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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 44 139 241 it is the complementary color RGB 211 116 14. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 44 139 241. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 44 139 241 shade: RGB 49 139 236, RGB 66 157 255, RGB 83 175 255, RGB 100 193 255 and RGB 117 211 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 44 139 241. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 44 139 241 shade: RGB 44 139 241, RGB 27 121 222, RGB 10 103 203, RGB 0 85 184 and RGB 0 67 165

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 44 139 241 shade: RGB 44 139 241, RGB 44 86 241, RGB 55 44 241, RGB 108 44 241 and RGB 161 44 241

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 44 139 241 shade: RGB 44 139 241, RGB 44 86 241 and RGB 44 44 241

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 44 139 241 shade matches the following richer shades: RGB 44 139 241

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 44 139 241 shade: RGB 44 139 241, RGB 62 139 223, RGB 80 140 205, RGB 98 141 187 and RGB 116 141 168

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 44 139 241 shade: RGB 44 241 238, RGB 44 192 241, RGB 44 139 241, RGB 44 86 241 and RGB 53 44 241

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 44 139 241 shade: RGB 12 98 190, RGB 14 118 229, RGB 44 139 241, RGB 82 160 244 and RGB 121 181 246

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 44 139 241 shade: RGB 44 139 241, RGB 185 44 241 and RGB 218 241 44

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 44 139 241 shade: RGB 44 139 241, RGB 241 44 139 and RGB 139 241 44

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 44 139 241 shade: RGB 44 139 241, RGB 185 44 241, RGB 241 146 44 and RGB 100 241 44

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 44 139 241 shade: RGB 44 139 241, RGB 241 44 238, RGB 241 146 44 and RGB 44 241 47

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 42 / 0 / 5

HEX #2C8BF1

RGB 44 139 241

HSL 211.07, 0.88%, 0.56%

LAB 57.42, 8.74, -58.82

 

Complementary color

CMYK 0 / 45 / 93 / 17

HEX #D3740E

RGB 211 116 14

HSL 31.07, 0.88%, 0.44%

LAB 58.39, 31.45, 63.15

 

CMYK 79 / 41 / 0 / 7

HEX #318BEC

RGB 49 139 236

HSL 211.12, 0.83%, 0.56%

LAB 57.24, 7.36, -56.32

 

CMYK 74 / 38 / 0 / 0

HEX #429DFF

RGB 66 157 255

HSL 211.11, 1%, 0.63%

LAB 63.75, 5.37, -56.37

 

CMYK 67 / 31 / 0 / 0

HEX #53AFFF

RGB 83 175 255

HSL 207.91, 1%, 0.66%

LAB 69.27, -2.63, -47.6

 

CMYK 61 / 24 / 0 / 0

HEX #64C1FF

RGB 100 193 255

HSL 204, 1%, 0.7%

LAB 74.87, -9.71, -38.8

 

CMYK 54 / 17 / 0 / 0

HEX #75D3FF

RGB 117 211 255

HSL 199.13, 1%, 0.73%

LAB 80.51, -15.95, -30.03

 

CMYK 82 / 42 / 0 / 5

HEX #2C8BF1

RGB 44 139 241

HSL 211.07, 0.88%, 0.56%

LAB 57.42, 8.74, -58.82

 

CMYK 88 / 45 / 0 / 13

HEX #1B79DE

RGB 27 121 222

HSL 211.08, 0.78%, 0.49%

LAB 50.9, 11.37, -58.68

 

CMYK 95 / 49 / 0 / 20

HEX #0A67CB

RGB 10 103 203

HSL 211.09, 0.91%, 0.42%

LAB 44.34, 14.56, -58.45

 

CMYK 100 / 54 / 0 / 28

HEX #0055B8

RGB 0 85 184

HSL 212.28, 1%, 0.36%

LAB 37.77, 18.38, -58.07

 

CMYK 100 / 59 / 0 / 35

HEX #0043A5

RGB 0 67 165

HSL 215.64, 1%, 0.32%

LAB 31.19, 22.8, -57.49

 

CMYK 82 / 42 / 0 / 5

HEX #2C8BF1

RGB 44 139 241

HSL 211.07, 0.88%, 0.56%

LAB 57.42, 8.74, -58.82

 

CMYK 82 / 64 / 0 / 5

HEX #2C56F1

RGB 44 86 241

HSL 227.21, 0.88%, 0.56%

LAB 43.57, 41.84, -81.28

 

CMYK 77 / 82 / 0 / 5

HEX #372CF1

RGB 55 44 241

HSL 243.35, 0.88%, 0.56%

LAB 35.92, 65.22, -93.91

 

CMYK 55 / 82 / 0 / 5

HEX #6C2CF1

RGB 108 44 241

HSL 259.49, 0.88%, 0.56%

LAB 40.15, 69.39, -86.77

 

CMYK 33 / 82 / 0 / 5

HEX #A12CF1

RGB 161 44 241

HSL 275.63, 0.88%, 0.56%

LAB 46.62, 76.02, -75.9

 

CMYK 82 / 42 / 0 / 5

HEX #2C8BF1

RGB 44 139 241

HSL 211.07, 0.88%, 0.56%

LAB 57.42, 8.74, -58.82

 

CMYK 82 / 64 / 0 / 5

HEX #2C56F1

RGB 44 86 241

HSL 227.21, 0.88%, 0.56%

LAB 43.57, 41.84, -81.28

 

CMYK 82 / 82 / 0 / 5

HEX #2C2CF1

RGB 44 44 241

HSL 240, 0.88%, 0.56%

LAB 35.38, 64.71, -94.82

 

CMYK 82 / 42 / 0 / 5

HEX #2C8BF1

RGB 44 139 241

HSL 211.07, 0.88%, 0.56%

LAB 57.42, 8.74, -58.82

 

CMYK 82 / 42 / 0 / 5

HEX #2C8BF1

RGB 44 139 241

HSL 211.07, 0.88%, 0.56%

LAB 57.42, 8.74, -58.82

 

CMYK 72 / 38 / 0 / 13

HEX #3E8BDF

RGB 62 139 223

HSL 211.3, 0.72%, 0.56%

LAB 56.9, 4.17, -49.61

 

CMYK 61 / 32 / 0 / 20

HEX #508CCD

RGB 80 140 205

HSL 211.2, 0.56%, 0.56%

LAB 56.95, 0.3, -39.38

 

CMYK 48 / 25 / 0 / 27

HEX #628DBB

RGB 98 141 187

HSL 211.01, 0.4%, 0.56%

LAB 57.3, -2, -28.58

 

CMYK 31 / 16 / 0 / 34

HEX #748DA8

RGB 116 141 168

HSL 211.15, 0.23%, 0.56%

LAB 57.65, -2.31, -17.13

 

CMYK 82 / 0 / 1 / 5

HEX #2CF1EE

RGB 44 241 238

HSL 179.09, 0.88%, 0.56%

LAB 86.81, -45.18, -11.68

 

CMYK 82 / 20 / 0 / 5

HEX #2CC0F1

RGB 44 192 241

HSL 194.92, 0.88%, 0.56%

LAB 72.62, -21, -34.87

 

CMYK 82 / 42 / 0 / 5

HEX #2C8BF1

RGB 44 139 241

HSL 211.07, 0.88%, 0.56%

LAB 57.42, 8.74, -58.82

 

CMYK 82 / 64 / 0 / 5

HEX #2C56F1

RGB 44 86 241

HSL 227.21, 0.88%, 0.56%

LAB 43.57, 41.84, -81.28

 

CMYK 78 / 82 / 0 / 5

HEX #352CF1

RGB 53 44 241

HSL 242.74, 0.88%, 0.56%

LAB 35.81, 65.12, -94.09

 

CMYK 94 / 48 / 0 / 25

HEX #0C62BE

RGB 12 98 190

HSL 211.01, 0.88%, 0.4%

LAB 42.05, 12.67, -54.63

 

CMYK 94 / 48 / 0 / 10

HEX #0E76E5

RGB 14 118 229

HSL 210.98, 0.88%, 0.48%

LAB 50.34, 15.36, -63.53

 

CMYK 82 / 42 / 0 / 5

HEX #2C8BF1

RGB 44 139 241

HSL 211.07, 0.88%, 0.56%

LAB 57.42, 8.74, -58.82

 

CMYK 66 / 34 / 0 / 4

HEX #52A0F4

RGB 82 160 244

HSL 211.11, 0.88%, 0.64%

LAB 64.54, 2.06, -49.08

 

CMYK 51 / 26 / 0 / 4

HEX #79B5F6

RGB 121 181 246

HSL 211.2, 0.87%, 0.72%

LAB 72.07, -1.7, -38.23

 

CMYK 82 / 42 / 0 / 5

HEX #2C8BF1

RGB 44 139 241

HSL 211.07, 0.88%, 0.56%

LAB 57.42, 8.74, -58.82

 

CMYK 23 / 82 / 0 / 5

HEX #B92CF1

RGB 185 44 241

HSL 282.94, 0.88%, 0.56%

LAB 50.06, 79.65, -70.15

 

CMYK 10 / 0 / 82 / 5

HEX #DAF12C

RGB 218 241 44

HSL 67.01, 0.88%, 0.56%

LAB 90.78, -29.38, 82.6

 

CMYK 82 / 42 / 0 / 5

HEX #2C8BF1

RGB 44 139 241

HSL 211.07, 0.88%, 0.56%

LAB 57.42, 8.74, -58.82

 

CMYK 0 / 82 / 42 / 5

HEX #F12C8B

RGB 241 44 139

HSL 331.07, 0.88%, 0.56%

LAB 54.41, 76.84, -3.53

 

CMYK 42 / 0 / 82 / 5

HEX #8BF12C

RGB 139 241 44

HSL 91.07, 0.88%, 0.56%

LAB 86.3, -58.42, 76.95

 

CMYK 82 / 42 / 0 / 5

HEX #2C8BF1

RGB 44 139 241

HSL 211.07, 0.88%, 0.56%

LAB 57.42, 8.74, -58.82

 

CMYK 23 / 82 / 0 / 5

HEX #B92CF1

RGB 185 44 241

HSL 282.94, 0.88%, 0.56%

LAB 50.06, 79.65, -70.15

 

CMYK 0 / 39 / 82 / 5

HEX #F1922C

RGB 241 146 44

HSL 31.07, 0.88%, 0.56%

LAB 69.07, 28.74, 64.62

 

CMYK 59 / 0 / 82 / 5

HEX #64F12C

RGB 100 241 44

HSL 102.94, 0.88%, 0.56%

LAB 84.9, -69.27, 75.16

 

CMYK 82 / 42 / 0 / 5

HEX #2C8BF1

RGB 44 139 241

HSL 211.07, 0.88%, 0.56%

LAB 57.42, 8.74, -58.82

 

CMYK 0 / 82 / 1 / 5

HEX #F12CEE

RGB 241 44 238

HSL 300.91, 0.88%, 0.56%

LAB 58.67, 88.66, -54.15

 

CMYK 0 / 39 / 82 / 5

HEX #F1922C

RGB 241 146 44

HSL 31.07, 0.88%, 0.56%

LAB 69.07, 28.74, 64.62

 

CMYK 82 / 0 / 80 / 5

HEX #2CF12F

RGB 44 241 47

HSL 120.91, 0.88%, 0.56%

LAB 83.78, -78.66, 72.97

 

Description

Color code: RGB 44 139 241 | qconv.com Color code: RGB 44 139 241 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 44 red, 139 green and 241 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
44 139 241 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, 42 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 42% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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