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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 44 138 64 it is the complementary color RGB 211 117 191. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 44 138 64. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 44 138 64 shade: RGB 49 138 59, RGB 66 156 78, RGB 83 174 97, RGB 100 192 116 and RGB 117 210 135

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 44 138 64. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 44 138 64 shade: RGB 44 138 64, RGB 27 120 45, RGB 10 102 26, RGB 0 84 7 and RGB 0 66 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 44 138 64 shade: RGB 44 139 64, RGB 49 139 44, RGB 75 139 44, RGB 100 139 44 and RGB 126 139 44

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 44 138 64 shade: RGB 44 139 64, RGB 44 139 90, RGB 44 139 115, RGB 44 137 139 and RGB 44 111 139

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 44 138 64 shade matches the following richer shades: RGB 44 139 64, RGB 29 154 55 and RGB 14 169 47

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 44 138 64 shade: RGB 44 139 64, RGB 58 124 72, RGB 73 109 81, RGB 88 94 89 and RGB 103 80 98

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 44 138 64 shade: RGB 75 139 44, RGB 50 139 44, RGB 44 139 63, RGB 44 139 88 and RGB 44 139 114

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 44 138 64 shade: RGB 24 76 35, RGB 34 108 49, RGB 44 139 64, RGB 53 170 78 and RGB 69 196 96

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 44 138 64 shade: RGB 44 138 64, RGB 44 101 139 and RGB 139 44 63

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 44 138 64 shade: RGB 44 138 64, RGB 63 44 139 and RGB 139 63 44

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 44 138 64 shade: RGB 44 138 64, RGB 44 101 139, RGB 139 44 120 and RGB 139 82 44

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 44 138 64 shade: RGB 44 138 64, RGB 44 72 139, RGB 139 44 120 and RGB 139 110 44

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 0 / 54 / 46

HEX #2C8A40

RGB 44 138 64

HSL 132.77, 0.52%, 0.36%

LAB 50.78, -43.81, 31.55

 

Complementary color

CMYK 0 / 45 / 9 / 17

HEX #D375BF

RGB 211 117 191

HSL 312.77, 0.52%, 0.64%

LAB 61.94, 46.78, -22.85

 

CMYK 64 / 0 / 57 / 46

HEX #318A3B

RGB 49 138 59

HSL 126.74, 0.48%, 0.37%

LAB 50.86, -43.45, 34.22

 

CMYK 58 / 0 / 50 / 39

HEX #429C4E

RGB 66 156 78

HSL 128, 0.41%, 0.44%

LAB 57.55, -43.77, 32.79

 

CMYK 52 / 0 / 44 / 32

HEX #53AE61

RGB 83 174 97

HSL 129.23, 0.36%, 0.5%

LAB 64.14, -43.83, 31.38

 

CMYK 48 / 0 / 40 / 25

HEX #64C074

RGB 100 192 116

HSL 130.43, 0.42%, 0.57%

LAB 70.64, -43.73, 30.05

 

CMYK 44 / 0 / 36 / 18

HEX #75D287

RGB 117 210 135

HSL 131.61, 0.51%, 0.64%

LAB 77.06, -43.55, 28.79

 

CMYK 68 / 0 / 54 / 46

HEX #2C8A40

RGB 44 138 64

HSL 132.77, 0.52%, 0.36%

LAB 50.78, -43.81, 31.55

 

CMYK 78 / 0 / 63 / 53

HEX #1B782D

RGB 27 120 45

HSL 131.61, 0.63%, 0.29%

LAB 44.02, -42.92, 33.06

 

CMYK 90 / 0 / 75 / 60

HEX #0A661A

RGB 10 102 26

HSL 130.43, 0.82%, 0.22%

LAB 37.19, -41.14, 34.33

 

CMYK 100 / 0 / 92 / 67

HEX #005407

RGB 0 84 7

HSL 125, 1%, 0.16%

LAB 30.29, -37.94, 34.59

 

CMYK 100 / 0 / 100 / 74

HEX #004200

RGB 0 66 0

HSL 120, 1%, 0.13%

LAB 23.33, -32.67, 30.93

 

CMYK 68 / 0 / 54 / 45

HEX #2C8B40

RGB 44 139 64

HSL 132.63, 0.52%, 0.36%

LAB 51.12, -44.2, 31.96

 

CMYK 65 / 0 / 68 / 45

HEX #318B2C

RGB 49 139 44

HSL 116.84, 0.52%, 0.36%

LAB 51.04, -45.63, 41.51

 

CMYK 46 / 0 / 68 / 45

HEX #4B8B2C

RGB 75 139 44

HSL 100.42, 0.52%, 0.36%

LAB 52, -38.23, 42.83

 

CMYK 28 / 0 / 68 / 45

HEX #648B2C

RGB 100 139 44

HSL 84.63, 0.52%, 0.36%

LAB 53.34, -29.01, 44.65

 

CMYK 9 / 0 / 68 / 45

HEX #7E8B2C

RGB 126 139 44

HSL 68.21, 0.52%, 0.36%

LAB 55.16, -18.04, 47.11

 

CMYK 68 / 0 / 54 / 45

HEX #2C8B40

RGB 44 139 64

HSL 132.63, 0.52%, 0.36%

LAB 51.12, -44.2, 31.96

 

CMYK 68 / 0 / 35 / 45

HEX #2C8B5A

RGB 44 139 90

HSL 149.05, 0.52%, 0.36%

LAB 51.54, -39.48, 18.36

 

CMYK 68 / 0 / 17 / 45

HEX #2C8B73

RGB 44 139 115

HSL 164.84, 0.52%, 0.36%

LAB 52.11, -33.55, 4.84

 

CMYK 68 / 1 / 0 / 45

HEX #2C898B

RGB 44 137 139

HSL 181.26, 0.52%, 0.36%

LAB 52.16, -25.76, -9

 

CMYK 68 / 20 / 0 / 45

HEX #2C6F8B

RGB 44 111 139

HSL 197.68, 0.52%, 0.36%

LAB 43.9, -11.72, -21.57

 

CMYK 68 / 0 / 54 / 45

HEX #2C8B40

RGB 44 139 64

HSL 132.63, 0.52%, 0.36%

LAB 51.12, -44.2, 31.96

 

CMYK 81 / 0 / 64 / 40

HEX #1D9A37

RGB 29 154 55

HSL 132.48, 0.68%, 0.36%

LAB 55.73, -53.23, 41.67

 

CMYK 92 / 0 / 72 / 34

HEX #0EA92F

RGB 14 169 47

HSL 132.77, 0.85%, 0.36%

LAB 60.49, -60.22, 50.12

 

CMYK 68 / 0 / 54 / 45

HEX #2C8B40

RGB 44 139 64

HSL 132.63, 0.52%, 0.36%

LAB 51.12, -44.2, 31.96

 

CMYK 53 / 0 / 42 / 51

HEX #3A7C48

RGB 58 124 72

HSL 132.73, 0.36%, 0.36%

LAB 46.69, -33.21, 22.13

 

CMYK 33 / 0 / 26 / 57

HEX #496D51

RGB 73 109 81

HSL 133.33, 0.2%, 0.36%

LAB 42.68, -19.28, 11.63

 

CMYK 6 / 0 / 5 / 63

HEX #585E59

RGB 88 94 89

HSL 130, 0.03%, 0.36%

LAB 39.24, -3.42, 2.05

 

CMYK 0 / 22 / 5 / 60

HEX #675062

RGB 103 80 98

HSL 313.04, 0.13%, 0.36%

LAB 36.93, 13.01, -6.78

 

CMYK 46 / 0 / 68 / 45

HEX #4B8B2C

RGB 75 139 44

HSL 100.42, 0.52%, 0.36%

LAB 52, -38.23, 42.83

 

CMYK 64 / 0 / 68 / 45

HEX #328B2C

RGB 50 139 44

HSL 116.21, 0.52%, 0.36%

LAB 51.07, -45.39, 41.55

 

CMYK 68 / 0 / 55 / 45

HEX #2C8B3F

RGB 44 139 63

HSL 132, 0.52%, 0.36%

LAB 51.11, -44.35, 32.46

 

CMYK 68 / 0 / 37 / 45

HEX #2C8B58

RGB 44 139 88

HSL 147.79, 0.52%, 0.36%

LAB 51.5, -39.9, 19.44

 

CMYK 68 / 0 / 18 / 45

HEX #2C8B72

RGB 44 139 114

HSL 164.21, 0.52%, 0.36%

LAB 52.08, -33.81, 5.38

 

CMYK 68 / 0 / 54 / 70

HEX #184C23

RGB 24 76 35

HSL 132.69, 0.52%, 0.2%

LAB 28.07, -27.44, 19.32

 

CMYK 69 / 0 / 55 / 58

HEX #226C31

RGB 34 108 49

HSL 132.16, 0.52%, 0.28%

LAB 40.06, -36.37, 26.31

 

CMYK 68 / 0 / 54 / 45

HEX #2C8B40

RGB 44 139 64

HSL 132.63, 0.52%, 0.36%

LAB 51.12, -44.2, 31.96

 

CMYK 69 / 0 / 54 / 33

HEX #35AA4E

RGB 53 170 78

HSL 132.82, 0.52%, 0.44%

LAB 61.7, -52.01, 37.81

 

CMYK 65 / 0 / 51 / 23

HEX #45C460

RGB 69 196 96

HSL 132.76, 0.52%, 0.52%

LAB 70.59, -55.86, 39.9

 

CMYK 68 / 0 / 54 / 46

HEX #2C8A40

RGB 44 138 64

HSL 132.77, 0.52%, 0.36%

LAB 50.78, -43.81, 31.55

 

CMYK 68 / 27 / 0 / 45

HEX #2C658B

RGB 44 101 139

HSL 204, 0.52%, 0.36%

LAB 40.75, -5.81, -26.46

 

CMYK 0 / 68 / 55 / 45

HEX #8B2C3F

RGB 139 44 63

HSL 348, 0.52%, 0.36%

LAB 33.24, 41.65, 10.86

 

CMYK 68 / 0 / 54 / 46

HEX #2C8A40

RGB 44 138 64

HSL 132.77, 0.52%, 0.36%

LAB 50.78, -43.81, 31.55

 

CMYK 55 / 68 / 0 / 45

HEX #3F2C8B

RGB 63 44 139

HSL 252, 0.52%, 0.36%

LAB 25.93, 34.78, -50.07

 

CMYK 0 / 55 / 68 / 45

HEX #8B3F2C

RGB 139 63 44

HSL 12, 0.52%, 0.36%

LAB 36.42, 30.89, 26.87

 

CMYK 68 / 0 / 54 / 46

HEX #2C8A40

RGB 44 138 64

HSL 132.77, 0.52%, 0.36%

LAB 50.78, -43.81, 31.55

 

CMYK 68 / 27 / 0 / 45

HEX #2C658B

RGB 44 101 139

HSL 204, 0.52%, 0.36%

LAB 40.75, -5.81, -26.46

 

CMYK 0 / 68 / 14 / 45

HEX #8B2C78

RGB 139 44 120

HSL 312, 0.52%, 0.36%

LAB 35.29, 48.73, -22.63

 

CMYK 0 / 41 / 68 / 45

HEX #8B522C

RGB 139 82 44

HSL 24, 0.52%, 0.36%

LAB 40.74, 20.22, 31.92

 

CMYK 68 / 0 / 54 / 46

HEX #2C8A40

RGB 44 138 64

HSL 132.77, 0.52%, 0.36%

LAB 50.78, -43.81, 31.55

 

CMYK 68 / 48 / 0 / 45

HEX #2C488B

RGB 44 72 139

HSL 222.32, 0.52%, 0.36%

LAB 31.88, 12.87, -40.5

 

CMYK 0 / 68 / 14 / 45

HEX #8B2C78

RGB 139 44 120

HSL 312, 0.52%, 0.36%

LAB 35.29, 48.73, -22.63

 

CMYK 0 / 21 / 68 / 45

HEX #8B6E2C

RGB 139 110 44

HSL 41.68, 0.52%, 0.36%

LAB 48.04, 3.91, 40

 

Description

Color code: RGB 44 138 64 | qconv.com Color code: RGB 44 138 64 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 44 red, 138 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
44 138 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, none magenta, 54 yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 0% 54% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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