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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 45 137 223 it is the complementary color RGB 210 118 32. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 45 137 223. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 45 137 223 shade: RGB 50 137 218, RGB 67 155 237, RGB 84 173 255, RGB 101 191 255 and RGB 118 209 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 45 137 223. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 45 137 223 shade: RGB 45 137 223, RGB 28 119 204, RGB 11 101 185, RGB 0 83 166 and RGB 0 65 147

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 45 137 223 shade: RGB 46 138 223, RGB 46 90 223, RGB 50 46 223, RGB 98 46 223 and RGB 146 46 223

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 45 137 223 shade: RGB 46 138 223, RGB 46 90 223 and RGB 46 46 223

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 45 137 223 shade matches the following richer shades: RGB 46 138 223 and RGB 27 138 243

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 45 137 223 shade: RGB 46 138 223, RGB 65 137 204, RGB 85 136 185, RGB 104 136 165 and RGB 124 135 146

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 45 137 223 shade: RGB 46 223 212, RGB 46 188 223, RGB 46 141 223, RGB 46 93 223 and RGB 46 46 223

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 45 137 223 shade: RGB 24 96 163, RGB 29 117 199, RGB 46 138 223, RGB 82 158 229 and RGB 118 178 234

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 45 137 223 shade: RGB 45 137 223, RGB 164 46 223 and RGB 212 223 46

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 45 137 223 shade: RGB 45 137 223, RGB 223 46 141 and RGB 141 223 46

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 45 137 223 shade: RGB 45 137 223, RGB 164 46 223, RGB 223 129 46 and RGB 105 223 46

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 45 137 223 shade: RGB 45 137 223, RGB 217 46 223, RGB 223 129 46 and RGB 52 223 46

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 39 / 0 / 13

HEX #2D89DF

RGB 45 137 223

HSL 208.99, 0.74%, 0.53%

LAB 55.86, 3.38, -51.28

 

Complementary color

CMYK 0 / 44 / 85 / 18

HEX #D27620

RGB 210 118 32

HSL 28.99, 0.74%, 0.47%

LAB 58.75, 30.33, 58.35

 

CMYK 77 / 37 / 0 / 15

HEX #3289DA

RGB 50 137 218

HSL 208.93, 0.69%, 0.53%

LAB 55.72, 2.07, -48.7

 

CMYK 72 / 35 / 0 / 7

HEX #439BED

RGB 67 155 237

HSL 208.94, 0.83%, 0.6%

LAB 62.3, 0.36, -48.81

 

CMYK 67 / 32 / 0 / 0

HEX #54ADFF

RGB 84 173 255

HSL 208.77, 1%, 0.66%

LAB 68.75, -1.36, -48.42

 

CMYK 60 / 25 / 0 / 0

HEX #65BFFF

RGB 101 191 255

HSL 204.94, 1%, 0.7%

LAB 74.35, -8.45, -39.61

 

CMYK 54 / 18 / 0 / 0

HEX #76D1FF

RGB 118 209 255

HSL 200.15, 1%, 0.73%

LAB 80, -14.71, -30.82

 

CMYK 80 / 39 / 0 / 13

HEX #2D89DF

RGB 45 137 223

HSL 208.99, 0.74%, 0.53%

LAB 55.86, 3.38, -51.28

 

CMYK 86 / 42 / 0 / 20

HEX #1C77CC

RGB 28 119 204

HSL 208.98, 0.76%, 0.45%

LAB 49.25, 5.74, -51.11

 

CMYK 94 / 45 / 0 / 27

HEX #0B65B9

RGB 11 101 185

HSL 208.97, 0.89%, 0.38%

LAB 42.58, 8.67, -50.86

 

CMYK 100 / 50 / 0 / 35

HEX #0053A6

RGB 0 83 166

HSL 210, 1%, 0.33%

LAB 35.87, 12.29, -50.48

 

CMYK 100 / 56 / 0 / 42

HEX #004193

RGB 0 65 147

HSL 213.47, 1%, 0.29%

LAB 29.13, 16.63, -49.93

 

CMYK 79 / 38 / 0 / 13

HEX #2E8ADF

RGB 46 138 223

HSL 208.81, 0.73%, 0.53%

LAB 56.17, 2.88, -50.78

 

CMYK 79 / 60 / 0 / 13

HEX #2E5ADF

RGB 46 90 223

HSL 225.08, 0.73%, 0.53%

LAB 43.09, 32.96, -71.88

 

CMYK 78 / 79 / 0 / 13

HEX #322EDF

RGB 50 46 223

HSL 241.36, 0.73%, 0.53%

LAB 33.9, 58.74, -87.01

 

CMYK 56 / 79 / 0 / 13

HEX #622EDF

RGB 98 46 223

HSL 257.63, 0.73%, 0.53%

LAB 37.62, 62.92, -80.73

 

CMYK 35 / 79 / 0 / 13

HEX #922EDF

RGB 146 46 223

HSL 273.9, 0.73%, 0.53%

LAB 43.35, 69.38, -71.12

 

CMYK 79 / 38 / 0 / 13

HEX #2E8ADF

RGB 46 138 223

HSL 208.81, 0.73%, 0.53%

LAB 56.17, 2.88, -50.78

 

CMYK 79 / 60 / 0 / 13

HEX #2E5ADF

RGB 46 90 223

HSL 225.08, 0.73%, 0.53%

LAB 43.09, 32.96, -71.88

 

CMYK 79 / 79 / 0 / 13

HEX #2E2EDF

RGB 46 46 223

HSL 240, 0.73%, 0.53%

LAB 33.69, 58.52, -87.36

 

CMYK 79 / 38 / 0 / 13

HEX #2E8ADF

RGB 46 138 223

HSL 208.81, 0.73%, 0.53%

LAB 56.17, 2.88, -50.78

 

CMYK 89 / 43 / 0 / 5

HEX #1B8AF3

RGB 27 138 243

HSL 209.17, 0.9%, 0.53%

LAB 56.96, 8.92, -60.67

 

CMYK 79 / 38 / 0 / 13

HEX #2E8ADF

RGB 46 138 223

HSL 208.81, 0.73%, 0.53%

LAB 56.17, 2.88, -50.78

 

CMYK 68 / 33 / 0 / 20

HEX #4189CC

RGB 65 137 204

HSL 208.92, 0.58%, 0.53%

LAB 55.46, -0.89, -41.2

 

CMYK 54 / 26 / 0 / 27

HEX #5588B9

RGB 85 136 185

HSL 209.4, 0.42%, 0.53%

LAB 55.12, -2.8, -30.88

 

CMYK 37 / 18 / 0 / 35

HEX #6888A5

RGB 104 136 165

HSL 208.52, 0.25%, 0.53%

LAB 55.35, -3.81, -18.98

 

CMYK 15 / 8 / 0 / 43

HEX #7C8792

RGB 124 135 146

HSL 210, 0.09%, 0.53%

LAB 55.77, -1.61, -7.25

 

CMYK 79 / 0 / 5 / 13

HEX #2EDFD4

RGB 46 223 212

HSL 176.27, 0.73%, 0.53%

LAB 80.8, -44.43, -6.88

 

CMYK 79 / 16 / 0 / 13

HEX #2EBCDF

RGB 46 188 223

HSL 191.86, 0.73%, 0.53%

LAB 70.78, -24.69, -27.93

 

CMYK 79 / 37 / 0 / 13

HEX #2E8DDF

RGB 46 141 223

HSL 207.8, 0.73%, 0.53%

LAB 57.03, 1.1, -49.42

 

CMYK 79 / 58 / 0 / 13

HEX #2E5DDF

RGB 46 93 223

HSL 224.07, 0.73%, 0.53%

LAB 43.85, 31.04, -70.64

 

CMYK 79 / 79 / 0 / 13

HEX #2E2EDF

RGB 46 46 223

HSL 240, 0.73%, 0.53%

LAB 33.69, 58.52, -87.36

 

CMYK 85 / 41 / 0 / 36

HEX #1860A3

RGB 24 96 163

HSL 208.92, 0.74%, 0.37%

LAB 39.92, 3.87, -42.16

 

CMYK 85 / 41 / 0 / 22

HEX #1D75C7

RGB 29 117 199

HSL 208.94, 0.75%, 0.45%

LAB 48.39, 5.12, -49.62

 

CMYK 79 / 38 / 0 / 13

HEX #2E8ADF

RGB 46 138 223

HSL 208.81, 0.73%, 0.53%

LAB 56.17, 2.88, -50.78

 

CMYK 64 / 31 / 0 / 10

HEX #529EE5

RGB 82 158 229

HSL 208.98, 0.74%, 0.61%

LAB 63.26, -1.79, -42.84

 

CMYK 50 / 24 / 0 / 8

HEX #76B2EA

RGB 118 178 234

HSL 208.97, 0.73%, 0.69%

LAB 70.62, -4.22, -33.99

 

CMYK 80 / 39 / 0 / 13

HEX #2D89DF

RGB 45 137 223

HSL 208.99, 0.74%, 0.53%

LAB 55.86, 3.38, -51.28

 

CMYK 26 / 79 / 0 / 13

HEX #A42EDF

RGB 164 46 223

HSL 280, 0.73%, 0.53%

LAB 45.87, 72.25, -66.9

 

CMYK 5 / 0 / 79 / 13

HEX #D4DF2E

RGB 212 223 46

HSL 63.73, 0.73%, 0.53%

LAB 85.49, -23.25, 77.36

 

CMYK 80 / 39 / 0 / 13

HEX #2D89DF

RGB 45 137 223

HSL 208.99, 0.74%, 0.53%

LAB 55.86, 3.38, -51.28

 

CMYK 0 / 79 / 37 / 13

HEX #DF2E8D

RGB 223 46 141

HSL 327.8, 0.73%, 0.53%

LAB 51.34, 72.22, -9.65

 

CMYK 37 / 0 / 79 / 13

HEX #8DDF2E

RGB 141 223 46

HSL 87.8, 0.73%, 0.53%

LAB 81.09, -50.59, 71.76

 

CMYK 80 / 39 / 0 / 13

HEX #2D89DF

RGB 45 137 223

HSL 208.99, 0.74%, 0.53%

LAB 55.86, 3.38, -51.28

 

CMYK 26 / 79 / 0 / 13

HEX #A42EDF

RGB 164 46 223

HSL 280, 0.73%, 0.53%

LAB 45.87, 72.25, -66.9

 

CMYK 0 / 42 / 79 / 13

HEX #DF812E

RGB 223 129 46

HSL 28.14, 0.73%, 0.53%

LAB 63, 30.32, 57.49

 

CMYK 53 / 0 / 79 / 13

HEX #69DF2E

RGB 105 223 46

HSL 100, 0.73%, 0.53%

LAB 79.6, -61.69, 69.84

 

CMYK 80 / 39 / 0 / 13

HEX #2D89DF

RGB 45 137 223

HSL 208.99, 0.74%, 0.53%

LAB 55.86, 3.38, -51.28

 

CMYK 3 / 79 / 0 / 13

HEX #D92EDF

RGB 217 46 223

HSL 297.97, 0.73%, 0.53%

LAB 54.06, 81.58, -53.29

 

CMYK 0 / 42 / 79 / 13

HEX #DF812E

RGB 223 129 46

HSL 28.14, 0.73%, 0.53%

LAB 63, 30.32, 57.49

 

CMYK 77 / 0 / 79 / 13

HEX #34DF2E

RGB 52 223 46

HSL 117.97, 0.73%, 0.53%

LAB 78.29, -72.55, 68.14

 

Description

Color code: RGB 45 137 223 | qconv.com Color code: RGB 45 137 223 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 45 red, 137 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
45 137 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, 39 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 39% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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