 114 42

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 42 201 178 shade: RGB 42 201 178, RGB 178 42 201 and RGB 201 178 42

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 42 201 178 shade: RGB 42 201 178, RGB 50 42 201, RGB 201 42 66 and RGB 194 201 42

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 42 201 178 shade: RGB 42 201 178, RGB 98 42 201, RGB 201 42 66 and RGB 146 201 42

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 0 / 11 / 21

HEX #2AC9B2

RGB 42 201 178

HSL 171.32, 0.65%, 0.48%

LAB 73.21, -44.54, 0.2

 

Complementary color

CMYK 0 / 75 / 64 / 16

HEX #D5364D

RGB 213 54 77

HSL 351.32, 0.65%, 0.52%

LAB 48.66, 62.1, 25.09

 

CMYK 77 / 0 / 14 / 21

HEX #2FC9AD

RGB 47 201 173

HSL 169.09, 0.62%, 0.49%

LAB 73.15, -45.35, 2.84

 

CMYK 71 / 0 / 12 / 14

HEX #40DBC0

RGB 64 219 192

HSL 169.55, 0.68%, 0.55%

LAB 79.36, -46.09, 1.69

 

CMYK 66 / 0 / 11 / 7

HEX #51EDD3

RGB 81 237 211

HSL 170, 0.81%, 0.62%

LAB 85.51, -46.61, 0.65

 

CMYK 62 / 0 / 10 / 0

HEX #62FFE6

RGB 98 255 230

HSL 170.45, 1%, 0.69%

LAB 91.61, -46.97, -0.32

 

CMYK 55 / 0 / 2 / 0

HEX #73FFF9

RGB 115 255 249

HSL 177.43, 1%, 0.73%

LAB 92.58, -39.25, -8.68

 

CMYK 79 / 0 / 11 / 21

HEX #2AC9B2

RGB 42 201 178

HSL 171.32, 0.65%, 0.48%

LAB 73.21, -44.54, 0.2

 

CMYK 86 / 0 / 13 / 28

HEX #19B79F

RGB 25 183 159

HSL 170.89, 0.76%, 0.41%

LAB 66.96, -43.35, 1.46

 

CMYK 95 / 0 / 15 / 35

HEX #08A58C

RGB 8 165 140

HSL 170.45, 0.91%, 0.34%

LAB 60.65, -41.74, 2.87

 

CMYK 100 / 0 / 18 / 42

HEX #009379

RGB 0 147 121

HSL 169.39, 1%, 0.29%

LAB 54.29, -39.64, 4.45

 

CMYK 100 / 0 / 21 / 49

HEX #008166

RGB 0 129 102

HSL 167.44, 1%, 0.25%

LAB 47.83, -37.14, 6.19

 

CMYK 79 / 0 / 11 / 21

HEX #2AC9B2

RGB 42 201 178

HSL 171.32, 0.65%, 0.48%

LAB 73.21, -44.54, 0.2

 

CMYK 79 / 0 / 32 / 21

HEX #2AC988

RGB 42 201 136

HSL 155.47, 0.65%, 0.48%

LAB 72.26, -54.66, 21.44

 

CMYK 79 / 0 / 54 / 21

HEX #2AC95D

RGB 42 201 93

HSL 139.25, 0.65%, 0.48%

LAB 71.59, -62.33, 42.47

 

CMYK 79 / 0 / 75 / 21

HEX #2AC932

RGB 42 201 50

HSL 123.02, 0.65%, 0.48%

LAB 71.21, -66.99, 60.01

 

CMYK 61 / 0 / 79 / 21

HEX #4EC92A

RGB 78 201 42

HSL 106.42, 0.65%, 0.48%

LAB 71.93, -61.05, 63.5

 

CMYK 79 / 0 / 11 / 21

HEX #2AC9B2

RGB 42 201 178

HSL 171.32, 0.65%, 0.48%

LAB 73.21, -44.54, 0.2

 

CMYK 79 / 9 / 0 / 21

HEX #2AB6C9

RGB 42 182 201

HSL 187.17, 0.65%, 0.48%

LAB 68.14, -29.1, -19.93

 

CMYK 79 / 31 / 0 / 21

HEX #2A8BC9

RGB 42 139 201

HSL 203.4, 0.65%, 0.48%

LAB 55.25, -6.15, -39.87

 

CMYK 79 / 52 / 0 / 21

HEX #2A60C9

RGB 42 96 201

HSL 219.62, 0.65%, 0.48%

LAB 42.88, 20.45, -59.64

 

CMYK 79 / 74 / 0 / 21

HEX #2A35C9

RGB 42 53 201

HSL 235.85, 0.65%, 0.48%

LAB 32.38, 47.55, -76.81

 

CMYK 79 / 0 / 11 / 21

HEX #2AC9B2

RGB 42 201 178

HSL 171.32, 0.65%, 0.48%

LAB 73.21, -44.54, 0.2

 

CMYK 90 / 0 / 13 / 13

HEX #17DDC1

RGB 23 221 193

HSL 171.52, 0.81%, 0.48%

LAB 79.47, -50.29, 1.25

 

CMYK 99 / 0 / 14 / 5

HEX #03F1CF

RGB 3 241 207

HSL 171.43, 0.98%, 0.48%

LAB 85.72, -55.35, 2.94

 

CMYK 79 / 0 / 11 / 21

HEX #2AC9B2

RGB 42 201 178

HSL 171.32, 0.65%, 0.48%

LAB 73.21, -44.54, 0.2

 

CMYK 66 / 0 / 10 / 29

HEX #3EB6A4

RGB 62 182 164

HSL 171, 0.49%, 0.48%

LAB 67.4, -37.35, -0.58

 

CMYK 49 / 0 / 7 / 36

HEX #52A296

RGB 82 162 150

HSL 171, 0.33%, 0.48%

LAB 61.51, -27.55, -1.32

 

CMYK 28 / 0 / 4 / 44

HEX #668E88

RGB 102 142 136

HSL 171, 0.16%, 0.48%

LAB 56.04, -15.12, -1.27

 

CMYK 0 / 0 / 0 / 52

HEX #7A7A7A

RGB 122 122 122

HSL 0, 0%, 0.48%

LAB 51.22, 0, -0.01

 

CMYK 79 / 0 / 54 / 21

HEX #2AC95D

RGB 42 201 93

HSL 139.25, 0.65%, 0.48%

LAB 71.59, -62.33, 42.47

 

CMYK 79 / 0 / 33 / 21

HEX #2AC987

RGB 42 201 135

HSL 155.09, 0.65%, 0.48%

LAB 72.24, -54.87, 21.94

 

CMYK 79 / 0 / 11 / 21

HEX #2AC9B2

RGB 42 201 178

HSL 171.32, 0.65%, 0.48%

LAB 73.21, -44.54, 0.2

 

CMYK 79 / 9 / 0 / 21

HEX #2AB7C9

RGB 42 183 201

HSL 186.79, 0.65%, 0.48%

LAB 68.44, -29.59, -19.47

 

CMYK 79 / 30 / 0 / 21

HEX #2A8CC9

RGB 42 140 201

HSL 203.02, 0.65%, 0.48%

LAB 55.55, -6.73, -39.4

 

CMYK 79 / 0 / 11 / 48

HEX #1C8576

RGB 28 133 118

HSL 171.43, 0.65%, 0.32%

LAB 49.89, -32.25, -0.15

 

CMYK 79 / 0 / 11 / 35

HEX #23A794

RGB 35 167 148

HSL 171.36, 0.65%, 0.4%

LAB 61.77, -38.52, 0.03

 

CMYK 79 / 0 / 11 / 21

HEX #2AC9B2

RGB 42 201 178

HSL 171.32, 0.65%, 0.48%

LAB 73.21, -44.54, 0.2

 

CMYK 67 / 0 / 10 / 16

HEX #46D7C2

RGB 70 215 194

HSL 171.31, 0.64%, 0.56%

LAB 78.34, -43.01, -0.85

 

CMYK 53 / 0 / 8 / 13

HEX #68DFCD

RGB 104 223 205

HSL 170.92, 0.65%, 0.64%

LAB 81.91, -37.83, -1.38

 

CMYK 79 / 0 / 11 / 21

HEX #2AC9B2

RGB 42 201 178

HSL 171.32, 0.65%, 0.48%

LAB 73.21, -44.54, 0.2

 

CMYK 75 / 79 / 0 / 21

HEX #322AC9

RGB 50 42 201

HSL 243.02, 0.65%, 0.48%

LAB 30.76, 53.96, -79.48

 

CMYK 0 / 43 / 79 / 21

HEX #C9722A

RGB 201 114 42

HSL 27.17, 0.65%, 0.48%

LAB 56.7, 29.02, 52.17

 

CMYK 79 / 0 / 11 / 21

HEX #2AC9B2

RGB 42 201 178

HSL 171.32, 0.65%, 0.48%

LAB 73.21, -44.54, 0.2

 

CMYK 11 / 79 / 0 / 21

HEX #B22AC9

RGB 178 42 201

HSL 291.32, 0.65%, 0.48%

LAB 46.09, 71.77, -53.8

 

CMYK 0 / 11 / 79 / 21

HEX #C9B22A

RGB 201 178 42

HSL 51.32, 0.65%, 0.48%

LAB 72.51, -5.5, 66.68

 

CMYK 79 / 0 / 11 / 21

HEX #2AC9B2

RGB 42 201 178

HSL 171.32, 0.65%, 0.48%

LAB 73.21, -44.54, 0.2

 

CMYK 75 / 79 / 0 / 21

HEX #322AC9

RGB 50 42 201

HSL 243.02, 0.65%, 0.48%

LAB 30.76, 53.96, -79.48

 

CMYK 0 / 79 / 67 / 21

HEX #C92A42

RGB 201 42 66

HSL 350.94, 0.65%, 0.48%

LAB 44.9, 61.67, 26.5

 

CMYK 3 / 0 / 79 / 21

HEX #C2C92A

RGB 194 201 42

HSL 62.64, 0.65%, 0.48%

LAB 78.12, -20.2, 71.42

 

CMYK 79 / 0 / 11 / 21

HEX #2AC9B2

RGB 42 201 178

HSL 171.32, 0.65%, 0.48%

LAB 73.21, -44.54, 0.2

 

CMYK 51 / 79 / 0 / 21

HEX #622AC9

RGB 98 42 201

HSL 261.13, 0.65%, 0.48%

LAB 34.94, 58.82, -72.44

 

CMYK 0 / 79 / 67 / 21

HEX #C92A42

RGB 201 42 66

HSL 350.94, 0.65%, 0.48%

LAB 44.9, 61.67, 26.5

 

CMYK 27 / 0 / 79 / 21

HEX #92C92A

RGB 146 201 42

HSL 80.75, 0.65%, 0.48%

LAB 74.86, -39.64, 67.27

 

Description

Color code: RGB 42 201 178 | qconv.com Color code: RGB 42 201 178 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 42 red, 201 green and 178 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
42 201 178 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, none magenta, 11 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 0% 11% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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