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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 48 97 114 it is the complementary color RGB 207 158 141. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 48 97 114. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 48 97 114 shade: RGB 53 97 109, RGB 70 115 128, RGB 87 133 147, RGB 104 151 166 and RGB 121 169 185

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 48 97 114. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 48 97 114 shade: RGB 48 97 114, RGB 31 79 95, RGB 14 61 76, RGB 0 43 57 and RGB 0 25 38

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 48 97 114 shade: RGB 48 97 115, RGB 48 79 115, RGB 48 61 115, RGB 52 48 115 and RGB 70 48 115

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 48 97 114 shade: RGB 48 97 115, RGB 48 79 115, RGB 48 61 115 and RGB 48 48 115

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 48 97 114 shade matches the following richer shades: RGB 48 97 115, RGB 34 104 128, RGB 21 110 141 and RGB 8 117 154

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 48 97 114 shade: RGB 48 97 115, RGB 61 91 101, RGB 74 85 88, RGB 87 78 75 and RGB 100 72 62

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 48 97 114 shade: RGB 48 115 96, RGB 48 115 113, RGB 48 98 115, RGB 48 80 115 and RGB 48 62 115

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 48 97 114 shade: RGB 23 48 56, RGB 35 73 85, RGB 48 97 115, RGB 60 122 144 and RGB 72 147 173

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 48 97 114 shade: RGB 48 97 114, RGB 78 48 115 and RGB 115 105 48

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 48 97 114 shade: RGB 48 97 114, RGB 115 48 98 and RGB 98 115 48

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 48 97 114 shade: RGB 48 97 114, RGB 78 48 115, RGB 115 64 48 and RGB 84 115 48

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 48 97 114 shade: RGB 48 97 114, RGB 98 48 115, RGB 115 64 48 and RGB 64 115 48

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 15 / 0 / 55

HEX #306172

RGB 48 97 114

HSL 195.45, 0.41%, 0.32%

LAB 38.54, -11.21, -14.66

 

Complementary color

CMYK 0 / 24 / 32 / 19

HEX #CF9E8D

RGB 207 158 141

HSL 15.45, 0.41%, 0.68%

LAB 69.21, 15.84, 15.92

 

CMYK 51 / 11 / 0 / 57

HEX #35616D

RGB 53 97 109

HSL 192.86, 0.35%, 0.32%

LAB 38.57, -11.59, -11.52

 

CMYK 45 / 10 / 0 / 50

HEX #467380

RGB 70 115 128

HSL 193.45, 0.29%, 0.39%

LAB 45.8, -11.76, -12

 

CMYK 41 / 10 / 0 / 42

HEX #578593

RGB 87 133 147

HSL 194, 0.26%, 0.46%

LAB 52.85, -11.86, -12.46

 

CMYK 37 / 9 / 0 / 35

HEX #6897A6

RGB 104 151 166

HSL 194.52, 0.26%, 0.53%

LAB 59.73, -11.92, -12.9

 

CMYK 35 / 9 / 0 / 27

HEX #79A9B9

RGB 121 169 185

HSL 195, 0.31%, 0.6%

LAB 66.48, -11.96, -13.34

 

CMYK 58 / 15 / 0 / 55

HEX #306172

RGB 48 97 114

HSL 195.45, 0.41%, 0.32%

LAB 38.54, -11.21, -14.66

 

CMYK 67 / 17 / 0 / 63

HEX #1F4F5F

RGB 31 79 95

HSL 195, 0.51%, 0.25%

LAB 31.14, -10.64, -14.18

 

CMYK 82 / 20 / 0 / 70

HEX #0E3D4C

RGB 14 61 76

HSL 194.52, 0.69%, 0.18%

LAB 23.51, -9.64, -13.62

 

CMYK 100 / 25 / 0 / 78

HEX #002B39

RGB 0 43 57

HSL 194.74, 1%, 0.11%

LAB 15.61, -8.04, -12.96

 

CMYK 100 / 34 / 0 / 85

HEX #001926

RGB 0 25 38

HSL 200.53, 1%, 0.07%

LAB 7.54, -3.95, -11.81

 

CMYK 58 / 16 / 0 / 55

HEX #306173

RGB 48 97 115

HSL 196.12, 0.41%, 0.32%

LAB 38.58, -10.88, -15.21

 

CMYK 58 / 31 / 0 / 55

HEX #304F73

RGB 48 79 115

HSL 212.24, 0.41%, 0.32%

LAB 32.83, 0.2, -24.11

 

CMYK 58 / 47 / 0 / 55

HEX #303D73

RGB 48 61 115

HSL 228.36, 0.41%, 0.32%

LAB 27.31, 12.22, -32.83

 

CMYK 55 / 58 / 0 / 55

HEX #343073

RGB 52 48 115

HSL 243.58, 0.41%, 0.32%

LAB 23.94, 22.03, -38.23

 

CMYK 39 / 58 / 0 / 55

HEX #463073

RGB 70 48 115

HSL 259.7, 0.41%, 0.32%

LAB 25.72, 26.46, -35.26

 

CMYK 58 / 16 / 0 / 55

HEX #306173

RGB 48 97 115

HSL 196.12, 0.41%, 0.32%

LAB 38.58, -10.88, -15.21

 

CMYK 58 / 31 / 0 / 55

HEX #304F73

RGB 48 79 115

HSL 212.24, 0.41%, 0.32%

LAB 32.83, 0.2, -24.11

 

CMYK 58 / 47 / 0 / 55

HEX #303D73

RGB 48 61 115

HSL 228.36, 0.41%, 0.32%

LAB 27.31, 12.22, -32.83

 

CMYK 58 / 58 / 0 / 55

HEX #303073

RGB 48 48 115

HSL 240, 0.41%, 0.32%

LAB 23.61, 21.15, -38.78

 

CMYK 58 / 16 / 0 / 55

HEX #306173

RGB 48 97 115

HSL 196.12, 0.41%, 0.32%

LAB 38.58, -10.88, -15.21

 

CMYK 73 / 19 / 0 / 50

HEX #226880

RGB 34 104 128

HSL 195.32, 0.58%, 0.32%

LAB 40.9, -13.15, -19.62

 

CMYK 85 / 22 / 0 / 45

HEX #156E8D

RGB 21 110 141

HSL 195.5, 0.74%, 0.32%

LAB 43.11, -13.43, -24.02

 

CMYK 95 / 24 / 0 / 40

HEX #08759A

RGB 8 117 154

HSL 195.21, 0.9%, 0.32%

LAB 45.78, -13.43, -27.61

 

CMYK 58 / 16 / 0 / 55

HEX #306173

RGB 48 97 115

HSL 196.12, 0.41%, 0.32%

LAB 38.58, -10.88, -15.21

 

CMYK 40 / 10 / 0 / 60

HEX #3D5B65

RGB 61 91 101

HSL 195, 0.25%, 0.32%

LAB 36.77, -8.2, -9.25

 

CMYK 16 / 3 / 0 / 65

HEX #4A5558

RGB 74 85 88

HSL 192.86, 0.09%, 0.32%

LAB 35.32, -3.59, -3.21

 

CMYK 0 / 10 / 14 / 66

HEX #574E4B

RGB 87 78 75

HSL 15, 0.07%, 0.32%

LAB 33.95, 3.14, 3.13

 

CMYK 0 / 28 / 38 / 61

HEX #64483E

RGB 100 72 62

HSL 15.79, 0.23%, 0.32%

LAB 33.33, 10.45, 10.69

 

CMYK 58 / 0 / 17 / 55

HEX #307360

RGB 48 115 96

HSL 162.99, 0.41%, 0.32%

LAB 43.85, -26.25, 4.16

 

CMYK 58 / 0 / 2 / 55

HEX #307371

RGB 48 115 113

HSL 178.21, 0.41%, 0.32%

LAB 44.35, -21.52, -5.3

 

CMYK 58 / 15 / 0 / 55

HEX #306273

RGB 48 98 115

HSL 195.22, 0.41%, 0.32%

LAB 38.9, -11.47, -14.72

 

CMYK 58 / 30 / 0 / 55

HEX #305073

RGB 48 80 115

HSL 211.34, 0.41%, 0.32%

LAB 33.14, -0.44, -23.61

 

CMYK 58 / 46 / 0 / 55

HEX #303E73

RGB 48 62 115

HSL 227.46, 0.41%, 0.32%

LAB 27.6, 11.53, -32.36

 

CMYK 59 / 14 / 0 / 78

HEX #173038

RGB 23 48 56

HSL 194.55, 0.42%, 0.15%

LAB 18.28, -6.94, -8.08

 

CMYK 59 / 14 / 0 / 67

HEX #234955

RGB 35 73 85

HSL 194.4, 0.42%, 0.24%

LAB 28.85, -9.58, -11.26

 

CMYK 58 / 16 / 0 / 55

HEX #306173

RGB 48 97 115

HSL 196.12, 0.41%, 0.32%

LAB 38.58, -10.88, -15.21

 

CMYK 58 / 15 / 0 / 44

HEX #3C7A90

RGB 60 122 144

HSL 195.71, 0.41%, 0.4%

LAB 48.13, -13.25, -17.99

 

CMYK 58 / 15 / 0 / 32

HEX #4893AD

RGB 72 147 173

HSL 195.45, 0.41%, 0.48%

LAB 57.33, -15.5, -20.67

 

CMYK 58 / 15 / 0 / 55

HEX #306172

RGB 48 97 114

HSL 195.45, 0.41%, 0.32%

LAB 38.54, -11.21, -14.66

 

CMYK 32 / 58 / 0 / 55

HEX #4E3073

RGB 78 48 115

HSL 266.87, 0.41%, 0.32%

LAB 26.65, 28.62, -33.72

 

CMYK 0 / 9 / 58 / 55

HEX #736930

RGB 115 105 48

HSL 51.04, 0.41%, 0.32%

LAB 44.18, -4.07, 32.98

 

CMYK 58 / 15 / 0 / 55

HEX #306172

RGB 48 97 114

HSL 195.45, 0.41%, 0.32%

LAB 38.54, -11.21, -14.66

 

CMYK 0 / 58 / 15 / 55

HEX #733062

RGB 115 48 98

HSL 315.22, 0.41%, 0.32%

LAB 30.97, 36.15, -15.67

 

CMYK 15 / 0 / 58 / 55

HEX #627330

RGB 98 115 48

HSL 75.22, 0.41%, 0.32%

LAB 45.73, -17.35, 34.39

 

CMYK 58 / 15 / 0 / 55

HEX #306172

RGB 48 97 114

HSL 195.45, 0.41%, 0.32%

LAB 38.54, -11.21, -14.66

 

CMYK 32 / 58 / 0 / 55

HEX #4E3073

RGB 78 48 115

HSL 266.87, 0.41%, 0.32%

LAB 26.65, 28.62, -33.72

 

CMYK 0 / 44 / 58 / 55

HEX #734030

RGB 115 64 48

HSL 14.33, 0.41%, 0.32%

LAB 32.97, 20.44, 19.36

 

CMYK 27 / 0 / 58 / 55

HEX #547330

RGB 84 115 48

HSL 87.76, 0.41%, 0.32%

LAB 44.74, -23.29, 33

 

CMYK 58 / 15 / 0 / 55

HEX #306172

RGB 48 97 114

HSL 195.45, 0.41%, 0.32%

LAB 38.54, -11.21, -14.66

 

CMYK 15 / 58 / 0 / 55

HEX #623073

RGB 98 48 115

HSL 284.78, 0.41%, 0.32%

LAB 29.28, 34.3, -29.38

 

CMYK 0 / 44 / 58 / 55

HEX #734030

RGB 115 64 48

HSL 14.33, 0.41%, 0.32%

LAB 32.97, 20.44, 19.36

 

CMYK 44 / 0 / 58 / 55

HEX #407330

RGB 64 115 48

HSL 105.67, 0.41%, 0.32%

LAB 43.6, -30.89, 31.37

 

Description

Color code: RGB 48 97 114 | qconv.com Color code: RGB 48 97 114 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 48 red, 97 green and 114 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
48 97 114 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, 15 magenta, none yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 15% 0% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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