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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 45 155 215 it is the complementary color RGB 210 100 40. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 45 155 215. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 45 155 215 shade: RGB 50 155 210, RGB 67 173 229, RGB 84 191 248, RGB 101 209 255 and RGB 118 227 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 45 155 215. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 45 155 215 shade: RGB 45 155 215, RGB 28 137 196, RGB 11 119 177, RGB 0 101 158 and RGB 0 83 139

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 45 155 215 shade: RGB 45 155 215, RGB 45 109 215, RGB 45 63 215, RGB 72 45 215 and RGB 118 45 215

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 45 155 215 shade: RGB 45 155 215, RGB 45 109 215, RGB 45 63 215 and RGB 45 45 215

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 45 155 215 shade matches the following richer shades: RGB 45 155 215 and RGB 24 160 235

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 45 155 215 shade: RGB 45 155 215, RGB 65 149 194, RGB 85 143 174, RGB 105 137 154 and RGB 125 131 134

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 45 155 215 shade: RGB 45 215 183, RGB 45 200 215, RGB 45 155 215, RGB 45 110 215 and RGB 45 64 215

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 45 155 215 shade: RGB 28 106 149, RGB 35 131 183, RGB 45 155 215, RGB 79 171 221 and RGB 114 188 228

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 45 155 215 shade: RGB 45 155 215, RGB 138 45 215 and RGB 215 206 45

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 45 155 215 shade: RGB 45 155 215, RGB 215 45 155 and RGB 155 215 45

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 45 155 215 shade: RGB 45 155 215, RGB 138 45 215, RGB 215 104 45 and RGB 121 215 45

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 45 155 215 shade: RGB 45 155 215, RGB 189 45 215, RGB 215 104 45 and RGB 70 215 45

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 28 / 0 / 16

HEX #2D9BD7

RGB 45 155 215

HSL 201.18, 0.68%, 0.51%

LAB 60.7, -9.95, -39.17

 

Complementary color

CMYK 0 / 52 / 81 / 18

HEX #D26428

RGB 210 100 40

HSL 21.18, 0.68%, 0.49%

LAB 55.04, 39.87, 51.93

 

CMYK 76 / 26 / 0 / 18

HEX #329BD2

RGB 50 155 210

HSL 200.63, 0.64%, 0.51%

LAB 60.58, -11.15, -36.56

 

CMYK 71 / 24 / 0 / 10

HEX #43ADE5

RGB 67 173 229

HSL 200.74, 0.76%, 0.58%

LAB 67.08, -12.45, -36.9

 

CMYK 66 / 23 / 0 / 3

HEX #54BFF8

RGB 84 191 248

HSL 200.85, 0.92%, 0.65%

LAB 73.5, -13.48, -37.21

 

CMYK 60 / 18 / 0 / 0

HEX #65D1FF

RGB 101 209 255

HSL 197.92, 1%, 0.7%

LAB 79.38, -17.93, -31.82

 

CMYK 54 / 11 / 0 / 0

HEX #76E3FF

RGB 118 227 255

HSL 192.26, 1%, 0.73%

LAB 85, -23.83, -23.17

 

CMYK 79 / 28 / 0 / 16

HEX #2D9BD7

RGB 45 155 215

HSL 201.18, 0.68%, 0.51%

LAB 60.7, -9.95, -39.17

 

CMYK 86 / 30 / 0 / 23

HEX #1C89C4

RGB 28 137 196

HSL 201.07, 0.75%, 0.44%

LAB 54.16, -8.07, -38.77

 

CMYK 94 / 33 / 0 / 31

HEX #0B77B1

RGB 11 119 177

HSL 200.96, 0.88%, 0.37%

LAB 47.55, -5.69, -38.3

 

CMYK 100 / 36 / 0 / 38

HEX #00659E

RGB 0 101 158

HSL 201.65, 1%, 0.31%

LAB 40.86, -2.71, -37.72

 

CMYK 100 / 40 / 0 / 45

HEX #00538B

RGB 0 83 139

HSL 204.17, 1%, 0.27%

LAB 34.09, 0.95, -37.04

 

CMYK 79 / 28 / 0 / 16

HEX #2D9BD7

RGB 45 155 215

HSL 201.18, 0.68%, 0.51%

LAB 60.7, -9.95, -39.17

 

CMYK 79 / 49 / 0 / 16

HEX #2D6DD7

RGB 45 109 215

HSL 217.41, 0.68%, 0.51%

LAB 47.5, 17.72, -60.18

 

CMYK 79 / 71 / 0 / 16

HEX #2D3FD7

RGB 45 63 215

HSL 233.65, 0.68%, 0.51%

LAB 36.02, 46.72, -78.91

 

CMYK 67 / 79 / 0 / 16

HEX #482DD7

RGB 72 45 215

HSL 249.53, 0.68%, 0.51%

LAB 34.32, 58.49, -81.68

 

CMYK 45 / 79 / 0 / 16

HEX #762DD7

RGB 118 45 215

HSL 265.76, 0.68%, 0.51%

LAB 38.96, 63.82, -73.86

 

CMYK 79 / 28 / 0 / 16

HEX #2D9BD7

RGB 45 155 215

HSL 201.18, 0.68%, 0.51%

LAB 60.7, -9.95, -39.17

 

CMYK 79 / 49 / 0 / 16

HEX #2D6DD7

RGB 45 109 215

HSL 217.41, 0.68%, 0.51%

LAB 47.5, 17.72, -60.18

 

CMYK 79 / 71 / 0 / 16

HEX #2D3FD7

RGB 45 63 215

HSL 233.65, 0.68%, 0.51%

LAB 36.02, 46.72, -78.91

 

CMYK 79 / 79 / 0 / 16

HEX #2D2DD7

RGB 45 45 215

HSL 240, 0.68%, 0.51%

LAB 32.57, 56.49, -84.62

 

CMYK 79 / 28 / 0 / 16

HEX #2D9BD7

RGB 45 155 215

HSL 201.18, 0.68%, 0.51%

LAB 60.7, -9.95, -39.17

 

CMYK 90 / 32 / 0 / 8

HEX #18A0EB

RGB 24 160 235

HSL 201.33, 0.84%, 0.51%

LAB 62.79, -7.14, -46.98

 

CMYK 79 / 28 / 0 / 16

HEX #2D9BD7

RGB 45 155 215

HSL 201.18, 0.68%, 0.51%

LAB 60.7, -9.95, -39.17

 

CMYK 66 / 23 / 0 / 24

HEX #4195C2

RGB 65 149 194

HSL 200.93, 0.51%, 0.51%

LAB 58.52, -11.16, -30.76

 

CMYK 51 / 18 / 0 / 32

HEX #558FAE

RGB 85 143 174

HSL 200.9, 0.35%, 0.51%

LAB 56.72, -10.16, -22.13

 

CMYK 32 / 11 / 0 / 40

HEX #69899A

RGB 105 137 154

HSL 200.82, 0.2%, 0.51%

LAB 55.31, -6.99, -12.7

 

CMYK 7 / 2 / 0 / 47

HEX #7D8386

RGB 125 131 134

HSL 200, 0.04%, 0.51%

LAB 54.36, -1.59, -2.39

 

CMYK 79 / 0 / 15 / 16

HEX #2DD7B7

RGB 45 215 183

HSL 168.71, 0.68%, 0.51%

LAB 77.62, -48.86, 3.94

 

CMYK 79 / 7 / 0 / 16

HEX #2DC8D7

RGB 45 200 215

HSL 185.29, 0.68%, 0.51%

LAB 74.04, -33.18, -18.61

 

CMYK 79 / 28 / 0 / 16

HEX #2D9BD7

RGB 45 155 215

HSL 201.18, 0.68%, 0.51%

LAB 60.7, -9.95, -39.17

 

CMYK 79 / 49 / 0 / 16

HEX #2D6ED7

RGB 45 110 215

HSL 217.06, 0.68%, 0.51%

LAB 47.77, 17.08, -59.73

 

CMYK 79 / 70 / 0 / 16

HEX #2D40D7

RGB 45 64 215

HSL 233.29, 0.68%, 0.51%

LAB 36.24, 46.13, -78.56

 

CMYK 81 / 29 / 0 / 42

HEX #1C6A95

RGB 28 106 149

HSL 201.32, 0.68%, 0.35%

LAB 42.35, -7.4, -29.99

 

CMYK 81 / 28 / 0 / 28

HEX #2383B7

RGB 35 131 183

HSL 201.08, 0.68%, 0.43%

LAB 51.85, -8.78, -34.97

 

CMYK 79 / 28 / 0 / 16

HEX #2D9BD7

RGB 45 155 215

HSL 201.18, 0.68%, 0.51%

LAB 60.7, -9.95, -39.17

 

CMYK 64 / 23 / 0 / 13

HEX #4FABDD

RGB 79 171 221

HSL 201.13, 0.68%, 0.59%

LAB 66.53, -12.14, -33.34

 

CMYK 50 / 18 / 0 / 11

HEX #72BCE4

RGB 114 188 228

HSL 201.05, 0.68%, 0.67%

LAB 72.99, -12.26, -27.09

 

CMYK 79 / 28 / 0 / 16

HEX #2D9BD7

RGB 45 155 215

HSL 201.18, 0.68%, 0.51%

LAB 60.7, -9.95, -39.17

 

CMYK 36 / 79 / 0 / 16

HEX #8A2DD7

RGB 138 45 215

HSL 272.82, 0.68%, 0.51%

LAB 41.51, 66.75, -69.59

 

CMYK 0 / 4 / 79 / 16

HEX #D7CE2D

RGB 215 206 45

HSL 56.82, 0.68%, 0.51%

LAB 81.17, -13.68, 73.93

 

CMYK 79 / 28 / 0 / 16

HEX #2D9BD7

RGB 45 155 215

HSL 201.18, 0.68%, 0.51%

LAB 60.7, -9.95, -39.17

 

CMYK 0 / 79 / 28 / 16

HEX #D72D9B

RGB 215 45 155

HSL 321.18, 0.68%, 0.51%

LAB 50.32, 72.09, -19.69

 

CMYK 28 / 0 / 79 / 16

HEX #9BD72D

RGB 155 215 45

HSL 81.18, 0.68%, 0.51%

LAB 79.48, -42.25, 70.83

 

CMYK 79 / 28 / 0 / 16

HEX #2D9BD7

RGB 45 155 215

HSL 201.18, 0.68%, 0.51%

LAB 60.7, -9.95, -39.17

 

CMYK 36 / 79 / 0 / 16

HEX #8A2DD7

RGB 138 45 215

HSL 272.82, 0.68%, 0.51%

LAB 41.51, 66.75, -69.59

 

CMYK 0 / 52 / 79 / 16

HEX #D7682D

RGB 215 104 45

HSL 20.82, 0.68%, 0.51%

LAB 56.62, 39.98, 51.48

 

CMYK 44 / 0 / 79 / 16

HEX #79D72D

RGB 121 215 45

HSL 93.18, 0.68%, 0.51%

LAB 77.79, -54.06, 68.66

 

CMYK 79 / 28 / 0 / 16

HEX #2D9BD7

RGB 45 155 215

HSL 201.18, 0.68%, 0.51%

LAB 60.7, -9.95, -39.17

 

CMYK 12 / 79 / 0 / 16

HEX #BD2DD7

RGB 189 45 215

HSL 290.82, 0.68%, 0.51%

LAB 49.01, 75.38, -57.08

 

CMYK 0 / 52 / 79 / 16

HEX #D7682D

RGB 215 104 45

HSL 20.82, 0.68%, 0.51%

LAB 56.62, 39.98, 51.48

 

CMYK 67 / 0 / 79 / 16

HEX #46D72D

RGB 70 215 45

HSL 111.18, 0.68%, 0.51%

LAB 76.13, -67.2, 66.51

 

Description

Color code: RGB 45 155 215 | qconv.com Color code: RGB 45 155 215 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 45 red, 155 green and 215 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
45 155 215 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, 28 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 28% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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