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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 46 187 175 it is the complementary color RGB 209 68 80. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 46 187 175. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 46 187 175 shade: RGB 51 187 170, RGB 68 205 189, RGB 85 223 208, RGB 102 241 227 and RGB 119 255 246

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 46 187 175. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 46 187 175 shade: RGB 46 187 175, RGB 29 169 156, RGB 12 151 137, RGB 0 133 118 and RGB 0 115 99

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 46 187 175 shade: RGB 45 188 176, RGB 45 188 138, RGB 45 188 99, RGB 45 188 60 and RGB 69 188 45

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 46 187 175 shade: RGB 45 188 176, RGB 45 162 188, RGB 45 123 188, RGB 45 85 188 and RGB 45 46 188

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 46 187 175 shade matches the following richer shades: RGB 45 188 176, RGB 26 207 192 and RGB 7 226 208

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 46 187 175 shade: RGB 45 188 176, RGB 64 169 160, RGB 83 150 145, RGB 102 131 129 and RGB 121 112 113

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 46 187 175 shade: RGB 45 188 98, RGB 45 188 136, RGB 45 188 174, RGB 45 165 188 and RGB 45 126 188

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 46 187 175 shade: RGB 29 122 114, RGB 37 155 145, RGB 45 188 176, RGB 66 209 197 and RGB 99 217 207

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 46 187 175 shade: RGB 46 187 175, RGB 60 45 188 and RGB 188 117 45

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 46 187 175 shade: RGB 46 187 175, RGB 174 45 188 and RGB 188 174 45

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 46 187 175 shade: RGB 46 187 175, RGB 60 45 188, RGB 188 45 60 and RGB 174 188 45

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 46 187 175 shade: RGB 46 187 175, RGB 102 45 188, RGB 188 45 60 and RGB 131 188 45

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 0 / 6 / 27

HEX #2EBBAF

RGB 46 187 175

HSL 174.89, 0.61%, 0.46%

LAB 68.91, -38.79, -4.46

 

Complementary color

CMYK 0 / 67 / 62 / 18

HEX #D14450

RGB 209 68 80

HSL 354.89, 0.61%, 0.54%

LAB 49.82, 56, 24.64

 

CMYK 73 / 0 / 9 / 27

HEX #33BBAA

RGB 51 187 170

HSL 172.5, 0.57%, 0.47%

LAB 68.86, -39.57, -1.78

 

CMYK 67 / 0 / 8 / 20

HEX #44CDBD

RGB 68 205 189

HSL 172.99, 0.58%, 0.54%

LAB 75.18, -40.18, -2.8

 

CMYK 62 / 0 / 7 / 13

HEX #55DFD0

RGB 85 223 208

HSL 173.48, 0.68%, 0.6%

LAB 81.43, -40.6, -3.73

 

CMYK 58 / 0 / 6 / 5

HEX #66F1E3

RGB 102 241 227

HSL 173.96, 0.83%, 0.67%

LAB 87.62, -40.88, -4.59

 

CMYK 53 / 0 / 4 / 0

HEX #77FFF6

RGB 119 255 246

HSL 176.03, 1%, 0.73%

LAB 92.62, -39.25, -7.05

 

CMYK 75 / 0 / 6 / 27

HEX #2EBBAF

RGB 46 187 175

HSL 174.89, 0.61%, 0.46%

LAB 68.91, -38.79, -4.46

 

CMYK 83 / 0 / 8 / 34

HEX #1DA99C

RGB 29 169 156

HSL 174.43, 0.71%, 0.39%

LAB 62.54, -37.73, -3.33

 

CMYK 92 / 0 / 9 / 41

HEX #0C9789

RGB 12 151 137

HSL 173.96, 0.85%, 0.32%

LAB 56.11, -36.26, -2.06

 

CMYK 100 / 0 / 11 / 48

HEX #008576

RGB 0 133 118

HSL 173.23, 1%, 0.26%

LAB 49.6, -34.32, -0.62

 

CMYK 100 / 0 / 14 / 55

HEX #007363

RGB 0 115 99

HSL 171.65, 1%, 0.23%

LAB 43.01, -31.78, 1.02

 

CMYK 76 / 0 / 6 / 26

HEX #2DBCB0

RGB 45 188 176

HSL 174.97, 0.61%, 0.46%

LAB 69.23, -39.07, -4.54

 

CMYK 76 / 0 / 27 / 26

HEX #2DBC8A

RGB 45 188 138

HSL 159.02, 0.61%, 0.46%

LAB 68.28, -48.8, 14.88

 

CMYK 76 / 0 / 47 / 26

HEX #2DBC63

RGB 45 188 99

HSL 142.66, 0.61%, 0.46%

LAB 67.59, -56.54, 34.56

 

CMYK 76 / 0 / 68 / 26

HEX #2DBC3C

RGB 45 188 60

HSL 126.29, 0.61%, 0.46%

LAB 67.16, -61.66, 52.14

 

CMYK 63 / 0 / 76 / 26

HEX #45BC2D

RGB 69 188 45

HSL 109.93, 0.61%, 0.46%

LAB 67.59, -58.47, 58.3

 

CMYK 76 / 0 / 6 / 26

HEX #2DBCB0

RGB 45 188 176

HSL 174.97, 0.61%, 0.46%

LAB 69.23, -39.07, -4.54

 

CMYK 76 / 14 / 0 / 26

HEX #2DA2BC

RGB 45 162 188

HSL 190.91, 0.61%, 0.46%

LAB 61.68, -22.89, -22.56

 

CMYK 76 / 35 / 0 / 26

HEX #2D7BBC

RGB 45 123 188

HSL 207.27, 0.61%, 0.46%

LAB 49.92, -1.11, -40.86

 

CMYK 76 / 55 / 0 / 26

HEX #2D55BC

RGB 45 85 188

HSL 223.22, 0.61%, 0.46%

LAB 39.05, 23.01, -58.29

 

CMYK 76 / 76 / 0 / 26

HEX #2D2EBC

RGB 45 46 188

HSL 239.58, 0.61%, 0.46%

LAB 29.77, 47.38, -73.49

 

CMYK 76 / 0 / 6 / 26

HEX #2DBCB0

RGB 45 188 176

HSL 174.97, 0.61%, 0.46%

LAB 69.23, -39.07, -4.54

 

CMYK 87 / 0 / 7 / 19

HEX #1ACFC0

RGB 26 207 192

HSL 175.03, 0.78%, 0.46%

LAB 75.23, -44.5, -4.42

 

CMYK 97 / 0 / 8 / 11

HEX #07E2D0

RGB 7 226 208

HSL 175.07, 0.94%, 0.46%

LAB 81.29, -48.85, -4.07

 

CMYK 76 / 0 / 6 / 26

HEX #2DBCB0

RGB 45 188 176

HSL 174.97, 0.61%, 0.46%

LAB 69.23, -39.07, -4.54

 

CMYK 62 / 0 / 5 / 34

HEX #40A9A0

RGB 64 169 160

HSL 174.86, 0.45%, 0.46%

LAB 63.35, -32.03, -4.31

 

CMYK 45 / 0 / 3 / 41

HEX #539691

RGB 83 150 145

HSL 175.52, 0.29%, 0.46%

LAB 57.75, -22.56, -4.02

 

CMYK 22 / 0 / 2 / 49

HEX #668381

RGB 102 131 129

HSL 175.86, 0.12%, 0.46%

LAB 52.56, -10.74, -2.32

 

CMYK 0 / 7 / 7 / 53

HEX #797071

RGB 121 112 113

HSL 353.33, 0.04%, 0.46%

LAB 48.06, 3.68, 0.7

 

CMYK 76 / 0 / 48 / 26

HEX #2DBC62

RGB 45 188 98

HSL 142.24, 0.61%, 0.46%

LAB 67.58, -56.7, 35.05

 

CMYK 76 / 0 / 28 / 26

HEX #2DBC88

RGB 45 188 136

HSL 158.18, 0.61%, 0.46%

LAB 68.24, -49.25, 15.91

 

CMYK 76 / 0 / 7 / 26

HEX #2DBCAE

RGB 45 188 174

HSL 174.13, 0.61%, 0.46%

LAB 69.17, -39.63, -3.53

 

CMYK 76 / 12 / 0 / 26

HEX #2DA5BC

RGB 45 165 188

HSL 189.65, 0.61%, 0.46%

LAB 62.59, -24.43, -21.16

 

CMYK 76 / 33 / 0 / 26

HEX #2D7EBC

RGB 45 126 188

HSL 206.01, 0.61%, 0.46%

LAB 50.82, -2.9, -39.45

 

CMYK 76 / 0 / 7 / 52

HEX #1D7A72

RGB 29 122 114

HSL 174.84, 0.62%, 0.3%

LAB 46.17, -28.04, -3.26

 

CMYK 76 / 0 / 6 / 39

HEX #259B91

RGB 37 155 145

HSL 174.92, 0.61%, 0.38%

LAB 57.92, -33.67, -3.91

 

CMYK 76 / 0 / 6 / 26

HEX #2DBCB0

RGB 45 188 176

HSL 174.97, 0.61%, 0.46%

LAB 69.23, -39.07, -4.54

 

CMYK 68 / 0 / 6 / 18

HEX #42D1C5

RGB 66 209 197

HSL 174.97, 0.61%, 0.54%

LAB 76.55, -40.12, -5.1

 

CMYK 54 / 0 / 5 / 15

HEX #63D9CF

RGB 99 217 207

HSL 174.92, 0.61%, 0.62%

LAB 80.06, -35.57, -5.19

 

CMYK 75 / 0 / 6 / 27

HEX #2EBBAF

RGB 46 187 175

HSL 174.89, 0.61%, 0.46%

LAB 68.91, -38.79, -4.46

 

CMYK 68 / 76 / 0 / 26

HEX #3C2DBC

RGB 60 45 188

HSL 246.29, 0.61%, 0.46%

LAB 30.56, 49.28, -72.14

 

CMYK 0 / 38 / 76 / 26

HEX #BC752D

RGB 188 117 45

HSL 30.21, 0.61%, 0.46%

LAB 55.69, 21.99, 49.29

 

CMYK 75 / 0 / 6 / 27

HEX #2EBBAF

RGB 46 187 175

HSL 174.89, 0.61%, 0.46%

LAB 68.91, -38.79, -4.46

 

CMYK 7 / 76 / 0 / 26

HEX #AE2DBC

RGB 174 45 188

HSL 294.13, 0.61%, 0.46%

LAB 44.95, 67.87, -48.1

 

CMYK 0 / 7 / 76 / 26

HEX #BCAE2D

RGB 188 174 45

HSL 54.13, 0.61%, 0.46%

LAB 70.28, -8.98, 63.25

 

CMYK 75 / 0 / 6 / 27

HEX #2EBBAF

RGB 46 187 175

HSL 174.89, 0.61%, 0.46%

LAB 68.91, -38.79, -4.46

 

CMYK 68 / 76 / 0 / 26

HEX #3C2DBC

RGB 60 45 188

HSL 246.29, 0.61%, 0.46%

LAB 30.56, 49.28, -72.14

 

CMYK 0 / 76 / 68 / 26

HEX #BC2D3C

RGB 188 45 60

HSL 353.71, 0.61%, 0.46%

LAB 42.6, 56.67, 26.76

 

CMYK 7 / 0 / 76 / 26

HEX #AEBC2D

RGB 174 188 45

HSL 65.87, 0.61%, 0.46%

LAB 72.99, -22.12, 65.34

 

CMYK 75 / 0 / 6 / 27

HEX #2EBBAF

RGB 46 187 175

HSL 174.89, 0.61%, 0.46%

LAB 68.91, -38.79, -4.46

 

CMYK 46 / 76 / 0 / 26

HEX #662DBC

RGB 102 45 188

HSL 263.92, 0.61%, 0.46%

LAB 34.67, 54.75, -65.25

 

CMYK 0 / 76 / 68 / 26

HEX #BC2D3C

RGB 188 45 60

HSL 353.71, 0.61%, 0.46%

LAB 42.6, 56.67, 26.76

 

CMYK 30 / 0 / 76 / 26

HEX #83BC2D

RGB 131 188 45

HSL 83.92, 0.61%, 0.46%

LAB 70.16, -39.43, 61.67

 

Description

Color code: RGB 46 187 175 | qconv.com Color code: RGB 46 187 175 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 46 red, 187 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
46 187 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, none magenta, 6 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 0% 6% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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