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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 42 218 212 it is the complementary color RGB 213 37 43. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 42 218 212. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 42 218 212 shade: RGB 47 218 207, RGB 64 236 226, RGB 81 254 245, RGB 98 255 255 and RGB 115 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 42 218 212. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 42 218 212 shade: RGB 42 218 212, RGB 25 200 193, RGB 8 182 174, RGB 0 164 155 and RGB 0 146 136

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 42 218 212 shade: RGB 42 217 211, RGB 42 217 164, RGB 42 217 117, RGB 42 217 70 and RGB 62 217 42

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 42 218 212 shade: RGB 42 217 211, RGB 42 176 217, RGB 42 129 217, RGB 42 81 217 and RGB 42 42 217

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 42 218 212 shade matches the following richer shades: RGB 42 217 211 and RGB 22 237 230

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 42 218 212 shade: RGB 42 217 211, RGB 62 197 192, RGB 83 177 173, RGB 103 156 155 and RGB 123 136 136

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 42 218 212 shade: RGB 42 217 115, RGB 42 217 162, RGB 42 217 208, RGB 42 179 217 and RGB 42 132 217

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 42 218 212 shade: RGB 26 150 146, RGB 32 186 180, RGB 42 217 211, RGB 77 223 218 and RGB 112 229 225

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 42 218 212 shade: RGB 42 218 212, RGB 68 42 217 and RGB 217 138 42

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 42 218 212 shade: RGB 42 218 212, RGB 208 42 217 and RGB 217 208 42

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 42 218 212 shade: RGB 42 218 212, RGB 68 42 217, RGB 217 42 51 and RGB 191 217 42

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 42 218 212 shade: RGB 42 218 212, RGB 121 42 217, RGB 217 42 51 and RGB 138 217 42

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 0 / 3 / 15

HEX #2ADAD4

RGB 42 218 212

HSL 177.95, 0.7%, 0.51%

LAB 79.26, -42.57, -9.17

 

Complementary color

CMYK 0 / 83 / 80 / 16

HEX #D5252B

RGB 213 37 43

HSL 357.95, 0.7%, 0.49%

LAB 46.5, 65.4, 42.4

 

CMYK 78 / 0 / 5 / 15

HEX #2FDACF

RGB 47 218 207

HSL 176.14, 0.7%, 0.52%

LAB 79.19, -43.55, -6.6

 

CMYK 73 / 0 / 4 / 7

HEX #40ECE2

RGB 64 236 226

HSL 176.51, 0.82%, 0.59%

LAB 85.29, -44.48, -7.61

 

CMYK 68 / 0 / 4 / 0

HEX #51FEF5

RGB 81 254 245

HSL 176.88, 0.99%, 0.66%

LAB 91.34, -45.2, -8.54

 

CMYK 62 / 0 / 0 / 0

HEX #62FFFF

RGB 98 255 255

HSL 180, 1%, 0.69%

LAB 92.28, -40.58, -12.28

 

CMYK 55 / 0 / 0 / 0

HEX #73FFFF

RGB 115 255 255

HSL 180, 1%, 0.73%

LAB 92.74, -37.72, -11.54

 

CMYK 81 / 0 / 3 / 15

HEX #2ADAD4

RGB 42 218 212

HSL 177.95, 0.7%, 0.51%

LAB 79.26, -42.57, -9.17

 

CMYK 88 / 0 / 4 / 22

HEX #19C8C1

RGB 25 200 193

HSL 177.6, 0.78%, 0.44%

LAB 73.13, -41.2, -8.07

 

CMYK 96 / 0 / 4 / 29

HEX #08B6AE

RGB 8 182 174

HSL 177.24, 0.92%, 0.37%

LAB 66.95, -39.46, -6.85

 

CMYK 100 / 0 / 5 / 36

HEX #00A49B

RGB 0 164 155

HSL 176.71, 1%, 0.32%

LAB 60.71, -37.31, -5.5

 

CMYK 100 / 0 / 7 / 43

HEX #009288

RGB 0 146 136

HSL 175.89, 1%, 0.29%

LAB 54.38, -34.84, -4.04

 

CMYK 81 / 0 / 3 / 15

HEX #2AD9D3

RGB 42 217 211

HSL 177.94, 0.7%, 0.51%

LAB 78.94, -42.41, -9.12

 

CMYK 81 / 0 / 24 / 15

HEX #2AD9A4

RGB 42 217 164

HSL 161.83, 0.7%, 0.51%

LAB 77.76, -54.59, 14.23

 

CMYK 81 / 0 / 46 / 15

HEX #2AD975

RGB 42 217 117

HSL 145.71, 0.7%, 0.51%

LAB 76.92, -64, 37.38

 

CMYK 81 / 0 / 68 / 15

HEX #2AD946

RGB 42 217 70

HSL 129.6, 0.7%, 0.51%

LAB 76.41, -70.16, 58.06

 

CMYK 71 / 0 / 81 / 15

HEX #3ED92A

RGB 62 217 42

HSL 113.14, 0.7%, 0.51%

LAB 76.57, -69.44, 67.7

 

CMYK 81 / 0 / 3 / 15

HEX #2AD9D3

RGB 42 217 211

HSL 177.94, 0.7%, 0.51%

LAB 78.94, -42.41, -9.12

 

CMYK 81 / 19 / 0 / 15

HEX #2AB0D9

RGB 42 176 217

HSL 194.06, 0.7%, 0.51%

LAB 66.94, -20.88, -30.57

 

CMYK 81 / 41 / 0 / 15

HEX #2A81D9

RGB 42 129 217

HSL 210.17, 0.7%, 0.51%

LAB 53.17, 5.7, -52.21

 

CMYK 81 / 63 / 0 / 15

HEX #2A51D9

RGB 42 81 217

HSL 226.63, 0.7%, 0.51%

LAB 40.22, 36.13, -73.15

 

CMYK 81 / 81 / 0 / 15

HEX #2A2AD9

RGB 42 42 217

HSL 240, 0.7%, 0.51%

LAB 32.16, 58.37, -86.45

 

CMYK 81 / 0 / 3 / 15

HEX #2AD9D3

RGB 42 217 211

HSL 177.94, 0.7%, 0.51%

LAB 78.94, -42.41, -9.12

 

CMYK 91 / 0 / 3 / 7

HEX #16EDE6

RGB 22 237 230

HSL 178.05, 0.86%, 0.51%

LAB 85.23, -46.92, -9.86

 

CMYK 81 / 0 / 3 / 15

HEX #2AD9D3

RGB 42 217 211

HSL 177.94, 0.7%, 0.51%

LAB 78.94, -42.41, -9.12

 

CMYK 69 / 0 / 3 / 23

HEX #3EC5C0

RGB 62 197 192

HSL 177.78, 0.54%, 0.51%

LAB 72.74, -36.58, -8.06

 

CMYK 53 / 0 / 2 / 31

HEX #53B1AD

RGB 83 177 173

HSL 177.45, 0.38%, 0.51%

LAB 66.75, -28.67, -6.45

 

CMYK 34 / 0 / 1 / 39

HEX #679C9B

RGB 103 156 155

HSL 178.87, 0.21%, 0.51%

LAB 60.81, -17.69, -5.07

 

CMYK 10 / 0 / 0 / 47

HEX #7B8888

RGB 123 136 136

HSL 180, 0.05%, 0.51%

LAB 55.68, -4.72, -1.62

 

CMYK 81 / 0 / 47 / 15

HEX #2AD973

RGB 42 217 115

HSL 145.03, 0.7%, 0.51%

LAB 76.89, -64.33, 38.33

 

CMYK 81 / 0 / 25 / 15

HEX #2AD9A2

RGB 42 217 162

HSL 161.14, 0.7%, 0.51%

LAB 77.71, -55.06, 15.23

 

CMYK 81 / 0 / 4 / 15

HEX #2AD9D0

RGB 42 217 208

HSL 176.91, 0.7%, 0.51%

LAB 78.85, -43.26, -7.64

 

CMYK 81 / 18 / 0 / 15

HEX #2AB3D9

RGB 42 179 217

HSL 193.03, 0.7%, 0.51%

LAB 67.83, -22.43, -29.2

 

CMYK 81 / 39 / 0 / 15

HEX #2A84D9

RGB 42 132 217

HSL 209.14, 0.7%, 0.51%

LAB 54.03, 3.88, -50.83

 

CMYK 83 / 0 / 3 / 41

HEX #1A9692

RGB 26 150 146

HSL 178.06, 0.7%, 0.35%

LAB 56.2, -32.15, -7.06

 

CMYK 83 / 0 / 3 / 27

HEX #20BAB4

RGB 32 186 180

HSL 177.66, 0.71%, 0.43%

LAB 68.55, -38.23, -7.77

 

CMYK 81 / 0 / 3 / 15

HEX #2AD9D3

RGB 42 217 211

HSL 177.94, 0.7%, 0.51%

LAB 78.94, -42.41, -9.12

 

CMYK 65 / 0 / 2 / 13

HEX #4DDFDA

RGB 77 223 218

HSL 177.95, 0.7%, 0.59%

LAB 81.52, -39.19, -8.95

 

CMYK 51 / 0 / 2 / 10

HEX #70E5E1

RGB 112 229 225

HSL 177.95, 0.69%, 0.67%

LAB 84.44, -33.96, -8.21

 

CMYK 81 / 0 / 3 / 15

HEX #2ADAD4

RGB 42 218 212

HSL 177.95, 0.7%, 0.51%

LAB 79.26, -42.57, -9.17

 

CMYK 69 / 81 / 0 / 15

HEX #442AD9

RGB 68 42 217

HSL 248.91, 0.7%, 0.51%

LAB 33.76, 60.06, -83.75

 

CMYK 0 / 36 / 81 / 15

HEX #D98A2A

RGB 217 138 42

HSL 32.91, 0.7%, 0.51%

LAB 64.24, 22.88, 59.9

 

CMYK 81 / 0 / 3 / 15

HEX #2ADAD4

RGB 42 218 212

HSL 177.95, 0.7%, 0.51%

LAB 79.26, -42.57, -9.17

 

CMYK 4 / 81 / 0 / 15

HEX #D02AD9

RGB 208 42 217

HSL 296.91, 0.7%, 0.51%

LAB 51.92, 79.93, -53.38

 

CMYK 0 / 4 / 81 / 15

HEX #D9D02A

RGB 217 208 42

HSL 56.91, 0.7%, 0.51%

LAB 81.85, -13.93, 75.4

 

CMYK 81 / 0 / 3 / 15

HEX #2ADAD4

RGB 42 218 212

HSL 177.95, 0.7%, 0.51%

LAB 79.26, -42.57, -9.17

 

CMYK 69 / 81 / 0 / 15

HEX #442AD9

RGB 68 42 217

HSL 248.91, 0.7%, 0.51%

LAB 33.76, 60.06, -83.75

 

CMYK 0 / 81 / 76 / 15

HEX #D92A33

RGB 217 42 51

HSL 356.91, 0.7%, 0.51%

LAB 47.81, 65.54, 39.56

 

CMYK 12 / 0 / 81 / 15

HEX #BFD92A

RGB 191 217 42

HSL 68.91, 0.7%, 0.51%

LAB 82.31, -29.15, 75.02

 

CMYK 81 / 0 / 3 / 15

HEX #2ADAD4

RGB 42 218 212

HSL 177.95, 0.7%, 0.51%

LAB 79.26, -42.57, -9.17

 

CMYK 44 / 81 / 0 / 15

HEX #792AD9

RGB 121 42 217

HSL 267.09, 0.7%, 0.51%

LAB 39.12, 65.81, -74.73

 

CMYK 0 / 81 / 76 / 15

HEX #D92A33

RGB 217 42 51

HSL 356.91, 0.7%, 0.51%

LAB 47.81, 65.54, 39.56

 

CMYK 36 / 0 / 81 / 15

HEX #8AD92A

RGB 138 217 42

HSL 87.09, 0.7%, 0.51%

LAB 79.15, -49.35, 71.02

 

Description

Color code: RGB 42 218 212 | qconv.com Color code: RGB 42 218 212 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 42 red, 218 green and 212 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
42 218 212 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, none magenta, 3 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 0% 3% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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