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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 46 188 30 it is the complementary color RGB 209 67 225. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 46 188 30. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 46 188 30 shade: RGB 51 188 25, RGB 68 206 44, RGB 85 224 63, RGB 102 242 82 and RGB 119 255 101

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 46 188 30. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 46 188 30 shade: RGB 46 188 30, RGB 29 170 11, RGB 12 152 0, RGB 0 134 0 and RGB 0 116 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 46 188 30 shade: RGB 46 188 30, RGB 89 188 30, RGB 131 188 30, RGB 174 188 30 and RGB 188 160 30

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 46 188 30 shade: RGB 46 188 30, RGB 30 188 57, RGB 30 188 99, RGB 30 188 142 and RGB 30 188 185

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 46 188 30 shade matches the following richer shades: RGB 46 188 30 and RGB 32 206 12

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 46 188 30 shade: RGB 46 188 30, RGB 60 170 48, RGB 74 153 66, RGB 89 135 83 and RGB 103 117 101

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 46 188 30 shade: RGB 133 188 30, RGB 91 188 30, RGB 49 188 30, RGB 30 188 54 and RGB 30 188 96

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 46 188 30 shade: RGB 29 117 19, RGB 37 153 24, RGB 46 188 30, RGB 58 220 40 and RGB 91 225 75

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 46 188 30 shade: RGB 46 188 30, RGB 30 175 188 and RGB 188 30 112

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 46 188 30 shade: RGB 46 188 30, RGB 30 49 188 and RGB 188 30 49

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 46 188 30 shade: RGB 46 188 30, RGB 30 175 188, RGB 170 30 188 and RGB 188 43 30

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 46 188 30 shade: RGB 46 188 30, RGB 30 128 188, RGB 170 30 188 and RGB 188 91 30

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 0 / 84 / 26

HEX #2EBC1E

RGB 46 188 30

HSL 113.92, 0.72%, 0.43%

LAB 67.01, -63.68, 61.94

 

Complementary color

CMYK 7 / 70 / 0 / 12

HEX #D143E1

RGB 209 67 225

HSL 293.92, 0.72%, 0.57%

LAB 55.08, 74.14, -52.87

 

CMYK 73 / 0 / 87 / 26

HEX #33BC19

RGB 51 188 25

HSL 110.43, 0.77%, 0.42%

LAB 67.08, -63.09, 63.19

 

CMYK 67 / 0 / 79 / 19

HEX #44CE2C

RGB 68 206 44

HSL 111.11, 0.65%, 0.49%

LAB 73.25, -64.75, 64.07

 

CMYK 62 / 0 / 72 / 12

HEX #55E03F

RGB 85 224 63

HSL 111.8, 0.72%, 0.56%

LAB 79.39, -65.87, 64.03

 

CMYK 58 / 0 / 66 / 5

HEX #66F252

RGB 102 242 82

HSL 112.5, 0.86%, 0.64%

LAB 85.47, -66.62, 63.47

 

CMYK 53 / 0 / 60 / 0

HEX #77FF65

RGB 119 255 101

HSL 112.99, 1%, 0.7%

LAB 90.04, -65.3, 60.93

 

CMYK 76 / 0 / 84 / 26

HEX #2EBC1E

RGB 46 188 30

HSL 113.92, 0.72%, 0.43%

LAB 67.01, -63.68, 61.94

 

CMYK 83 / 0 / 94 / 33

HEX #1DAA0B

RGB 29 170 11

HSL 113.21, 0.88%, 0.35%

LAB 60.81, -61.24, 60.18

 

CMYK 92 / 0 / 100 / 40

HEX #0C9800

RGB 12 152 0

HSL 115.26, 1%, 0.3%

LAB 54.59, -57.83, 56.64

 

CMYK 100 / 0 / 100 / 47

HEX #008600

RGB 0 134 0

HSL 120, 1%, 0.26%

LAB 48.32, -53.44, 51.58

 

CMYK 100 / 0 / 100 / 55

HEX #007400

RGB 0 116 0

HSL 120, 1%, 0.23%

LAB 41.99, -48.17, 46.5

 

CMYK 76 / 0 / 84 / 26

HEX #2EBC1E

RGB 46 188 30

HSL 113.92, 0.72%, 0.43%

LAB 67.01, -63.68, 61.94

 

CMYK 53 / 0 / 84 / 26

HEX #59BC1E

RGB 89 188 30

HSL 97.59, 0.72%, 0.43%

LAB 68.16, -54.19, 63.4

 

CMYK 30 / 0 / 84 / 26

HEX #83BC1E

RGB 131 188 30

HSL 81.65, 0.72%, 0.43%

LAB 70.1, -40.09, 65.85

 

CMYK 7 / 0 / 84 / 26

HEX #AEBC1E

RGB 174 188 30

HSL 65.32, 0.72%, 0.43%

LAB 72.93, -22.66, 69.4

 

CMYK 0 / 15 / 84 / 26

HEX #BCA01E

RGB 188 160 30

HSL 49.37, 0.72%, 0.43%

LAB 66.46, -2.1, 64.44

 

CMYK 76 / 0 / 84 / 26

HEX #2EBC1E

RGB 46 188 30

HSL 113.92, 0.72%, 0.43%

LAB 67.01, -63.68, 61.94

 

CMYK 84 / 0 / 70 / 26

HEX #1EBC39

RGB 30 188 57

HSL 130.25, 0.72%, 0.43%

LAB 66.93, -63.79, 53.02

 

CMYK 84 / 0 / 47 / 26

HEX #1EBC63

RGB 30 188 99

HSL 146.2, 0.72%, 0.43%

LAB 67.38, -58.25, 34.25

 

CMYK 84 / 0 / 24 / 26

HEX #1EBC8E

RGB 30 188 142

HSL 162.53, 0.72%, 0.43%

LAB 68.16, -49.4, 12.51

 

CMYK 84 / 0 / 2 / 26

HEX #1EBCB9

RGB 30 188 185

HSL 178.86, 0.72%, 0.43%

LAB 69.29, -37.82, -9.42

 

CMYK 76 / 0 / 84 / 26

HEX #2EBC1E

RGB 46 188 30

HSL 113.92, 0.72%, 0.43%

LAB 67.01, -63.68, 61.94

 

CMYK 84 / 0 / 94 / 19

HEX #20CE0C

RGB 32 206 12

HSL 113.81, 0.89%, 0.43%

LAB 72.55, -71.29, 69.84

 

CMYK 76 / 0 / 84 / 26

HEX #2EBC1E

RGB 46 188 30

HSL 113.92, 0.72%, 0.43%

LAB 67.01, -63.68, 61.94

 

CMYK 65 / 0 / 72 / 33

HEX #3CAA30

RGB 60 170 48

HSL 114.1, 0.56%, 0.43%

LAB 61.59, -53.99, 51.11

 

CMYK 52 / 0 / 57 / 40

HEX #4A9942

RGB 74 153 66

HSL 114.48, 0.4%, 0.43%

LAB 56.71, -42.04, 37.9

 

CMYK 34 / 0 / 39 / 47

HEX #598753

RGB 89 135 83

HSL 113.08, 0.24%, 0.43%

LAB 51.92, -26.56, 23.11

 

CMYK 12 / 0 / 14 / 54

HEX #677565

RGB 103 117 101

HSL 112.5, 0.07%, 0.43%

LAB 47.68, -8.54, 7.08

 

CMYK 29 / 0 / 84 / 26

HEX #85BC1E

RGB 133 188 30

HSL 80.89, 0.72%, 0.43%

LAB 70.21, -39.33, 66

 

CMYK 52 / 0 / 84 / 26

HEX #5BBC1E

RGB 91 188 30

HSL 96.84, 0.72%, 0.43%

LAB 68.23, -53.61, 63.49

 

CMYK 74 / 0 / 84 / 26

HEX #31BC1E

RGB 49 188 30

HSL 112.78, 0.72%, 0.43%

LAB 67.06, -63.21, 62.01

 

CMYK 84 / 0 / 71 / 26

HEX #1EBC36

RGB 30 188 54

HSL 129.11, 0.72%, 0.43%

LAB 66.91, -64.06, 54.16

 

CMYK 84 / 0 / 49 / 26

HEX #1EBC60

RGB 30 188 96

HSL 145.06, 0.72%, 0.43%

LAB 67.34, -58.75, 35.71

 

CMYK 75 / 0 / 84 / 54

HEX #1D7513

RGB 29 117 19

HSL 113.88, 0.72%, 0.27%

LAB 42.81, -44.05, 42.62

 

CMYK 76 / 0 / 84 / 40

HEX #259918

RGB 37 153 24

HSL 113.95, 0.73%, 0.35%

LAB 55.32, -54.38, 52.8

 

CMYK 76 / 0 / 84 / 26

HEX #2EBC1E

RGB 46 188 30

HSL 113.92, 0.72%, 0.43%

LAB 67.01, -63.68, 61.94

 

CMYK 74 / 0 / 82 / 14

HEX #3ADC28

RGB 58 220 40

HSL 114, 0.72%, 0.51%

LAB 77.42, -71.1, 68.98

 

CMYK 60 / 0 / 67 / 12

HEX #5BE14B

RGB 91 225 75

HSL 113.6, 0.71%, 0.59%

LAB 79.94, -63.88, 60.18

 

CMYK 76 / 0 / 84 / 26

HEX #2EBC1E

RGB 46 188 30

HSL 113.92, 0.72%, 0.43%

LAB 67.01, -63.68, 61.94

 

CMYK 84 / 7 / 0 / 26

HEX #1EAFBC

RGB 30 175 188

HSL 184.94, 0.72%, 0.43%

LAB 65.41, -30.79, -16.9

 

CMYK 0 / 84 / 40 / 26

HEX #BC1E70

RGB 188 30 112

HSL 328.86, 0.72%, 0.43%

LAB 42.44, 64.67, -5.92

 

CMYK 76 / 0 / 84 / 26

HEX #2EBC1E

RGB 46 188 30

HSL 113.92, 0.72%, 0.43%

LAB 67.01, -63.68, 61.94

 

CMYK 84 / 74 / 0 / 26

HEX #1E31BC

RGB 30 49 188

HSL 232.78, 0.72%, 0.43%

LAB 29.67, 44.65, -73.67

 

CMYK 0 / 84 / 74 / 26

HEX #BC1E31

RGB 188 30 49

HSL 352.78, 0.72%, 0.43%

LAB 40.96, 60.33, 31.48

 

CMYK 76 / 0 / 84 / 26

HEX #2EBC1E

RGB 46 188 30

HSL 113.92, 0.72%, 0.43%

LAB 67.01, -63.68, 61.94

 

CMYK 84 / 7 / 0 / 26

HEX #1EAFBC

RGB 30 175 188

HSL 184.94, 0.72%, 0.43%

LAB 65.41, -30.79, -16.9

 

CMYK 10 / 84 / 0 / 26

HEX #AA1EBC

RGB 170 30 188

HSL 293.16, 0.72%, 0.43%

LAB 42.92, 71.1, -51.39

 

CMYK 0 / 77 / 84 / 26

HEX #BC2B1E

RGB 188 43 30

HSL 4.94, 0.72%, 0.43%

LAB 42.02, 56.15, 43.25

 

CMYK 76 / 0 / 84 / 26

HEX #2EBC1E

RGB 46 188 30

HSL 113.92, 0.72%, 0.43%

LAB 67.01, -63.68, 61.94

 

CMYK 84 / 32 / 0 / 26

HEX #1E80BC

RGB 30 128 188

HSL 202.78, 0.72%, 0.43%

LAB 51.09, -5.64, -39.04

 

CMYK 10 / 84 / 0 / 26

HEX #AA1EBC

RGB 170 30 188

HSL 293.16, 0.72%, 0.43%

LAB 42.92, 71.1, -51.39

 

CMYK 0 / 52 / 84 / 26

HEX #BC5B1E

RGB 188 91 30

HSL 23.16, 0.72%, 0.43%

LAB 49.82, 35.43, 50.18

 

Description

Color code: RGB 46 188 30 | qconv.com Color code: RGB 46 188 30 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 46 red, 188 green and 30 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
46 188 30 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, none magenta, 84 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 0% 84% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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