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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 46 132 93 it is the complementary color RGB 209 123 162. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 46 132 93. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 46 132 93 shade: RGB 51 132 88, RGB 68 150 107, RGB 85 168 126, RGB 102 186 145 and RGB 119 204 164

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 46 132 93. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 46 132 93 shade: RGB 46 132 93, RGB 29 114 74, RGB 12 96 55, RGB 0 78 36 and RGB 0 60 17

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 46 132 93 shade: RGB 46 132 93, RGB 46 132 70, RGB 46 132 47, RGB 68 132 46 and RGB 92 132 46

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 46 132 93 shade: RGB 46 132 93, RGB 46 132 116, RGB 46 124 132, RGB 46 101 132 and RGB 46 78 132

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 46 132 93 shade matches the following richer shades: RGB 46 132 93, RGB 31 146 94, RGB 17 160 95 and RGB 3 175 97

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 46 132 93 shade: RGB 46 132 93, RGB 60 117 91, RGB 75 103 90, RGB 89 88 89 and RGB 104 74 87

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 46 132 93 shade: RGB 46 132 46, RGB 46 132 69, RGB 46 132 92, RGB 46 132 114 and RGB 46 126 132

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 46 132 93 shade: RGB 24 71 50, RGB 35 101 71, RGB 46 132 93, RGB 57 162 114 and RGB 70 190 136

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 46 132 93 shade: RGB 46 132 93, RGB 46 69 132 and RGB 132 57 46

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 46 132 93 shade: RGB 46 132 93, RGB 92 46 132 and RGB 132 92 46

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 46 132 93 shade: RGB 46 132 93, RGB 46 69 132, RGB 132 46 86 and RGB 132 109 46

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 46 132 93 shade: RGB 46 132 93, RGB 49 46 132, RGB 132 46 86 and RGB 129 132 46

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 0 / 30 / 48

HEX #2E845D

RGB 46 132 93

HSL 152.79, 0.48%, 0.35%

LAB 49.34, -35.4, 13.66

 

Complementary color

CMYK 0 / 41 / 22 / 18

HEX #D17BA2

RGB 209 123 162

HSL 332.79, 0.48%, 0.65%

LAB 61.94, 38.44, -6.35

 

CMYK 61 / 0 / 33 / 48

HEX #338458

RGB 51 132 88

HSL 147.41, 0.44%, 0.36%

LAB 49.39, -35.42, 16.61

 

CMYK 55 / 0 / 29 / 41

HEX #44966B

RGB 68 150 107

HSL 148.54, 0.38%, 0.43%

LAB 56.19, -35.41, 15.27

 

CMYK 49 / 0 / 25 / 34

HEX #55A87E

RGB 85 168 126

HSL 149.64, 0.33%, 0.5%

LAB 62.88, -35.28, 14.07

 

CMYK 45 / 0 / 22 / 27

HEX #66BA91

RGB 102 186 145

HSL 150.71, 0.38%, 0.56%

LAB 69.46, -35.08, 12.97

 

CMYK 42 / 0 / 20 / 20

HEX #77CCA4

RGB 119 204 164

HSL 151.76, 0.45%, 0.63%

LAB 75.94, -34.86, 11.96

 

CMYK 65 / 0 / 30 / 48

HEX #2E845D

RGB 46 132 93

HSL 152.79, 0.48%, 0.35%

LAB 49.34, -35.4, 13.66

 

CMYK 75 / 0 / 35 / 55

HEX #1D724A

RGB 29 114 74

HSL 151.76, 0.59%, 0.28%

LAB 42.45, -35.01, 15.16

 

CMYK 88 / 0 / 43 / 62

HEX #0C6037

RGB 12 96 55

HSL 150.71, 0.78%, 0.21%

LAB 35.44, -34.07, 16.91

 

CMYK 100 / 0 / 54 / 69

HEX #004E24

RGB 0 78 36

HSL 147.69, 1%, 0.15%

LAB 28.32, -32.26, 18.93

 

CMYK 100 / 0 / 72 / 76

HEX #003C11

RGB 0 60 17

HSL 137, 1%, 0.12%

LAB 21.1, -28.73, 21.11

 

CMYK 65 / 0 / 30 / 48

HEX #2E845D

RGB 46 132 93

HSL 152.79, 0.48%, 0.35%

LAB 49.34, -35.4, 13.66

 

CMYK 65 / 0 / 47 / 48

HEX #2E8446

RGB 46 132 70

HSL 136.74, 0.48%, 0.35%

LAB 48.92, -40.02, 26.03

 

CMYK 65 / 0 / 64 / 48

HEX #2E842F

RGB 46 132 47

HSL 120.7, 0.48%, 0.35%

LAB 48.62, -43.36, 37.46

 

CMYK 48 / 0 / 65 / 48

HEX #44842E

RGB 68 132 46

HSL 104.65, 0.48%, 0.35%

LAB 49.41, -37.33, 39.03

 

CMYK 30 / 0 / 65 / 48

HEX #5C842E

RGB 92 132 46

HSL 87.91, 0.48%, 0.35%

LAB 50.66, -28.66, 40.76

 

CMYK 65 / 0 / 30 / 48

HEX #2E845D

RGB 46 132 93

HSL 152.79, 0.48%, 0.35%

LAB 49.34, -35.4, 13.66

 

CMYK 65 / 0 / 12 / 48

HEX #2E8474

RGB 46 132 116

HSL 168.84, 0.48%, 0.35%

LAB 49.91, -29.62, 1.09

 

CMYK 65 / 6 / 0 / 48

HEX #2E7C84

RGB 46 124 132

HSL 185.58, 0.48%, 0.35%

LAB 47.83, -20.87, -11.4

 

CMYK 65 / 23 / 0 / 48

HEX #2E6584

RGB 46 101 132

HSL 201.63, 0.48%, 0.35%

LAB 40.5, -7.92, -22.62

 

CMYK 65 / 41 / 0 / 48

HEX #2E4E84

RGB 46 78 132

HSL 217.67, 0.48%, 0.35%

LAB 33.34, 6.59, -33.86

 

CMYK 65 / 0 / 30 / 48

HEX #2E845D

RGB 46 132 93

HSL 152.79, 0.48%, 0.35%

LAB 49.34, -35.4, 13.66

 

CMYK 79 / 0 / 36 / 43

HEX #1F925E

RGB 31 146 94

HSL 152.87, 0.65%, 0.35%

LAB 53.66, -43.55, 18.94

 

CMYK 89 / 0 / 41 / 37

HEX #11A05F

RGB 17 160 95

HSL 152.73, 0.81%, 0.35%

LAB 58.12, -50.08, 24.32

 

CMYK 98 / 0 / 45 / 31

HEX #03AF61

RGB 3 175 97

HSL 152.79, 0.97%, 0.35%

LAB 62.96, -55.77, 29.57

 

CMYK 65 / 0 / 30 / 48

HEX #2E845D

RGB 46 132 93

HSL 152.79, 0.48%, 0.35%

LAB 49.34, -35.4, 13.66

 

CMYK 49 / 0 / 22 / 54

HEX #3C755B

RGB 60 117 91

HSL 152.63, 0.32%, 0.35%

LAB 44.86, -25.38, 8.63

 

CMYK 27 / 0 / 13 / 60

HEX #4B675A

RGB 75 103 90

HSL 152.14, 0.16%, 0.35%

LAB 41.11, -13.34, 4.01

 

CMYK 0 / 1 / 0 / 65

HEX #595859

RGB 89 88 89

HSL 300, 0.01%, 0.35%

LAB 37.53, 0.61, -0.44

 

CMYK 0 / 29 / 16 / 59

HEX #684A57

RGB 104 74 87

HSL 334, 0.17%, 0.35%

LAB 35.06, 14.99, -2.63

 

CMYK 65 / 0 / 65 / 48

HEX #2E842E

RGB 46 132 46

HSL 120, 0.48%, 0.35%

LAB 48.61, -43.47, 37.92

 

CMYK 65 / 0 / 48 / 48

HEX #2E8445

RGB 46 132 69

HSL 136.05, 0.48%, 0.35%

LAB 48.9, -40.19, 26.55

 

CMYK 65 / 0 / 30 / 48

HEX #2E845C

RGB 46 132 92

HSL 152.09, 0.48%, 0.35%

LAB 49.32, -35.63, 14.2

 

CMYK 65 / 0 / 14 / 48

HEX #2E8472

RGB 46 132 114

HSL 167.44, 0.48%, 0.35%

LAB 49.86, -30.17, 2.18

 

CMYK 65 / 5 / 0 / 48

HEX #2E7E84

RGB 46 126 132

HSL 184.19, 0.48%, 0.35%

LAB 48.47, -21.93, -10.44

 

CMYK 66 / 0 / 30 / 72

HEX #184732

RGB 24 71 50

HSL 153.19, 0.49%, 0.19%

LAB 26.54, -21.8, 7.98

 

CMYK 65 / 0 / 30 / 60

HEX #236547

RGB 35 101 71

HSL 152.73, 0.49%, 0.27%

LAB 38.06, -28.7, 10.95

 

CMYK 65 / 0 / 30 / 48

HEX #2E845D

RGB 46 132 93

HSL 152.79, 0.48%, 0.35%

LAB 49.34, -35.4, 13.66

 

CMYK 65 / 0 / 30 / 36

HEX #39A272

RGB 57 162 114

HSL 152.57, 0.48%, 0.43%

LAB 59.82, -41.58, 16.32

 

CMYK 63 / 0 / 28 / 25

HEX #46BE88

RGB 70 190 136

HSL 153, 0.48%, 0.51%

LAB 69.4, -46.13, 17.6

 

CMYK 65 / 0 / 30 / 48

HEX #2E845D

RGB 46 132 93

HSL 152.79, 0.48%, 0.35%

LAB 49.34, -35.4, 13.66

 

CMYK 65 / 48 / 0 / 48

HEX #2E4584

RGB 46 69 132

HSL 223.95, 0.48%, 0.35%

LAB 30.65, 12.62, -38.15

 

CMYK 0 / 57 / 65 / 48

HEX #84392E

RGB 132 57 46

HSL 7.67, 0.48%, 0.35%

LAB 34.04, 31.39, 22.51

 

CMYK 65 / 0 / 30 / 48

HEX #2E845D

RGB 46 132 93

HSL 152.79, 0.48%, 0.35%

LAB 49.34, -35.4, 13.66

 

CMYK 30 / 65 / 0 / 48

HEX #5C2E84

RGB 92 46 132

HSL 272.09, 0.48%, 0.35%

LAB 29.15, 37.89, -40.34

 

CMYK 0 / 30 / 65 / 48

HEX #845C2E

RGB 132 92 46

HSL 32.09, 0.48%, 0.35%

LAB 42.39, 11.32, 32.48

 

CMYK 65 / 0 / 30 / 48

HEX #2E845D

RGB 46 132 93

HSL 152.79, 0.48%, 0.35%

LAB 49.34, -35.4, 13.66

 

CMYK 65 / 48 / 0 / 48

HEX #2E4584

RGB 46 69 132

HSL 223.95, 0.48%, 0.35%

LAB 30.65, 12.62, -38.15

 

CMYK 0 / 65 / 35 / 48

HEX #842E56

RGB 132 46 86

HSL 332.09, 0.48%, 0.35%

LAB 32.99, 40.88, -4.61

 

CMYK 0 / 17 / 65 / 48

HEX #846D2E

RGB 132 109 46

HSL 43.95, 0.48%, 0.35%

LAB 47.03, 1.37, 37.7

 

CMYK 65 / 0 / 30 / 48

HEX #2E845D

RGB 46 132 93

HSL 152.79, 0.48%, 0.35%

LAB 49.34, -35.4, 13.66

 

CMYK 63 / 65 / 0 / 48

HEX #312E84

RGB 49 46 132

HSL 242.09, 0.48%, 0.35%

LAB 24.55, 28.7, -48

 

CMYK 0 / 65 / 35 / 48

HEX #842E56

RGB 132 46 86

HSL 332.09, 0.48%, 0.35%

LAB 32.99, 40.88, -4.61

 

CMYK 2 / 0 / 65 / 48

HEX #81842E

RGB 129 132 46

HSL 62.09, 0.48%, 0.35%

LAB 53.35, -12.87, 44.44

 

Description

Color code: RGB 46 132 93 | qconv.com Color code: RGB 46 132 93 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 46 red, 132 green and 93 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
46 132 93 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, none magenta, 30 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 0% 30% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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