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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 49 69 47 it is the complementary color RGB 206 186 208. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 49 69 47. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 49 69 47 shade: RGB 54 69 42, RGB 71 87 61, RGB 88 105 80, RGB 105 123 99 and RGB 122 141 118

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 49 69 47. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 49 69 47 shade: RGB 49 69 47, RGB 32 51 28, RGB 15 33 9 and RGB 0 15 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 49 69 47 shade: RGB 49 69 47, RGB 55 69 47, RGB 61 69 47, RGB 67 69 47 and RGB 69 66 47

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 49 69 47 shade: RGB 49 69 47, RGB 47 69 51, RGB 47 69 57, RGB 47 69 63 and RGB 47 69 69

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 49 69 47 shade matches the following richer shades: RGB 49 69 47, RGB 41 79 38, RGB 33 88 28, RGB 26 98 19 and RGB 18 107 9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 49 69 47 shade: RGB 49 69 47, RGB 57 60 56, RGB 65 50 66, RGB 72 41 75 and RGB 80 31 85

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 49 69 47 shade: RGB 61 69 47, RGB 55 69 47, RGB 49 69 47, RGB 47 69 51 and RGB 47 69 57

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 49 69 47 shade: RGB 14 20 14, RGB 32 45 30, RGB 49 69 47, RGB 66 94 64 and RGB 84 118 80

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 49 69 47 shade: RGB 49 69 47, RGB 47 67 69 and RGB 69 47 58

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 49 69 47 shade: RGB 49 69 47, RGB 47 49 69 and RGB 69 47 49

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 49 69 47 shade: RGB 49 69 47, RGB 47 67 69, RGB 67 47 69 and RGB 69 49 47

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 49 69 47 shade: RGB 49 69 47, RGB 47 60 69, RGB 67 47 69 and RGB 69 56 47

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 0 / 32 / 73

HEX #31452F

RGB 49 69 47

HSL 114.55, 0.19%, 0.23%

LAB 27.06, -13.02, 10.83

 

Complementary color

CMYK 1 / 11 / 0 / 18

HEX #CEBAD0

RGB 206 186 208

HSL 294.55, 0.19%, 0.77%

LAB 77.75, 11.02, -8.47

 

CMYK 22 / 0 / 39 / 73

HEX #36452A

RGB 54 69 42

HSL 93.33, 0.24%, 0.22%

LAB 27.32, -11.83, 14.41

 

CMYK 18 / 0 / 30 / 66

HEX #47573D

RGB 71 87 61

HSL 96.92, 0.18%, 0.29%

LAB 34.99, -11.71, 13.12

 

CMYK 16 / 0 / 24 / 59

HEX #586950

RGB 88 105 80

HSL 100.8, 0.14%, 0.36%

LAB 42.39, -11.61, 11.98

 

CMYK 15 / 0 / 20 / 52

HEX #697B63

RGB 105 123 99

HSL 105, 0.11%, 0.44%

LAB 49.58, -11.51, 10.95

 

CMYK 13 / 0 / 16 / 45

HEX #7A8D76

RGB 122 141 118

HSL 109.57, 0.09%, 0.51%

LAB 56.58, -11.44, 10.01

 

CMYK 29 / 0 / 32 / 73

HEX #31452F

RGB 49 69 47

HSL 114.55, 0.19%, 0.23%

LAB 27.06, -13.02, 10.83

 

CMYK 37 / 0 / 45 / 80

HEX #20331C

RGB 32 51 28

HSL 109.57, 0.29%, 0.15%

LAB 19.05, -13.29, 12.21

 

CMYK 55 / 0 / 73 / 87

HEX #0F2109

RGB 15 33 9

HSL 105, 0.57%, 0.08%

LAB 10.62, -13.42, 11.88

 

CMYK 100 / 0 / 100 / 94

HEX #000F00

RGB 0 15 0

HSL 120, 1%, 0.03%

LAB 3.09, -6.3, 4.51

 

CMYK 29 / 0 / 32 / 73

HEX #31452F

RGB 49 69 47

HSL 114.55, 0.19%, 0.23%

LAB 27.06, -13.02, 10.83

 

CMYK 20 / 0 / 32 / 73

HEX #37452F

RGB 55 69 47

HSL 98.18, 0.19%, 0.23%

LAB 27.5, -10.5, 11.5

 

CMYK 12 / 0 / 32 / 73

HEX #3D452F

RGB 61 69 47

HSL 81.82, 0.19%, 0.23%

LAB 27.99, -7.85, 12.24

 

CMYK 3 / 0 / 32 / 73

HEX #43452F

RGB 67 69 47

HSL 65.45, 0.19%, 0.23%

LAB 28.52, -5.12, 13.06

 

CMYK 0 / 4 / 32 / 73

HEX #45422F

RGB 69 66 47

HSL 51.82, 0.19%, 0.23%

LAB 27.76, -2.31, 12.05

 

CMYK 29 / 0 / 32 / 73

HEX #31452F

RGB 49 69 47

HSL 114.55, 0.19%, 0.23%

LAB 27.06, -13.02, 10.83

 

CMYK 32 / 0 / 26 / 73

HEX #2F4533

RGB 47 69 51

HSL 130.91, 0.19%, 0.23%

LAB 27.02, -12.99, 8.18

 

CMYK 32 / 0 / 17 / 73

HEX #2F4539

RGB 47 69 57

HSL 147.27, 0.19%, 0.23%

LAB 27.17, -11.62, 4.51

 

CMYK 32 / 0 / 9 / 73

HEX #2F453F

RGB 47 69 63

HSL 163.64, 0.19%, 0.23%

LAB 27.35, -10.12, 0.86

 

CMYK 32 / 0 / 0 / 73

HEX #2F4545

RGB 47 69 69

HSL 180, 0.19%, 0.23%

LAB 27.55, -8.51, -2.77

 

CMYK 29 / 0 / 32 / 73

HEX #31452F

RGB 49 69 47

HSL 114.55, 0.19%, 0.23%

LAB 27.06, -13.02, 10.83

 

CMYK 48 / 0 / 52 / 69

HEX #294F26

RGB 41 79 38

HSL 115.61, 0.35%, 0.23%

LAB 29.92, -23.14, 20.02

 

CMYK 63 / 0 / 68 / 65

HEX #21581C

RGB 33 88 28

HSL 115, 0.52%, 0.23%

LAB 32.67, -31.26, 28.66

 

CMYK 73 / 0 / 81 / 62

HEX #1A6213

RGB 26 98 19

HSL 114.68, 0.68%, 0.23%

LAB 35.99, -37.85, 36.04

 

CMYK 83 / 0 / 92 / 58

HEX #126B09

RGB 18 107 9

HSL 114.49, 0.84%, 0.23%

LAB 39.01, -43.05, 41.86

 

CMYK 29 / 0 / 32 / 73

HEX #31452F

RGB 49 69 47

HSL 114.55, 0.19%, 0.23%

LAB 27.06, -13.02, 10.83

 

CMYK 5 / 0 / 7 / 76

HEX #393C38

RGB 57 60 56

HSL 105, 0.03%, 0.23%

LAB 24.91, -2.18, 2.03

 

CMYK 2 / 24 / 0 / 74

HEX #413242

RGB 65 50 66

HSL 296.25, 0.14%, 0.23%

LAB 22.99, 10.14, -7.41

 

CMYK 4 / 45 / 0 / 71

HEX #48294B

RGB 72 41 75

HSL 294.71, 0.29%, 0.23%

LAB 21.84, 20.87, -15.17

 

CMYK 6 / 64 / 0 / 67

HEX #501F55

RGB 80 31 85

HSL 294.44, 0.47%, 0.23%

LAB 21.36, 31.62, -22.55

 

CMYK 12 / 0 / 32 / 73

HEX #3D452F

RGB 61 69 47

HSL 81.82, 0.19%, 0.23%

LAB 27.99, -7.85, 12.24

 

CMYK 20 / 0 / 32 / 73

HEX #37452F

RGB 55 69 47

HSL 98.18, 0.19%, 0.23%

LAB 27.5, -10.5, 11.5

 

CMYK 29 / 0 / 32 / 73

HEX #31452F

RGB 49 69 47

HSL 114.55, 0.19%, 0.23%

LAB 27.06, -13.02, 10.83

 

CMYK 32 / 0 / 26 / 73

HEX #2F4533

RGB 47 69 51

HSL 130.91, 0.19%, 0.23%

LAB 27.02, -12.99, 8.18

 

CMYK 32 / 0 / 17 / 73

HEX #2F4539

RGB 47 69 57

HSL 147.27, 0.19%, 0.23%

LAB 27.17, -11.62, 4.51

 

CMYK 30 / 0 / 30 / 92

HEX #0E140E

RGB 14 20 14

HSL 120, 0.18%, 0.07%

LAB 5.65, -3.44, 2.46

 

CMYK 29 / 0 / 33 / 82

HEX #202D1E

RGB 32 45 30

HSL 112, 0.2%, 0.15%

LAB 16.88, -9.24, 7.96

 

CMYK 29 / 0 / 32 / 73

HEX #31452F

RGB 49 69 47

HSL 114.55, 0.19%, 0.23%

LAB 27.06, -13.02, 10.83

 

CMYK 30 / 0 / 32 / 63

HEX #425E40

RGB 66 94 64

HSL 116, 0.19%, 0.31%

LAB 36.99, -17.1, 13.96

 

CMYK 29 / 0 / 32 / 54

HEX #547650

RGB 84 118 80

HSL 113.68, 0.19%, 0.39%

LAB 46.21, -20.24, 17.15

 

CMYK 29 / 0 / 32 / 73

HEX #31452F

RGB 49 69 47

HSL 114.55, 0.19%, 0.23%

LAB 27.06, -13.02, 10.83

 

CMYK 32 / 3 / 0 / 73

HEX #2F4345

RGB 47 67 69

HSL 185.45, 0.19%, 0.23%

LAB 26.87, -7.27, -3.77

 

CMYK 0 / 32 / 16 / 73

HEX #452F3A

RGB 69 47 58

HSL 330, 0.19%, 0.23%

LAB 22.32, 12.1, -2.96

 

CMYK 29 / 0 / 32 / 73

HEX #31452F

RGB 49 69 47

HSL 114.55, 0.19%, 0.23%

LAB 27.06, -13.02, 10.83

 

CMYK 32 / 29 / 0 / 73

HEX #2F3145

RGB 47 49 69

HSL 234.55, 0.19%, 0.23%

LAB 20.94, 4.6, -12.74

 

CMYK 0 / 32 / 29 / 73

HEX #452F31

RGB 69 47 49

HSL 354.55, 0.19%, 0.23%

LAB 22.02, 10.42, 2.73

 

CMYK 29 / 0 / 32 / 73

HEX #31452F

RGB 49 69 47

HSL 114.55, 0.19%, 0.23%

LAB 27.06, -13.02, 10.83

 

CMYK 32 / 3 / 0 / 73

HEX #2F4345

RGB 47 67 69

HSL 185.45, 0.19%, 0.23%

LAB 26.87, -7.27, -3.77

 

CMYK 3 / 32 / 0 / 73

HEX #432F45

RGB 67 47 69

HSL 294.55, 0.19%, 0.23%

LAB 22.5, 13.66, -10.16

 

CMYK 0 / 29 / 32 / 73

HEX #45312F

RGB 69 49 47

HSL 5.45, 0.19%, 0.23%

LAB 22.54, 8.75, 4.84

 

CMYK 29 / 0 / 32 / 73

HEX #31452F

RGB 49 69 47

HSL 114.55, 0.19%, 0.23%

LAB 27.06, -13.02, 10.83

 

CMYK 32 / 13 / 0 / 73

HEX #2F3C45

RGB 47 60 69

HSL 204.55, 0.19%, 0.23%

LAB 24.53, -2.8, -7.27

 

CMYK 3 / 32 / 0 / 73

HEX #432F45

RGB 67 47 69

HSL 294.55, 0.19%, 0.23%

LAB 22.5, 13.66, -10.16

 

CMYK 0 / 19 / 32 / 73

HEX #45382F

RGB 69 56 47

HSL 24.55, 0.19%, 0.23%

LAB 24.64, 4.13, 7.78

 

Description

Color code: RGB 49 69 47 | qconv.com Color code: RGB 49 69 47 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 49 red, 69 green and 47 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
49 69 47 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, none magenta, 32 yellow and 73 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 0% 32% 73% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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