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Color name
RGB 46 82 91

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 46 82 91 it is the complementary color RGB 209 173 164. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 46 82 91. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 46 82 91 shade: RGB 51 82 86, RGB 68 100 105, RGB 85 118 124, RGB 102 136 143 and RGB 119 154 162

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 46 82 91. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 46 82 91 shade: RGB 46 82 91, RGB 29 64 72, RGB 12 46 53, RGB 0 28 34 and RGB 0 10 15

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 46 82 91 shade: RGB 46 82 91, RGB 46 70 91, RGB 46 57 91, RGB 46 46 91 and RGB 58 46 91

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 46 82 91 shade: RGB 46 82 91, RGB 46 70 91, RGB 46 57 91 and RGB 46 46 91

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 46 82 91 shade matches the following richer shades: RGB 46 82 91, RGB 34 89 102, RGB 23 95 113, RGB 12 102 124 and RGB 1 109 136

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 46 82 91 shade: RGB 46 82 91, RGB 57 75 80, RGB 68 69 69, RGB 79 62 58 and RGB 90 55 47

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 46 82 91 shade: RGB 46 91 76, RGB 46 91 88, RGB 46 82 91, RGB 46 70 91 and RGB 46 58 91

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 46 82 91 shade: RGB 18 33 36, RGB 32 57 64, RGB 46 82 91, RGB 59 107 119 and RGB 73 131 146

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 46 82 91 shade: RGB 46 82 91, RGB 64 46 91 and RGB 91 82 46

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 46 82 91 shade: RGB 46 82 91, RGB 91 46 82 and RGB 82 91 46

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 46 82 91 shade: RGB 46 82 91, RGB 64 46 91, RGB 91 55 46 and RGB 73 91 46

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 46 82 91 shade: RGB 46 82 91, RGB 77 46 91, RGB 91 55 46 and RGB 59 91 46

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 10 / 0 / 64

HEX #2E525B

RGB 46 82 91

HSL 192, 0.33%, 0.27%

LAB 32.64, -10.2, -9.3

 

Complementary color

CMYK 0 / 17 / 22 / 18

HEX #D1ADA4

RGB 209 173 164

HSL 12, 0.33%, 0.73%

LAB 73.63, 11.69, 9.52

 

CMYK 41 / 5 / 0 / 66

HEX #335256

RGB 51 82 86

HSL 186.86, 0.26%, 0.27%

LAB 32.72, -10.24, -5.97

 

CMYK 35 / 5 / 0 / 59

HEX #446469

RGB 68 100 105

HSL 188.11, 0.21%, 0.34%

LAB 40.19, -10.21, -6.55

 

CMYK 31 / 5 / 0 / 51

HEX #55767C

RGB 85 118 124

HSL 189.23, 0.19%, 0.41%

LAB 47.42, -10.18, -7.1

 

CMYK 29 / 5 / 0 / 44

HEX #66888F

RGB 102 136 143

HSL 190.24, 0.17%, 0.48%

LAB 54.47, -10.15, -7.63

 

CMYK 27 / 5 / 0 / 36

HEX #779AA2

RGB 119 154 162

HSL 191.16, 0.19%, 0.55%

LAB 61.34, -10.12, -8.14

 

CMYK 49 / 10 / 0 / 64

HEX #2E525B

RGB 46 82 91

HSL 192, 0.33%, 0.27%

LAB 32.64, -10.2, -9.3

 

CMYK 60 / 11 / 0 / 72

HEX #1D4048

RGB 29 64 72

HSL 191.16, 0.43%, 0.2%

LAB 24.94, -9.96, -8.74

 

CMYK 77 / 13 / 0 / 79

HEX #0C2E35

RGB 12 46 53

HSL 190.24, 0.63%, 0.13%

LAB 16.94, -9.41, -8.09

 

CMYK 100 / 18 / 0 / 87

HEX #001C22

RGB 0 28 34

HSL 190.59, 1%, 0.07%

LAB 8.53, -7.94, -7.28

 

CMYK 100 / 33 / 0 / 94

HEX #000A0F

RGB 0 10 15

HSL 200, 1%, 0.03%

LAB 2.27, -1.82, -3.09

 

CMYK 49 / 10 / 0 / 64

HEX #2E525B

RGB 46 82 91

HSL 192, 0.33%, 0.27%

LAB 32.64, -10.2, -9.3

 

CMYK 49 / 23 / 0 / 64

HEX #2E465B

RGB 46 70 91

HSL 208, 0.33%, 0.27%

LAB 28.69, -2.73, -15.33

 

CMYK 49 / 37 / 0 / 64

HEX #2E395B

RGB 46 57 91

HSL 225.33, 0.33%, 0.27%

LAB 24.52, 5.93, -21.81

 

CMYK 49 / 49 / 0 / 64

HEX #2E2E5B

RGB 46 46 91

HSL 240, 0.33%, 0.27%

LAB 21.17, 13.59, -27.11

 

CMYK 36 / 49 / 0 / 64

HEX #3A2E5B

RGB 58 46 91

HSL 256, 0.33%, 0.27%

LAB 22.33, 17.12, -25.19

 

CMYK 49 / 10 / 0 / 64

HEX #2E525B

RGB 46 82 91

HSL 192, 0.33%, 0.27%

LAB 32.64, -10.2, -9.3

 

CMYK 49 / 23 / 0 / 64

HEX #2E465B

RGB 46 70 91

HSL 208, 0.33%, 0.27%

LAB 28.69, -2.73, -15.33

 

CMYK 49 / 37 / 0 / 64

HEX #2E395B

RGB 46 57 91

HSL 225.33, 0.33%, 0.27%

LAB 24.52, 5.93, -21.81

 

CMYK 49 / 49 / 0 / 64

HEX #2E2E5B

RGB 46 46 91

HSL 240, 0.33%, 0.27%

LAB 21.17, 13.59, -27.11

 

CMYK 49 / 10 / 0 / 64

HEX #2E525B

RGB 46 82 91

HSL 192, 0.33%, 0.27%

LAB 32.64, -10.2, -9.3

 

CMYK 67 / 13 / 0 / 60

HEX #225966

RGB 34 89 102

HSL 191.47, 0.5%, 0.27%

LAB 34.89, -13.53, -12.84

 

CMYK 80 / 16 / 0 / 56

HEX #175F71

RGB 23 95 113

HSL 192, 0.66%, 0.27%

LAB 37.04, -14.86, -16.41

 

CMYK 90 / 18 / 0 / 51

HEX #0C667C

RGB 12 102 124

HSL 191.79, 0.82%, 0.27%

LAB 39.64, -15.88, -19.16

 

CMYK 99 / 20 / 0 / 47

HEX #016D88

RGB 1 109 136

HSL 192, 0.99%, 0.27%

LAB 42.34, -16.01, -22.25

 

CMYK 49 / 10 / 0 / 64

HEX #2E525B

RGB 46 82 91

HSL 192, 0.33%, 0.27%

LAB 32.64, -10.2, -9.3

 

CMYK 29 / 6 / 0 / 69

HEX #394B50

RGB 57 75 80

HSL 193.04, 0.17%, 0.27%

LAB 30.6, -5.69, -5.28

 

CMYK 1 / 0 / 0 / 73

HEX #444545

RGB 68 69 69

HSL 180, 0.01%, 0.27%

LAB 29.2, -0.41, -0.15

 

CMYK 0 / 22 / 27 / 69

HEX #4F3E3A

RGB 79 62 58

HSL 11.43, 0.15%, 0.27%

LAB 27.88, 6.69, 5.27

 

CMYK 0 / 39 / 48 / 65

HEX #5A372F

RGB 90 55 47

HSL 11.16, 0.31%, 0.27%

LAB 27.05, 14.58, 11.52

 

CMYK 49 / 0 / 16 / 64

HEX #2E5B4C

RGB 46 91 76

HSL 160, 0.33%, 0.27%

LAB 35.17, -19.6, 3.87

 

CMYK 49 / 0 / 3 / 64

HEX #2E5B58

RGB 46 91 88

HSL 176, 0.33%, 0.27%

LAB 35.53, -16.31, -3.08

 

CMYK 49 / 10 / 0 / 64

HEX #2E525B

RGB 46 82 91

HSL 192, 0.33%, 0.27%

LAB 32.64, -10.2, -9.3

 

CMYK 49 / 23 / 0 / 64

HEX #2E465B

RGB 46 70 91

HSL 208, 0.33%, 0.27%

LAB 28.69, -2.73, -15.33

 

CMYK 49 / 36 / 0 / 64

HEX #2E3A5B

RGB 46 58 91

HSL 224, 0.33%, 0.27%

LAB 24.83, 5.25, -21.31

 

CMYK 50 / 8 / 0 / 86

HEX #122124

RGB 18 33 36

HSL 190, 0.33%, 0.11%

LAB 11.58, -5.37, -4.05

 

CMYK 50 / 11 / 0 / 75

HEX #203940

RGB 32 57 64

HSL 193.13, 0.33%, 0.19%

LAB 22.31, -7.41, -7.37

 

CMYK 49 / 10 / 0 / 64

HEX #2E525B

RGB 46 82 91

HSL 192, 0.33%, 0.27%

LAB 32.64, -10.2, -9.3

 

CMYK 50 / 10 / 0 / 53

HEX #3B6B77

RGB 59 107 119

HSL 192, 0.34%, 0.35%

LAB 42.43, -12.75, -11.75

 

CMYK 50 / 10 / 0 / 43

HEX #498392

RGB 73 131 146

HSL 192.33, 0.33%, 0.43%

LAB 51.52, -14.67, -13.95

 

CMYK 49 / 10 / 0 / 64

HEX #2E525B

RGB 46 82 91

HSL 192, 0.33%, 0.27%

LAB 32.64, -10.2, -9.3

 

CMYK 30 / 49 / 0 / 64

HEX #402E5B

RGB 64 46 91

HSL 264, 0.33%, 0.27%

LAB 23, 19, -24.09

 

CMYK 0 / 10 / 49 / 64

HEX #5B522E

RGB 91 82 46

HSL 48, 0.33%, 0.27%

LAB 34.92, -1.95, 22.4

 

CMYK 49 / 10 / 0 / 64

HEX #2E525B

RGB 46 82 91

HSL 192, 0.33%, 0.27%

LAB 32.64, -10.2, -9.3

 

CMYK 0 / 49 / 10 / 64

HEX #5B2E52

RGB 91 46 82

HSL 312, 0.33%, 0.27%

LAB 26.12, 26.16, -13.02

 

CMYK 10 / 0 / 49 / 64

HEX #525B2E

RGB 82 91 46

HSL 72, 0.33%, 0.27%

LAB 36.88, -11.45, 24.65

 

CMYK 49 / 10 / 0 / 64

HEX #2E525B

RGB 46 82 91

HSL 192, 0.33%, 0.27%

LAB 32.64, -10.2, -9.3

 

CMYK 30 / 49 / 0 / 64

HEX #402E5B

RGB 64 46 91

HSL 264, 0.33%, 0.27%

LAB 23, 19, -24.09

 

CMYK 0 / 40 / 49 / 64

HEX #5B372E

RGB 91 55 46

HSL 12, 0.33%, 0.27%

LAB 27.17, 14.92, 12.36

 

CMYK 20 / 0 / 49 / 64

HEX #495B2E

RGB 73 91 46

HSL 84, 0.33%, 0.27%

LAB 36.17, -15.46, 23.61

 

CMYK 49 / 10 / 0 / 64

HEX #2E525B

RGB 46 82 91

HSL 192, 0.33%, 0.27%

LAB 32.64, -10.2, -9.3

 

CMYK 15 / 49 / 0 / 64

HEX #4D2E5B

RGB 77 46 91

HSL 281.33, 0.33%, 0.27%

LAB 24.6, 23.27, -21.46

 

CMYK 0 / 40 / 49 / 64

HEX #5B372E

RGB 91 55 46

HSL 12, 0.33%, 0.27%

LAB 27.17, 14.92, 12.36

 

CMYK 35 / 0 / 49 / 64

HEX #3B5B2E

RGB 59 91 46

HSL 102.67, 0.33%, 0.27%

LAB 35.22, -21.28, 22.23

 

Description

Color code: RGB 46 82 91 | qconv.com Color code: RGB 46 82 91 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 46 red, 82 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
46 82 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, 10 magenta, none yellow and 64 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 10% 0% 64% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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