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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 47 84 95 it is the complementary color RGB 208 171 160. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 47 84 95. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 47 84 95 shade: RGB 52 84 90, RGB 69 102 109, RGB 86 120 128, RGB 103 138 147 and RGB 120 156 166

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 47 84 95. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 47 84 95 shade: RGB 47 84 95, RGB 30 66 76, RGB 13 48 57, RGB 0 30 38 and RGB 0 12 19

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 47 84 95 shade: RGB 47 84 95, RGB 47 71 95, RGB 47 58 95, RGB 48 47 95 and RGB 62 47 95

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 47 84 95 shade: RGB 47 84 95, RGB 47 71 95, RGB 47 58 95 and RGB 47 47 95

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 47 84 95 shade matches the following richer shades: RGB 47 84 95, RGB 35 90 107, RGB 24 97 118, RGB 12 103 130 and RGB 0 109 141

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 47 84 95 shade: RGB 47 84 95, RGB 58 78 84, RGB 70 72 72, RGB 81 65 61 and RGB 93 59 49

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 47 84 95 shade: RGB 47 95 80, RGB 47 95 93, RGB 47 85 95, RGB 47 72 95 and RGB 47 59 95

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 47 84 95 shade: RGB 19 35 40, RGB 33 60 68, RGB 47 84 95, RGB 60 108 123 and RGB 74 133 150

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 47 84 95 shade: RGB 47 84 95, RGB 67 47 95 and RGB 95 86 47

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 47 84 95 shade: RGB 47 84 95, RGB 95 47 85 and RGB 85 95 47

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 47 84 95 shade: RGB 47 84 95, RGB 67 47 95, RGB 95 57 47 and RGB 75 95 47

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 47 84 95 shade: RGB 47 84 95, RGB 81 47 95, RGB 95 57 47 and RGB 60 95 47

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 12 / 0 / 63

HEX #2F545F

RGB 47 84 95

HSL 193.75, 0.34%, 0.28%

LAB 33.5, -9.87, -10.51

 

Complementary color

CMYK 0 / 18 / 23 / 18

HEX #D0ABA0

RGB 208 171 160

HSL 13.75, 0.34%, 0.72%

LAB 72.94, 11.8, 10.72

 

CMYK 42 / 7 / 0 / 65

HEX #34545A

RGB 52 84 90

HSL 189.47, 0.27%, 0.28%

LAB 33.58, -9.96, -7.21

 

CMYK 37 / 6 / 0 / 57

HEX #45666D

RGB 69 102 109

HSL 190.5, 0.22%, 0.35%

LAB 41.01, -9.97, -7.76

 

CMYK 33 / 6 / 0 / 50

HEX #567880

RGB 86 120 128

HSL 191.43, 0.2%, 0.42%

LAB 48.22, -9.96, -8.27

 

CMYK 30 / 6 / 0 / 42

HEX #678A93

RGB 103 138 147

HSL 192.27, 0.18%, 0.49%

LAB 55.24, -9.95, -8.77

 

CMYK 28 / 6 / 0 / 35

HEX #789CA6

RGB 120 156 166

HSL 193.04, 0.21%, 0.56%

LAB 62.1, -9.94, -9.26

 

CMYK 51 / 12 / 0 / 63

HEX #2F545F

RGB 47 84 95

HSL 193.75, 0.34%, 0.28%

LAB 33.5, -9.87, -10.51

 

CMYK 61 / 13 / 0 / 70

HEX #1E424C

RGB 30 66 76

HSL 193.04, 0.43%, 0.21%

LAB 25.85, -9.58, -10

 

CMYK 77 / 16 / 0 / 78

HEX #0D3039

RGB 13 48 57

HSL 192.27, 0.63%, 0.14%

LAB 17.9, -8.96, -9.4

 

CMYK 100 / 21 / 0 / 85

HEX #001E26

RGB 0 30 38

HSL 192.63, 1%, 0.07%

LAB 9.55, -7.81, -8.69

 

CMYK 100 / 37 / 0 / 93

HEX #000C13

RGB 0 12 19

HSL 202.11, 1%, 0.04%

LAB 2.8, -1.87, -4.65

 

CMYK 51 / 12 / 0 / 63

HEX #2F545F

RGB 47 84 95

HSL 193.75, 0.34%, 0.28%

LAB 33.5, -9.87, -10.51

 

CMYK 51 / 25 / 0 / 63

HEX #2F475F

RGB 47 71 95

HSL 210, 0.34%, 0.28%

LAB 29.25, -1.77, -17.02

 

CMYK 51 / 39 / 0 / 63

HEX #2F3A5F

RGB 47 58 95

HSL 226.25, 0.34%, 0.28%

LAB 25.13, 6.91, -23.45

 

CMYK 49 / 51 / 0 / 63

HEX #302F5F

RGB 48 47 95

HSL 241.25, 0.34%, 0.28%

LAB 21.9, 14.81, -28.57

 

CMYK 35 / 51 / 0 / 63

HEX #3E2F5F

RGB 62 47 95

HSL 258.75, 0.34%, 0.28%

LAB 23.28, 18.88, -26.28

 

CMYK 51 / 12 / 0 / 63

HEX #2F545F

RGB 47 84 95

HSL 193.75, 0.34%, 0.28%

LAB 33.5, -9.87, -10.51

 

CMYK 51 / 25 / 0 / 63

HEX #2F475F

RGB 47 71 95

HSL 210, 0.34%, 0.28%

LAB 29.25, -1.77, -17.02

 

CMYK 51 / 39 / 0 / 63

HEX #2F3A5F

RGB 47 58 95

HSL 226.25, 0.34%, 0.28%

LAB 25.13, 6.91, -23.45

 

CMYK 51 / 51 / 0 / 63

HEX #2F2F5F

RGB 47 47 95

HSL 240, 0.34%, 0.28%

LAB 21.81, 14.54, -28.71

 

CMYK 51 / 12 / 0 / 63

HEX #2F545F

RGB 47 84 95

HSL 193.75, 0.34%, 0.28%

LAB 33.5, -9.87, -10.51

 

CMYK 67 / 16 / 0 / 58

HEX #235A6B

RGB 35 90 107

HSL 194.17, 0.51%, 0.28%

LAB 35.46, -12.2, -15.08

 

CMYK 80 / 18 / 0 / 54

HEX #186176

RGB 24 97 118

HSL 193.4, 0.66%, 0.28%

LAB 37.93, -14.08, -18.1

 

CMYK 91 / 21 / 0 / 49

HEX #0C6782

RGB 12 103 130

HSL 193.73, 0.83%, 0.28%

LAB 40.23, -14.21, -21.89

 

CMYK 100 / 23 / 0 / 45

HEX #006D8D

RGB 0 109 141

HSL 193.62, 1%, 0.28%

LAB 42.55, -14.18, -24.92

 

CMYK 51 / 12 / 0 / 63

HEX #2F545F

RGB 47 84 95

HSL 193.75, 0.34%, 0.28%

LAB 33.5, -9.87, -10.51

 

CMYK 31 / 7 / 0 / 67

HEX #3A4E54

RGB 58 78 84

HSL 193.85, 0.18%, 0.28%

LAB 31.78, -6.1, -6.06

 

CMYK 3 / 0 / 0 / 72

HEX #464848

RGB 70 72 72

HSL 180, 0.01%, 0.28%

LAB 30.41, -0.82, -0.29

 

CMYK 0 / 20 / 25 / 68

HEX #51413D

RGB 81 65 61

HSL 12, 0.14%, 0.28%

LAB 29.07, 6.18, 5.04

 

CMYK 0 / 37 / 47 / 64

HEX #5D3B31

RGB 93 59 49

HSL 13.64, 0.31%, 0.28%

LAB 28.58, 13.69, 12.37

 

CMYK 51 / 0 / 16 / 63

HEX #2F5F50

RGB 47 95 80

HSL 161.25, 0.34%, 0.28%

LAB 36.68, -20.41, 3.57

 

CMYK 51 / 0 / 2 / 63

HEX #2F5F5D

RGB 47 95 93

HSL 177.5, 0.34%, 0.28%

LAB 37.08, -16.82, -3.91

 

CMYK 51 / 11 / 0 / 63

HEX #2F555F

RGB 47 85 95

HSL 192.5, 0.34%, 0.28%

LAB 33.83, -10.47, -10.01

 

CMYK 51 / 24 / 0 / 63

HEX #2F485F

RGB 47 72 95

HSL 208.75, 0.34%, 0.28%

LAB 29.58, -2.41, -16.52

 

CMYK 51 / 38 / 0 / 63

HEX #2F3B5F

RGB 47 59 95

HSL 225, 0.34%, 0.28%

LAB 25.44, 6.23, -22.97

 

CMYK 53 / 13 / 0 / 84

HEX #132328

RGB 19 35 40

HSL 194.29, 0.36%, 0.12%

LAB 12.57, -5.04, -5.46

 

CMYK 51 / 12 / 0 / 73

HEX #213C44

RGB 33 60 68

HSL 193.71, 0.35%, 0.2%

LAB 23.58, -7.71, -8.13

 

CMYK 51 / 12 / 0 / 63

HEX #2F545F

RGB 47 84 95

HSL 193.75, 0.34%, 0.28%

LAB 33.5, -9.87, -10.51

 

CMYK 51 / 12 / 0 / 52

HEX #3C6C7B

RGB 60 108 123

HSL 194.29, 0.34%, 0.36%

LAB 42.94, -11.85, -13.39

 

CMYK 51 / 11 / 0 / 41

HEX #4A8596

RGB 74 133 150

HSL 193.42, 0.34%, 0.44%

LAB 52.32, -14.36, -15.06

 

CMYK 51 / 12 / 0 / 63

HEX #2F545F

RGB 47 84 95

HSL 193.75, 0.34%, 0.28%

LAB 33.5, -9.87, -10.51

 

CMYK 29 / 51 / 0 / 63

HEX #432F5F

RGB 67 47 95

HSL 265, 0.34%, 0.28%

LAB 23.84, 20.43, -25.36

 

CMYK 0 / 9 / 51 / 63

HEX #5F562F

RGB 95 86 47

HSL 48.75, 0.34%, 0.28%

LAB 36.54, -2.36, 23.93

 

CMYK 51 / 12 / 0 / 63

HEX #2F545F

RGB 47 84 95

HSL 193.75, 0.34%, 0.28%

LAB 33.5, -9.87, -10.51

 

CMYK 0 / 51 / 11 / 63

HEX #5F2F55

RGB 95 47 85

HSL 312.5, 0.34%, 0.28%

LAB 27.08, 27.58, -13.47

 

CMYK 11 / 0 / 51 / 63

HEX #555F2F

RGB 85 95 47

HSL 72.5, 0.34%, 0.28%

LAB 38.41, -12.25, 26.02

 

CMYK 51 / 12 / 0 / 63

HEX #2F545F

RGB 47 84 95

HSL 193.75, 0.34%, 0.28%

LAB 33.5, -9.87, -10.51

 

CMYK 29 / 51 / 0 / 63

HEX #432F5F

RGB 67 47 95

HSL 265, 0.34%, 0.28%

LAB 23.84, 20.43, -25.36

 

CMYK 0 / 40 / 51 / 63

HEX #5F392F

RGB 95 57 47

HSL 12.5, 0.34%, 0.28%

LAB 28.29, 15.61, 13.31

 

CMYK 21 / 0 / 51 / 63

HEX #4B5F2F

RGB 75 95 47

HSL 85, 0.34%, 0.28%

LAB 37.64, -16.67, 24.89

 

CMYK 51 / 12 / 0 / 63

HEX #2F545F

RGB 47 84 95

HSL 193.75, 0.34%, 0.28%

LAB 33.5, -9.87, -10.51

 

CMYK 15 / 51 / 0 / 63

HEX #512F5F

RGB 81 47 95

HSL 282.5, 0.34%, 0.28%

LAB 25.59, 24.95, -22.49

 

CMYK 0 / 40 / 51 / 63

HEX #5F392F

RGB 95 57 47

HSL 12.5, 0.34%, 0.28%

LAB 28.29, 15.61, 13.31

 

CMYK 37 / 0 / 51 / 63

HEX #3C5F2F

RGB 60 95 47

HSL 103.75, 0.34%, 0.28%

LAB 36.65, -22.8, 23.45

 

Description

Color code: RGB 47 84 95 | qconv.com Color code: RGB 47 84 95 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 47 red, 84 green and 95 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
47 84 95 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, 12 magenta, none yellow and 63 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 12% 0% 63% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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