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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 46 142 62 it is the complementary color RGB 209 113 193. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 46 142 62. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 46 142 62 shade: RGB 51 142 57, RGB 68 160 76, RGB 85 178 95, RGB 102 196 114 and RGB 119 214 133

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 46 142 62. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 46 142 62 shade: RGB 46 142 62, RGB 29 124 43, RGB 12 106 24, RGB 0 88 5 and RGB 0 70 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 46 142 62 shade: RGB 46 142 62, RGB 56 142 46, RGB 82 142 46, RGB 108 142 46 and RGB 133 142 46

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 46 142 62 shade: RGB 46 142 62, RGB 46 142 88, RGB 46 142 114, RGB 46 142 140 and RGB 46 118 142

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 46 142 62 shade matches the following richer shades: RGB 46 142 62, RGB 30 157 52, RGB 15 173 41 and RGB 0 188 31

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 46 142 62 shade: RGB 46 142 62, RGB 61 127 72, RGB 76 111 82, RGB 92 96 92 and RGB 107 81 102

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 46 142 62 shade: RGB 81 142 46, RGB 55 142 46, RGB 46 142 62, RGB 46 142 87 and RGB 46 142 113

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 46 142 62 shade: RGB 26 80 35, RGB 36 111 48, RGB 46 142 62, RGB 56 173 75 and RGB 74 196 95

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 46 142 62 shade: RGB 46 142 62, RGB 46 107 142 and RGB 142 46 68

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 46 142 62 shade: RGB 46 142 62, RGB 62 46 142 and RGB 142 62 46

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 46 142 62 shade: RGB 46 142 62, RGB 46 107 142, RGB 142 46 126 and RGB 142 81 46

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 46 142 62 shade: RGB 46 142 62, RGB 46 78 142, RGB 142 46 126 and RGB 142 110 46

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 0 / 56 / 44

HEX #2E8E3E

RGB 46 142 62

HSL 130, 0.51%, 0.37%

LAB 52.15, -45.23, 34.23

 

Complementary color

CMYK 0 / 46 / 8 / 18

HEX #D171C1

RGB 209 113 193

HSL 310, 0.51%, 0.63%

LAB 60.97, 48.53, -25.49

 

CMYK 64 / 0 / 60 / 44

HEX #338E39

RGB 51 142 57

HSL 123.96, 0.47%, 0.38%

LAB 52.23, -44.81, 36.84

 

CMYK 58 / 0 / 53 / 37

HEX #44A04C

RGB 68 160 76

HSL 125.22, 0.4%, 0.45%

LAB 58.87, -45.18, 35.46

 

CMYK 52 / 0 / 47 / 30

HEX #55B25F

RGB 85 178 95

HSL 126.45, 0.38%, 0.52%

LAB 65.43, -45.27, 34.08

 

CMYK 48 / 0 / 42 / 23

HEX #66C472

RGB 102 196 114

HSL 127.66, 0.44%, 0.58%

LAB 71.91, -45.2, 32.74

 

CMYK 44 / 0 / 38 / 16

HEX #77D685

RGB 119 214 133

HSL 128.84, 0.54%, 0.65%

LAB 78.29, -45.04, 31.47

 

CMYK 68 / 0 / 56 / 44

HEX #2E8E3E

RGB 46 142 62

HSL 130, 0.51%, 0.37%

LAB 52.15, -45.23, 34.23

 

CMYK 77 / 0 / 65 / 51

HEX #1D7C2B

RGB 29 124 43

HSL 128.84, 0.62%, 0.3%

LAB 45.43, -44.29, 35.64

 

CMYK 89 / 0 / 77 / 58

HEX #0C6A18

RGB 12 106 24

HSL 127.66, 0.8%, 0.23%

LAB 38.64, -42.48, 36.67

 

CMYK 100 / 0 / 94 / 65

HEX #005805

RGB 0 88 5

HSL 123.41, 1%, 0.17%

LAB 31.79, -39.35, 36.59

 

CMYK 100 / 0 / 100 / 73

HEX #004600

RGB 0 70 0

HSL 120, 1%, 0.14%

LAB 24.89, -33.97, 32.47

 

CMYK 68 / 0 / 56 / 44

HEX #2E8E3E

RGB 46 142 62

HSL 130, 0.51%, 0.37%

LAB 52.15, -45.23, 34.23

 

CMYK 61 / 0 / 68 / 44

HEX #388E2E

RGB 56 142 46

HSL 113.75, 0.51%, 0.37%

LAB 52.27, -44.85, 42.03

 

CMYK 42 / 0 / 68 / 44

HEX #528E2E

RGB 82 142 46

HSL 97.5, 0.51%, 0.37%

LAB 53.32, -36.97, 43.47

 

CMYK 24 / 0 / 68 / 44

HEX #6C8E2E

RGB 108 142 46

HSL 81.25, 0.51%, 0.37%

LAB 54.79, -27.07, 45.49

 

CMYK 6 / 0 / 68 / 44

HEX #858E2E

RGB 133 142 46

HSL 65.63, 0.51%, 0.37%

LAB 56.61, -16.4, 47.95

 

CMYK 68 / 0 / 56 / 44

HEX #2E8E3E

RGB 46 142 62

HSL 130, 0.51%, 0.37%

LAB 52.15, -45.23, 34.23

 

CMYK 68 / 0 / 38 / 44

HEX #2E8E58

RGB 46 142 88

HSL 146.25, 0.51%, 0.37%

LAB 52.54, -40.76, 20.84

 

CMYK 68 / 0 / 20 / 44

HEX #2E8E72

RGB 46 142 114

HSL 162.5, 0.51%, 0.37%

LAB 53.1, -34.83, 6.85

 

CMYK 68 / 0 / 1 / 44

HEX #2E8E8C

RGB 46 142 140

HSL 178.75, 0.51%, 0.37%

LAB 53.84, -27.65, -7.08

 

CMYK 68 / 17 / 0 / 44

HEX #2E768E

RGB 46 118 142

HSL 195, 0.51%, 0.37%

LAB 46.3, -14.35, -19.65

 

CMYK 68 / 0 / 56 / 44

HEX #2E8E3E

RGB 46 142 62

HSL 130, 0.51%, 0.37%

LAB 52.15, -45.23, 34.23

 

CMYK 81 / 0 / 67 / 38

HEX #1E9D34

RGB 30 157 52

HSL 130.39, 0.68%, 0.37%

LAB 56.72, -54.44, 44.1

 

CMYK 91 / 0 / 76 / 32

HEX #0FAD29

RGB 15 173 41

HSL 129.87, 0.84%, 0.37%

LAB 61.78, -61.86, 53.61

 

CMYK 100 / 0 / 84 / 26

HEX #00BC1F

RGB 0 188 31

HSL 129.89, 1%, 0.37%

LAB 66.57, -67.55, 61.12

 

CMYK 68 / 0 / 56 / 44

HEX #2E8E3E

RGB 46 142 62

HSL 130, 0.51%, 0.37%

LAB 52.15, -45.23, 34.23

 

CMYK 52 / 0 / 43 / 50

HEX #3D7F48

RGB 61 127 72

HSL 130, 0.35%, 0.37%

LAB 47.8, -33.7, 23.6

 

CMYK 32 / 0 / 26 / 56

HEX #4C6F52

RGB 76 111 82

HSL 130.29, 0.19%, 0.37%

LAB 43.53, -19.08, 12.24

 

CMYK 4 / 0 / 4 / 62

HEX #5C605C

RGB 92 96 92

HSL 120, 0.02%, 0.37%

LAB 40.27, -2.41, 1.73

 

CMYK 0 / 24 / 5 / 58

HEX #6B5166

RGB 107 81 102

HSL 311.54, 0.14%, 0.37%

LAB 37.79, 14.76, -7.95

 

CMYK 43 / 0 / 68 / 44

HEX #518E2E

RGB 81 142 46

HSL 98.13, 0.51%, 0.37%

LAB 53.27, -37.31, 43.41

 

CMYK 61 / 0 / 68 / 44

HEX #378E2E

RGB 55 142 46

HSL 114.38, 0.51%, 0.37%

LAB 52.24, -45.1, 41.99

 

CMYK 68 / 0 / 56 / 44

HEX #2E8E3E

RGB 46 142 62

HSL 130, 0.51%, 0.37%

LAB 52.15, -45.23, 34.23

 

CMYK 68 / 0 / 39 / 44

HEX #2E8E57

RGB 46 142 87

HSL 145.63, 0.51%, 0.37%

LAB 52.53, -40.96, 21.37

 

CMYK 68 / 0 / 20 / 44

HEX #2E8E71

RGB 46 142 113

HSL 161.88, 0.51%, 0.37%

LAB 53.08, -35.09, 7.39

 

CMYK 68 / 0 / 56 / 69

HEX #1A5023

RGB 26 80 35

HSL 130, 0.51%, 0.21%

LAB 29.61, -28.71, 21.24

 

CMYK 68 / 0 / 57 / 56

HEX #246F30

RGB 36 111 48

HSL 129.6, 0.51%, 0.29%

LAB 41.15, -37.29, 28.18

 

CMYK 68 / 0 / 56 / 44

HEX #2E8E3E

RGB 46 142 62

HSL 130, 0.51%, 0.37%

LAB 52.15, -45.23, 34.23

 

CMYK 68 / 0 / 57 / 32

HEX #38AD4B

RGB 56 173 75

HSL 129.74, 0.51%, 0.45%

LAB 62.71, -52.95, 40.49

 

CMYK 62 / 0 / 52 / 23

HEX #4AC45F

RGB 74 196 95

HSL 130.33, 0.51%, 0.53%

LAB 70.71, -54.97, 40.57

 

CMYK 68 / 0 / 56 / 44

HEX #2E8E3E

RGB 46 142 62

HSL 130, 0.51%, 0.37%

LAB 52.15, -45.23, 34.23

 

CMYK 68 / 25 / 0 / 44

HEX #2E6B8E

RGB 46 107 142

HSL 201.88, 0.51%, 0.37%

LAB 42.84, -7.99, -25

 

CMYK 0 / 68 / 52 / 44

HEX #8E2E44

RGB 142 46 68

HSL 346.25, 0.51%, 0.37%

LAB 34.24, 42.24, 9.09

 

CMYK 68 / 0 / 56 / 44

HEX #2E8E3E

RGB 46 142 62

HSL 130, 0.51%, 0.37%

LAB 52.15, -45.23, 34.23

 

CMYK 56 / 68 / 0 / 44

HEX #3E2E8E

RGB 62 46 142

HSL 250, 0.51%, 0.37%

LAB 26.54, 34.36, -50.94

 

CMYK 0 / 56 / 68 / 44

HEX #8E3E2E

RGB 142 62 46

HSL 10, 0.51%, 0.37%

LAB 36.73, 32.76, 26.17

 

CMYK 68 / 0 / 56 / 44

HEX #2E8E3E

RGB 46 142 62

HSL 130, 0.51%, 0.37%

LAB 52.15, -45.23, 34.23

 

CMYK 68 / 25 / 0 / 44

HEX #2E6B8E

RGB 46 107 142

HSL 201.88, 0.51%, 0.37%

LAB 42.84, -7.99, -25

 

CMYK 0 / 68 / 11 / 44

HEX #8E2E7E

RGB 142 46 126

HSL 310, 0.51%, 0.37%

LAB 36.39, 49.68, -24.64

 

CMYK 0 / 43 / 68 / 44

HEX #8E512E

RGB 142 81 46

HSL 21.88, 0.51%, 0.37%

LAB 40.95, 22.25, 31.15

 

CMYK 68 / 0 / 56 / 44

HEX #2E8E3E

RGB 46 142 62

HSL 130, 0.51%, 0.37%

LAB 52.15, -45.23, 34.23

 

CMYK 68 / 45 / 0 / 44

HEX #2E4E8E

RGB 46 78 142

HSL 220, 0.51%, 0.37%

LAB 33.95, 10.34, -39.02

 

CMYK 0 / 68 / 11 / 44

HEX #8E2E7E

RGB 142 46 126

HSL 310, 0.51%, 0.37%

LAB 36.39, 49.68, -24.64

 

CMYK 0 / 23 / 68 / 44

HEX #8E6E2E

RGB 142 110 46

HSL 40, 0.51%, 0.37%

LAB 48.39, 5.42, 39.5

 

Description

Color code: RGB 46 142 62 | qconv.com Color code: RGB 46 142 62 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 46 red, 142 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
46 142 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, none magenta, 56 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 0% 56% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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