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Color name
RGB 46 147 32

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 46 147 32 it is the complementary color RGB 209 108 223. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 46 147 32. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 46 147 32 shade: RGB 51 147 27, RGB 68 165 46, RGB 85 183 65, RGB 102 201 84 and RGB 119 219 103

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 46 147 32. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 46 147 32 shade: RGB 46 147 32, RGB 29 129 13, RGB 12 111 0, RGB 0 93 0 and RGB 0 75 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 46 147 32 shade: RGB 46 146 32, RGB 76 146 32, RGB 107 146 32, RGB 138 146 32 and RGB 146 123 32

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 46 147 32 shade: RGB 46 146 32, RGB 32 146 49, RGB 32 146 79, RGB 32 146 110 and RGB 32 146 141

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 46 147 32 shade matches the following richer shades: RGB 46 146 32, RGB 35 160 17 and RGB 24 175 3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 46 147 32 shade: RGB 46 146 32, RGB 56 131 46, RGB 67 117 61, RGB 78 103 75 and RGB 89 88 89

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 46 147 32 shade: RGB 108 146 32, RGB 77 146 32, RGB 47 146 32, RGB 32 146 47 and RGB 32 146 77

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 46 147 32 shade: RGB 24 78 17, RGB 35 112 24, RGB 46 146 32, RGB 56 180 39 and RGB 70 210 50

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 46 147 32 shade: RGB 46 147 32, RGB 32 138 146 and RGB 146 32 93

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 46 147 32 shade: RGB 46 147 32, RGB 32 47 146 and RGB 146 32 47

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 46 147 32 shade: RGB 46 147 32, RGB 32 138 146, RGB 131 32 146 and RGB 146 39 32

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 46 147 32 shade: RGB 46 147 32, RGB 32 104 146, RGB 131 32 146 and RGB 146 74 32

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 0 / 78 / 42

HEX #2E9320

RGB 46 147 32

HSL 112.7, 0.64%, 0.35%

LAB 53.55, -50.2, 48.76

 

Complementary color

CMYK 6 / 52 / 0 / 13

HEX #D16CDF

RGB 209 108 223

HSL 292.7, 0.64%, 0.65%

LAB 61.31, 56.38, -41.87

 

CMYK 65 / 0 / 82 / 42

HEX #33931B

RGB 51 147 27

HSL 108, 0.69%, 0.34%

LAB 53.65, -49.42, 50.52

 

CMYK 59 / 0 / 72 / 35

HEX #44A52E

RGB 68 165 46

HSL 108.91, 0.56%, 0.41%

LAB 60.19, -50.44, 50.51

 

CMYK 54 / 0 / 64 / 28

HEX #55B741

RGB 85 183 65

HSL 109.83, 0.48%, 0.49%

LAB 66.66, -51, 49.81

 

CMYK 49 / 0 / 58 / 21

HEX #66C954

RGB 102 201 84

HSL 110.77, 0.52%, 0.56%

LAB 73.05, -51.27, 48.78

 

CMYK 46 / 0 / 53 / 14

HEX #77DB67

RGB 119 219 103

HSL 111.72, 0.62%, 0.63%

LAB 79.37, -51.36, 47.61

 

CMYK 69 / 0 / 78 / 42

HEX #2E9320

RGB 46 147 32

HSL 112.7, 0.64%, 0.35%

LAB 53.55, -50.2, 48.76

 

CMYK 78 / 0 / 90 / 49

HEX #1D810D

RGB 29 129 13

HSL 111.72, 0.82%, 0.28%

LAB 46.96, -48.41, 48

 

CMYK 89 / 0 / 100 / 56

HEX #0C6F00

RGB 12 111 0

HSL 113.51, 1%, 0.22%

LAB 40.32, -45.52, 45.22

 

CMYK 100 / 0 / 100 / 64

HEX #005D00

RGB 0 93 0

HSL 120, 1%, 0.18%

LAB 33.62, -41.23, 39.79

 

CMYK 100 / 0 / 100 / 71

HEX #004B00

RGB 0 75 0

HSL 120, 1%, 0.15%

LAB 26.83, -35.58, 34.26

 

CMYK 68 / 0 / 78 / 43

HEX #2E9220

RGB 46 146 32

HSL 112.63, 0.64%, 0.35%

LAB 53.21, -49.85, 48.43

 

CMYK 48 / 0 / 78 / 43

HEX #4C9220

RGB 76 146 32

HSL 96.84, 0.64%, 0.35%

LAB 54.24, -41.74, 49.77

 

CMYK 27 / 0 / 78 / 43

HEX #6B9220

RGB 107 146 32

HSL 80.53, 0.64%, 0.35%

LAB 55.87, -30.3, 51.91

 

CMYK 5 / 0 / 78 / 43

HEX #8A9220

RGB 138 146 32

HSL 64.21, 0.64%, 0.35%

LAB 58.1, -17.02, 54.78

 

CMYK 0 / 16 / 78 / 43

HEX #927B20

RGB 146 123 32

HSL 47.89, 0.64%, 0.35%

LAB 52.27, -0.88, 49.65

 

CMYK 68 / 0 / 78 / 43

HEX #2E9220

RGB 46 146 32

HSL 112.63, 0.64%, 0.35%

LAB 53.21, -49.85, 48.43

 

CMYK 78 / 0 / 66 / 43

HEX #209231

RGB 32 146 49

HSL 128.95, 0.64%, 0.35%

LAB 53.04, -50.82, 41.39

 

CMYK 78 / 0 / 46 / 43

HEX #20924F

RGB 32 146 79

HSL 144.74, 0.64%, 0.35%

LAB 53.42, -46.4, 26.86

 

CMYK 78 / 0 / 25 / 43

HEX #20926E

RGB 32 146 110

HSL 161.05, 0.64%, 0.35%

LAB 54.02, -39.71, 10.4

 

CMYK 78 / 0 / 3 / 43

HEX #20928D

RGB 32 146 141

HSL 177.37, 0.64%, 0.35%

LAB 54.85, -31.16, -6.18

 

CMYK 68 / 0 / 78 / 43

HEX #2E9220

RGB 46 146 32

HSL 112.63, 0.64%, 0.35%

LAB 53.21, -49.85, 48.43

 

CMYK 78 / 0 / 89 / 37

HEX #23A011

RGB 35 160 17

HSL 112.45, 0.81%, 0.35%

LAB 57.6, -57.22, 56.46

 

CMYK 86 / 0 / 98 / 31

HEX #18AF03

RGB 24 175 3

HSL 112.67, 0.97%, 0.35%

LAB 62.39, -63.41, 62.53

 

CMYK 68 / 0 / 78 / 43

HEX #2E9220

RGB 46 146 32

HSL 112.63, 0.64%, 0.35%

LAB 53.21, -49.85, 48.43

 

CMYK 57 / 0 / 65 / 49

HEX #38832E

RGB 56 131 46

HSL 112.94, 0.48%, 0.35%

LAB 48.6, -40.53, 37.99

 

CMYK 43 / 0 / 48 / 54

HEX #43753D

RGB 67 117 61

HSL 113.57, 0.31%, 0.35%

LAB 44.59, -28.99, 25.65

 

CMYK 24 / 0 / 27 / 60

HEX #4E674B

RGB 78 103 75

HSL 113.57, 0.16%, 0.35%

LAB 40.94, -15.35, 12.86

 

CMYK 0 / 1 / 0 / 65

HEX #595859

RGB 89 88 89

HSL 300, 0.01%, 0.35%

LAB 37.53, 0.61, -0.44

 

CMYK 26 / 0 / 78 / 43

HEX #6C9220

RGB 108 146 32

HSL 80, 0.64%, 0.35%

LAB 55.94, -29.9, 51.99

 

CMYK 47 / 0 / 78 / 43

HEX #4D9220

RGB 77 146 32

HSL 96.32, 0.64%, 0.35%

LAB 54.28, -41.41, 49.83

 

CMYK 68 / 0 / 78 / 43

HEX #2F9220

RGB 47 146 32

HSL 112.11, 0.64%, 0.35%

LAB 53.24, -49.64, 48.46

 

CMYK 78 / 0 / 68 / 43

HEX #20922F

RGB 32 146 47

HSL 127.89, 0.64%, 0.35%

LAB 53.03, -51.03, 42.25

 

CMYK 78 / 0 / 47 / 43

HEX #20924D

RGB 32 146 77

HSL 143.68, 0.64%, 0.35%

LAB 53.39, -46.76, 27.89

 

CMYK 69 / 0 / 78 / 69

HEX #184E11

RGB 24 78 17

HSL 113.11, 0.64%, 0.19%

LAB 28.6, -30.75, 29.4

 

CMYK 69 / 0 / 79 / 56

HEX #237018

RGB 35 112 24

HSL 112.5, 0.65%, 0.27%

LAB 41.23, -40.65, 39.42

 

CMYK 68 / 0 / 78 / 43

HEX #2E9220

RGB 46 146 32

HSL 112.63, 0.64%, 0.35%

LAB 53.21, -49.85, 48.43

 

CMYK 69 / 0 / 78 / 29

HEX #38B427

RGB 56 180 39

HSL 112.77, 0.64%, 0.43%

LAB 64.67, -58.89, 57.3

 

CMYK 67 / 0 / 76 / 18

HEX #46D232

RGB 70 210 50

HSL 112.5, 0.64%, 0.51%

LAB 74.59, -65.28, 63.51

 

CMYK 69 / 0 / 78 / 42

HEX #2E9320

RGB 46 147 32

HSL 112.7, 0.64%, 0.35%

LAB 53.55, -50.2, 48.76

 

CMYK 78 / 5 / 0 / 43

HEX #208A92

RGB 32 138 146

HSL 184.21, 0.64%, 0.35%

LAB 52.46, -25.67, -12.65

 

CMYK 0 / 78 / 36 / 43

HEX #92205D

RGB 146 32 93

HSL 327.89, 0.64%, 0.35%

LAB 33.85, 51.37, -7.58

 

CMYK 69 / 0 / 78 / 42

HEX #2E9320

RGB 46 147 32

HSL 112.7, 0.64%, 0.35%

LAB 53.55, -50.2, 48.76

 

CMYK 78 / 68 / 0 / 43

HEX #202F92

RGB 32 47 146

HSL 232.11, 0.64%, 0.35%

LAB 25, 30.85, -56.02

 

CMYK 0 / 78 / 68 / 43

HEX #92202F

RGB 146 32 47

HSL 352.11, 0.64%, 0.35%

LAB 32.59, 47.41, 20.62

 

CMYK 69 / 0 / 78 / 42

HEX #2E9320

RGB 46 147 32

HSL 112.7, 0.64%, 0.35%

LAB 53.55, -50.2, 48.76

 

CMYK 78 / 5 / 0 / 43

HEX #208A92

RGB 32 138 146

HSL 184.21, 0.64%, 0.35%

LAB 52.46, -25.67, -12.65

 

CMYK 10 / 78 / 0 / 43

HEX #832092

RGB 131 32 146

HSL 292.11, 0.64%, 0.35%

LAB 33.84, 55.74, -41.14

 

CMYK 0 / 73 / 78 / 43

HEX #922720

RGB 146 39 32

HSL 3.68, 0.64%, 0.35%

LAB 33.28, 44.15, 30.74

 

CMYK 69 / 0 / 78 / 42

HEX #2E9320

RGB 46 147 32

HSL 112.7, 0.64%, 0.35%

LAB 53.55, -50.2, 48.76

 

CMYK 78 / 29 / 0 / 43

HEX #206892

RGB 32 104 146

HSL 202.11, 0.64%, 0.35%

LAB 41.66, -6.86, -29.26

 

CMYK 10 / 78 / 0 / 43

HEX #832092

RGB 131 32 146

HSL 292.11, 0.64%, 0.35%

LAB 33.84, 55.74, -41.14

 

CMYK 0 / 49 / 78 / 43

HEX #924A20

RGB 146 74 32

HSL 22.11, 0.64%, 0.35%

LAB 39.77, 27.17, 37.52

 

Description

Color code: RGB 46 147 32 | qconv.com Color code: RGB 46 147 32 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 46 red, 147 green and 32 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
46 147 32 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, none magenta, 78 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 0% 78% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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