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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 46 152 102 it is the complementary color RGB 209 103 153. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 46 152 102. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 46 152 102 shade: RGB 51 152 97, RGB 68 170 116, RGB 85 188 135, RGB 102 206 154 and RGB 119 224 173

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 46 152 102. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 46 152 102 shade: RGB 46 152 102, RGB 29 134 83, RGB 12 116 64, RGB 0 98 45 and RGB 0 80 26

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 46 152 102 shade: RGB 45 153 102, RGB 45 153 73, RGB 46 153 45, RGB 75 153 45 and RGB 104 153 45

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 46 152 102 shade: RGB 45 153 102, RGB 45 153 131, RGB 45 145 153, RGB 45 116 153 and RGB 45 87 153

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 46 152 102 shade matches the following richer shades: RGB 45 153 102, RGB 29 169 103 and RGB 13 185 104

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 46 152 102 shade: RGB 45 153 102, RGB 61 137 101, RGB 77 120 100, RGB 94 104 99 and RGB 110 88 98

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 46 152 102 shade: RGB 47 153 45, RGB 45 153 72, RGB 45 153 101, RGB 45 153 129 and RGB 45 147 153

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 46 152 102 shade: RGB 26 89 59, RGB 36 121 81, RGB 45 153 102, RGB 55 184 123 and RGB 78 202 144

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 46 152 102 shade: RGB 46 152 102, RGB 45 76 153 and RGB 153 58 45

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 46 152 102 shade: RGB 46 152 102, RGB 101 45 153 and RGB 153 101 45

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 46 152 102 shade: RGB 46 152 102, RGB 45 76 153, RGB 153 45 97 and RGB 153 122 45

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 46 152 102 shade: RGB 46 152 102, RGB 47 45 153, RGB 153 45 97 and RGB 151 153 45

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 0 / 33 / 40

HEX #2E9866

RGB 46 152 102

HSL 151.7, 0.54%, 0.39%

LAB 56.08, -42, 17.82

 

Complementary color

CMYK 0 / 51 / 27 / 18

HEX #D16799

RGB 209 103 153

HSL 331.7, 0.54%, 0.61%

LAB 57.61, 47.44, -7.59

 

CMYK 66 / 0 / 36 / 40

HEX #339861

RGB 51 152 97

HSL 147.33, 0.5%, 0.4%

LAB 56.11, -42.13, 20.65

 

CMYK 60 / 0 / 32 / 33

HEX #44AA74

RGB 68 170 116

HSL 148.24, 0.43%, 0.47%

LAB 62.71, -42.31, 19.24

 

CMYK 55 / 0 / 28 / 26

HEX #55BC87

RGB 85 188 135

HSL 149.13, 0.43%, 0.54%

LAB 69.22, -42.31, 17.95

 

CMYK 50 / 0 / 25 / 19

HEX #66CE9A

RGB 102 206 154

HSL 150, 0.51%, 0.6%

LAB 75.64, -42.21, 16.78

 

CMYK 47 / 0 / 23 / 12

HEX #77E0AD

RGB 119 224 173

HSL 150.86, 0.63%, 0.67%

LAB 81.97, -42.05, 15.7

 

CMYK 70 / 0 / 33 / 40

HEX #2E9866

RGB 46 152 102

HSL 151.7, 0.54%, 0.39%

LAB 56.08, -42, 17.82

 

CMYK 78 / 0 / 38 / 47

HEX #1D8653

RGB 29 134 83

HSL 150.86, 0.64%, 0.32%

LAB 49.42, -41.36, 19.4

 

CMYK 90 / 0 / 45 / 55

HEX #0C7440

RGB 12 116 64

HSL 150, 0.81%, 0.25%

LAB 42.67, -40.14, 21.18

 

CMYK 100 / 0 / 54 / 62

HEX #00622D

RGB 0 98 45

HSL 147.55, 1%, 0.19%

LAB 35.84, -38.1, 23.17

 

CMYK 100 / 0 / 68 / 69

HEX #00501A

RGB 0 80 26

HSL 139.5, 1%, 0.16%

LAB 28.93, -34.7, 25.25

 

CMYK 71 / 0 / 33 / 40

HEX #2D9966

RGB 45 153 102

HSL 151.67, 0.55%, 0.39%

LAB 56.39, -42.58, 18.23

 

CMYK 71 / 0 / 52 / 40

HEX #2D9949

RGB 45 153 73

HSL 135.56, 0.55%, 0.39%

LAB 55.91, -47.95, 33.21

 

CMYK 70 / 0 / 71 / 40

HEX #2E992D

RGB 46 153 45

HSL 119.44, 0.55%, 0.39%

LAB 55.64, -51.22, 45.98

 

CMYK 51 / 0 / 71 / 40

HEX #4B992D

RGB 75 153 45

HSL 103.33, 0.55%, 0.39%

LAB 56.55, -43.94, 47.22

 

CMYK 32 / 0 / 71 / 40

HEX #68992D

RGB 104 153 45

HSL 87.22, 0.55%, 0.39%

LAB 57.96, -33.93, 49.11

 

CMYK 71 / 0 / 33 / 40

HEX #2D9966

RGB 45 153 102

HSL 151.67, 0.55%, 0.39%

LAB 56.39, -42.58, 18.23

 

CMYK 71 / 0 / 14 / 40

HEX #2D9983

RGB 45 153 131

HSL 167.78, 0.55%, 0.39%

LAB 57.06, -35.57, 2.81

 

CMYK 71 / 5 / 0 / 40

HEX #2D9199

RGB 45 145 153

HSL 184.44, 0.55%, 0.39%

LAB 55.18, -25.35, -12.56

 

CMYK 71 / 24 / 0 / 40

HEX #2D7499

RGB 45 116 153

HSL 200.56, 0.55%, 0.39%

LAB 46.11, -9.58, -26.46

 

CMYK 71 / 43 / 0 / 40

HEX #2D5799

RGB 45 87 153

HSL 216.67, 0.55%, 0.39%

LAB 37.25, 8.39, -40.41

 

CMYK 71 / 0 / 33 / 40

HEX #2D9966

RGB 45 153 102

HSL 151.67, 0.55%, 0.39%

LAB 56.39, -42.58, 18.23

 

CMYK 83 / 0 / 39 / 34

HEX #1DA967

RGB 29 169 103

HSL 151.71, 0.71%, 0.39%

LAB 61.32, -50.78, 24.27

 

CMYK 93 / 0 / 44 / 27

HEX #0DB968

RGB 13 185 104

HSL 151.74, 0.87%, 0.39%

LAB 66.35, -57.51, 30.33

 

CMYK 71 / 0 / 33 / 40

HEX #2D9966

RGB 45 153 102

HSL 151.67, 0.55%, 0.39%

LAB 56.39, -42.58, 18.23

 

CMYK 55 / 0 / 26 / 46

HEX #3D8965

RGB 61 137 101

HSL 151.58, 0.38%, 0.39%

LAB 51.64, -32.48, 12.32

 

CMYK 36 / 0 / 17 / 53

HEX #4D7864

RGB 77 120 100

HSL 152.09, 0.22%, 0.39%

LAB 46.88, -19.68, 6.3

 

CMYK 10 / 0 / 5 / 59

HEX #5E6863

RGB 94 104 99

HSL 150, 0.05%, 0.39%

LAB 43.03, -4.9, 1.5

 

CMYK 0 / 20 / 11 / 57

HEX #6E5862

RGB 110 88 98

HSL 332.73, 0.11%, 0.39%

LAB 39.88, 10.85, -2.33

 

CMYK 69 / 0 / 71 / 40

HEX #2F992D

RGB 47 153 45

HSL 118.89, 0.55%, 0.39%

LAB 55.66, -51.02, 46.01

 

CMYK 71 / 0 / 53 / 40

HEX #2D9948

RGB 45 153 72

HSL 135, 0.55%, 0.39%

LAB 55.9, -48.1, 33.7

 

CMYK 71 / 0 / 34 / 40

HEX #2D9965

RGB 45 153 101

HSL 151.11, 0.55%, 0.39%

LAB 56.37, -42.8, 18.76

 

CMYK 71 / 0 / 16 / 40

HEX #2D9981

RGB 45 153 129

HSL 166.67, 0.55%, 0.39%

LAB 57, -36.1, 3.87

 

CMYK 71 / 4 / 0 / 40

HEX #2D9399

RGB 45 147 153

HSL 183.33, 0.55%, 0.39%

LAB 55.81, -26.36, -11.62

 

CMYK 71 / 0 / 34 / 65

HEX #1A593B

RGB 26 89 59

HSL 151.43, 0.55%, 0.23%

LAB 33.31, -27.87, 11.68

 

CMYK 70 / 0 / 33 / 53

HEX #247951

RGB 36 121 81

HSL 151.76, 0.54%, 0.31%

LAB 45.14, -35.23, 14.78

 

CMYK 71 / 0 / 33 / 40

HEX #2D9966

RGB 45 153 102

HSL 151.67, 0.55%, 0.39%

LAB 56.39, -42.58, 18.23

 

CMYK 70 / 0 / 33 / 28

HEX #37B87B

RGB 55 184 123

HSL 151.63, 0.54%, 0.47%

LAB 66.92, -49.06, 21.13

 

CMYK 61 / 0 / 29 / 21

HEX #4ECA90

RGB 78 202 144

HSL 151.94, 0.54%, 0.55%

LAB 73.46, -47.87, 18.97

 

CMYK 70 / 0 / 33 / 40

HEX #2E9866

RGB 46 152 102

HSL 151.7, 0.54%, 0.39%

LAB 56.08, -42, 17.82

 

CMYK 71 / 50 / 0 / 40

HEX #2D4C99

RGB 45 76 153

HSL 222.78, 0.55%, 0.39%

LAB 34.04, 15.68, -45.57

 

CMYK 0 / 62 / 71 / 40

HEX #993A2D

RGB 153 58 45

HSL 7.22, 0.55%, 0.39%

LAB 37.82, 38.96, 28.52

 

CMYK 70 / 0 / 33 / 40

HEX #2E9866

RGB 46 152 102

HSL 151.7, 0.54%, 0.39%

LAB 56.08, -42, 17.82

 

CMYK 34 / 71 / 0 / 40

HEX #652D99

RGB 101 45 153

HSL 271.11, 0.55%, 0.39%

LAB 31.68, 45.71, -49.15

 

CMYK 0 / 34 / 71 / 40

HEX #99652D

RGB 153 101 45

HSL 31.11, 0.55%, 0.39%

LAB 47.33, 15.57, 39.22

 

CMYK 70 / 0 / 33 / 40

HEX #2E9866

RGB 46 152 102

HSL 151.7, 0.54%, 0.39%

LAB 56.08, -42, 17.82

 

CMYK 71 / 50 / 0 / 40

HEX #2D4C99

RGB 45 76 153

HSL 222.78, 0.55%, 0.39%

LAB 34.04, 15.68, -45.57

 

CMYK 0 / 71 / 37 / 40

HEX #992D61

RGB 153 45 97

HSL 331.11, 0.55%, 0.39%

LAB 36.95, 49.17, -5.36

 

CMYK 0 / 20 / 71 / 40

HEX #997A2D

RGB 153 122 45

HSL 42.78, 0.55%, 0.39%

LAB 52.82, 3.56, 45.04

 

CMYK 70 / 0 / 33 / 40

HEX #2E9866

RGB 46 152 102

HSL 151.7, 0.54%, 0.39%

LAB 56.08, -42, 17.82

 

CMYK 69 / 71 / 0 / 40

HEX #2F2D99

RGB 47 45 153

HSL 241.11, 0.55%, 0.39%

LAB 26.1, 36.37, -58.48

 

CMYK 0 / 71 / 37 / 40

HEX #992D61

RGB 153 45 97

HSL 331.11, 0.55%, 0.39%

LAB 36.95, 49.17, -5.36

 

CMYK 1 / 0 / 71 / 40

HEX #97992D

RGB 151 153 45

HSL 61.11, 0.55%, 0.39%

LAB 61.27, -14.28, 53.52

 

Description

Color code: RGB 46 152 102 | qconv.com Color code: RGB 46 152 102 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 46 red, 152 green and 102 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
46 152 102 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, none magenta, 33 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 0% 33% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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