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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 46 116 218 it is the complementary color RGB 209 139 37. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 46 116 218. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 46 116 218 shade: RGB 51 116 213, RGB 68 134 232, RGB 85 152 251, RGB 102 170 255 and RGB 119 188 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 46 116 218. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 46 116 218 shade: RGB 46 116 218, RGB 29 98 199, RGB 12 80 180, RGB 0 62 161 and RGB 0 44 142

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 46 116 218 shade: RGB 46 116 218, RGB 46 70 218, RGB 69 46 218, RGB 115 46 218 and RGB 162 46 218

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 46 116 218 shade: RGB 46 116 218, RGB 46 70 218 and RGB 46 46 218

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 46 116 218 shade matches the following richer shades: RGB 46 116 218 and RGB 27 112 238

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 46 116 218 shade: RGB 46 116 218, RGB 66 120 198, RGB 86 124 178, RGB 106 127 158 and RGB 126 131 139

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 46 116 218 shade: RGB 46 209 218, RGB 46 164 218, RGB 46 118 218, RGB 46 72 218 and RGB 66 46 218

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 46 116 218 shade: RGB 27 79 155, RGB 33 97 190, RGB 46 116 218, RGB 81 139 224 and RGB 117 163 230

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 46 116 218 shade: RGB 46 116 218, RGB 181 46 218 and RGB 186 218 46

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 46 116 218 shade: RGB 46 116 218, RGB 218 46 118 and RGB 118 218 46

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 46 116 218 shade: RGB 46 116 218, RGB 181 46 218, RGB 218 146 46 and RGB 84 218 46

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 46 116 218 shade: RGB 46 116 218, RGB 218 46 204, RGB 218 146 46 and RGB 46 218 61

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 47 / 0 / 15

HEX #2E74DA

RGB 46 116 218

HSL 215.58, 0.7%, 0.52%

LAB 49.66, 14.52, -58.4

 

Complementary color

CMYK 0 / 33 / 82 / 18

HEX #D18B25

RGB 209 139 37

HSL 35.58, 0.7%, 0.48%

LAB 63.47, 18.75, 60.63

 

CMYK 76 / 46 / 0 / 16

HEX #3374D5

RGB 51 116 213

HSL 215.93, 0.66%, 0.52%

LAB 49.49, 13.2, -55.82

 

CMYK 71 / 42 / 0 / 9

HEX #4486E8

RGB 68 134 232

HSL 215.85, 0.78%, 0.59%

LAB 56.19, 11.2, -55.74

 

CMYK 66 / 39 / 0 / 2

HEX #5598FB

RGB 85 152 251

HSL 215.78, 0.95%, 0.66%

LAB 62.8, 9.56, -55.65

 

CMYK 60 / 33 / 0 / 0

HEX #66AAFF

RGB 102 170 255

HSL 213.33, 1%, 0.7%

LAB 68.6, 3.37, -48.6

 

CMYK 53 / 26 / 0 / 0

HEX #77BCFF

RGB 119 188 255

HSL 209.56, 1%, 0.73%

LAB 74.26, -3.31, -39.69

 

CMYK 79 / 47 / 0 / 15

HEX #2E74DA

RGB 46 116 218

HSL 215.58, 0.7%, 0.52%

LAB 49.66, 14.52, -58.4

 

CMYK 85 / 51 / 0 / 22

HEX #1D62C7

RGB 29 98 199

HSL 215.65, 0.75%, 0.45%

LAB 42.94, 17.23, -58.39

 

CMYK 93 / 56 / 0 / 29

HEX #0C50B4

RGB 12 80 180

HSL 215.71, 0.88%, 0.38%

LAB 36.2, 20.57, -58.25

 

CMYK 100 / 61 / 0 / 37

HEX #003EA1

RGB 0 62 161

HSL 216.89, 1%, 0.32%

LAB 29.46, 24.59, -57.9

 

CMYK 100 / 69 / 0 / 44

HEX #002C8E

RGB 0 44 142

HSL 221.41, 1%, 0.28%

LAB 22.84, 29.24, -57.13

 

CMYK 79 / 47 / 0 / 15

HEX #2E74DA

RGB 46 116 218

HSL 215.58, 0.7%, 0.52%

LAB 49.66, 14.52, -58.4

 

CMYK 79 / 68 / 0 / 15

HEX #2E46DA

RGB 46 70 218

HSL 231.63, 0.7%, 0.52%

LAB 37.88, 43.66, -77.57

 

CMYK 68 / 79 / 0 / 15

HEX #452EDA

RGB 69 46 218

HSL 248.02, 0.7%, 0.52%

LAB 34.56, 58.63, -83

 

CMYK 47 / 79 / 0 / 15

HEX #732EDA

RGB 115 46 218

HSL 264.07, 0.7%, 0.52%

LAB 39, 63.75, -75.53

 

CMYK 26 / 79 / 0 / 15

HEX #A22EDA

RGB 162 46 218

HSL 280.47, 0.7%, 0.52%

LAB 45.22, 70.92, -65.12

 

CMYK 79 / 47 / 0 / 15

HEX #2E74DA

RGB 46 116 218

HSL 215.58, 0.7%, 0.52%

LAB 49.66, 14.52, -58.4

 

CMYK 79 / 68 / 0 / 15

HEX #2E46DA

RGB 46 70 218

HSL 231.63, 0.7%, 0.52%

LAB 37.88, 43.66, -77.57

 

CMYK 79 / 79 / 0 / 15

HEX #2E2EDA

RGB 46 46 218

HSL 240, 0.7%, 0.52%

LAB 33.13, 56.98, -85.42

 

CMYK 79 / 47 / 0 / 15

HEX #2E74DA

RGB 46 116 218

HSL 215.58, 0.7%, 0.52%

LAB 49.66, 14.52, -58.4

 

CMYK 89 / 53 / 0 / 7

HEX #1B70EE

RGB 27 112 238

HSL 215.83, 0.86%, 0.52%

LAB 49.49, 23.21, -69.95

 

CMYK 79 / 47 / 0 / 15

HEX #2E74DA

RGB 46 116 218

HSL 215.58, 0.7%, 0.52%

LAB 49.66, 14.52, -58.4

 

CMYK 67 / 39 / 0 / 22

HEX #4278C6

RGB 66 120 198

HSL 215.45, 0.54%, 0.52%

LAB 50.3, 7.39, -45.95

 

CMYK 52 / 30 / 0 / 30

HEX #567CB2

RGB 86 124 178

HSL 215.22, 0.37%, 0.52%

LAB 51.39, 2.29, -32.67

 

CMYK 33 / 20 / 0 / 38

HEX #6A7F9E

RGB 106 127 158

HSL 215.77, 0.21%, 0.52%

LAB 52.63, 0.1, -19.07

 

CMYK 9 / 6 / 0 / 45

HEX #7E838B

RGB 126 131 139

HSL 216.92, 0.05%, 0.52%

LAB 54.59, -0.17, -4.95

 

CMYK 79 / 4 / 0 / 15

HEX #2ED1DA

RGB 46 209 218

HSL 183.14, 0.7%, 0.52%

LAB 76.83, -36.41, -16.03

 

CMYK 79 / 25 / 0 / 15

HEX #2EA4DA

RGB 46 164 218

HSL 198.84, 0.7%, 0.52%

LAB 63.5, -13.77, -36.45

 

CMYK 79 / 46 / 0 / 15

HEX #2E76DA

RGB 46 118 218

HSL 214.88, 0.7%, 0.52%

LAB 50.22, 13.27, -57.5

 

CMYK 79 / 67 / 0 / 15

HEX #2E48DA

RGB 46 72 218

HSL 230.93, 0.7%, 0.52%

LAB 38.34, 42.44, -76.82

 

CMYK 70 / 79 / 0 / 15

HEX #422EDA

RGB 66 46 218

HSL 246.98, 0.7%, 0.52%

LAB 34.34, 58.38, -83.37

 

CMYK 83 / 49 / 0 / 39

HEX #1B4F9B

RGB 27 79 155

HSL 215.63, 0.7%, 0.36%

LAB 34.38, 12.13, -46.26

 

CMYK 83 / 49 / 0 / 25

HEX #2161BE

RGB 33 97 190

HSL 215.54, 0.7%, 0.44%

LAB 42.14, 14.68, -54.47

 

CMYK 79 / 47 / 0 / 15

HEX #2E74DA

RGB 46 116 218

HSL 215.58, 0.7%, 0.52%

LAB 49.66, 14.52, -58.4

 

CMYK 64 / 38 / 0 / 12

HEX #518BE0

RGB 81 139 224

HSL 215.66, 0.7%, 0.6%

LAB 57.65, 7.44, -48.92

 

CMYK 49 / 29 / 0 / 10

HEX #75A3E6

RGB 117 163 230

HSL 215.58, 0.69%, 0.68%

LAB 66.28, 2.75, -38.55

 

CMYK 79 / 47 / 0 / 15

HEX #2E74DA

RGB 46 116 218

HSL 215.58, 0.7%, 0.52%

LAB 49.66, 14.52, -58.4

 

CMYK 17 / 79 / 0 / 15

HEX #B52EDA

RGB 181 46 218

HSL 287.09, 0.7%, 0.52%

LAB 48.06, 74.2, -60.39

 

CMYK 15 / 0 / 79 / 15

HEX #BADA2E

RGB 186 218 46

HSL 71.16, 0.7%, 0.52%

LAB 82.26, -31.5, 73.79

 

CMYK 79 / 47 / 0 / 15

HEX #2E74DA

RGB 46 116 218

HSL 215.58, 0.7%, 0.52%

LAB 49.66, 14.52, -58.4

 

CMYK 0 / 79 / 46 / 15

HEX #DA2E76

RGB 218 46 118

HSL 334.88, 0.7%, 0.52%

LAB 49.7, 68.81, 1.71

 

CMYK 46 / 0 / 79 / 15

HEX #76DA2E

RGB 118 218 46

HSL 94.88, 0.7%, 0.52%

LAB 78.57, -56.1, 69.06

 

CMYK 79 / 47 / 0 / 15

HEX #2E74DA

RGB 46 116 218

HSL 215.58, 0.7%, 0.52%

LAB 49.66, 14.52, -58.4

 

CMYK 17 / 79 / 0 / 15

HEX #B52EDA

RGB 181 46 218

HSL 287.09, 0.7%, 0.52%

LAB 48.06, 74.2, -60.39

 

CMYK 0 / 33 / 79 / 15

HEX #DA922E

RGB 218 146 46

HSL 34.88, 0.7%, 0.52%

LAB 66.26, 19.14, 60.3

 

CMYK 61 / 0 / 79 / 15

HEX #54DA2E

RGB 84 218 46

HSL 106.74, 0.7%, 0.52%

LAB 77.42, -65.19, 67.56

 

CMYK 79 / 47 / 0 / 15

HEX #2E74DA

RGB 46 116 218

HSL 215.58, 0.7%, 0.52%

LAB 49.66, 14.52, -58.4

 

CMYK 0 / 79 / 6 / 15

HEX #DA2ECC

RGB 218 46 204

HSL 304.88, 0.7%, 0.52%

LAB 53.19, 78.92, -43.83

 

CMYK 0 / 33 / 79 / 15

HEX #DA922E

RGB 218 146 46

HSL 34.88, 0.7%, 0.52%

LAB 66.26, 19.14, 60.3

 

CMYK 79 / 0 / 72 / 15

HEX #2EDA3D

RGB 46 218 61

HSL 125.23, 0.7%, 0.52%

LAB 76.72, -70.79, 61.76

 

Description

Color code: RGB 46 116 218 | qconv.com Color code: RGB 46 116 218 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 46 red, 116 green and 218 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
46 116 218 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, 47 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 47% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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