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Color name
RGB 48 34 107

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 48 34 107 it is the complementary color RGB 207 221 148. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 48 34 107. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 48 34 107 shade: RGB 53 34 102, RGB 70 52 121, RGB 87 70 140, RGB 104 88 159 and RGB 121 106 178

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 48 34 107. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 48 34 107 shade: RGB 48 34 107, RGB 31 16 88, RGB 14 0 69, RGB 0 0 50 and RGB 0 0 31

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 48 34 107 shade: RGB 48 34 108, RGB 68 34 108, RGB 88 34 108, RGB 108 34 108 and RGB 108 34 88

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 48 34 107 shade: RGB 48 34 108 and RGB 34 34 108

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 48 34 107 shade matches the following richer shades: RGB 48 34 108, RGB 41 22 120 and RGB 34 11 131

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 48 34 107 shade: RGB 48 34 108, RGB 55 45 96, RGB 62 57 85, RGB 69 68 73 and RGB 76 80 62

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 48 34 107 shade: RGB 34 60 108, RGB 34 40 108, RGB 47 34 108, RGB 67 34 108 and RGB 87 34 108

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 48 34 107 shade: RGB 20 14 45, RGB 34 24 77, RGB 48 34 108, RGB 62 44 139 and RGB 76 54 171

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 48 34 107 shade: RGB 48 34 107, RGB 108 34 80 and RGB 50 108 34

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 48 34 107 shade: RGB 48 34 107, RGB 108 47 34 and RGB 34 108 47

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 48 34 107 shade: RGB 48 34 107, RGB 108 34 80, RGB 94 108 34 and RGB 34 108 62

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 48 34 107 shade: RGB 48 34 107, RGB 108 34 57, RGB 94 108 34 and RGB 34 108 85

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 68 / 0 / 58

HEX #30226B

RGB 48 34 107

HSL 251.51, 0.52%, 0.28%

LAB 19.37, 27.7, -40.5

 

Complementary color

CMYK 6 / 0 / 33 / 13

HEX #CFDD94

RGB 207 221 148

HSL 71.51, 0.52%, 0.72%

LAB 85.56, -16.29, 34.33

 

CMYK 48 / 67 / 0 / 60

HEX #352266

RGB 53 34 102

HSL 256.76, 0.5%, 0.27%

LAB 19.48, 27.14, -37.04

 

CMYK 42 / 57 / 0 / 53

HEX #463479

RGB 70 52 121

HSL 255.65, 0.4%, 0.34%

LAB 27.13, 25.72, -36.82

 

CMYK 38 / 50 / 0 / 45

HEX #57468C

RGB 87 70 140

HSL 254.57, 0.33%, 0.41%

LAB 34.6, 24.48, -36.58

 

CMYK 35 / 45 / 0 / 38

HEX #68589F

RGB 104 88 159

HSL 253.52, 0.29%, 0.48%

LAB 41.88, 23.41, -36.39

 

CMYK 32 / 40 / 0 / 30

HEX #796AB2

RGB 121 106 178

HSL 252.5, 0.32%, 0.56%

LAB 48.99, 22.49, -36.26

 

CMYK 55 / 68 / 0 / 58

HEX #30226B

RGB 48 34 107

HSL 251.51, 0.52%, 0.28%

LAB 19.37, 27.7, -40.5

 

CMYK 65 / 82 / 0 / 65

HEX #1F1058

RGB 31 16 88

HSL 252.5, 0.69%, 0.2%

LAB 11.73, 29.39, -40.47

 

CMYK 80 / 100 / 0 / 73

HEX #0E0045

RGB 14 0 69

HSL 252.17, 1%, 0.14%

LAB 4.72, 28.86, -38.93

 

CMYK 100 / 100 / 0 / 80

HEX #000032

RGB 0 0 50

HSL 240, 1%, 0.1%

LAB 2.08, 14.62, -29.45

 

CMYK 100 / 100 / 0 / 88

HEX #00001F

RGB 0 0 31

HSL 240, 1%, 0.06%

LAB 0.89, 6.28, -16.61

 

CMYK 56 / 69 / 0 / 58

HEX #30226C

RGB 48 34 108

HSL 251.35, 0.52%, 0.28%

LAB 19.45, 28.03, -41.01

 

CMYK 37 / 69 / 0 / 58

HEX #44226C

RGB 68 34 108

HSL 267.57, 0.52%, 0.28%

LAB 21.78, 32.42, -37.12

 

CMYK 19 / 69 / 0 / 58

HEX #58226C

RGB 88 34 108

HSL 283.78, 0.52%, 0.28%

LAB 24.64, 37.38, -32.37

 

CMYK 0 / 69 / 0 / 58

HEX #6C226C

RGB 108 34 108

HSL 300, 0.52%, 0.28%

LAB 27.89, 42.58, -27.01

 

CMYK 0 / 69 / 19 / 58

HEX #6C2258

RGB 108 34 88

HSL 316.22, 0.52%, 0.28%

LAB 26.84, 39.1, -15.63

 

CMYK 56 / 69 / 0 / 58

HEX #30226C

RGB 48 34 108

HSL 251.35, 0.52%, 0.28%

LAB 19.45, 28.03, -41.01

 

CMYK 69 / 69 / 0 / 58

HEX #22226C

RGB 34 34 108

HSL 240, 0.52%, 0.28%

LAB 18.22, 25.53, -43.08

 

CMYK 56 / 69 / 0 / 58

HEX #30226C

RGB 48 34 108

HSL 251.35, 0.52%, 0.28%

LAB 19.45, 28.03, -41.01

 

CMYK 66 / 82 / 0 / 53

HEX #291678

RGB 41 22 120

HSL 251.63, 0.69%, 0.28%

LAB 17.47, 37.85, -52.05

 

CMYK 74 / 92 / 0 / 49

HEX #220B83

RGB 34 11 131

HSL 251.5, 0.85%, 0.28%

LAB 16.59, 45.3, -60.53

 

CMYK 56 / 69 / 0 / 58

HEX #30226C

RGB 48 34 108

HSL 251.35, 0.52%, 0.28%

LAB 19.45, 28.03, -41.01

 

CMYK 43 / 53 / 0 / 62

HEX #372D60

RGB 55 45 96

HSL 251.76, 0.36%, 0.28%

LAB 22.07, 18.47, -28.92

 

CMYK 27 / 33 / 0 / 67

HEX #3E3955

RGB 62 57 85

HSL 250.71, 0.2%, 0.28%

LAB 25.58, 9.22, -16.12

 

CMYK 5 / 7 / 0 / 71

HEX #454449

RGB 69 68 73

HSL 252, 0.04%, 0.28%

LAB 29.11, 1.55, -2.86

 

CMYK 5 / 0 / 23 / 69

HEX #4C503E

RGB 76 80 62

HSL 73.33, 0.13%, 0.28%

LAB 33.18, -5.25, 10.09

 

CMYK 69 / 44 / 0 / 58

HEX #223C6C

RGB 34 60 108

HSL 218.92, 0.52%, 0.28%

LAB 25.73, 7.27, -30.94

 

CMYK 69 / 63 / 0 / 58

HEX #22286C

RGB 34 40 108

HSL 235.14, 0.52%, 0.28%

LAB 19.8, 21.39, -40.49

 

CMYK 56 / 69 / 0 / 58

HEX #2F226C

RGB 47 34 108

HSL 250.54, 0.52%, 0.28%

LAB 19.35, 27.83, -41.18

 

CMYK 38 / 69 / 0 / 58

HEX #43226C

RGB 67 34 108

HSL 266.76, 0.52%, 0.28%

LAB 21.65, 32.19, -37.34

 

CMYK 19 / 69 / 0 / 58

HEX #57226C

RGB 87 34 108

HSL 282.97, 0.52%, 0.28%

LAB 24.49, 37.12, -32.62

 

CMYK 56 / 69 / 0 / 82

HEX #140E2D

RGB 20 14 45

HSL 251.61, 0.53%, 0.12%

LAB 5.89, 12.17, -19.55

 

CMYK 56 / 69 / 0 / 70

HEX #22184D

RGB 34 24 77

HSL 251.32, 0.52%, 0.2%

LAB 12.79, 21.06, -31.21

 

CMYK 56 / 69 / 0 / 58

HEX #30226C

RGB 48 34 108

HSL 251.35, 0.52%, 0.28%

LAB 19.45, 28.03, -41.01

 

CMYK 55 / 68 / 0 / 45

HEX #3E2C8B

RGB 62 44 139

HSL 251.37, 0.52%, 0.36%

LAB 25.83, 34.6, -50.24

 

CMYK 56 / 68 / 0 / 33

HEX #4C36AB

RGB 76 54 171

HSL 251.28, 0.52%, 0.44%

LAB 32.07, 41.18, -59.51

 

CMYK 55 / 68 / 0 / 58

HEX #30226B

RGB 48 34 107

HSL 251.51, 0.52%, 0.28%

LAB 19.37, 27.7, -40.5

 

CMYK 0 / 69 / 26 / 58

HEX #6C2250

RGB 108 34 80

HSL 322.7, 0.52%, 0.28%

LAB 26.48, 37.87, -10.89

 

CMYK 54 / 0 / 69 / 58

HEX #326C22

RGB 50 108 34

HSL 107.03, 0.52%, 0.28%

LAB 40.44, -34.03, 34.52

 

CMYK 55 / 68 / 0 / 58

HEX #30226B

RGB 48 34 107

HSL 251.51, 0.52%, 0.28%

LAB 19.37, 27.7, -40.5

 

CMYK 0 / 56 / 69 / 58

HEX #6C2F22

RGB 108 47 34

HSL 10.54, 0.52%, 0.28%

LAB 27.67, 26.11, 21.25

 

CMYK 69 / 0 / 56 / 58

HEX #226C2F

RGB 34 108 47

HSL 130.54, 0.52%, 0.28%

LAB 40.03, -36.68, 27.36

 

CMYK 55 / 68 / 0 / 58

HEX #30226B

RGB 48 34 107

HSL 251.51, 0.52%, 0.28%

LAB 19.37, 27.7, -40.5

 

CMYK 0 / 69 / 26 / 58

HEX #6C2250

RGB 108 34 80

HSL 322.7, 0.52%, 0.28%

LAB 26.48, 37.87, -10.89

 

CMYK 13 / 0 / 69 / 58

HEX #5E6C22

RGB 94 108 34

HSL 71.35, 0.52%, 0.28%

LAB 43.09, -16.58, 38.15

 

CMYK 69 / 0 / 43 / 58

HEX #226C3E

RGB 34 108 62

HSL 142.7, 0.52%, 0.28%

LAB 40.27, -34.04, 19.26

 

CMYK 55 / 68 / 0 / 58

HEX #30226B

RGB 48 34 107

HSL 251.51, 0.52%, 0.28%

LAB 19.37, 27.7, -40.5

 

CMYK 0 / 69 / 47 / 58

HEX #6C2239

RGB 108 34 57

HSL 341.35, 0.52%, 0.28%

LAB 25.65, 34.9, 3.33

 

CMYK 13 / 0 / 69 / 58

HEX #5E6C22

RGB 94 108 34

HSL 71.35, 0.52%, 0.28%

LAB 43.09, -16.58, 38.15

 

CMYK 69 / 0 / 21 / 58

HEX #226C55

RGB 34 108 85

HSL 161.35, 0.52%, 0.28%

LAB 40.77, -28.7, 6.3

 

Description

Color code: RGB 48 34 107 | qconv.com Color code: RGB 48 34 107 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 48 red, 34 green and 107 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
48 34 107 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, 68 magenta, none yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 68% 0% 58% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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