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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 45 136 230 it is the complementary color RGB 210 119 25. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 45 136 230. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 45 136 230 shade: RGB 50 136 225, RGB 67 154 244, RGB 84 172 255, RGB 101 190 255 and RGB 118 208 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 45 136 230. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 45 136 230 shade: RGB 45 136 230, RGB 28 118 211, RGB 11 100 192, RGB 0 82 173 and RGB 0 64 154

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 45 136 230 shade: RGB 45 136 230, RGB 45 86 230, RGB 53 45 230, RGB 103 45 230 and RGB 153 45 230

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 45 136 230 shade: RGB 45 136 230, RGB 45 86 230 and RGB 45 45 230

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 45 136 230 shade matches the following richer shades: RGB 45 136 230 and RGB 26 135 249

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 45 136 230 shade: RGB 45 136 230, RGB 64 136 211, RGB 82 136 192, RGB 101 137 173 and RGB 120 137 154

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 45 136 230 shade: RGB 45 230 224, RGB 45 187 230, RGB 45 137 230, RGB 45 88 230 and RGB 51 45 230

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 45 136 230 shade: RGB 20 95 172, RGB 24 115 209, RGB 45 136 230, RGB 81 157 234 and RGB 118 177 239

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 45 136 230 shade: RGB 45 136 230, RGB 174 45 230 and RGB 211 230 45

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 45 136 230 shade: RGB 45 136 230, RGB 230 45 137 and RGB 137 230 45

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 45 136 230 shade: RGB 45 136 230, RGB 174 45 230, RGB 230 137 45 and RGB 100 230 45

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 45 136 230 shade: RGB 45 136 230, RGB 230 45 230, RGB 230 137 45 and RGB 45 230 45

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 41 / 0 / 10

HEX #2D88E6

RGB 45 136 230

HSL 210.49, 0.79%, 0.54%

LAB 55.97, 6.57, -55.02

 

Complementary color

CMYK 0 / 43 / 88 / 18

HEX #D27719

RGB 210 119 25

HSL 30.49, 0.79%, 0.46%

LAB 58.94, 29.63, 60.75

 

CMYK 78 / 40 / 0 / 12

HEX #3288E1

RGB 50 136 225

HSL 210.51, 0.74%, 0.54%

LAB 55.81, 5.23, -52.48

 

CMYK 73 / 37 / 0 / 4

HEX #439AF4

RGB 67 154 244

HSL 210.51, 0.89%, 0.61%

LAB 62.37, 3.39, -52.54

 

CMYK 67 / 33 / 0 / 0

HEX #54ACFF

RGB 84 172 255

HSL 209.12, 1%, 0.66%

LAB 68.47, -0.79, -48.86

 

CMYK 60 / 25 / 0 / 0

HEX #65BEFF

RGB 101 190 255

HSL 205.32, 1%, 0.7%

LAB 74.07, -7.91, -40.04

 

CMYK 54 / 18 / 0 / 0

HEX #76D0FF

RGB 118 208 255

HSL 200.58, 1%, 0.73%

LAB 79.72, -14.19, -31.25

 

CMYK 80 / 41 / 0 / 10

HEX #2D88E6

RGB 45 136 230

HSL 210.49, 0.79%, 0.54%

LAB 55.97, 6.57, -55.02

 

CMYK 87 / 44 / 0 / 17

HEX #1C76D3

RGB 28 118 211

HSL 210.49, 0.77%, 0.47%

LAB 49.38, 9.06, -54.89

 

CMYK 94 / 48 / 0 / 25

HEX #0B64C0

RGB 11 100 192

HSL 210.5, 0.89%, 0.4%

LAB 42.75, 12.14, -54.66

 

CMYK 100 / 53 / 0 / 32

HEX #0052AD

RGB 0 82 173

HSL 211.56, 1%, 0.34%

LAB 36.08, 15.87, -54.3

 

CMYK 100 / 58 / 0 / 40

HEX #00409A

RGB 0 64 154

HSL 215.06, 1%, 0.3%

LAB 29.41, 20.29, -53.73

 

CMYK 80 / 41 / 0 / 10

HEX #2D88E6

RGB 45 136 230

HSL 210.49, 0.79%, 0.54%

LAB 55.97, 6.57, -55.02

 

CMYK 80 / 63 / 0 / 10

HEX #2D56E6

RGB 45 86 230

HSL 226.7, 0.79%, 0.54%

LAB 42.65, 37.96, -76.58

 

CMYK 77 / 80 / 0 / 10

HEX #352DE6

RGB 53 45 230

HSL 242.59, 0.79%, 0.54%

LAB 34.7, 61.47, -89.69

 

CMYK 55 / 80 / 0 / 10

HEX #672DE6

RGB 103 45 230

HSL 258.81, 0.79%, 0.54%

LAB 38.68, 65.69, -82.97

 

CMYK 33 / 80 / 0 / 10

HEX #992DE6

RGB 153 45 230

HSL 275.03, 0.79%, 0.54%

LAB 44.75, 72.26, -72.78

 

CMYK 80 / 41 / 0 / 10

HEX #2D88E6

RGB 45 136 230

HSL 210.49, 0.79%, 0.54%

LAB 55.97, 6.57, -55.02

 

CMYK 80 / 63 / 0 / 10

HEX #2D56E6

RGB 45 86 230

HSL 226.7, 0.79%, 0.54%

LAB 42.65, 37.96, -76.58

 

CMYK 80 / 80 / 0 / 10

HEX #2D2DE6

RGB 45 45 230

HSL 240, 0.79%, 0.54%

LAB 34.29, 61.05, -90.38

 

CMYK 80 / 41 / 0 / 10

HEX #2D88E6

RGB 45 136 230

HSL 210.49, 0.79%, 0.54%

LAB 55.97, 6.57, -55.02

 

CMYK 90 / 46 / 0 / 2

HEX #1A87F9

RGB 26 135 249

HSL 210.67, 0.95%, 0.54%

LAB 56.47, 12.97, -64.77

 

CMYK 80 / 41 / 0 / 10

HEX #2D88E6

RGB 45 136 230

HSL 210.49, 0.79%, 0.54%

LAB 55.97, 6.57, -55.02

 

CMYK 70 / 36 / 0 / 17

HEX #4088D3

RGB 64 136 211

HSL 210.61, 0.63%, 0.54%

LAB 55.48, 1.99, -45.11

 

CMYK 57 / 29 / 0 / 25

HEX #5288C0

RGB 82 136 192

HSL 210.55, 0.47%, 0.54%

LAB 55.29, -1.21, -34.62

 

CMYK 42 / 21 / 0 / 32

HEX #6589AD

RGB 101 137 173

HSL 210, 0.31%, 0.54%

LAB 55.76, -2.99, -22.96

 

CMYK 22 / 11 / 0 / 40

HEX #78899A

RGB 120 137 154

HSL 210, 0.14%, 0.54%

LAB 56.3, -2.25, -11.1

 

CMYK 80 / 0 / 3 / 10

HEX #2DE6E0

RGB 45 230 224

HSL 178.05, 0.79%, 0.54%

LAB 83.2, -44.23, -9.69

 

CMYK 80 / 19 / 0 / 10

HEX #2DBBE6

RGB 45 187 230

HSL 193.95, 0.79%, 0.54%

LAB 70.74, -21.98, -31.81

 

CMYK 80 / 40 / 0 / 10

HEX #2D89E6

RGB 45 137 230

HSL 210.16, 0.79%, 0.54%

LAB 56.25, 5.97, -54.57

 

CMYK 80 / 62 / 0 / 10

HEX #2D58E6

RGB 45 88 230

HSL 226.05, 0.79%, 0.54%

LAB 43.14, 36.7, -75.78

 

CMYK 78 / 80 / 0 / 10

HEX #332DE6

RGB 51 45 230

HSL 241.95, 0.79%, 0.54%

LAB 34.59, 61.36, -89.87

 

CMYK 88 / 45 / 0 / 33

HEX #145FAC

RGB 20 95 172

HSL 210.39, 0.79%, 0.38%

LAB 40.1, 7.81, -47.22

 

CMYK 89 / 45 / 0 / 18

HEX #1873D1

RGB 24 115 209

HSL 210.49, 0.79%, 0.46%

LAB 48.33, 9.91, -55.44

 

CMYK 80 / 41 / 0 / 10

HEX #2D88E6

RGB 45 136 230

HSL 210.49, 0.79%, 0.54%

LAB 55.97, 6.57, -55.02

 

CMYK 65 / 33 / 0 / 8

HEX #519DEA

RGB 81 157 234

HSL 210.2, 0.78%, 0.62%

LAB 63.18, 0.27, -45.73

 

CMYK 51 / 26 / 0 / 6

HEX #76B1EF

RGB 118 177 239

HSL 210.74, 0.79%, 0.7%

LAB 70.54, -2.21, -36.82

 

CMYK 80 / 41 / 0 / 10

HEX #2D88E6

RGB 45 136 230

HSL 210.49, 0.79%, 0.54%

LAB 55.97, 6.57, -55.02

 

CMYK 24 / 80 / 0 / 10

HEX #AE2DE6

RGB 174 45 230

HSL 281.84, 0.79%, 0.54%

LAB 47.74, 75.54, -67.79

 

CMYK 8 / 0 / 80 / 10

HEX #D3E62D

RGB 211 230 45

HSL 66.16, 0.79%, 0.54%

LAB 87.31, -27.03, 79.17

 

CMYK 80 / 41 / 0 / 10

HEX #2D88E6

RGB 45 136 230

HSL 210.49, 0.79%, 0.54%

LAB 55.97, 6.57, -55.02

 

CMYK 0 / 80 / 40 / 10

HEX #E62D89

RGB 230 45 137

HSL 330.16, 0.79%, 0.54%

LAB 52.4, 73.78, -5.53

 

CMYK 40 / 0 / 80 / 10

HEX #89E62D

RGB 137 230 45

HSL 90.16, 0.79%, 0.54%

LAB 82.97, -54.76, 73.67

 

CMYK 80 / 41 / 0 / 10

HEX #2D88E6

RGB 45 136 230

HSL 210.49, 0.79%, 0.54%

LAB 55.97, 6.57, -55.02

 

CMYK 24 / 80 / 0 / 10

HEX #AE2DE6

RGB 174 45 230

HSL 281.84, 0.79%, 0.54%

LAB 47.74, 75.54, -67.79

 

CMYK 0 / 40 / 80 / 10

HEX #E6892D

RGB 230 137 45

HSL 29.84, 0.79%, 0.54%

LAB 65.67, 28.95, 60.68

 

CMYK 57 / 0 / 80 / 10

HEX #64E62D

RGB 100 230 45

HSL 102.16, 0.79%, 0.54%

LAB 81.56, -65.5, 71.86

 

CMYK 80 / 41 / 0 / 10

HEX #2D88E6

RGB 45 136 230

HSL 210.49, 0.79%, 0.54%

LAB 55.97, 6.57, -55.02

 

CMYK 0 / 80 / 0 / 10

HEX #E62DE6

RGB 230 45 230

HSL 300, 0.79%, 0.54%

LAB 56.5, 85.27, -53.23

 

CMYK 0 / 40 / 80 / 10

HEX #E6892D

RGB 230 137 45

HSL 29.84, 0.79%, 0.54%

LAB 65.67, 28.95, 60.68

 

CMYK 80 / 0 / 80 / 10

HEX #2DE62D

RGB 45 230 45

HSL 120, 0.79%, 0.54%

LAB 80.37, -75.52, 70.33

 

Description

Color code: RGB 45 136 230 | qconv.com Color code: RGB 45 136 230 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 45 red, 136 green and 230 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
45 136 230 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, 41 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 41% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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