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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 48 175 200 it is the complementary color RGB 207 80 55. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 48 175 200. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 48 175 200 shade: RGB 53 175 195, RGB 70 193 214, RGB 87 211 233, RGB 104 229 252 and RGB 121 247 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 48 175 200. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 48 175 200 shade: RGB 48 175 200, RGB 31 157 181, RGB 14 139 162, RGB 0 121 143 and RGB 0 103 124

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 48 175 200 shade: RGB 48 176 201, RGB 48 134 201, RGB 48 93 201, RGB 48 52 201 and RGB 85 48 201

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 48 175 200 shade: RGB 48 176 201, RGB 48 134 201, RGB 48 93 201, RGB 48 52 201 and RGB 48 48 201

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 48 175 200 shade matches the following richer shades: RGB 48 176 201, RGB 28 189 221 and RGB 8 203 241

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 48 175 200 shade: RGB 48 176 201, RGB 68 162 180, RGB 89 148 160, RGB 109 135 140 and RGB 129 121 120

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 48 175 200 shade: RGB 48 201 142, RGB 48 201 183, RGB 48 178 201, RGB 48 137 201 and RGB 48 97 201

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 48 175 200 shade: RGB 32 117 134, RGB 40 147 167, RGB 48 176 201, RGB 78 190 212 and RGB 112 202 220

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 48 175 200 shade: RGB 48 175 200, RGB 102 48 201 and RGB 201 163 48

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 48 175 200 shade: RGB 48 175 200, RGB 201 48 178 and RGB 178 201 48

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 48 175 200 shade: RGB 48 175 200, RGB 102 48 201, RGB 201 71 48 and RGB 147 201 48

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 48 175 200 shade: RGB 48 175 200, RGB 147 48 201, RGB 201 71 48 and RGB 102 201 48

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 13 / 0 / 22

HEX #30AFC8

RGB 48 175 200

HSL 189.87, 0.61%, 0.49%

LAB 66.1, -25.32, -22.47

 

Complementary color

CMYK 0 / 61 / 73 / 19

HEX #CF5037

RGB 207 80 55

HSL 9.87, 0.61%, 0.51%

LAB 51.01, 48.88, 40.32

 

CMYK 73 / 10 / 0 / 24

HEX #35AFC3

RGB 53 175 195

HSL 188.45, 0.57%, 0.49%

LAB 66.03, -26.31, -19.81

 

CMYK 67 / 10 / 0 / 16

HEX #46C1D6

RGB 70 193 214

HSL 188.75, 0.64%, 0.56%

LAB 72.43, -27.14, -20.47

 

CMYK 63 / 9 / 0 / 9

HEX #57D3E9

RGB 87 211 233

HSL 189.04, 0.77%, 0.63%

LAB 78.75, -27.78, -21.08

 

CMYK 59 / 9 / 0 / 1

HEX #68E5FC

RGB 104 229 252

HSL 189.32, 0.96%, 0.7%

LAB 85, -28.26, -21.64

 

CMYK 53 / 3 / 0 / 0

HEX #79F7FF

RGB 121 247 255

HSL 183.58, 1%, 0.74%

LAB 90.69, -32.88, -14.58

 

CMYK 76 / 13 / 0 / 22

HEX #30AFC8

RGB 48 175 200

HSL 189.87, 0.61%, 0.49%

LAB 66.1, -25.32, -22.47

 

CMYK 83 / 13 / 0 / 29

HEX #1F9DB5

RGB 31 157 181

HSL 189.6, 0.71%, 0.42%

LAB 59.65, -24.01, -21.74

 

CMYK 91 / 14 / 0 / 36

HEX #0E8BA2

RGB 14 139 162

HSL 189.32, 0.84%, 0.35%

LAB 53.13, -22.28, -20.91

 

CMYK 100 / 15 / 0 / 44

HEX #00798F

RGB 0 121 143

HSL 189.23, 1%, 0.28%

LAB 46.52, -20.09, -19.97

 

CMYK 100 / 17 / 0 / 51

HEX #00677C

RGB 0 103 124

HSL 190.16, 1%, 0.24%

LAB 39.84, -17.2, -18.86

 

CMYK 76 / 12 / 0 / 21

HEX #30B0C9

RGB 48 176 201

HSL 189.8, 0.61%, 0.49%

LAB 66.44, -25.5, -22.51

 

CMYK 76 / 33 / 0 / 21

HEX #3086C9

RGB 48 134 201

HSL 206.27, 0.61%, 0.49%

LAB 53.92, -2.55, -41.97

 

CMYK 76 / 54 / 0 / 21

HEX #305DC9

RGB 48 93 201

HSL 222.35, 0.61%, 0.49%

LAB 42.27, 23.04, -60.61

 

CMYK 76 / 74 / 0 / 21

HEX #3034C9

RGB 48 52 201

HSL 238.43, 0.61%, 0.49%

LAB 32.48, 48.57, -76.63

 

CMYK 58 / 76 / 0 / 21

HEX #5530C9

RGB 85 48 201

HSL 254.51, 0.61%, 0.49%

LAB 34.52, 54.49, -73.17

 

CMYK 76 / 12 / 0 / 21

HEX #30B0C9

RGB 48 176 201

HSL 189.8, 0.61%, 0.49%

LAB 66.44, -25.5, -22.51

 

CMYK 76 / 33 / 0 / 21

HEX #3086C9

RGB 48 134 201

HSL 206.27, 0.61%, 0.49%

LAB 53.92, -2.55, -41.97

 

CMYK 76 / 54 / 0 / 21

HEX #305DC9

RGB 48 93 201

HSL 222.35, 0.61%, 0.49%

LAB 42.27, 23.04, -60.61

 

CMYK 76 / 74 / 0 / 21

HEX #3034C9

RGB 48 52 201

HSL 238.43, 0.61%, 0.49%

LAB 32.48, 48.57, -76.63

 

CMYK 76 / 76 / 0 / 21

HEX #3030C9

RGB 48 48 201

HSL 240, 0.61%, 0.49%

LAB 31.71, 50.75, -77.9

 

CMYK 76 / 12 / 0 / 21

HEX #30B0C9

RGB 48 176 201

HSL 189.8, 0.61%, 0.49%

LAB 66.44, -25.5, -22.51

 

CMYK 87 / 14 / 0 / 13

HEX #1CBDDD

RGB 28 189 221

HSL 189.95, 0.78%, 0.49%

LAB 70.78, -27.19, -26.87

 

CMYK 97 / 16 / 0 / 5

HEX #08CBF1

RGB 8 203 241

HSL 189.79, 0.94%, 0.49%

LAB 75.52, -28.32, -30.41

 

CMYK 76 / 12 / 0 / 21

HEX #30B0C9

RGB 48 176 201

HSL 189.8, 0.61%, 0.49%

LAB 66.44, -25.5, -22.51

 

CMYK 62 / 10 / 0 / 29

HEX #44A2B4

RGB 68 162 180

HSL 189.64, 0.45%, 0.49%

LAB 61.97, -22.06, -17.58

 

CMYK 44 / 7 / 0 / 37

HEX #5994A0

RGB 89 148 160

HSL 190.14, 0.29%, 0.49%

LAB 57.89, -15.94, -12.35

 

CMYK 22 / 4 / 0 / 45

HEX #6D878C

RGB 109 135 140

HSL 189.68, 0.12%, 0.49%

LAB 54.52, -8.06, -5.75

 

CMYK 0 / 6 / 7 / 49

HEX #817978

RGB 129 121 120

HSL 6.67, 0.04%, 0.49%

LAB 51.49, 2.86, 1.64

 

CMYK 76 / 0 / 29 / 21

HEX #30C98E

RGB 48 201 142

HSL 156.86, 0.61%, 0.49%

LAB 72.46, -52.68, 18.55

 

CMYK 76 / 0 / 9 / 21

HEX #30C9B7

RGB 48 201 183

HSL 172.94, 0.61%, 0.49%

LAB 73.43, -42.59, -2.17

 

CMYK 76 / 11 / 0 / 21

HEX #30B2C9

RGB 48 178 201

HSL 189.02, 0.61%, 0.49%

LAB 67.04, -26.51, -21.59

 

CMYK 76 / 32 / 0 / 21

HEX #3089C9

RGB 48 137 201

HSL 205.1, 0.61%, 0.49%

LAB 54.8, -4.31, -40.57

 

CMYK 76 / 52 / 0 / 21

HEX #3061C9

RGB 48 97 201

HSL 220.78, 0.61%, 0.49%

LAB 43.35, 20.46, -58.86

 

CMYK 76 / 13 / 0 / 47

HEX #207586

RGB 32 117 134

HSL 190, 0.61%, 0.33%

LAB 45.29, -18.62, -16.48

 

CMYK 76 / 12 / 0 / 35

HEX #2893A7

RGB 40 147 167

HSL 189.45, 0.61%, 0.41%

LAB 56.2, -22.56, -19.06

 

CMYK 76 / 12 / 0 / 21

HEX #30B0C9

RGB 48 176 201

HSL 189.8, 0.61%, 0.49%

LAB 66.44, -25.5, -22.51

 

CMYK 63 / 10 / 0 / 17

HEX #4EBED4

RGB 78 190 212

HSL 189.85, 0.61%, 0.57%

LAB 71.69, -25, -20.48

 

CMYK 49 / 8 / 0 / 14

HEX #70CADC

RGB 112 202 220

HSL 190, 0.61%, 0.65%

LAB 76.59, -22.16, -17.29

 

CMYK 76 / 13 / 0 / 22

HEX #30AFC8

RGB 48 175 200

HSL 189.87, 0.61%, 0.49%

LAB 66.1, -25.32, -22.47

 

CMYK 49 / 76 / 0 / 21

HEX #6630C9

RGB 102 48 201

HSL 261.18, 0.61%, 0.49%

LAB 36.28, 56.79, -70.22

 

CMYK 0 / 19 / 76 / 21

HEX #C9A330

RGB 201 163 48

HSL 45.1, 0.61%, 0.49%

LAB 68.62, 2.67, 61.09

 

CMYK 76 / 13 / 0 / 22

HEX #30AFC8

RGB 48 175 200

HSL 189.87, 0.61%, 0.49%

LAB 66.1, -25.32, -22.47

 

CMYK 0 / 76 / 11 / 21

HEX #C930B2

RGB 201 48 178

HSL 309.02, 0.61%, 0.49%

LAB 49.19, 71.08, -35.24

 

CMYK 11 / 0 / 76 / 21

HEX #B2C930

RGB 178 201 48

HSL 69.02, 0.61%, 0.49%

LAB 76.95, -26.65, 68.17

 

CMYK 76 / 13 / 0 / 22

HEX #30AFC8

RGB 48 175 200

HSL 189.87, 0.61%, 0.49%

LAB 66.1, -25.32, -22.47

 

CMYK 49 / 76 / 0 / 21

HEX #6630C9

RGB 102 48 201

HSL 261.18, 0.61%, 0.49%

LAB 36.28, 56.79, -70.22

 

CMYK 0 / 65 / 76 / 21

HEX #C94730

RGB 201 71 48

HSL 9.02, 0.61%, 0.49%

LAB 48.43, 50.45, 40.99

 

CMYK 27 / 0 / 76 / 21

HEX #93C930

RGB 147 201 48

HSL 81.18, 0.61%, 0.49%

LAB 74.94, -38.98, 65.57

 

CMYK 76 / 13 / 0 / 22

HEX #30AFC8

RGB 48 175 200

HSL 189.87, 0.61%, 0.49%

LAB 66.1, -25.32, -22.47

 

CMYK 27 / 76 / 0 / 21

HEX #9330C9

RGB 147 48 201

HSL 278.82, 0.61%, 0.49%

LAB 42.05, 64.18, -60.56

 

CMYK 0 / 65 / 76 / 21

HEX #C94730

RGB 201 71 48

HSL 9.02, 0.61%, 0.49%

LAB 48.43, 50.45, 40.99

 

CMYK 49 / 0 / 76 / 21

HEX #66C930

RGB 102 201 48

HSL 98.82, 0.61%, 0.49%

LAB 72.77, -54.34, 62.73

 

Description

Color code: RGB 48 175 200 | qconv.com Color code: RGB 48 175 200 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 48 red, 175 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
48 175 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, 13 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 13% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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