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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 45 172 142 it is the complementary color RGB 210 83 113. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 45 172 142. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 45 172 142 shade: RGB 50 172 137, RGB 67 190 156, RGB 84 208 175, RGB 101 226 194 and RGB 118 244 213

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 45 172 142. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 45 172 142 shade: RGB 45 172 142, RGB 28 154 123, RGB 11 136 104, RGB 0 118 85 and RGB 0 100 66

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 45 172 142 shade: RGB 44 174 143, RGB 44 174 108, RGB 44 174 74, RGB 50 174 44 and RGB 85 174 44

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 45 172 142 shade: RGB 44 174 143, RGB 44 170 174, RGB 44 135 174, RGB 44 100 174 and RGB 44 65 174

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 45 172 142 shade matches the following richer shades: RGB 44 174 143, RGB 27 192 153 and RGB 9 209 162

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 45 172 142 shade: RGB 44 174 143, RGB 62 156 134, RGB 80 138 125, RGB 98 121 115 and RGB 115 103 106

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 45 172 142 shade: RGB 44 174 72, RGB 44 174 107, RGB 44 174 141, RGB 44 172 174 and RGB 44 137 174

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 45 172 142 shade: RGB 28 108 89, RGB 36 141 116, RGB 44 174 143, RGB 56 203 169 and RGB 89 212 183

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 45 172 142 shade: RGB 45 172 142, RGB 44 51 174 and RGB 174 90 44

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 45 172 142 shade: RGB 45 172 142, RGB 141 44 174 and RGB 174 141 44

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 45 172 142 shade: RGB 45 172 142, RGB 44 51 174, RGB 174 44 77 and RGB 174 167 44

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 45 172 142 shade: RGB 45 172 142, RGB 77 44 174, RGB 174 44 77 and RGB 141 174 44

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 0 / 17 / 33

HEX #2DAC8E

RGB 45 172 142

HSL 165.83, 0.59%, 0.43%

LAB 63.36, -41.14, 5.7

 

Complementary color

CMYK 0 / 60 / 46 / 18

HEX #D25371

RGB 210 83 113

HSL 345.83, 0.59%, 0.57%

LAB 53.04, 52.61, 9.32

 

CMYK 71 / 0 / 20 / 33

HEX #32AC89

RGB 50 172 137

HSL 162.79, 0.55%, 0.44%

LAB 63.33, -41.7, 8.46

 

CMYK 65 / 0 / 18 / 25

HEX #43BE9C

RGB 67 190 156

HSL 163.41, 0.49%, 0.5%

LAB 69.77, -42.11, 7.26

 

CMYK 60 / 0 / 16 / 18

HEX #54D0AF

RGB 84 208 175

HSL 164.03, 0.57%, 0.57%

LAB 76.13, -42.33, 6.16

 

CMYK 55 / 0 / 14 / 11

HEX #65E2C2

RGB 101 226 194

HSL 164.64, 0.68%, 0.64%

LAB 82.41, -42.43, 5.16

 

CMYK 52 / 0 / 13 / 4

HEX #76F4D5

RGB 118 244 213

HSL 165.24, 0.85%, 0.71%

LAB 88.62, -42.44, 4.24

 

CMYK 74 / 0 / 17 / 33

HEX #2DAC8E

RGB 45 172 142

HSL 165.83, 0.59%, 0.43%

LAB 63.36, -41.14, 5.7

 

CMYK 82 / 0 / 20 / 40

HEX #1C9A7B

RGB 28 154 123

HSL 165.24, 0.69%, 0.36%

LAB 56.87, -40.27, 7.04

 

CMYK 92 / 0 / 24 / 47

HEX #0B8868

RGB 11 136 104

HSL 164.64, 0.85%, 0.29%

LAB 50.31, -38.94, 8.57

 

CMYK 100 / 0 / 28 / 54

HEX #007655

RGB 0 118 85

HSL 163.22, 1%, 0.23%

LAB 43.67, -37.01, 10.32

 

CMYK 100 / 0 / 34 / 61

HEX #006442

RGB 0 100 66

HSL 159.6, 1%, 0.2%

LAB 36.94, -34.34, 12.33

 

CMYK 75 / 0 / 18 / 32

HEX #2CAE8F

RGB 44 174 143

HSL 165.69, 0.6%, 0.43%

LAB 63.99, -41.88, 6.06

 

CMYK 75 / 0 / 38 / 32

HEX #2CAE6C

RGB 44 174 108

HSL 149.54, 0.6%, 0.43%

LAB 63.25, -49.86, 24.2

 

CMYK 75 / 0 / 57 / 32

HEX #2CAE4A

RGB 44 174 74

HSL 133.85, 0.6%, 0.43%

LAB 62.76, -55.53, 40.98

 

CMYK 71 / 0 / 75 / 32

HEX #32AE2C

RGB 50 174 44

HSL 117.23, 0.6%, 0.43%

LAB 62.62, -57.68, 53.56

 

CMYK 51 / 0 / 75 / 32

HEX #55AE2C

RGB 85 174 44

HSL 101.08, 0.6%, 0.43%

LAB 63.66, -49.29, 54.94

 

CMYK 75 / 0 / 18 / 32

HEX #2CAE8F

RGB 44 174 143

HSL 165.69, 0.6%, 0.43%

LAB 63.99, -41.88, 6.06

 

CMYK 75 / 2 / 0 / 32

HEX #2CAAAE

RGB 44 170 174

HSL 181.85, 0.6%, 0.43%

LAB 63.62, -31.39, -11.77

 

CMYK 75 / 22 / 0 / 32

HEX #2C87AE

RGB 44 135 174

HSL 198, 0.6%, 0.43%

LAB 52.86, -13.22, -28.2

 

CMYK 75 / 43 / 0 / 32

HEX #2C64AE

RGB 44 100 174

HSL 214.15, 0.6%, 0.43%

LAB 42.32, 7.8, -44.81

 

CMYK 75 / 63 / 0 / 32

HEX #2C41AE

RGB 44 65 174

HSL 230.31, 0.6%, 0.43%

LAB 32.64, 30.78, -60.46

 

CMYK 75 / 0 / 18 / 32

HEX #2CAE8F

RGB 44 174 143

HSL 165.69, 0.6%, 0.43%

LAB 63.99, -41.88, 6.06

 

CMYK 86 / 0 / 20 / 25

HEX #1BC099

RGB 27 192 153

HSL 165.82, 0.75%, 0.43%

LAB 69.63, -48.54, 8.61

 

CMYK 96 / 0 / 22 / 18

HEX #09D1A2

RGB 9 209 162

HSL 165.9, 0.92%, 0.43%

LAB 74.99, -53.93, 11.36

 

CMYK 75 / 0 / 18 / 32

HEX #2CAE8F

RGB 44 174 143

HSL 165.69, 0.6%, 0.43%

LAB 63.99, -41.88, 6.06

 

CMYK 60 / 0 / 14 / 39

HEX #3E9C86

RGB 62 156 134

HSL 165.96, 0.43%, 0.43%

LAB 58.53, -33.17, 3.29

 

CMYK 42 / 0 / 9 / 46

HEX #508A7D

RGB 80 138 125

HSL 166.55, 0.27%, 0.43%

LAB 53.34, -22.26, 1.01

 

CMYK 19 / 0 / 5 / 53

HEX #627973

RGB 98 121 115

HSL 164.35, 0.11%, 0.43%

LAB 48.9, -9.71, 0.5

 

CMYK 0 / 10 / 8 / 55

HEX #73676A

RGB 115 103 106

HSL 345, 0.06%, 0.43%

LAB 44.78, 5.31, 0.04

 

CMYK 75 / 0 / 59 / 32

HEX #2CAE48

RGB 44 174 72

HSL 132.92, 0.6%, 0.43%

LAB 62.74, -55.79, 41.9

 

CMYK 75 / 0 / 39 / 32

HEX #2CAE6B

RGB 44 174 107

HSL 149.08, 0.6%, 0.43%

LAB 63.23, -50.06, 24.71

 

CMYK 75 / 0 / 19 / 32

HEX #2CAE8D

RGB 44 174 141

HSL 164.77, 0.6%, 0.43%

LAB 63.94, -42.39, 7.1

 

CMYK 75 / 1 / 0 / 32

HEX #2CACAE

RGB 44 172 174

HSL 180.92, 0.6%, 0.43%

LAB 64.24, -32.34, -10.85

 

CMYK 75 / 21 / 0 / 32

HEX #2C89AE

RGB 44 137 174

HSL 197.08, 0.6%, 0.43%

LAB 53.47, -14.34, -27.25

 

CMYK 74 / 0 / 18 / 58

HEX #1C6C59

RGB 28 108 89

HSL 165.75, 0.59%, 0.27%

LAB 40.72, -28.67, 3.8

 

CMYK 74 / 0 / 18 / 45

HEX #248D74

RGB 36 141 116

HSL 165.71, 0.59%, 0.35%

LAB 52.6, -35.44, 4.96

 

CMYK 75 / 0 / 18 / 32

HEX #2CAE8F

RGB 44 174 143

HSL 165.69, 0.6%, 0.43%

LAB 63.99, -41.88, 6.06

 

CMYK 72 / 0 / 17 / 20

HEX #38CBA9

RGB 56 203 169

HSL 166.12, 0.59%, 0.51%

LAB 73.82, -46.14, 5.98

 

CMYK 58 / 0 / 14 / 17

HEX #59D4B7

RGB 89 212 183

HSL 165.85, 0.59%, 0.59%

LAB 77.66, -41.22, 4.1

 

CMYK 74 / 0 / 17 / 33

HEX #2DAC8E

RGB 45 172 142

HSL 165.83, 0.59%, 0.43%

LAB 63.36, -41.14, 5.7

 

CMYK 75 / 71 / 0 / 32

HEX #2C33AE

RGB 44 51 174

HSL 236.77, 0.6%, 0.43%

LAB 29.31, 39.66, -65.92

 

CMYK 0 / 48 / 75 / 32

HEX #AE5A2C

RGB 174 90 44

HSL 21.23, 0.6%, 0.43%

LAB 47.61, 30.76, 40.89

 

CMYK 74 / 0 / 17 / 33

HEX #2DAC8E

RGB 45 172 142

HSL 165.83, 0.59%, 0.43%

LAB 63.36, -41.14, 5.7

 

CMYK 19 / 75 / 0 / 32

HEX #8D2CAE

RGB 141 44 174

HSL 284.77, 0.6%, 0.43%

LAB 38.76, 58.99, -50.06

 

CMYK 0 / 19 / 75 / 32

HEX #AE8D2C

RGB 174 141 44

HSL 44.77, 0.6%, 0.43%

LAB 60.1, 2.44, 53.5

 

CMYK 74 / 0 / 17 / 33

HEX #2DAC8E

RGB 45 172 142

HSL 165.83, 0.59%, 0.43%

LAB 63.36, -41.14, 5.7

 

CMYK 75 / 71 / 0 / 32

HEX #2C33AE

RGB 44 51 174

HSL 236.77, 0.6%, 0.43%

LAB 29.31, 39.66, -65.92

 

CMYK 0 / 75 / 56 / 32

HEX #AE2C4D

RGB 174 44 77

HSL 344.77, 0.6%, 0.43%

LAB 40.14, 53.89, 12.43

 

CMYK 0 / 4 / 75 / 32

HEX #AEA72C

RGB 174 167 44

HSL 56.77, 0.6%, 0.43%

LAB 67.14, -11.51, 60.22

 

CMYK 74 / 0 / 17 / 33

HEX #2DAC8E

RGB 45 172 142

HSL 165.83, 0.59%, 0.43%

LAB 63.36, -41.14, 5.7

 

CMYK 56 / 75 / 0 / 32

HEX #4D2CAE

RGB 77 44 174

HSL 255.23, 0.6%, 0.43%

LAB 30.48, 47.66, -63.89

 

CMYK 0 / 75 / 56 / 32

HEX #AE2C4D

RGB 174 44 77

HSL 344.77, 0.6%, 0.43%

LAB 40.14, 53.89, 12.43

 

CMYK 19 / 0 / 75 / 32

HEX #8DAE2C

RGB 141 174 44

HSL 75.23, 0.6%, 0.43%

LAB 66.61, -29.12, 58.83

 

Description

Color code: RGB 45 172 142 | qconv.com Color code: RGB 45 172 142 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 45 red, 172 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
45 172 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, none magenta, 17 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 0% 17% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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