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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 45 69 250 it is the complementary color RGB 210 186 5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 45 69 250. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 45 69 250 shade: RGB 50 69 245, RGB 67 87 255, RGB 84 105 255, RGB 101 123 255 and RGB 118 141 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 45 69 250. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 45 69 250 shade: RGB 45 69 250, RGB 28 51 231, RGB 11 33 212, RGB 0 15 193 and RGB 0 0 174

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 45 69 250 shade: RGB 46 69 249, RGB 77 46 249, RGB 132 46 249, RGB 186 46 249 and RGB 241 46 249

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 45 69 250 shade: RGB 46 69 249 and RGB 46 46 249

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 45 69 250 shade matches the following richer shades: RGB 46 69 249

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 45 69 250 shade: RGB 46 69 249, RGB 63 83 232, RGB 80 96 214, RGB 98 109 197 and RGB 115 123 180

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 45 69 250 shade: RGB 46 181 249, RGB 46 127 249, RGB 46 73 249, RGB 73 46 249 and RGB 127 46 249

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 45 69 250 shade: RGB 5 29 207, RGB 6 34 248, RGB 46 69 249, RGB 86 105 250 and RGB 126 141 251

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 45 69 250 shade: RGB 45 69 250, RGB 249 46 236 and RGB 154 249 46

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 45 69 250 shade: RGB 45 69 250, RGB 249 46 73 and RGB 73 249 46

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 45 69 250 shade: RGB 45 69 250, RGB 249 46 236, RGB 249 222 46 and RGB 46 249 59

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 45 69 250 shade: RGB 45 69 250, RGB 249 46 175, RGB 249 222 46 and RGB 46 249 120

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 72 / 0 / 2

HEX #2D45FA

RGB 45 69 250

HSL 232.98, 0.95%, 0.58%

LAB 40.76, 55.02, -90.96

 

Complementary color

CMYK 0 / 11 / 98 / 18

HEX #D2BA05

RGB 210 186 5

HSL 52.98, 0.95%, 0.42%

LAB 75.35, -6.46, 76.46

 

CMYK 80 / 72 / 0 / 4

HEX #3245F5

RGB 50 69 245

HSL 234.15, 0.91%, 0.58%

LAB 40.45, 53.69, -88.65

 

CMYK 74 / 66 / 0 / 0

HEX #4357FF

RGB 67 87 255

HSL 233.62, 1%, 0.63%

LAB 45.95, 48.02, -85.17

 

CMYK 67 / 59 / 0 / 0

HEX #5469FF

RGB 84 105 255

HSL 232.63, 1%, 0.66%

LAB 50.93, 39.21, -76.98

 

CMYK 60 / 52 / 0 / 0

HEX #657BFF

RGB 101 123 255

HSL 231.43, 1%, 0.7%

LAB 56.24, 30.93, -68.33

 

CMYK 54 / 45 / 0 / 0

HEX #768DFF

RGB 118 141 255

HSL 229.93, 1%, 0.73%

LAB 61.76, 23.37, -59.41

 

CMYK 82 / 72 / 0 / 2

HEX #2D45FA

RGB 45 69 250

HSL 232.98, 0.95%, 0.58%

LAB 40.76, 55.02, -90.96

 

CMYK 88 / 78 / 0 / 9

HEX #1C33E7

RGB 28 51 231

HSL 233.2, 0.81%, 0.51%

LAB 34.77, 57.74, -90.17

 

CMYK 95 / 84 / 0 / 17

HEX #0B21D4

RGB 11 33 212

HSL 233.43, 0.9%, 0.44%

LAB 29.19, 59.93, -88.54

 

CMYK 100 / 92 / 0 / 24

HEX #000FC1

RGB 0 15 193

HSL 235.34, 1%, 0.38%

LAB 24.3, 60.74, -85.59

 

CMYK 100 / 100 / 0 / 32

HEX #0000AE

RGB 0 0 174

HSL 240, 1%, 0.34%

LAB 20.27, 59.46, -80.99

 

CMYK 82 / 72 / 0 / 2

HEX #2E45F9

RGB 46 69 249

HSL 233.2, 0.94%, 0.58%

LAB 40.7, 54.75, -90.5

 

CMYK 69 / 82 / 0 / 2

HEX #4D2EF9

RGB 77 46 249

HSL 249.16, 0.94%, 0.58%

LAB 38.5, 68.01, -94.08

 

CMYK 47 / 82 / 0 / 2

HEX #842EF9

RGB 132 46 249

HSL 265.42, 0.94%, 0.58%

LAB 43.8, 73.32, -85.16

 

CMYK 25 / 82 / 0 / 2

HEX #BA2EF9

RGB 186 46 249

HSL 281.38, 0.94%, 0.58%

LAB 50.96, 80.78, -73.16

 

CMYK 3 / 82 / 0 / 2

HEX #F12EF9

RGB 241 46 249

HSL 297.64, 0.94%, 0.58%

LAB 59.43, 89.89, -59.07

 

CMYK 82 / 72 / 0 / 2

HEX #2E45F9

RGB 46 69 249

HSL 233.2, 0.94%, 0.58%

LAB 40.7, 54.75, -90.5

 

CMYK 82 / 82 / 0 / 2

HEX #2E2EF9

RGB 46 46 249

HSL 240, 0.94%, 0.58%

LAB 36.7, 66.25, -97.13

 

CMYK 82 / 72 / 0 / 2

HEX #2E45F9

RGB 46 69 249

HSL 233.2, 0.94%, 0.58%

LAB 40.7, 54.75, -90.5

 

CMYK 82 / 72 / 0 / 2

HEX #2E45F9

RGB 46 69 249

HSL 233.2, 0.94%, 0.58%

LAB 40.7, 54.75, -90.5

 

CMYK 73 / 64 / 0 / 9

HEX #3F53E8

RGB 63 83 232

HSL 232.9, 0.79%, 0.58%

LAB 42.87, 42.2, -77.33

 

CMYK 63 / 55 / 0 / 16

HEX #5060D6

RGB 80 96 214

HSL 232.84, 0.62%, 0.58%

LAB 45.53, 30.31, -62.71

 

CMYK 50 / 45 / 0 / 23

HEX #626DC5

RGB 98 109 197

HSL 233.33, 0.46%, 0.58%

LAB 48.96, 20.24, -47.4

 

CMYK 36 / 32 / 0 / 29

HEX #737BB4

RGB 115 123 180

HSL 232.62, 0.3%, 0.58%

LAB 53.07, 11.11, -31.07

 

CMYK 82 / 27 / 0 / 2

HEX #2EB5F9

RGB 46 181 249

HSL 200.1, 0.94%, 0.58%

LAB 69.8, -12.31, -43.58

 

CMYK 82 / 49 / 0 / 2

HEX #2E7FF9

RGB 46 127 249

HSL 216.06, 0.94%, 0.58%

LAB 54.66, 19.25, -67.68

 

CMYK 82 / 71 / 0 / 2

HEX #2E49F9

RGB 46 73 249

HSL 232.02, 0.94%, 0.58%

LAB 41.51, 52.49, -89.16

 

CMYK 71 / 82 / 0 / 2

HEX #492EF9

RGB 73 46 249

HSL 247.98, 0.94%, 0.58%

LAB 38.22, 67.73, -94.56

 

CMYK 49 / 82 / 0 / 2

HEX #7F2EF9

RGB 127 46 249

HSL 263.94, 0.94%, 0.58%

LAB 43.22, 72.73, -86.13

 

CMYK 98 / 86 / 0 / 19

HEX #051DCF

RGB 5 29 207

HSL 232.87, 0.95%, 0.42%

LAB 27.89, 60.01, -87.8

 

CMYK 98 / 86 / 0 / 3

HEX #0622F8

RGB 6 34 248

HSL 233.06, 0.95%, 0.5%

LAB 33.9, 69.85, -101.26

 

CMYK 82 / 72 / 0 / 2

HEX #2E45F9

RGB 46 69 249

HSL 233.2, 0.94%, 0.58%

LAB 40.7, 54.75, -90.5

 

CMYK 66 / 58 / 0 / 2

HEX #5669FA

RGB 86 105 250

HSL 233.05, 0.94%, 0.66%

LAB 50.67, 37.81, -74.63

 

CMYK 50 / 44 / 0 / 2

HEX #7E8DFB

RGB 126 141 251

HSL 232.8, 0.94%, 0.74%

LAB 62.04, 23.84, -56.74

 

CMYK 82 / 72 / 0 / 2

HEX #2D45FA

RGB 45 69 250

HSL 232.98, 0.95%, 0.58%

LAB 40.76, 55.02, -90.96

 

CMYK 0 / 82 / 5 / 2

HEX #F92EEC

RGB 249 46 236

HSL 303.84, 0.94%, 0.58%

LAB 60.02, 89.43, -50.8

 

CMYK 38 / 0 / 82 / 2

HEX #9AF92E

RGB 154 249 46

HSL 88.08, 0.94%, 0.58%

LAB 89.31, -56.59, 79.4

 

CMYK 82 / 72 / 0 / 2

HEX #2D45FA

RGB 45 69 250

HSL 232.98, 0.95%, 0.58%

LAB 40.76, 55.02, -90.96

 

CMYK 0 / 82 / 71 / 2

HEX #F92E49

RGB 249 46 73

HSL 352.02, 0.94%, 0.58%

LAB 54.63, 74.1, 36.35

 

CMYK 71 / 0 / 82 / 2

HEX #49F92E

RGB 73 249 46

HSL 112.02, 0.94%, 0.58%

LAB 86.68, -77.14, 76.06

 

CMYK 82 / 72 / 0 / 2

HEX #2D45FA

RGB 45 69 250

HSL 232.98, 0.95%, 0.58%

LAB 40.76, 55.02, -90.96

 

CMYK 0 / 82 / 5 / 2

HEX #F92EEC

RGB 249 46 236

HSL 303.84, 0.94%, 0.58%

LAB 60.02, 89.43, -50.8

 

CMYK 0 / 11 / 82 / 2

HEX #F9DE2E

RGB 249 222 46

HSL 52.02, 0.94%, 0.58%

LAB 88.25, -7.29, 80.92

 

CMYK 82 / 0 / 76 / 2

HEX #2EF93B

RGB 46 249 59

HSL 123.84, 0.94%, 0.58%

LAB 86.33, -80.01, 72

 

CMYK 82 / 72 / 0 / 2

HEX #2D45FA

RGB 45 69 250

HSL 232.98, 0.95%, 0.58%

LAB 40.76, 55.02, -90.96

 

CMYK 0 / 82 / 30 / 2

HEX #F92EAF

RGB 249 46 175

HSL 321.87, 0.94%, 0.58%

LAB 57.26, 81.8, -20.31

 

CMYK 0 / 11 / 82 / 2

HEX #F9DE2E

RGB 249 222 46

HSL 52.02, 0.94%, 0.58%

LAB 88.25, -7.29, 80.92

 

CMYK 82 / 0 / 52 / 2

HEX #2EF978

RGB 46 249 120

HSL 141.87, 0.94%, 0.58%

LAB 86.84, -73.69, 48.35

 

Description

Color code: RGB 45 69 250 | qconv.com Color code: RGB 45 69 250 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 45 red, 69 green and 250 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
45 69 250 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, 72 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 72% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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