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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 46 116 213 it is the complementary color RGB 209 139 42. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 46 116 213. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 46 116 213 shade: RGB 51 116 208, RGB 68 134 227, RGB 85 152 246, RGB 102 170 255 and RGB 119 188 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 46 116 213. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 46 116 213 shade: RGB 46 116 213, RGB 29 98 194, RGB 12 80 175, RGB 0 62 156 and RGB 0 44 137

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 46 116 213 shade: RGB 46 116 213, RGB 46 71 213, RGB 66 46 213, RGB 111 46 213 and RGB 156 46 213

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 46 116 213 shade: RGB 46 116 213, RGB 46 71 213 and RGB 46 46 213

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 46 116 213 shade matches the following richer shades: RGB 46 116 213, RGB 26 113 233 and RGB 5 109 254

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 46 116 213 shade: RGB 46 116 213, RGB 66 119 193, RGB 86 123 173, RGB 106 126 153 and RGB 127 129 132

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 46 116 213 shade: RGB 46 208 213, RGB 46 163 213, RGB 46 118 213, RGB 46 74 213 and RGB 63 46 213

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 46 116 213 shade: RGB 29 79 148, RGB 36 97 182, RGB 46 116 213, RGB 80 139 220 and RGB 115 162 227

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 46 116 213 shade: RGB 46 116 213, RGB 174 46 213 and RGB 185 213 46

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 46 116 213 shade: RGB 46 116 213, RGB 213 46 118 and RGB 118 213 46

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 46 116 213 shade: RGB 46 116 213, RGB 174 46 213, RGB 213 141 46 and RGB 85 213 46

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 46 116 213 shade: RGB 46 116 213, RGB 213 46 202, RGB 213 141 46 and RGB 46 213 57

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 46 / 0 / 16

HEX #2E74D5

RGB 46 116 213

HSL 214.85, 0.67%, 0.51%

LAB 49.35, 12.64, -56.07

 

Complementary color

CMYK 0 / 33 / 80 / 18

HEX #D18B2A

RGB 209 139 42

HSL 34.85, 0.67%, 0.49%

LAB 63.5, 18.92, 58.86

 

CMYK 75 / 44 / 0 / 18

HEX #3374D0

RGB 51 116 208

HSL 215.16, 0.63%, 0.51%

LAB 49.19, 11.34, -53.46

 

CMYK 70 / 41 / 0 / 11

HEX #4486E3

RGB 68 134 227

HSL 215.09, 0.74%, 0.58%

LAB 55.91, 9.42, -53.4

 

CMYK 65 / 38 / 0 / 4

HEX #5598F6

RGB 85 152 246

HSL 215.03, 0.9%, 0.65%

LAB 62.54, 7.87, -53.33

 

CMYK 60 / 33 / 0 / 0

HEX #66AAFF

RGB 102 170 255

HSL 213.33, 1%, 0.7%

LAB 68.6, 3.37, -48.6

 

CMYK 53 / 26 / 0 / 0

HEX #77BCFF

RGB 119 188 255

HSL 209.56, 1%, 0.73%

LAB 74.26, -3.31, -39.69

 

CMYK 78 / 46 / 0 / 16

HEX #2E74D5

RGB 46 116 213

HSL 214.85, 0.67%, 0.51%

LAB 49.35, 12.64, -56.07

 

CMYK 85 / 49 / 0 / 24

HEX #1D62C2

RGB 29 98 194

HSL 214.91, 0.74%, 0.44%

LAB 42.6, 15.27, -56.05

 

CMYK 93 / 54 / 0 / 31

HEX #0C50AF

RGB 12 80 175

HSL 214.97, 0.87%, 0.37%

LAB 35.81, 18.54, -55.92

 

CMYK 100 / 60 / 0 / 39

HEX #003E9C

RGB 0 62 156

HSL 216.15, 1%, 0.31%

LAB 29.02, 22.52, -55.59

 

CMYK 100 / 68 / 0 / 46

HEX #002C89

RGB 0 44 137

HSL 220.73, 1%, 0.27%

LAB 22.33, 27.19, -54.86

 

CMYK 78 / 46 / 0 / 16

HEX #2E74D5

RGB 46 116 213

HSL 214.85, 0.67%, 0.51%

LAB 49.35, 12.64, -56.07

 

CMYK 78 / 67 / 0 / 16

HEX #2E47D5

RGB 46 71 213

HSL 231.02, 0.67%, 0.51%

LAB 37.65, 41.29, -75.08

 

CMYK 69 / 78 / 0 / 16

HEX #422ED5

RGB 66 46 213

HSL 247.19, 0.67%, 0.51%

LAB 33.81, 56.91, -81.37

 

CMYK 48 / 78 / 0 / 16

HEX #6F2ED5

RGB 111 46 213

HSL 263.35, 0.67%, 0.51%

LAB 38.09, 61.97, -74.17

 

CMYK 27 / 78 / 0 / 16

HEX #9C2ED5

RGB 156 46 213

HSL 279.52, 0.67%, 0.51%

LAB 43.98, 68.91, -64.3

 

CMYK 78 / 46 / 0 / 16

HEX #2E74D5

RGB 46 116 213

HSL 214.85, 0.67%, 0.51%

LAB 49.35, 12.64, -56.07

 

CMYK 78 / 67 / 0 / 16

HEX #2E47D5

RGB 46 71 213

HSL 231.02, 0.67%, 0.51%

LAB 37.65, 41.29, -75.08

 

CMYK 78 / 78 / 0 / 16

HEX #2E2ED5

RGB 46 46 213

HSL 240, 0.67%, 0.51%

LAB 32.57, 55.44, -83.47

 

CMYK 78 / 46 / 0 / 16

HEX #2E74D5

RGB 46 116 213

HSL 214.85, 0.67%, 0.51%

LAB 49.35, 12.64, -56.07

 

CMYK 89 / 52 / 0 / 9

HEX #1A71E9

RGB 26 113 233

HSL 214.78, 0.82%, 0.51%

LAB 49.39, 20.6, -67.31

 

CMYK 98 / 57 / 0 / 0

HEX #056DFE

RGB 5 109 254

HSL 214.94, 0.99%, 0.51%

LAB 49.65, 30.5, -78.61

 

CMYK 78 / 46 / 0 / 16

HEX #2E74D5

RGB 46 116 213

HSL 214.85, 0.67%, 0.51%

LAB 49.35, 12.64, -56.07

 

CMYK 66 / 38 / 0 / 24

HEX #4277C1

RGB 66 119 193

HSL 214.96, 0.51%, 0.51%

LAB 49.74, 6.24, -43.97

 

CMYK 50 / 29 / 0 / 32

HEX #567BAD

RGB 86 123 173

HSL 214.48, 0.35%, 0.51%

LAB 50.88, 1.32, -30.59

 

CMYK 31 / 18 / 0 / 40

HEX #6A7E99

RGB 106 126 153

HSL 214.47, 0.19%, 0.51%

LAB 52.16, -0.64, -16.89

 

CMYK 4 / 2 / 0 / 48

HEX #7F8184

RGB 127 129 132

HSL 216, 0.02%, 0.51%

LAB 53.9, -0.13, -1.89

 

CMYK 78 / 2 / 0 / 16

HEX #2ED0D5

RGB 46 208 213

HSL 181.8, 0.67%, 0.51%

LAB 76.37, -37.43, -14.02

 

CMYK 78 / 23 / 0 / 16

HEX #2EA3D5

RGB 46 163 213

HSL 197.96, 0.67%, 0.51%

LAB 62.99, -14.94, -34.48

 

CMYK 78 / 45 / 0 / 16

HEX #2E76D5

RGB 46 118 213

HSL 214.13, 0.67%, 0.51%

LAB 49.91, 11.39, -55.16

 

CMYK 78 / 65 / 0 / 16

HEX #2E4AD5

RGB 46 74 213

HSL 229.94, 0.67%, 0.51%

LAB 38.34, 39.43, -73.94

 

CMYK 70 / 78 / 0 / 16

HEX #3F2ED5

RGB 63 46 213

HSL 246.11, 0.67%, 0.51%

LAB 33.59, 56.66, -81.74

 

CMYK 80 / 47 / 0 / 42

HEX #1D4F94

RGB 29 79 148

HSL 214.79, 0.67%, 0.35%

LAB 33.96, 9.52, -42.69

 

CMYK 80 / 47 / 0 / 29

HEX #2461B6

RGB 36 97 182

HSL 214.93, 0.67%, 0.43%

LAB 41.69, 11.85, -50.52

 

CMYK 78 / 46 / 0 / 16

HEX #2E74D5

RGB 46 116 213

HSL 214.85, 0.67%, 0.51%

LAB 49.35, 12.64, -56.07

 

CMYK 64 / 37 / 0 / 14

HEX #508BDC

RGB 80 139 220

HSL 214.71, 0.67%, 0.59%

LAB 57.4, 5.92, -47.09

 

CMYK 49 / 29 / 0 / 11

HEX #73A2E3

RGB 115 162 227

HSL 214.82, 0.67%, 0.67%

LAB 65.77, 1.96, -37.7

 

CMYK 78 / 46 / 0 / 16

HEX #2E74D5

RGB 46 116 213

HSL 214.85, 0.67%, 0.51%

LAB 49.35, 12.64, -56.07

 

CMYK 18 / 78 / 0 / 16

HEX #AE2ED5

RGB 174 46 213

HSL 285.99, 0.67%, 0.51%

LAB 46.65, 72.04, -59.85

 

CMYK 13 / 0 / 78 / 16

HEX #B9D52E

RGB 185 213 46

HSL 70.06, 0.67%, 0.51%

LAB 80.79, -29.57, 72.45

 

CMYK 78 / 46 / 0 / 16

HEX #2E74D5

RGB 46 116 213

HSL 214.85, 0.67%, 0.51%

LAB 49.35, 12.64, -56.07

 

CMYK 0 / 78 / 45 / 16

HEX #D52E76

RGB 213 46 118

HSL 334.13, 0.67%, 0.51%

LAB 48.77, 67.52, 0.25

 

CMYK 45 / 0 / 78 / 16

HEX #76D52E

RGB 118 213 46

HSL 94.13, 0.67%, 0.51%

LAB 77.06, -54.18, 67.65

 

CMYK 78 / 46 / 0 / 16

HEX #2E74D5

RGB 46 116 213

HSL 214.85, 0.67%, 0.51%

LAB 49.35, 12.64, -56.07

 

CMYK 18 / 78 / 0 / 16

HEX #AE2ED5

RGB 174 46 213

HSL 285.99, 0.67%, 0.51%

LAB 46.65, 72.04, -59.85

 

CMYK 0 / 34 / 78 / 16

HEX #D58D2E

RGB 213 141 46

HSL 34.13, 0.67%, 0.51%

LAB 64.48, 19.7, 58.42

 

CMYK 60 / 0 / 78 / 16

HEX #55D52E

RGB 85 213 46

HSL 105.99, 0.67%, 0.51%

LAB 75.9, -63.27, 66.14

 

CMYK 78 / 46 / 0 / 16

HEX #2E74D5

RGB 46 116 213

HSL 214.85, 0.67%, 0.51%

LAB 49.35, 12.64, -56.07

 

CMYK 0 / 78 / 5 / 16

HEX #D52ECA

RGB 213 46 202

HSL 303.95, 0.67%, 0.51%

LAB 52.25, 77.63, -44.22

 

CMYK 0 / 34 / 78 / 16

HEX #D58D2E

RGB 213 141 46

HSL 34.13, 0.67%, 0.51%

LAB 64.48, 19.7, 58.42

 

CMYK 78 / 0 / 73 / 16

HEX #2ED539

RGB 46 213 57

HSL 123.95, 0.67%, 0.51%

LAB 75.12, -69.59, 61.55

 

Description

Color code: RGB 46 116 213 | qconv.com Color code: RGB 46 116 213 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 46 red, 116 green and 213 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
46 116 213 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, 46 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 46% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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