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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 42 255 5 it is the complementary color RGB 213 0 250. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 42 255 5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 42 255 5 shade: RGB 47 255 0, RGB 64 255 19, RGB 81 255 38, RGB 98 255 57 and RGB 115 255 76

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 42 255 5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 42 255 5 shade: RGB 42 255 5, RGB 25 237 0, RGB 8 219 0, RGB 0 201 0 and RGB 0 183 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 42 255 5 shade: RGB 42 255 5, RGB 109 255 5, RGB 176 255 5, RGB 244 255 5 and RGB 255 198 5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 42 255 5 shade: RGB 42 255 5, RGB 5 255 35, RGB 5 255 102, RGB 5 255 170 and RGB 5 255 237

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 42 255 5 shade matches the following richer shades: RGB 42 255 5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 42 255 5 shade: RGB 42 255 5, RGB 56 234 25, RGB 70 214 45, RGB 84 194 65 and RGB 99 174 85

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 42 255 5 shade: RGB 175 255 5, RGB 109 255 5, RGB 42 255 5, RGB 5 255 34 and RGB 5 255 100

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 42 255 5 shade: RGB 26 177 0, RGB 32 218 0, RGB 42 255 5, RGB 77 255 46 and RGB 112 255 87

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 42 255 5 shade: RGB 42 255 5, RGB 5 242 255 and RGB 255 5 142

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 42 255 5 shade: RGB 42 255 5, RGB 5 42 255 and RGB 255 5 42

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 42 255 5 shade: RGB 42 255 5, RGB 5 242 255, RGB 217 5 255 and RGB 255 17 5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 42 255 5 shade: RGB 42 255 5, RGB 5 167 255, RGB 217 5 255 and RGB 255 92 5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 84 / 0 / 98 / 0

HEX #2AFF05

RGB 42 255 5

HSL 111.12, 1%, 0.51%

LAB 87.98, -83.96, 83.1

 

Complementary color

CMYK 15 / 100 / 0 / 2

HEX #D500FA

RGB 213 0 250

HSL 291.12, 1%, 0.49%

LAB 53, 91.39, -70.21

 

CMYK 82 / 0 / 100 / 0

HEX #2FFF00

RGB 47 255 0

HSL 108.94, 1%, 0.5%

LAB 88.03, -83.54, 83.54

 

CMYK 75 / 0 / 93 / 0

HEX #40FF13

RGB 64 255 19

HSL 108.56, 1%, 0.54%

LAB 88.28, -81.18, 82.24

 

CMYK 68 / 0 / 85 / 0

HEX #51FF26

RGB 81 255 38

HSL 108.11, 1%, 0.57%

LAB 88.64, -77.91, 79.66

 

CMYK 62 / 0 / 78 / 0

HEX #62FF39

RGB 98 255 57

HSL 107.58, 1%, 0.61%

LAB 89.12, -73.66, 75.6

 

CMYK 55 / 0 / 70 / 0

HEX #73FF4C

RGB 115 255 76

HSL 106.93, 1%, 0.65%

LAB 89.71, -68.48, 70.27

 

CMYK 84 / 0 / 98 / 0

HEX #2AFF05

RGB 42 255 5

HSL 111.12, 1%, 0.51%

LAB 87.98, -83.96, 83.1

 

CMYK 89 / 0 / 100 / 7

HEX #19ED00

RGB 25 237 0

HSL 113.67, 1%, 0.46%

LAB 82.26, -80.52, 78.83

 

CMYK 96 / 0 / 100 / 14

HEX #08DB00

RGB 8 219 0

HSL 117.81, 1%, 0.43%

LAB 76.51, -76.54, 74.19

 

CMYK 100 / 0 / 100 / 21

HEX #00C900

RGB 0 201 0

HSL 120, 1%, 0.39%

LAB 70.71, -72.04, 69.53

 

CMYK 100 / 0 / 100 / 28

HEX #00B700

RGB 0 183 0

HSL 120, 1%, 0.36%

LAB 64.86, -67.18, 64.83

 

CMYK 84 / 0 / 98 / 0

HEX #2AFF05

RGB 42 255 5

HSL 111.12, 1%, 0.51%

LAB 87.98, -83.96, 83.1

 

CMYK 57 / 0 / 98 / 0

HEX #6DFF05

RGB 109 255 5

HSL 95.04, 1%, 0.51%

LAB 89.29, -72.72, 84.7

 

CMYK 31 / 0 / 98 / 0

HEX #B0FF05

RGB 176 255 5

HSL 78.96, 1%, 0.51%

LAB 92.03, -52.3, 88.02

 

CMYK 4 / 0 / 98 / 0

HEX #F4FF05

RGB 244 255 5

HSL 62.64, 1%, 0.51%

LAB 96.31, -26.01, 93.16

 

CMYK 0 / 22 / 98 / 0

HEX #FFC605

RGB 255 198 5

HSL 46.32, 1%, 0.51%

LAB 82.73, 6.8, 83.74

 

CMYK 84 / 0 / 98 / 0

HEX #2AFF05

RGB 42 255 5

HSL 111.12, 1%, 0.51%

LAB 87.98, -83.96, 83.1

 

CMYK 98 / 0 / 86 / 0

HEX #05FF23

RGB 5 255 35

HSL 127.2, 1%, 0.51%

LAB 87.81, -85.28, 79.21

 

CMYK 98 / 0 / 60 / 0

HEX #05FF66

RGB 5 255 102

HSL 143.28, 1%, 0.51%

LAB 88.21, -80.14, 57.95

 

CMYK 98 / 0 / 33 / 0

HEX #05FFAA

RGB 5 255 170

HSL 159.6, 1%, 0.51%

LAB 89.14, -69.11, 26.84

 

CMYK 98 / 0 / 7 / 0

HEX #05FFED

RGB 5 255 237

HSL 175.68, 1%, 0.51%

LAB 90.63, -53.01, -5.52

 

CMYK 84 / 0 / 98 / 0

HEX #2AFF05

RGB 42 255 5

HSL 111.12, 1%, 0.51%

LAB 87.98, -83.96, 83.1

 

CMYK 84 / 0 / 98 / 0

HEX #2AFF05

RGB 42 255 5

HSL 111.12, 1%, 0.51%

LAB 87.98, -83.96, 83.1

 

CMYK 76 / 0 / 89 / 8

HEX #38EA19

RGB 56 234 25

HSL 111.1, 0.83%, 0.51%

LAB 81.71, -76.13, 75.86

 

CMYK 67 / 0 / 79 / 16

HEX #46D62D

RGB 70 214 45

HSL 111.12, 0.67%, 0.51%

LAB 75.81, -66.88, 66.21

 

CMYK 57 / 0 / 66 / 24

HEX #54C241

RGB 84 194 65

HSL 111.16, 0.51%, 0.51%

LAB 70.07, -55.4, 53.51

 

CMYK 43 / 0 / 51 / 32

HEX #63AE55

RGB 99 174 85

HSL 110.56, 0.35%, 0.51%

LAB 64.63, -40.91, 38.26

 

CMYK 31 / 0 / 98 / 0

HEX #AFFF05

RGB 175 255 5

HSL 79.2, 1%, 0.51%

LAB 91.97, -52.66, 87.95

 

CMYK 57 / 0 / 98 / 0

HEX #6DFF05

RGB 109 255 5

HSL 95.04, 1%, 0.51%

LAB 89.29, -72.72, 84.7

 

CMYK 84 / 0 / 98 / 0

HEX #2AFF05

RGB 42 255 5

HSL 111.12, 1%, 0.51%

LAB 87.98, -83.96, 83.1

 

CMYK 98 / 0 / 87 / 0

HEX #05FF22

RGB 5 255 34

HSL 126.96, 1%, 0.51%

LAB 87.81, -85.31, 79.39

 

CMYK 98 / 0 / 61 / 0

HEX #05FF64

RGB 5 255 100

HSL 142.8, 1%, 0.51%

LAB 88.2, -80.38, 58.77

 

CMYK 85 / 0 / 100 / 31

HEX #1AB100

RGB 26 177 0

HSL 111.19, 1%, 0.35%

LAB 63.06, -63.87, 63.47

 

CMYK 85 / 0 / 100 / 15

HEX #20DA00

RGB 32 218 0

HSL 111.19, 1%, 0.43%

LAB 76.34, -74.85, 74.12

 

CMYK 84 / 0 / 98 / 0

HEX #2AFF05

RGB 42 255 5

HSL 111.12, 1%, 0.51%

LAB 87.98, -83.96, 83.1

 

CMYK 70 / 0 / 82 / 0

HEX #4DFF2E

RGB 77 255 46

HSL 111.1, 1%, 0.59%

LAB 88.59, -78.27, 77.82

 

CMYK 56 / 0 / 66 / 0

HEX #70FF57

RGB 112 255 87

HSL 111.07, 1%, 0.67%

LAB 89.7, -68.33, 66.15

 

CMYK 84 / 0 / 98 / 0

HEX #2AFF05

RGB 42 255 5

HSL 111.12, 1%, 0.51%

LAB 87.98, -83.96, 83.1

 

CMYK 98 / 5 / 0 / 0

HEX #05F2FF

RGB 5 242 255

HSL 183.12, 1%, 0.51%

LAB 87.37, -42.28, -19.77

 

CMYK 0 / 98 / 44 / 0

HEX #FF058E

RGB 255 5 142

HSL 327.12, 1%, 0.51%

LAB 55.4, 85.3, -3.56

 

CMYK 84 / 0 / 98 / 0

HEX #2AFF05

RGB 42 255 5

HSL 111.12, 1%, 0.51%

LAB 87.98, -83.96, 83.1

 

CMYK 98 / 84 / 0 / 0

HEX #052AFF

RGB 5 42 255

HSL 231.12, 1%, 0.51%

LAB 35.81, 68.74, -102.01

 

CMYK 0 / 98 / 84 / 0

HEX #FF052A

RGB 255 5 42

HSL 351.12, 1%, 0.51%

LAB 53.53, 80.26, 52.58

 

CMYK 84 / 0 / 98 / 0

HEX #2AFF05

RGB 42 255 5

HSL 111.12, 1%, 0.51%

LAB 87.98, -83.96, 83.1

 

CMYK 98 / 5 / 0 / 0

HEX #05F2FF

RGB 5 242 255

HSL 183.12, 1%, 0.51%

LAB 87.37, -42.28, -19.77

 

CMYK 15 / 98 / 0 / 0

HEX #D905FF

RGB 217 5 255

HSL 290.88, 1%, 0.51%

LAB 54.11, 92.39, -71.17

 

CMYK 0 / 93 / 98 / 0

HEX #FF1105

RGB 255 17 5

HSL 2.88, 1%, 0.51%

LAB 53.68, 78.89, 66.15

 

CMYK 84 / 0 / 98 / 0

HEX #2AFF05

RGB 42 255 5

HSL 111.12, 1%, 0.51%

LAB 87.98, -83.96, 83.1

 

CMYK 98 / 35 / 0 / 0

HEX #05A7FF

RGB 5 167 255

HSL 201.12, 1%, 0.51%

LAB 65.66, -4.41, -53.39

 

CMYK 15 / 98 / 0 / 0

HEX #D905FF

RGB 217 5 255

HSL 290.88, 1%, 0.51%

LAB 54.11, 92.39, -71.17

 

CMYK 0 / 64 / 98 / 0

HEX #FF5C05

RGB 255 92 5

HSL 20.88, 1%, 0.51%

LAB 60.72, 59.3, 69.6

 

Description

Color code: RGB 42 255 5 | qconv.com Color code: RGB 42 255 5 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 42 red, 255 green and 5 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
42 255 5 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 84 cyan, none magenta, 98 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
84% 0% 98% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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