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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 47 85 55 it is the complementary color RGB 208 170 200. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 47 85 55. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 47 85 55 shade: RGB 52 85 50, RGB 69 103 69, RGB 86 121 88, RGB 103 139 107 and RGB 120 157 126

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 47 85 55. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 47 85 55 shade: RGB 47 85 55, RGB 30 67 36, RGB 13 49 17, RGB 0 31 0 and RGB 0 13 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 47 85 55 shade: RGB 47 85 55, RGB 49 85 47, RGB 59 85 47, RGB 70 85 47 and RGB 80 85 47

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 47 85 55 shade: RGB 47 85 55, RGB 47 85 65, RGB 47 85 75, RGB 47 84 85 and RGB 47 74 85

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 47 85 55 shade matches the following richer shades: RGB 47 85 55, RGB 36 96 48, RGB 25 106 42, RGB 14 117 36 and RGB 4 128 30

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 47 85 55 shade: RGB 47 85 55, RGB 57 74 61, RGB 68 64 67, RGB 79 53 73 and RGB 89 42 80

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 47 85 55 shade: RGB 59 85 47, RGB 49 85 47, RGB 47 85 54, RGB 47 85 65 and RGB 47 85 75

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 47 85 55 shade: RGB 17 32 20, RGB 32 58 38, RGB 47 85 55, RGB 61 112 72 and RGB 76 138 89

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 47 85 55 shade: RGB 47 85 55, RGB 47 70 85 and RGB 85 47 54

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 47 85 55 shade: RGB 47 85 55, RGB 54 47 85 and RGB 85 54 47

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 47 85 55 shade: RGB 47 85 55, RGB 47 70 85, RGB 85 47 77 and RGB 85 62 47

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 47 85 55 shade: RGB 47 85 55, RGB 47 58 85, RGB 85 47 77 and RGB 85 73 47

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 0 / 35 / 67

HEX #2F5537

RGB 47 85 55

HSL 132.63, 0.29%, 0.26%

LAB 32.65, -20.98, 13.38

 

Complementary color

CMYK 0 / 18 / 4 / 18

HEX #D0AAC8

RGB 208 170 200

HSL 312.63, 0.29%, 0.74%

LAB 73.76, 18.91, -10.03

 

CMYK 39 / 0 / 41 / 67

HEX #345532

RGB 52 85 50

HSL 116.57, 0.26%, 0.26%

LAB 32.83, -20.15, 16.71

 

CMYK 33 / 0 / 33 / 60

HEX #456745

RGB 69 103 69

HSL 120, 0.2%, 0.34%

LAB 40.24, -19.88, 15.39

 

CMYK 29 / 0 / 27 / 53

HEX #567958

RGB 86 121 88

HSL 123.43, 0.17%, 0.41%

LAB 47.44, -19.61, 14.2

 

CMYK 26 / 0 / 23 / 45

HEX #678B6B

RGB 103 139 107

HSL 126.67, 0.15%, 0.47%

LAB 54.46, -19.37, 13.13

 

CMYK 24 / 0 / 20 / 38

HEX #789D7E

RGB 120 157 126

HSL 129.73, 0.16%, 0.54%

LAB 61.32, -19.15, 12.14

 

CMYK 45 / 0 / 35 / 67

HEX #2F5537

RGB 47 85 55

HSL 132.63, 0.29%, 0.26%

LAB 32.65, -20.98, 13.38

 

CMYK 55 / 0 / 46 / 74

HEX #1E4324

RGB 30 67 36

HSL 129.73, 0.38%, 0.19%

LAB 25.01, -21.22, 14.85

 

CMYK 73 / 0 / 65 / 81

HEX #0D3111

RGB 13 49 17

HSL 126.67, 0.58%, 0.12%

LAB 17.1, -21.11, 16.51

 

CMYK 100 / 0 / 100 / 88

HEX #001F00

RGB 0 31 0

HSL 120, 1%, 0.06%

LAB 8.82, -17.96, 12.88

 

CMYK 100 / 0 / 100 / 95

HEX #000D00

RGB 0 13 0

HSL 120, 1%, 0.03%

LAB 2.6, -5.31, 3.8

 

CMYK 45 / 0 / 35 / 67

HEX #2F5537

RGB 47 85 55

HSL 132.63, 0.29%, 0.26%

LAB 32.65, -20.98, 13.38

 

CMYK 42 / 0 / 45 / 67

HEX #31552F

RGB 49 85 47

HSL 116.84, 0.29%, 0.26%

LAB 32.6, -21.79, 18.19

 

CMYK 31 / 0 / 45 / 67

HEX #3B552F

RGB 59 85 47

HSL 101.05, 0.29%, 0.26%

LAB 33.2, -17.93, 19.08

 

CMYK 18 / 0 / 45 / 67

HEX #46552F

RGB 70 85 47

HSL 83.68, 0.29%, 0.26%

LAB 33.99, -13.27, 20.25

 

CMYK 6 / 0 / 45 / 67

HEX #50552F

RGB 80 85 47

HSL 67.89, 0.29%, 0.26%

LAB 34.82, -8.76, 21.47

 

CMYK 45 / 0 / 35 / 67

HEX #2F5537

RGB 47 85 55

HSL 132.63, 0.29%, 0.26%

LAB 32.65, -20.98, 13.38

 

CMYK 45 / 0 / 24 / 67

HEX #2F5541

RGB 47 85 65

HSL 148.42, 0.29%, 0.26%

LAB 32.88, -18.78, 7.49

 

CMYK 45 / 0 / 12 / 67

HEX #2F554B

RGB 47 85 75

HSL 164.21, 0.29%, 0.26%

LAB 33.16, -16.27, 1.6

 

CMYK 45 / 1 / 0 / 67

HEX #2F5455

RGB 47 84 85

HSL 181.58, 0.29%, 0.26%

LAB 33.14, -12.91, -4.75

 

CMYK 45 / 13 / 0 / 67

HEX #2F4A55

RGB 47 74 85

HSL 197.37, 0.29%, 0.26%

LAB 29.81, -6.9, -9.75

 

CMYK 45 / 0 / 35 / 67

HEX #2F5537

RGB 47 85 55

HSL 132.63, 0.29%, 0.26%

LAB 32.65, -20.98, 13.38

 

CMYK 63 / 0 / 50 / 62

HEX #246030

RGB 36 96 48

HSL 132, 0.45%, 0.26%

LAB 35.9, -30.95, 21.7

 

CMYK 76 / 0 / 60 / 58

HEX #196A2A

RGB 25 106 42

HSL 132.59, 0.62%, 0.26%

LAB 39.04, -38.45, 28.76

 

CMYK 88 / 0 / 69 / 54

HEX #0E7524

RGB 14 117 36

HSL 132.82, 0.79%, 0.26%

LAB 42.68, -44.74, 35.78

 

CMYK 97 / 0 / 77 / 50

HEX #04801E

RGB 4 128 30

HSL 132.58, 0.94%, 0.26%

LAB 46.39, -49.76, 42.15

 

CMYK 45 / 0 / 35 / 67

HEX #2F5537

RGB 47 85 55

HSL 132.63, 0.29%, 0.26%

LAB 32.65, -20.98, 13.38

 

CMYK 23 / 0 / 18 / 71

HEX #394A3D

RGB 57 74 61

HSL 134.12, 0.13%, 0.26%

LAB 29.67, -9.79, 5.58

 

CMYK 0 / 6 / 1 / 73

HEX #444043

RGB 68 64 67

HSL 315, 0.03%, 0.26%

LAB 27.58, 2.36, -1.22

 

CMYK 0 / 33 / 8 / 69

HEX #4F3549

RGB 79 53 73

HSL 313.85, 0.2%, 0.26%

LAB 25.83, 15.41, -7.65

 

CMYK 0 / 53 / 10 / 65

HEX #592A50

RGB 89 42 80

HSL 311.49, 0.36%, 0.26%

LAB 24.82, 27.4, -13.71

 

CMYK 31 / 0 / 45 / 67

HEX #3B552F

RGB 59 85 47

HSL 101.05, 0.29%, 0.26%

LAB 33.2, -17.93, 19.08

 

CMYK 42 / 0 / 45 / 67

HEX #31552F

RGB 49 85 47

HSL 116.84, 0.29%, 0.26%

LAB 32.6, -21.79, 18.19

 

CMYK 45 / 0 / 36 / 67

HEX #2F5536

RGB 47 85 54

HSL 131.05, 0.29%, 0.26%

LAB 32.63, -21.19, 13.97

 

CMYK 45 / 0 / 24 / 67

HEX #2F5541

RGB 47 85 65

HSL 148.42, 0.29%, 0.26%

LAB 32.88, -18.78, 7.49

 

CMYK 45 / 0 / 12 / 67

HEX #2F554B

RGB 47 85 75

HSL 164.21, 0.29%, 0.26%

LAB 33.16, -16.27, 1.6

 

CMYK 47 / 0 / 38 / 87

HEX #112014

RGB 17 32 20

HSL 132, 0.31%, 0.1%

LAB 10.58, -9.81, 6.11

 

CMYK 45 / 0 / 34 / 77

HEX #203A26

RGB 32 58 38

HSL 133.85, 0.29%, 0.18%

LAB 21.85, -15.26, 9.38

 

CMYK 45 / 0 / 35 / 67

HEX #2F5537

RGB 47 85 55

HSL 132.63, 0.29%, 0.26%

LAB 32.65, -20.98, 13.38

 

CMYK 46 / 0 / 36 / 56

HEX #3D7048

RGB 61 112 72

HSL 132.94, 0.29%, 0.34%

LAB 42.84, -26.65, 17.05

 

CMYK 45 / 0 / 36 / 46

HEX #4C8A59

RGB 76 138 89

HSL 132.58, 0.29%, 0.42%

LAB 52.33, -31.25, 20.17

 

CMYK 45 / 0 / 35 / 67

HEX #2F5537

RGB 47 85 55

HSL 132.63, 0.29%, 0.26%

LAB 32.65, -20.98, 13.38

 

CMYK 45 / 18 / 0 / 67

HEX #2F4655

RGB 47 70 85

HSL 203.68, 0.29%, 0.26%

LAB 28.49, -4.38, -11.75

 

CMYK 0 / 45 / 36 / 67

HEX #552F36

RGB 85 47 54

HSL 348.95, 0.29%, 0.26%

LAB 24.42, 18.33, 3.09

 

CMYK 45 / 0 / 35 / 67

HEX #2F5537

RGB 47 85 55

HSL 132.63, 0.29%, 0.26%

LAB 32.65, -20.98, 13.38

 

CMYK 36 / 45 / 0 / 67

HEX #362F55

RGB 54 47 85

HSL 251.05, 0.29%, 0.26%

LAB 21.85, 13.32, -22.01

 

CMYK 0 / 36 / 45 / 67

HEX #55362F

RGB 85 54 47

HSL 11.05, 0.29%, 0.26%

LAB 26.08, 12.92, 10.09

 

CMYK 45 / 0 / 35 / 67

HEX #2F5537

RGB 47 85 55

HSL 132.63, 0.29%, 0.26%

LAB 32.65, -20.98, 13.38

 

CMYK 45 / 18 / 0 / 67

HEX #2F4655

RGB 47 70 85

HSL 203.68, 0.29%, 0.26%

LAB 28.49, -4.38, -11.75

 

CMYK 0 / 45 / 9 / 67

HEX #552F4D

RGB 85 47 77

HSL 312.63, 0.29%, 0.26%

LAB 25.26, 22.37, -11.09

 

CMYK 0 / 27 / 45 / 67

HEX #553E2F

RGB 85 62 47

HSL 23.68, 0.29%, 0.26%

LAB 28.33, 7.8, 13.14

 

CMYK 45 / 0 / 35 / 67

HEX #2F5537

RGB 47 85 55

HSL 132.63, 0.29%, 0.26%

LAB 32.65, -20.98, 13.38

 

CMYK 45 / 32 / 0 / 67

HEX #2F3A55

RGB 47 58 85

HSL 222.63, 0.29%, 0.26%

LAB 24.6, 3.52, -17.75

 

CMYK 0 / 45 / 9 / 67

HEX #552F4D

RGB 85 47 77

HSL 312.63, 0.29%, 0.26%

LAB 25.26, 22.37, -11.09

 

CMYK 0 / 14 / 45 / 67

HEX #55492F

RGB 85 73 47

HSL 41.05, 0.29%, 0.26%

LAB 31.58, 0.85, 17.42

 

Description

Color code: RGB 47 85 55 | qconv.com Color code: RGB 47 85 55 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 47 red, 85 green and 55 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
47 85 55 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, none magenta, 35 yellow and 67 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 0% 35% 67% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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