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Color name
RGB 45 223 41

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 45 223 41 it is the complementary color RGB 210 32 214. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 45 223 41. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 45 223 41 shade: RGB 50 223 36, RGB 67 241 55, RGB 84 255 74, RGB 101 255 93 and RGB 118 255 112

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 45 223 41. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 45 223 41 shade: RGB 45 223 41, RGB 28 205 22, RGB 11 187 3, RGB 0 169 0 and RGB 0 151 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 45 223 41 shade: RGB 46 223 42, RGB 94 223 42, RGB 143 223 42, RGB 192 223 42 and RGB 223 204 42

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 45 223 41 shade: RGB 46 223 42, RGB 42 223 86, RGB 42 223 135, RGB 42 223 184 and RGB 42 212 223

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 45 223 41 shade matches the following richer shades: RGB 46 223 42 and RGB 27 242 22

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 45 223 41 shade: RGB 46 223 42, RGB 64 203 61, RGB 83 183 81, RGB 102 163 101 and RGB 121 143 121

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 45 223 41 shade: RGB 144 223 42, RGB 96 223 42, RGB 48 223 42, RGB 42 223 84 and RGB 42 223 132

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 45 223 41 shade: RGB 26 158 23, RGB 32 194 29, RGB 46 223 42, RGB 81 228 77 and RGB 116 233 113

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 45 223 41 shade: RGB 45 223 41, RGB 42 192 223 and RGB 223 42 120

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 45 223 41 shade: RGB 45 223 41, RGB 42 48 223 and RGB 223 42 48

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 45 223 41 shade: RGB 45 223 41, RGB 42 192 223, RGB 217 42 223 and RGB 223 72 42

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 45 223 41 shade: RGB 45 223 41, RGB 42 138 223, RGB 217 42 223 and RGB 223 126 42

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 0 / 82 / 13

HEX #2DDF29

RGB 45 223 41

HSL 118.68, 0.74%, 0.52%

LAB 78.17, -73.71, 69.34

 

Complementary color

CMYK 2 / 85 / 0 / 16

HEX #D220D6

RGB 210 32 214

HSL 298.68, 0.74%, 0.48%

LAB 51.37, 81.89, -52.53

 

CMYK 78 / 0 / 84 / 13

HEX #32DF24

RGB 50 223 36

HSL 115.51, 0.75%, 0.51%

LAB 78.22, -73.33, 70.63

 

CMYK 72 / 0 / 77 / 5

HEX #43F137

RGB 67 241 55

HSL 116.13, 0.87%, 0.58%

LAB 84.16, -75.21, 71.21

 

CMYK 67 / 0 / 71 / 0

HEX #54FF4A

RGB 84 255 74

HSL 116.69, 1%, 0.65%

LAB 88.87, -75.33, 69.85

 

CMYK 60 / 0 / 64 / 0

HEX #65FF5D

RGB 101 255 93

HSL 117.04, 1%, 0.68%

LAB 89.43, -70.29, 63.4

 

CMYK 54 / 0 / 56 / 0

HEX #76FF70

RGB 118 255 112

HSL 117.48, 1%, 0.72%

LAB 90.11, -64.36, 56.27

 

CMYK 80 / 0 / 82 / 13

HEX #2DDF29

RGB 45 223 41

HSL 118.68, 0.74%, 0.52%

LAB 78.17, -73.71, 69.34

 

CMYK 86 / 0 / 89 / 20

HEX #1CCD16

RGB 28 205 22

HSL 118.03, 0.81%, 0.45%

LAB 72.21, -71.1, 68.1

 

CMYK 94 / 0 / 98 / 27

HEX #0BBB03

RGB 11 187 3

HSL 117.39, 0.97%, 0.37%

LAB 66.23, -67.7, 65.59

 

CMYK 100 / 0 / 100 / 34

HEX #00A900

RGB 0 169 0

HSL 120, 1%, 0.33%

LAB 60.23, -63.33, 61.12

 

CMYK 100 / 0 / 100 / 41

HEX #009700

RGB 0 151 0

HSL 120, 1%, 0.3%

LAB 54.17, -58.3, 56.26

 

CMYK 79 / 0 / 81 / 13

HEX #2EDF2A

RGB 46 223 42

HSL 118.67, 0.74%, 0.52%

LAB 78.18, -73.54, 69.1

 

CMYK 58 / 0 / 81 / 13

HEX #5EDF2A

RGB 94 223 42

HSL 102.76, 0.74%, 0.52%

LAB 79.23, -64.73, 70.44

 

CMYK 36 / 0 / 81 / 13

HEX #8FDF2A

RGB 143 223 42

HSL 86.52, 0.74%, 0.52%

LAB 81.17, -50.07, 72.93

 

CMYK 14 / 0 / 81 / 13

HEX #C0DF2A

RGB 192 223 42

HSL 70.28, 0.74%, 0.52%

LAB 84.04, -31.55, 76.56

 

CMYK 0 / 9 / 81 / 13

HEX #DFCC2A

RGB 223 204 42

HSL 53.7, 0.74%, 0.52%

LAB 81.31, -9.36, 75.14

 

CMYK 79 / 0 / 81 / 13

HEX #2EDF2A

RGB 46 223 42

HSL 118.67, 0.74%, 0.52%

LAB 78.18, -73.54, 69.1

 

CMYK 81 / 0 / 61 / 13

HEX #2ADF56

RGB 42 223 86

HSL 134.59, 0.74%, 0.52%

LAB 78.43, -70.32, 53.68

 

CMYK 81 / 0 / 39 / 13

HEX #2ADF87

RGB 42 223 135

HSL 150.83, 0.74%, 0.52%

LAB 79.05, -62.9, 31.09

 

CMYK 81 / 0 / 17 / 13

HEX #2ADFB8

RGB 42 223 184

HSL 167.07, 0.74%, 0.52%

LAB 80.03, -52.16, 6.86

 

CMYK 81 / 5 / 0 / 13

HEX #2AD4DF

RGB 42 212 223

HSL 183.65, 0.74%, 0.52%

LAB 77.82, -36.64, -17.22

 

CMYK 79 / 0 / 81 / 13

HEX #2EDF2A

RGB 46 223 42

HSL 118.67, 0.74%, 0.52%

LAB 78.18, -73.54, 69.1

 

CMYK 89 / 0 / 91 / 5

HEX #1BF216

RGB 27 242 22

HSL 118.64, 0.89%, 0.52%

LAB 83.86, -81.33, 78

 

CMYK 79 / 0 / 81 / 13

HEX #2EDF2A

RGB 46 223 42

HSL 118.67, 0.74%, 0.52%

LAB 78.18, -73.54, 69.1

 

CMYK 68 / 0 / 70 / 20

HEX #40CB3D

RGB 64 203 61

HSL 118.73, 0.58%, 0.52%

LAB 72.32, -63.3, 57.32

 

CMYK 55 / 0 / 56 / 28

HEX #53B751

RGB 83 183 81

HSL 118.82, 0.41%, 0.52%

LAB 66.75, -49.74, 42.62

 

CMYK 37 / 0 / 38 / 36

HEX #66A365

RGB 102 163 101

HSL 119.03, 0.25%, 0.52%

LAB 61.62, -32.65, 26.15

 

CMYK 15 / 0 / 15 / 44

HEX #798F79

RGB 121 143 121

HSL 120, 0.09%, 0.52%

LAB 57.16, -12.33, 9.11

 

CMYK 35 / 0 / 81 / 13

HEX #90DF2A

RGB 144 223 42

HSL 86.19, 0.74%, 0.52%

LAB 81.22, -49.72, 72.99

 

CMYK 57 / 0 / 81 / 13

HEX #60DF2A

RGB 96 223 42

HSL 102.1, 0.74%, 0.52%

LAB 79.29, -64.24, 70.52

 

CMYK 78 / 0 / 81 / 13

HEX #30DF2A

RGB 48 223 42

HSL 118.01, 0.74%, 0.52%

LAB 78.21, -73.29, 69.13

 

CMYK 81 / 0 / 62 / 13

HEX #2ADF54

RGB 42 223 84

HSL 133.92, 0.74%, 0.52%

LAB 78.41, -70.55, 54.52

 

CMYK 81 / 0 / 41 / 13

HEX #2ADF84

RGB 42 223 132

HSL 149.83, 0.74%, 0.52%

LAB 79, -63.45, 32.55

 

CMYK 84 / 0 / 85 / 38

HEX #1A9E17

RGB 26 158 23

HSL 118.67, 0.75%, 0.35%

LAB 56.82, -57.53, 54.36

 

CMYK 84 / 0 / 85 / 24

HEX #20C21D

RGB 32 194 29

HSL 118.91, 0.74%, 0.44%

LAB 68.74, -67.31, 63.66

 

CMYK 79 / 0 / 81 / 13

HEX #2EDF2A

RGB 46 223 42

HSL 118.67, 0.74%, 0.52%

LAB 78.18, -73.54, 69.1

 

CMYK 64 / 0 / 66 / 11

HEX #51E44D

RGB 81 228 77

HSL 118.41, 0.74%, 0.6%

LAB 80.61, -66.88, 60.03

 

CMYK 50 / 0 / 52 / 9

HEX #74E971

RGB 116 233 113

HSL 118.5, 0.73%, 0.68%

LAB 83.54, -56.48, 47.94

 

CMYK 80 / 0 / 82 / 13

HEX #2DDF29

RGB 45 223 41

HSL 118.68, 0.74%, 0.52%

LAB 78.17, -73.71, 69.34

 

CMYK 81 / 14 / 0 / 13

HEX #2AC0DF

RGB 42 192 223

HSL 190.28, 0.74%, 0.52%

LAB 71.91, -27.04, -26.21

 

CMYK 0 / 81 / 46 / 13

HEX #DF2A78

RGB 223 42 120

HSL 334.14, 0.74%, 0.52%

LAB 50.33, 71.26, 1.53

 

CMYK 80 / 0 / 82 / 13

HEX #2DDF29

RGB 45 223 41

HSL 118.68, 0.74%, 0.52%

LAB 78.17, -73.71, 69.34

 

CMYK 81 / 78 / 0 / 13

HEX #2A30DF

RGB 42 48 223

HSL 238.01, 0.74%, 0.52%

LAB 33.84, 57.33, -87.11

 

CMYK 0 / 81 / 78 / 13

HEX #DF2A30

RGB 223 42 48

HSL 358.01, 0.74%, 0.52%

LAB 48.95, 67.11, 42.79

 

CMYK 80 / 0 / 82 / 13

HEX #2DDF29

RGB 45 223 41

HSL 118.68, 0.74%, 0.52%

LAB 78.17, -73.71, 69.34

 

CMYK 81 / 14 / 0 / 13

HEX #2AC0DF

RGB 42 192 223

HSL 190.28, 0.74%, 0.52%

LAB 71.91, -27.04, -26.21

 

CMYK 3 / 81 / 0 / 13

HEX #D92ADF

RGB 217 42 223

HSL 298.01, 0.74%, 0.52%

LAB 53.75, 82.5, -53.79

 

CMYK 0 / 68 / 81 / 13

HEX #DF482A

RGB 223 72 42

HSL 9.94, 0.74%, 0.52%

LAB 52.39, 57.24, 49.29

 

CMYK 80 / 0 / 82 / 13

HEX #2DDF29

RGB 45 223 41

HSL 118.68, 0.74%, 0.52%

LAB 78.17, -73.71, 69.34

 

CMYK 81 / 38 / 0 / 13

HEX #2A8ADF

RGB 42 138 223

HSL 208.18, 0.74%, 0.52%

LAB 56.08, 2.5, -50.93

 

CMYK 3 / 81 / 0 / 13

HEX #D92ADF

RGB 217 42 223

HSL 298.01, 0.74%, 0.52%

LAB 53.75, 82.5, -53.79

 

CMYK 0 / 43 / 81 / 13

HEX #DF7E2A

RGB 223 126 42

HSL 27.85, 0.74%, 0.52%

LAB 62.32, 31.76, 58.45

 

Description

Color code: RGB 45 223 41 | qconv.com Color code: RGB 45 223 41 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 45 red, 223 green and 41 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
45 223 41 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, none magenta, 82 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 0% 82% 13% C M Y K

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Provide designers and agencies with accurate color values.

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