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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 42 232 107 it is the complementary color RGB 213 23 148. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 42 232 107. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 42 232 107 shade: RGB 47 232 102, RGB 64 250 121, RGB 81 255 140, RGB 98 255 159 and RGB 115 255 178

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 42 232 107. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 42 232 107 shade: RGB 42 232 107, RGB 25 214 88, RGB 8 196 69, RGB 0 178 50 and RGB 0 160 31

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 42 232 107 shade: RGB 42 232 107, RGB 42 232 56, RGB 80 232 42, RGB 131 232 42 and RGB 182 232 42

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 42 232 107 shade: RGB 42 232 107, RGB 42 232 158, RGB 42 232 210, RGB 42 203 232 and RGB 42 152 232

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 42 232 107 shade matches the following richer shades: RGB 42 232 107 and RGB 23 251 101

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 42 232 107 shade: RGB 42 232 107, RGB 61 213 113, RGB 80 194 119, RGB 99 175 125 and RGB 118 156 131

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 42 232 107 shade: RGB 80 232 42, RGB 42 232 55, RGB 42 232 106, RGB 42 232 156 and RGB 42 232 207

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 42 232 107 shade: RGB 18 174 71, RGB 22 211 87, RGB 42 232 107, RGB 80 236 133 and RGB 117 240 159

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 42 232 107 shade: RGB 42 232 107, RGB 42 131 232 and RGB 232 42 55

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 42 232 107 shade: RGB 42 232 107, RGB 106 42 232 and RGB 232 106 42

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 42 232 107 shade: RGB 42 232 107, RGB 42 131 232, RGB 232 42 169 and RGB 232 144 42

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 42 232 107 shade: RGB 42 232 107, RGB 42 74 232, RGB 232 42 169 and RGB 232 201 42

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 0 / 54 / 9

HEX #2AE86B

RGB 42 232 107

HSL 140.53, 0.81%, 0.54%

LAB 81.44, -70.48, 47.79

 

Complementary color

CMYK 0 / 89 / 31 / 16

HEX #D51794

RGB 213 23 148

HSL 320.53, 0.81%, 0.46%

LAB 48.13, 75.33, -18.9

 

CMYK 80 / 0 / 56 / 9

HEX #2FE866

RGB 47 232 102

HSL 137.84, 0.8%, 0.55%

LAB 81.44, -70.64, 50.11

 

CMYK 74 / 0 / 52 / 2

HEX #40FA79

RGB 64 250 121

HSL 138.39, 0.95%, 0.62%

LAB 87.41, -71.81, 48.63

 

CMYK 68 / 0 / 45 / 0

HEX #51FF8C

RGB 81 255 140

HSL 140.34, 1%, 0.66%

LAB 89.47, -68.15, 42.27

 

CMYK 62 / 0 / 38 / 0

HEX #62FF9F

RGB 98 255 159

HSL 143.31, 1%, 0.69%

LAB 90.15, -61.99, 33.91

 

CMYK 55 / 0 / 30 / 0

HEX #73FFB2

RGB 115 255 178

HSL 147, 1%, 0.73%

LAB 90.95, -55.06, 25.54

 

CMYK 82 / 0 / 54 / 9

HEX #2AE86B

RGB 42 232 107

HSL 140.53, 0.81%, 0.54%

LAB 81.44, -70.48, 47.79

 

CMYK 88 / 0 / 59 / 16

HEX #19D658

RGB 25 214 88

HSL 140, 0.79%, 0.47%

LAB 75.45, -68.76, 49.33

 

CMYK 96 / 0 / 65 / 23

HEX #08C445

RGB 8 196 69

HSL 139.47, 0.92%, 0.4%

LAB 69.44, -66.42, 50.79

 

CMYK 100 / 0 / 72 / 30

HEX #00B232

RGB 0 178 50

HSL 136.85, 1%, 0.35%

LAB 63.4, -63.35, 51.97

 

CMYK 100 / 0 / 81 / 37

HEX #00A01F

RGB 0 160 31

HSL 131.63, 1%, 0.31%

LAB 57.31, -59.58, 52.5

 

CMYK 82 / 0 / 54 / 9

HEX #2AE86B

RGB 42 232 107

HSL 140.53, 0.81%, 0.54%

LAB 81.44, -70.48, 47.79

 

CMYK 82 / 0 / 76 / 9

HEX #2AE838

RGB 42 232 56

HSL 124.42, 0.81%, 0.54%

LAB 81.01, -75.74, 67.72

 

CMYK 66 / 0 / 82 / 9

HEX #50E82A

RGB 80 232 42

HSL 108, 0.81%, 0.54%

LAB 81.61, -70.81, 72.48

 

CMYK 44 / 0 / 82 / 9

HEX #83E82A

RGB 131 232 42

HSL 91.89, 0.81%, 0.54%

LAB 83.29, -57.58, 74.61

 

CMYK 22 / 0 / 82 / 9

HEX #B6E82A

RGB 182 232 42

HSL 75.79, 0.81%, 0.54%

LAB 85.92, -39.58, 77.95

 

CMYK 82 / 0 / 54 / 9

HEX #2AE86B

RGB 42 232 107

HSL 140.53, 0.81%, 0.54%

LAB 81.44, -70.48, 47.79

 

CMYK 82 / 0 / 32 / 9

HEX #2AE89E

RGB 42 232 158

HSL 156.63, 0.81%, 0.54%

LAB 82.2, -61.58, 23.54

 

CMYK 82 / 0 / 9 / 9

HEX #2AE8D2

RGB 42 232 210

HSL 173.05, 0.81%, 0.54%

LAB 83.37, -49.16, -2.04

 

CMYK 82 / 13 / 0 / 9

HEX #2ACBE8

RGB 42 203 232

HSL 189.16, 0.81%, 0.54%

LAB 75.47, -29.59, -25.62

 

CMYK 82 / 34 / 0 / 9

HEX #2A98E8

RGB 42 152 232

HSL 205.26, 0.81%, 0.54%

LAB 60.58, -2.44, -48.8

 

CMYK 82 / 0 / 54 / 9

HEX #2AE86B

RGB 42 232 107

HSL 140.53, 0.81%, 0.54%

LAB 81.44, -70.48, 47.79

 

CMYK 91 / 0 / 60 / 2

HEX #17FB65

RGB 23 251 101

HSL 140.53, 0.97%, 0.54%

LAB 87.05, -78.46, 57.06

 

CMYK 82 / 0 / 54 / 9

HEX #2AE86B

RGB 42 232 107

HSL 140.53, 0.81%, 0.54%

LAB 81.44, -70.48, 47.79

 

CMYK 71 / 0 / 47 / 16

HEX #3DD571

RGB 61 213 113

HSL 140.53, 0.64%, 0.54%

LAB 75.93, -60.81, 38.16

 

CMYK 59 / 0 / 39 / 24

HEX #50C277

RGB 80 194 119

HSL 140.53, 0.48%, 0.54%

LAB 70.61, -49.03, 28.31

 

CMYK 43 / 0 / 29 / 31

HEX #63AF7D

RGB 99 175 125

HSL 140.53, 0.32%, 0.54%

LAB 65.59, -34.86, 18.46

 

CMYK 24 / 0 / 16 / 39

HEX #769C83

RGB 118 156 131

HSL 140.53, 0.16%, 0.54%

LAB 61.02, -18.34, 8.89

 

CMYK 66 / 0 / 82 / 9

HEX #50E82A

RGB 80 232 42

HSL 108, 0.81%, 0.54%

LAB 81.61, -70.81, 72.48

 

CMYK 82 / 0 / 76 / 9

HEX #2AE837

RGB 42 232 55

HSL 124.11, 0.81%, 0.54%

LAB 81.01, -75.81, 68.03

 

CMYK 82 / 0 / 54 / 9

HEX #2AE86A

RGB 42 232 106

HSL 140.21, 0.81%, 0.54%

LAB 81.43, -70.62, 48.24

 

CMYK 82 / 0 / 33 / 9

HEX #2AE89C

RGB 42 232 156

HSL 156, 0.81%, 0.54%

LAB 82.17, -62, 24.52

 

CMYK 82 / 0 / 11 / 9

HEX #2AE8CF

RGB 42 232 207

HSL 172.11, 0.81%, 0.54%

LAB 83.29, -49.96, -0.57

 

CMYK 90 / 0 / 59 / 32

HEX #12AE47

RGB 18 174 71

HSL 140.38, 0.81%, 0.38%

LAB 62.39, -58.82, 41.87

 

CMYK 90 / 0 / 59 / 17

HEX #16D357

RGB 22 211 87

HSL 140.63, 0.81%, 0.46%

LAB 74.47, -68.15, 48.64

 

CMYK 82 / 0 / 54 / 9

HEX #2AE86B

RGB 42 232 107

HSL 140.53, 0.81%, 0.54%

LAB 81.44, -70.48, 47.79

 

CMYK 66 / 0 / 44 / 7

HEX #50EC85

RGB 80 236 133

HSL 140.38, 0.8%, 0.62%

LAB 83.65, -62.67, 38.22

 

CMYK 51 / 0 / 34 / 6

HEX #75F09F

RGB 117 240 159

HSL 140.49, 0.8%, 0.7%

LAB 86.31, -52, 28.88

 

CMYK 82 / 0 / 54 / 9

HEX #2AE86B

RGB 42 232 107

HSL 140.53, 0.81%, 0.54%

LAB 81.44, -70.48, 47.79

 

CMYK 82 / 44 / 0 / 9

HEX #2A83E8

RGB 42 131 232

HSL 211.89, 0.81%, 0.54%

LAB 54.61, 10.09, -58.32

 

CMYK 0 / 82 / 76 / 9

HEX #E82A37

RGB 232 42 55

HSL 355.89, 0.81%, 0.54%

LAB 50.79, 69.8, 41.38

 

CMYK 82 / 0 / 54 / 9

HEX #2AE86B

RGB 42 232 107

HSL 140.53, 0.81%, 0.54%

LAB 81.44, -70.48, 47.79

 

CMYK 54 / 82 / 0 / 9

HEX #6A2AE8

RGB 106 42 232

HSL 260.21, 0.81%, 0.54%

LAB 38.81, 67.65, -83.89

 

CMYK 0 / 54 / 82 / 9

HEX #E86A2A

RGB 232 106 42

HSL 20.21, 0.81%, 0.54%

LAB 59.55, 45.41, 56.44

 

CMYK 82 / 0 / 54 / 9

HEX #2AE86B

RGB 42 232 107

HSL 140.53, 0.81%, 0.54%

LAB 81.44, -70.48, 47.79

 

CMYK 82 / 44 / 0 / 9

HEX #2A83E8

RGB 42 131 232

HSL 211.89, 0.81%, 0.54%

LAB 54.61, 10.09, -58.32

 

CMYK 0 / 82 / 27 / 9

HEX #E82AA9

RGB 232 42 169

HSL 319.89, 0.81%, 0.54%

LAB 53.68, 78.26, -22.55

 

CMYK 0 / 38 / 82 / 9

HEX #E8902A

RGB 232 144 42

HSL 32.21, 0.81%, 0.54%

LAB 67.48, 26, 63.49

 

CMYK 82 / 0 / 54 / 9

HEX #2AE86B

RGB 42 232 107

HSL 140.53, 0.81%, 0.54%

LAB 81.44, -70.48, 47.79

 

CMYK 82 / 68 / 0 / 9

HEX #2A4AE8

RGB 42 74 232

HSL 229.89, 0.81%, 0.54%

LAB 39.94, 45.84, -82.17

 

CMYK 0 / 82 / 27 / 9

HEX #E82AA9

RGB 232 42 169

HSL 319.89, 0.81%, 0.54%

LAB 53.68, 78.26, -22.55

 

CMYK 0 / 13 / 82 / 9

HEX #E8C92A

RGB 232 201 42

HSL 50.21, 0.81%, 0.54%

LAB 81.34, -3.99, 75.48

 

Description

Color code: RGB 42 232 107 | qconv.com Color code: RGB 42 232 107 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 42 red, 232 green and 107 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
42 232 107 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, none magenta, 54 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 0% 54% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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